Search dance music

Notes: The top cover story this issue: the Futuristic Sounds of the Yardbirds; writer Peter Stanfield explores their change of direction in 1965, their rivalry with The Who and lots more. Also featured: Detroit rock pioneers the Chosen Few, the band that spawned future members of SRC and the Stooges, the compelling story of UK '70s punk outsiders the Subway Sect as told by guitarist Rob Symmons; '70s power pop princes the Paley Brothers; Viennese proto-punk anarchists Novaks Kapelle; the sixties adventures of Matthew and Daniel Moore (the Moon, Colours, Matthew Moore Plus Four); and a fascinating study of the beat music industry behind the Iron Curtain during the Cold War. Plus: Moby Grape, the Ascots, Cyril Jordan on Little Richard, and our meticulous review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books. (152 pages)

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Notes: This issue features a major cover story on British Mod R&B heroes the Artwoods by Mike Stax, while Pop Art paintermen the Creation are the subject of a brilliant new fact-finding mission by Peter Stanfield. Doug Sheppard reveals the true story of '70s hard rock mystery group Stonewall and their mega-rare private press tax scam LP, Moby Grape's Don Stevenson shares photos and secrets from his early history, and there are interviews with pre-teen pop prodigy Mark Radice, and UK label head and A&R genius Andrew Lauder. Also: '60s Miami garage girls the Belles (of "Melvin" fame), Minnesota psych monsters C.A. Quintet, sublime singer-songwriter Fred Neil, a Doors/Sons of Adam love triangle, Laurie Anderson on Lou Reed, Cyril Jordan on the Yardbirds, and much more including our remarkable review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books. (144 pages)

Notes: Outer Sleeves - 3 mil HDPP, Crystal Clear, Wrinkle-Free

Beautiful Heavy-Duty Protection

Vinyl record outer sleeves by Big Fudge are made from durable, crystal clear high-density polypropylene. Unlike industry-standard polyethylene record sleeves, which are opaque and easily clouded, our outer sleeves allow your album art to stand out and last longer.

Like all our other products, our outer record sleeves are designed by record geeks who want to make products worthy of their own standards. Other protective covers may split at the seams or wrinkle, but our sleeves are designed to forego all of those issues. These clear vinyl sleeves will fit both single LPs comfortably and accommodate your prized gatefold or double albums snugly. Big Fudge have streamlined the vinyl outer sleeve design further by removing the bulk that resealable flaps cause in other brands' sleeve styles.

These vinyl record outer sleeves will fit single records, gatefold, or double albums comfortably.

Notes: HumminGuru 12" Anti-Static Inner Sleeves

Quantity:50 Pack
Material: HDPE
Color:Translucent White
Product Size:30.6 x 31.6 cm | 0.04 mm / 1.5 mil thick

Acid-free
Anti-static HDPE
Round bottom
Archival quality

Notes: The Vinyl Tonic 7" Storage Case is the perfect storage solution for all of your precious vinyl. The storage case can hold up to x35 7" vinyl records and has a stylish design with a sturdy shaped handle. The storage case is constructed from aluminium, steel and wood, with reinforced steel corners for added durability and a front latch to keep your records safe and secure. The case also has a fully lined interior, all designed to keep your vinyl records from damage. The storage case also comes with a free microfibre cloth to keep your vinyl records clean and sounding their best.

Box contents:

x1 7" vinyl record LP storage case (black)
x1 30cm x 30cm microfibre cloth

Notes: The Great Wave Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using our hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Additional information

Weight: 0.2 g
Size: 12"
Pair of Slipmats

Notes: Protective outer record sleeves

Provides a lifetime of protection for your valuable record collection

50x 3-mil polyethylene sleeves
12.75" x 12.75"
No flap
Fits one 12" standard single or gatefold jacket

Notes: The Drexciyan Empire presents A Drexicyan Duo Story (Featuring The Brothers Bounce) - 'Mayhem in Mu!!'

New Drexciya comic from AbuQadim Haqq

Please note: this is a comic rather than a graphic novel

Notes: Paradise Garage Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: 0.09" (3/32")

Additional information
Weight: 0.2 g
Size: 12"
Pair of Slipmats

Notes: Skull Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Additional information

Weight: 0.2 g
Size: 12"
Pair of Slipmats

Notes: Multicoloured Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using our hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Want to use your own image? Click here to check out our personalised slipmats!

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Notes: The Bowie Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using our hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Additional information
Weight: 0.2 g
Size: 12"
Pair of Slipmats

Notes: Stormtrooper Strobe Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: 0.09"

Weight: 0.2 g
Size: 12"
Pair of slipmats

Notes: Wavy Cork Slipmats, printed using the latest technology on high density cork.

Material Specs Colour: Tan
Material: Cork
Dimensions: 11.75" Diameter
Thickness: 0.25 (1/4")
Bottom Surface: Plain surface
Grade: Strong High Quality
Feel: Dense / Firm Purpose:
High Quality Audiophile Vinyl Listening

Additional information

Weight: 150 g
Single Slipmat

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm stainless steel screw comes with a black nylon washer in a black tin.

Notes: Give your vinyl records the protection they deserve with HumminGuru 12" Protective Outer Record Sleeves! These sleeves are made from heavy-duty 3.5 MIL polypropylene, which is a high-density material that won't easily cloud and will add a layer of superior protection against dust, scratches, and blemishes. The sleeves are crystal clear, allowing you to easily view the artwork and labels on your favourite albums. Measuring 12.75" x 12.75" (32.5 x 32.5 cm), they fit both single and double LPs perfectly. This 50-pack of sleeves is a great value and ideal for anyone who wants to keep their vinyl collection in excellent condition.

Quantity: 50 Pack
Material: HDPP
Color:Transparent
Product Size: 32.5 x 32.5 cm | 0.09 mm / 3.5 mil thick

Acid-free
High-density polypropylene
Crystal clear
Fits single & double LP
Archival quality

Notes: Standard audio cable in slimline design. for audio between TX-6 and synthesizers or speakers. Sync your pocket operators to OP-1 or use it for TRS MIDI.

Stereo mini jack audio cable
Shielded, narrow profile, specially designed for teenage engineering devices
Length: 1200 mm

Notes: The CL-120 is an upgrade and a relaunch of Nagaoka's standard record cleaner "Argent", which boasts a history of more than half a century since its launch.

The velvet on the cleaning surface was reviewed and a high-density woven velvet has been newly added, that is ideal for the sound grooves of the record, further enhancing the cleaning effect and removing fine dust from the record.

The tray comes with a dedicated brush that keeps the cleaning surface clean.

The body is pearl-coated and has the image of the design at the time of its release, and its shape inherits the Argent tradition.

By using it together with the two types of record cleaning sprays released by Nagaoka, "Clear Tone" (SP-558) and "Clean Up" (SP-601) , the cleaning effect is even greater.

Body dimensions (when stored in case):

Width: 116mm x Depth: 42mm x Height: 35mm

Body weight (when case is stored): 40g

Notes: UV Blacklight Slipmats

1 Packaged Pair of Professional Grade Slipmats

Glowtronics' new UV/Blacklight Activated Slipmat use full colour dye sublimation printing process to achieve the bright glowing printed designs.

Place a blacklight close to the slipmats and watch the UV colours shred through the darkness!!!

These slipmats come with Glowtronics' specialized Glazed bottom surface, which has become the industries professional standard in slipmats.

So.... you can throw your wax paper and plastics in the trash; this Glazed surface is putting "SLIP" back into SLIPMAT.

UV / Blacklight can not be 100% colour matched, UV inks alter certain colours when printed.

Weight: 0.35 lbs
Dimensions: 14 × 11 × .15 in

Notes: UV Blacklight Slipmats

1 Packaged Pair of Professional Grade Slipmats

Glowtronics new UV/Blacklight Activated Slipmat use full colour dye sublimation printing process to achieve the bright glowing printed designs.

Place a blacklight close to the slipmats and watch the UV colours shred through the darkness!!!

These slipmats come with Glowtronics' specialized Glazed bottom surface, which has become the industry's professional standard in slipmats.

So.... you can throw your wax paper and plastics in the trash; this Glazed surface is putting "SLIP" back into SLIPMAT.

UV / Blacklight can not be 100% colour matched, UV inks alter certain colours when printed.


Weight: 0.35 lbs
Dimensions: 14 × 11 × .15 in

Notes: The follow-up to Janette Beckman's, Hip Hop Years New York 1982-1992.

British-born photographer Janette Beckman began her career at the dawn of punk rock working for music magazines The Face and Melody Maker. She shot bands including the Clash, the Specials, Boy George and the Jam as well as three Police album covers.

Drawn to the underground hip-hop scene, she moved to NYC in 1983 and photographed pioneers such as Run DMC, Slick Rick, Salt-N-Pepa, Grand Master Flash, LL Cool J and more.

Beckman has published four books : 'Made in the UK, Music of Attitude 1977-1982', 'The Breaks Stylin' and Profilin'1982-1990' 'El Hoyo Maravilla' and in 2018 'The MashUp' a collection of her Hip Hop photographs reinterpreted by legendary graffiti artists.

Her work has been exhibited in galleries worldwide and is in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, Marseille Musee des Civilisations de l'Europe, and the Tokyo Nakamura Keith Haring Collection

She lives and works in New York, clients include Levi's and Dior.

36 pages
Printed in England
Staple bound
14cm x 20cm

Notes: Replacement Styli for 36-44C, N-44C (Shure) Blue Conical Tip

A popular replacement stylus. Individually packed in a plastic case. Made in Japan.

Colour: Blue
Product Dimensions (mm): 11x20x10
Net weight (kg): 0.01

Notes: A 4 ft Type B MIDI Adapter

This cable enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks that use the Type B standard. The adapter cable has a male stereo minijack at one end, and a male 5 pin DIN MIDI connector on the other, and is 1.42 meters/4' 8" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Early 1010music music products use the Type B mapping of MIDI signals to stereo minijacks. Bitbox mk2 and bitbox micro can use mini TRS Type A or Type B for MIDI inputs. Bitbox micro uses Type B for MIDI outputs.

The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of the connection components of a stereo minijack. Type B products are compatible with cables that use the following mapping of MIDI signals between female MIDI connectors and stereo minijacks.

Notes: A Digital DJ looking for a professional, durable case solution for your Pioneer Recordbox DVS Interface 2? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Pioneer Recordbox DVS Interface 2, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,54 kg / 1.188 lbs
Outer Dimensions (W x H x D): 18.7 x 17.3 x 4.5 cm | 7.3 x 6.8 x 1.8 inch
Inner Dimensions (W x H x D): N/A
Material: Durashock moulded EVA foam
Protection: Water repellent laminated nylon exterior
Black soft fleece interior

Extras

Easy grip zipper puller

Fits: Pioneer Recordbox DVS Interface 2

Notes: The Great Wave Cork Slipmat, printed using the latest technology on high density cork.

Material Specs Colour: Tan
Material: Cork
Dimensions: 11.75" Diameter
Thickness: 0.25 (1/4")
Bottom Surface: Plain surface
Grade: Strong High Quality
Feel: Dense / Firm Purpose:
High Quality Audiophile Vinyl Listening

Additional information

Weight: 150 g
Single Slipmat

Notes: The Maze Cork Slipmats, printed using the latest technology on high density cork.

Material Specs Colour: Tan
Material: Cork
Dimensions: 11.75" Diameter
Thickness: 0.25 (1/4")
Bottom Surface: Plain surface
Grade: Strong High Quality
Feel: Dense / Firm Purpose:
High Quality Audiophile Vinyl Listening

Weigjht: 150 g
Single Slipmat

Notes: Swirl Cork Slipmats, printed using the latest technology on high density cork.

Material Specs Colour: Tan
Material: Cork
Dimensions: 11.75" Diameter
Thickness: 0.25 (1/4")
Bottom Surface: Plain surface
Grade: Strong High Quality
Feel: Dense / Firm Purpose:
High Quality Audiophile Vinyl Listening

Additional information

Weight: 150 g
Single Slipmat

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: This is a pack of five, 18" skinny patch cables for Eurorack. Colour is blue.

Notes: These are right angle patch cables for Eurorack. Colour is blue, pack of 5 cables.

Notes: These are right angle patch cables for Eurorack. Colour is black, pack of 5 cables.

Notes: Paradise Garage Turntable Slipmats 7", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 7" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: 0.09" (3/32")

Additional information

Weight: 0.2 g
SIZE: 7"
Pair of Slipmats

Notes: Paradise Garage Cork Slipmats, printed using the latest technology on high density cork.

Material Specs Color: Tan
Material: Cork
Dimensions: 11.75" Diameter
Thickness: 0.25 (1/4")
Bottom Surface: Plain surface
Grade: Strong High Quality
Feel: Dense / Firm Purpose:
High Quality Audiophile Vinyl Listening

Additional information

Weight: 150 g
Single Slipmat

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm black steel screw comes with a black nylon washer in a gold tin.

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Special Size M2.5 X 8mm stainless steel screw comes with a black nylon washer in a silver tin.

Notes: These groovy slipmats from the Glowtronics glow-in-the-dark series don't really need any further explanation. The design speaks for itself!

Notes: Right angle cable length is not including the connectors (plugs).

12"= 30 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.

Notes: The Reloop SPIN cartridge system is suitable for scratching, due to the spherical stylus, and is ideally suited for the portable playback of records. With a high tracking ability, the cartridge always stays in the record groove and does not jump, even during fast manoeuvres. In addition, the stylus has a positive effect on vinyl wear.

Technical data:

Frequency range: 100 Hz - 10 kHz
Output voltage (3.54 cm/s): 180 - 360 mV
Tracking force range: 4 - 6 g
Recommended tracking force: 5 g
Weight: 1.8 g (+/- 0.5 g)

Review: A multi region Blu-ray edition of the classic album by the Alan Parsons Project.

Remastered and remixed from the original master tapes by Alan Parsons.

Featuring a stunning new 5.1 surround sound from the original multi-track master tapes by Alan Parsons and 4 promotional videos.

Includes an illustrated booklet with new essay.

First released in November 1980, 'The Turn Of A Friendly Card' was the fifth album by The Alan Parsons Project, the brainchild of composer, musician and manger Eric Woolfson and celebrated producer and engineer Alan Parsons.

Inspired by their time in Monte Carlo, this legendary album was recorded in Paris. The album sessions featured the contribution of musicians such as Ian Bairnson (guitars), David Paton (bass), Stuart Elliott (drums) with Eric Woolfson playing keyboards and providing lead vocals, along with Elmer Gantry, Chris Rainbow and Lenny Zakatek.

It became one of the biggest selling albums for The Alan Parsons Project, attaining gold status in many European countries and the USA.

Notes: Love You Madly is an Emmy-nominated behind-the-scenes profile of Ellington including performances and interviews with the legendary bandleader. The performance footage was recorded in a number of places, from The Basin St. West Jazz Club, the 1965 Monterey Jazz Festival, and his first Concert of Sacred Music at Grace Cathedral. This program was described by Ellington in his autobiography as "the best film about Duke Ellington ever made".

A Concert of Sacred Music At Grace Cathedral (also an Emmy-nominated program) is a rare piece of history. Filmed on location at the premier performance on September 16, 1965, it is the first of what would be 3 Concerts of Sacred Music composed by Ellington between 1965 and 1973. These pieces combined classical, jazz, spirituals, gospel, blues music and dance and were performed in churches and cathedrals around the world. This Concert of Sacred Music was commissioned by the Dean of Grace Cathedral as part of a yearlong celebration for the completion and consecration of the Cathedral.

DVD, Region code: 0 (Universal code)

Notes: The Vinyl Tonic 7" Storage Case is the perfect storage solution for all of your precious vinyl. The storage case can hold up to x35 7" vinyl records and has a stylish design with a sturdy shaped handle. The storage case is constructed from aluminium, steel and wood, with reinforced steel corners for added durability and a front latch to keep your records safe and secure. The case also has a fully lined interior, all designed to keep your vinyl records from damage. The storage case also comes with a free microfibre cloth to keep your vinyl records clean and sounding their best.

Box contents:

x1 7" vinyl record LP storage case (black)

x1 30cm x 30cm microfibre cloth

Notes: These PVC patch cables feature multi strand, oxygen free copper wire with a custom compact barrel. Thicker than your average patch cable with extra shielding for less interference and clearer signals. A standard for all EuroRack systems.

Features:

Quality nickel plated 3.5mm Mono TS male connection
Slim connector barrel
Reliable and robust, designed to be easy to patch
Cables built to high specification 28awg *1C
High density oxygen free spiral copper shielded wire for smoothest signal transfer
Planet friendly recyclable cable
Pack of 5 cables

Notes: These PVC patch cables feature multi strand, oxygen free copper wire with a custom compact barrel. Thicker than your average patch cable with extra shielding for less interference and clearer signals. A standard for all EuroRack systems.

Features:

Quality nickel plated 3.5mm Mono TS male connection
Slim connector barrel
Reliable and robust, designed to be easy to patch
Cables built to high specification 28awg *1C
High density oxygen free spiral copper shielded wire for smoothest signal transfer
Planet friendly recyclable cable
Pack of 5 cables

Notes: myVolts MIDI Breakout Cable is an adapter from MIDI 5-Pin DIN Type A Female socket to a stereo 3.5mm minijack plug.

Specifications:

Connector 1: Stereo Jack TRS 3.5mm / 1/8" Male
Connector 2: MIDI 5-Pin DIN Type A Female
Length: 15 cm
Color: Black

Compatible with:

Akai Force, MPC Studio, Akai MPC Studio Black, MPC Touch, MPX-8
Elektron MD-1
Korg Electribe 2, SQ-1, SQ-64, NTS-1
Line-6 MIDI Mobilizer, MIDI Mobilizer II
Littlebits MIDI Module
Make Noise 0-Coast
Novation Circuit Tracks

Notes: A size-adjustable and comfortable wristband for the IOT motion sensors. The perfect solution for live performances.

Notes: In 1983, Circle Jerks bassist Roger Rogerson stole the band's van and dropped off the face of the earth. Thirteen years later, he came back, demanded that his bandmates reunite so they could become "bigger than the Beatles", and promptly dropped dead. Though he was a founding member and key songwriter of the band who played on three of their best albums, Rogerson was lost to history. In a compelling narrative woven out of interviews with who knew him, with never-before-published photos of the band, The Prodigal Rogerson explains what happened to Rogerson, where he went, and who he was... all against the backdrop of the Los Angeles punk scene in its prime.

Notes: Beautiful People "If 60's Were 90's" Box Set Consisting of over 50 sampled Guitar Riffs, Lead Vocals & Word Raps From Guitar God Jimi Hendrix. Commissioned by legendary record producer and former creative head of the Jimi Hendrix Estate Alan Douglas in 1990, the cleverly titled "If 60's Were 90's" by the band Beautiful People, is a truly unique and seminal record. "Beautiful People are a bunch of movers and shakers from London's Acid House Scene, who have a highly developed fascination with the music of Jimi Hendrix, emphatically not a 'Tribute' band in the style of the Bootleg Beatles or the Australian Doors, Beautiful People have used sampling technology to virtually recruit Hendrix into the groups line up." - David Sinclair, Billboard Magazine.

Consisting of over fifty guitar riffs, vocal cut outs, out- take lead breaks, and word raps from guitar god Jimi Hendrix, "If 60's Were 90's" also features spoken steals from Brian Jones of the Rolling Stones, Experience drummer Mitch Mitchell, 60's blues guitarist Mike Bloomfield and a party called the "Milky Way Express" that included the one and only Frank Zappa.

Like some Groovy Psychedelic time-machine cruising the Hendrixphere, Beautiful People pluck from over 30 different Hendrix recordings, writing nine new songs creating an... "Ambient Dance Dream Tribute" (Kris Needs, NME)... of ... "Super Psychedelic Baggy Indie dance with Orb like overtones.." (Ian McCan, VOX) creating a sound that arguably helped kick off the rock dance crossover phenomenon of the early 90's, bringing guitars back into dance music, while still retaining the psychedelic rock majesty of one of the greatest guitarists of the 20th Century.

Region code: 0 (universal)

Notes: Simba zine started in 1992 as a traditional zine and morphed into one of the most popular and well-respected "emo" zines of the nineties hardcore/punk scene. This is a comprehensive collection of the personal and political writings from the seven years Simba zine was published, plus five years of columns and articles in HeartAttack, Fracture and Clamor Magazines. Also included are interviews conducted in the mid-nineties with Texas Is The Reason, Split Lip/Chamberlain, Dave Mandel (Indecision Records), Jeff Unger (Greyhouse), Jon Hiltz (Born Against/Greyhouse), Jordan Cooper (Revelation Records), Kim Kinakin (Sparkmarker), Leslie Kahan/Lisa Ogelsby (HeartAttack Fanzine) and Kim Nolan (Bark And Grass Cookbook). All personal writings are political and revolutionary in their own right. Challenging gender roles, rules and assumptions about sex and friendship and love, and never being scared of discussing something "too personal," these writings changed the way people thought and behaved. Always searching, always questioning and always punk, Simba crossed the boundaries between the hardcore and riot grrl scenes, and was undoubtedly one of the most influential zines of the nineties.

Paperback: 266 pages, 5.5" x 8".

Notes: ***B-STOCK: Small tears on corners, but product is in excellent condition and in perfect working order***


This cover story focuses on NYC garage-pop wizards the Magicians ('An Invitation to Cry') and the fascinating twilight world of Greenwich Village in the mid-sixties.

Also: The remarkable story of Jefferson Airplane's first bass player Bob Harvey is revealed for the first time, along with the saga of '60s garage heroes the Chancellors (famous for the Back From the Grave fave 'On Tour'). Mark Cunningham of '70s New York no wave renegades Mars is interviewed, David Holzer explores Lou Reed's obsession with the white light mysticism of Alice Bailey, and the mystery of Phantom's Divine Comedy is unravelled (rumored at the time to be the recently deceased Jim Morrison in disguise).

Plus, Part 2 of the story of Detroit proto-punkers the Dogs, and much more, including our popular review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books.