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The A-side lights up with the dizzying break-juggling ruffness of 'Lights On', a surefire call to squeeze the last juice from the party, while 'Bobbi' opens the B side treading an artful line between deep and depraved as immersive tones face off against taut, driving rhythms. 'Sargasso Sea' smooths the proceedings out good and proper in true B2 style with a pitched-down slice of soul-charged broken beat that smacks where it counts, Borai's established instinct for forward-facing melody shining through in the interplay between 90s keys, diva vocal samples and illustrious pads.
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Don't get duped; Janaway might sound like an oldskool artist, but this is actually one of many recent cases of a contemporary artist operating under a retroistic guise. Jungle and breakbeat are Janaway's modus operandi, with them already having released two blazing heaters on mega-exclusivist white label wax for the niche imprint Mined Records. Now they debut their first solo venture for Sub Code: 'Inna The Dance' catapults us into four rave-twisted breaks smashers, from '24-7 Soundclash' to 'Sensi Lover'.
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