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Notes: TR4MIX is the perfect controller for DJs who are looking for a portable, lightweight solution or producers who need more control from their computers. Despite its compact size, TR4MIX has plenty of direct controls for the most important parameters, so you have everything you need to get your set going. With 4 banks, you also get plenty of room to extend possibilities with your own mapping.

Traktor functions include:

Browse, seek, and load tracks
Track volume, 3 band EQ and filter
FX control, on/off and 4 parameters
Main, phones, and mix volumes
Loop, loop size, and more!

Use TR4MIX out of the box in NI Traktor and Ableton Live with its provided integrations, or easily map it to any other DJ/MIDI software.

It is a plug-and-play device, and it has MIDI IN/OUT/THRU DYN5, hackable and open source firmware, USB MIDI (Plug and Play/Class Compliant), and is reprogrammable with Kilowhat, our powerful configuration app. Like all Yaeltex controllers, it's built with top-quality materials and components, including a stylish real wood case, and a traveling soft case to fit inside your backpack.

Here are some of the features of TR4MIX:

Traktor
8 RGB push encoders
20 mini potentiometers
4 mini faders
12 RGB mini buttons
Compact and portable design

Features
8 RGB push encoders
20 mini potentiometers
4 mini faders
12 RGB mini buttons
Traktor and Ableton software integrations
Modular-Inside for affordable and easy repairment
1-year warranty
Upgradeable and open-source firmware
High-quality components
Fully mappable to any MIDI capable software or hardware
Fully reprogrammable with Kilowhat, the powerful configuration app.
NRPN, RPN, CC, note, Program change, keystrokes
Per-control MIDI channel, output port, and more!

Tech Specs:

Size: 27,5 * 17 * 6 cm
Weight: 1,4 kg
USB MIDI (Plug and Play/Class Compliant)
DYN5 MIDI (IN/OUT/THRU), route and merge functionality.
Optional power jack for higher brightness mode on the LEDs - 5v 3A
Soft case included
1,2 mt USB cable included
Hand-made wood case made in Patagonia
Aluminium front panel

Notes: The first version of Yaeltex's Miniblock, released in 2017 and featuring 32 potentiometers and 4 banks, was a huge success. The second version of this model now includes all of the most powerful improvements of v2.

The 32 RGB push encoders and up to 8 banks allow you to dramatically expand the potential and versatility of Miniblock. Yaeltex added 2 buttons per column and 16 small rubber buttons which are perfect for general control. Miniblock 2 was designed as a control tool that can be easily adapted to different uses. Perfect for controlling your Ableton Live sessions, all the parameters of your favourite VST, or your hardware synthesizers.

Miniblock 2 is also incredibly easy to use. The intuitive layout and clear labelling make it easy to find the controls you need, even in the middle of a performance. MINIBLOCK is ready to use with Ableton Live thanks to the included integrations. It can also be easily mapped to any other DJ/MIDI software. This is a great controller to map in any music software or to gain full control of hardware synths.

Features

32 push encoders with RGB LED feedback
32 rubber buttons with RGB LED feedback
Modular-Inside for affordable and easy repairment
1-year warranty
Upgradeable and open-source firmware
High-quality components
Fully mappable to any MIDI capable software or hardware
Fully reprogrammable with Kilowhat, the powerful configuration app.
NRPN, RPN, CC, note, Program change, keystrokes

Tech Specs:

Size: 31 * 24 * 6 cm
Weight: 4,1 kg / 2,5 kg / 1,4 kg
USB MIDI (Plug and Play/Class Compliant)
DYN5 MIDI (IN/OUT/THRU), route and merge functionality.
Optional power jack for higher brightness mode on the LEDs - 5v 3A
Soft case included
1,2 mt USB cable included
Hand-made wood case made in Patagonia
Aluminium front panel

Notes: The BEATS FM is a project that started in 2020 and has gone through 5 revisions. It's an experimental all-in-one synthesizer and sound processor, with a warm analogue sound and many sync options. A complete stereo analogue audio path with the addition of a digital delay. Designed for experimenting with new sounds and noise textures with several modulating and processing power. The equivalent of 8 modules enclosed in a high-quality and elegant case. The BEATS FM is designed and manufactured in Italy.

1 wide-band FM/AM/SW radio with LFO modulated tuner knob

2 self-oscillating analogue 4-pole low-pass filters (clones of CEM3320, the chip used in the Prophet 5) with resonance and LFO modulation

4 seconds of stereo digital delay with feedback, sync, tone control and panning with LFO modulation

1 LFO with 16 different "bendable" waveforms with polarity and multiplier (up to 200Hz in quad-wave mode)

1 sync unit to lock the LFO to: 1-audio click track, 2-analog clock, 3-tap tempo

2 analogue 2-pole high-pass filters

2 external inputs with overdrive

Specifications

Audio outputs (stereo)
Typical Voltage: 1 volt
Maximum Voltage: 4.2 volts (peak-to-peak)
Nominal Output Impedance: 500 Ohms

Headphones output (STEREO)
40 mW into 32 Ohms
SNR > 90 dB

Audio inputs (Stereo + click track IN)
Voltage : +10 millivolts (min); +10 volts (max.)
Nominal Input Impedance: 4,700 Ohms

Clock Pulse IN/OUT
Typical voltage: 0 to +5 volts square pulse
The LFO syncs on the negative-going pulse

LP Cutoff CV Input
Range: -5 to +5 volts
Nominal Input Impedance: 12,000 Ohms

LFO Output
Range: -5 to +5 volts
Nominal Output Impedance: 8,000 Ohms

Power supply
External supply: 100-240 volts; 50/60 Hz
Output: 12 VDC
< 12 Watt nominal consumption

Dimensions
Width: 420 mm
Depth: 260 mm
Height: 90 mm
Net Weight: 2 kg

Temperature
Storage Temperature: 2 - 60 C
Nominal Operating Temperature: 10 - 35 C
Operational Temperature: 10 - 50 C

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Analogue synth percussion, melodic bleeps and mutating zaps are the name of the game from this clever module. Sequencing options allow you to introduce randomness and organic evolution of the sound.

Supplier's Notes:
Zaps is a percussion-line-synth voice designed for creating organic percussive sequences that can mutate over time.

It uses a combination of different techniques like controlled randomness, morphing, and storing (or locking) synth-voice parameters in externally sequencable CV-controlled slots.

The synth voice is a digitally-controlled-two-oscillator-FM and AM-analog engine with two envelopes and cross-modulation.

These are some of the things that can be done with it:

Sequence Preset Slots externally for changing percussion or synth lines
Add subtle randomness to any parameter for slightly changing sounds, or go wild for unpredicted surprises on every trigger
Morph sounds between Slots
Assign accent to any parameter for added expressiveness
Randomly generate full banks of sounds
Capture any randomly generated sound into a preset slot for further editing
Freeze/Revert the state of the module for careless editing during live performances
Live editing of a single or multiple Slots simultaneously for expressive tweaking
Generate melodic percussion or synth lines with the V/O tracked oscillators
Use CV-in control of any parameter or CV-out control for external modules (control FX-sends or automate external-synth parameters)

The synthesis board is an analog circuit with two VCOs, two envelopes, AM, FM, high-pass filters, and a two-channel mixer.

VCOs:

Triangle core VCOs with V/oct inputs and Fine and Coarse controls.
VCO 1 waves: Sine, Triangle, Sawtooth, and Square.
VCO 2 waves: Sine, Triangle, Sawtooth, Square, Double Sine, and White Noise.
VCO2 has two separate wave outputs, one for the AM and the other for the FM and the Mixer-Channel 2.

ENVELOPES:

Two AHR (Attack, Hold, Release) envelopes.
The hold time can be set internally or externally (Gate ON) for each envelope.
Envelopes can be faded from logarithmic to linear responses.
Each envelope can control the Pitch/Tone of the VCOs (Pitch Envelope), the amount of AM or FM (Envelope 1), the VCA for both channels (Envelope 2).

AM:

The amplitude modulation goes from VCO2 to VCO1.
It can be set in two ways: straight to VCO1 or through a VCA controlled by Envelope 1.

FM:

The frequency modulation goes from VCO2 to VCO1 and from VCO1 to VCO2 (XFM).
FM can be set in two ways: straight to VCO1, or through a VCA controlled by Envelope 1.

MIXER:

Two-channel mixer for the two VCOs.

HIGH-PASS FILTER

There are two HPFs. HPF1 filters the mixer output. HPF2 filters the white noise.

DIGITAL CONTROL

STRUCTURE:

Each project contains twelve banks; each bank contains twelve slots; each slot contains a sound.
All projects are stored on an SD card.

RANDOM:

Randomize values on a per trigger basis
Independent random control for each synth parameter
Set ranges to any random value for controlled randomness
Relatively attenuate all parameter-random amounts with a single global random fader
Populate slots or banks with randomly generated sounds

FREEZE/REVERT :

Take a snapshot of the whole project, modify it and go back to the original state.

MORPH:

Parameter interpolation between two slots on a per trigger basis.
Control the balance between the two slots with one fader - crossfade style!

CV ASSIGN:

Any of the six CV-connectors can be configurable as both inputs or outputs and set to different ranges (0/10V, 0/8V, -5/5V, 0/5V).
CV-inputs can be internally attenuated
Control almost any synth parameter, value, or setting on a per trigger basis. For example, Accent, Slot Selection, Morph assignments, Next/Prev Slot, Random Slot, Oscillator-Wave Selection, any of the synth parameters (Pitch, Release, AM, FM, Global Random...) or any of the random parameters (Random Pitch, Random Filter, Random Hold)
Output any parameter-CV values through any of the assignable I/Os
Alt-fader-CV output for controlling external parameters, like Send-FX for each slot.
CV-slot/Gate out - Useful for externally recording finger drumming!

ACCENT ASSIGN:

. Add dynamics by assigning the accent input to control any one of the synth parameters

COPY:

Copy Slots (also between banks)

SNAPSHOT:

Take a snapshot of the last sound heard (flatten the values for further editing), including the effects of CV-in, Morph, and Random. Very useful for easily creating banks from scratch!

EDIT ALL:

Action over faders has an effect on the twelve Slots. Use hints: Live tweaking, homogenize, "tame" a Sound Bank, or modify all Slot parameters while sequencing the Slots via CV-input.

FILE SYSTEM:

Save, Load, Name, and Rename projects, banks, sounds and sort them into folders.

Notes: A seriously classy analogue delay here. MN3005 bucket brigade chips deliver vintage 80s-style warmth and character, with full stereo signal path and MIDI control of modulation, oscillation and tap division.

Supplier's Notes:
Cozy up and immerse yourself in true stereo analogue delay with eight MN3005 bucket brigade chips to create warm, rich repeats capable of 1200ms of delay time with parallel, ping-pong and series delay modes.

Independently control the delay times and modulation of the left and right channels to create syncopated repeats or keep them locked in to the same timing for classic delay sounds.

The Meraki stereo analogue delay uses eight MN3005 bucket brigade chips to create warm, rich repeats.

Capable of 1200ms of delay time with parallel, ping-pong and series delay modes. Independently control the delay times and modulation of the left and right channels to create syncopated repeats or keep them locked into the same timing for classic repeat sounds.

Versatile Delay Modes

Explore parallel, ping-pong, and series delay lines to craft your unique sound. Create syncopated rhythms or classic repeats with independent control over the left and right channels.

Precise Controls

Mix: Dial in the perfect blend of wet and dry signals with the Mix control, offering full wet/dry mix capability.

Feedback Left/Right: Fine-tune the amount of repeats in each channel, from subtle echoes to full oscillation.

Mod Depth/Rate: Add depth to your repeats with adjustable modulation, creating a chorus/vibrato effect in the repeats. Secondary functions allow wave shape and modulation phase adjustments as well.

Time: Tailor your delay time from 80ms to 1200ms, offering a wide range of sonic possibilities.

Tone: Shape the tone of your delay repeats with the Tilt EQ, cutting lows and boosting highs or vice versa.

MIDI Implementation

Digitally manipulate controls like time, modulation, tap tempo, tap division, and more with five-pin MIDI integration.

Tap into Creativity

Tap Division Left/Right Switch: Choose between quarter note, dotted eighth, and eighth note repeats for each channel.

Feedback Mode Switch: Select between Parallel, Ping-Pong, and Series delay lines for diverse rhythmic textures.

Sync/Left/Right Switch: Fine-tune settings independently for each side, unlocking a world of mismatched timings and creative possibilities with fully independent time, divisions, and mod depth/rate/shapes.

Bypass Options

Choose between True-Bypass or Buffered Bypass for trails, and toggle between Trails (default) or Relay (no trails) with the Bypass switch.

Tap Tempo and Expression Control

Take command of your timing with the Tap Tempo switch, or use external tap or an expression pedal for even more dynamic control over time or modulation depth.

Ready for takeoff

Hold the Tap switch to ramp up repeats and send the pedal into self-oscillation. Fun tip: Get extra creative with sound exploration with MIDI control over oscillation and tap division manipulation.

Notes: Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A uniquely characterful drum machine, based on FM synthesis inspired by early 90s PC soundcards. Six drum voices and four synth parts can be controlled by a built-in step sequencer or MIDI.

Supplier's Notes:
At the heart of BlastBeats is a vintage FM chip called YMF-262 also known as the OPL3 chip & previously found in computer sound cards of the early 90s.

These chips were notoriously hard to program and were rarely used to their full potential. However, they can produce surprisingly rich beautiful and utterly dirty sounds with a bit of exploring...

By putting so many parameters within easy reach BlastBeasts makes it fun and easy to master the signature sound of the DOS era!

Rhythm & Synth

BlastBeats is a 10 voice groove box offering 6 drum voices and 4 synth instruments.

The many faders offer full control over the parameters of the instruments and can be automated and modulated per step

Beats and melodies are a pleasure to program thanks to the high quality illuminated buttons

Dimensions: 29.5cm x 16.5cm x 4.5cm (11.6" x 6.5" x 1.8")

Weight 944 g ( 2 lb)

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: Complete system built on Tangible Waves's AE modular format. Includes analogue sound sources, drum sampling, sequencing and everything needed to make music in a single unit.

Supplier's Notes:
The Synth Explorer "Ultimate" is a fully featured modular synthesizer which has been designed primarily for educational purposes. It offers a lot of synthesis features in a very small and portable package and includes the modules that invite for DIY modification and experimentation with code and circuits.

This system includes the following modules:

MASTER I/O (power, MIDI, CV/Gate, Audio in/out)
2OSC/d (two oscillators with sawtooth and square waveforms)
DRUMKIT 010 (lofi drum samples)
2LFO (two low frequency oscillators with various waveforms)
2ENV (two attack/decay envelopes with looping function)
WASPFILTER (an iconic filter with a lot of character)
SVFILTER (a state variable filter which can go into self oscillation)
2VCA (two voltage controlled amplifiers)
BRAEDBOARD (a blank canvas for circuit experiments)
2S&H (dual sample and hold)
2ATT/CV (dual attenuator and CV generator)
MM-DIV (multi mode clock divider)
SEQ8 (8 step CV and Gate sequencer with different run modes)
QUANTIZER (4 channel CV quantizer with many different scale modes)
METER (oscilloscope, frequency spectrum, tuner, voltmeter)
GRAINS (fully programmable module based on the Arduino)
MIXER 4-4 (two 4 channel mixers)
DELAY (analogue delay)
HPAMP (headphone amplifier with dual outputs and volume control)

Notes: As Sonicsmith join one or more ConVertor E1's with the MIDVertor E1 you get much more than the sum of those parts. Pitch tracking at its finest, human control, and features with digital communication far into the future. Shipped together pre-mounted on a unifying plate, pre-patched with the 4-pin header connection, and pre-configured, they act just like a single "super-synth-channel", ready to plug and play.

United by the 4-pin header digital connection, those two Eurorack modules make up the ultimate synth channel. Convert anything from audio to PITCH, ENV & GATE CV's, 1V/octave pitch output and a 1V/octave pitch input, Sustain to freeze pitch and/or other functions, expression pedal input can be automatically switched to expression function. Internal DCO can work as Audio Controlled Oscillator/VCO+preamp mode. Connect any number up to 7 units to add polyphonic operation, Parallel Audio to merge MIDI (MIDI 2.0 ready), audio to MIDI conversion, via ultra-fast custom firmware. compression and optional full synth voice with presets. Switchable to work in VCO mode where the pitch will be controlled from either 1V/oct pitch CV in while preamp stays independent with the ENV extraction.

4 pin header cable, pre-patched, MIDI to up to 6 VCO's, and CV's polyphony combinations are possible via Sonicsmith bus high speed, bi-directional control, and modulations. Preset recall & modulations for up to 7 parallel ConVertor E1's at once. Sustain pedal input can momentarily control freezing pitch or other momentary functions. SD card for future and optional firmware updates. Easy flashing of all firmware via mini USB connection. That means one MIDVertor can flash all connected ConVertor E1's firmware, conveniently with one connection, so there is no need to screw out the panels to access flashcard individual Connected devices.

Optional expansion options, both in hardware and in software, are available like connecting up to 7 ConVertor E1's to one MIDVertor for polyphonic operation and MIDI processing. Firmware 1.x is planned and will get a lifetime of updates within the 1.x series of the firmware. Firmware in the 2.x series can be purchased to upgrade the internal sound engine to include full synth voice features like a sub voice, PWM, 3 LFO's, VCF, osc sync, ring mod, and many future enhancements with the same lifetime updates in the 2.x future.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Typically experimental stuff from Soma, the Enner is a five-voice synth with an array of filters, electro-acoustic noise options, analogue effects and huge creative potential.

Supplier's Notes:
ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: Typically experimental stuff from Soma, the Enner is a five-voice synth with an array of filters, electro-acoustic noise options, analogue effects and huge creative potential.

Supplier's Notes:
ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: Limited-edition Zanzibar blue version of Soma's unique memory station, combining looping effects with real-time performance options, allowing you to craft and perform soundscapes while manipulating live sound.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Studio-grade control for your mixing process, the Console 1 Channel is arguably the best way to get hands-on with all major DAWs. Includes Softube's new Core Mixing Suite software, billed as 'the perfect channel strip'.

Supplier's Notes:
Mixing. The way it should be.

Console 1 Channel lets you use your hands to mix and your ears to sculpt your sound. Each knob corresponds to a specific parameter and no mapping is necessary. Gain is always gain. Ratio is always ratio. The dual high-resolution smart screens keep you focused on the sound of your mix. Intuitive and efficient, Channel lets you go deeper into your creative process. And enjoy it!

World-class console sound

Console 1 Channel gives you world-renowned console sounds because that's what Softube do: give you exacting models of professional-grade, standard-setting gear - from Solid State Logic and Tube-Tech to Chandler Limited. You can load Summit Audio Grand Channel, Weiss Gambit Series, or extremely punchy Empirical Labs strip. Channel comes with Softube's take on the perfect channel strip: the new Core Mixing Suite software.

World-class console feel

Console 1 Channel will be the sexiest gear your desk has seen in a while. The premium materials, stunning Nordic Night Sky finish, and robust build mean that it outshines all others in its class. But Channel is more than just studio bling. Every rotation of Channel's touch-sensitive Analog Feel™ potentiometers - and an increase of more than ten times the resolution over the previous generation - gives you the sensation of the priciest outboard gear. They feel analogue because they are.

Core Mixing Suite: the perfect channel strip

Console 1 Channel comes with the new Core Mixing Suite software. It gives you the award-winning sounds of Tape, FET Compressor Mk II, and Bus Processor in the versatile preamp, shape, equalization, and compression sections. Also included is an innovative drive section befitting Softube's reputation for saturation. Core Mixing Suite combines Softube's deep DSP knowledge with processors that will take you through your entire process, from the broad strokes to the surgical corrections.

A perfect fit for your DAW

Just plug it in and Console 1 Channel works with all major DAWs. Without mapping. Click below to learn more about Console 1 compatibility with Logic, Pro Tools, Ableton Live, Cubase, Studio One, LUNA, Reaper, FL Studio, Nuendo, and Cakewalk.

A perfect fit for your studio

A studio is as individual as the music makers who call it home. Console 1 Channel is built to fit your studio - no matter the setup.

Technical specs & setups

Included Software

Console 1 Core Mixing Suite, including:
Tape/Preamp: tape drive model
Filters: 6, 12, 18, 24, 48 dB included (default is 18 in bass and 12 on top
Shape: Dynamic Shaper, Panner, Dual Dynamics
2 EQs: Modern precise and vintage passive parallel
3 Compressors: FET Mk II, Opto and Bus Compressor

Connectivity: Dual USB-C ports
Daisy Chain Units: Yes
Power: Console 1 bus powered (USB-C), or powered by included power supply
Sections: Tape/Preamp, Filters, Shape (Dual), EQ (Dual), Compressor (Dual), Drive/Character
DAW Control: Volume, Pan, Solo/Mute, 6 Sends, Track Select
High Resolution Screens: 2 high resolution screens showing EQ and compressor curves, VU meter, and track information
LED colour: 51 RGB LEDs for track selection. White LEDs for knob read-out
Knobs: 27 touch sensitive high-resolution Analog Feel potentiometers
Mounting options: 100 mm M4 VESA on the bottom. M4 threads on the sides
Construction: Anodized aluminium top, injection moulded smooth sides and back with integrated connectivity points
Dimensions (W x H x D): 435 mm x 45 mm x 219 mm / 17.1" x 1.77" x 8.66"
Weight: 1,80 kg / 3.96 lbs

Notes: Transcend musical boundaries with the Aeros Gold Edition looper pedal. Create, perform and record both parallel and sequential loops. Dual modes and quantization options adapt to your playing style. Intuitive hands-free navigation and silent footswitches offer a superior playing experience.

The Aeros Gold Edition is packed with powerful, innovative features. Use the built-in Mixer Mode to adjust track volumes on the fly. Import your own backing tracks to fuel your performance. Loop without stress thanks to error-friendly features like auto quantize, Intelligent End-of-Measure Forgiveness, and easy undo/redo commands. The Aeros Gold Edition can serve as a MIDI transmitter (Master) or receiver (slave) sending and receiving a plethora of MIDI commands like time signature, transitions, start/stop and more.

Utilize built-in effects like auto-fade in/out, reverse track and loop decay. Record up to 20 minutes of mono audio per track (10 hours per song). The Aeros Gold Edition elevates recording and songwriting with studio-grade 24-bit audio and 32-bit floating point processing. Operate line and instrument levels, send your inputs anywhere, and select between stereo and mono audio.

Parallel and Sequential Looping Capabilities
Write complete songs with multiple tracks
On-board Live Mixing View
Adjust track volumes on-demand
Flexible Dual Playing Modes
2x2 and 6x6, for boundless creativity
Innovative, Adaptive Dynamic Read Memory
Record up to 10 hours in mono
High-res Touch Screen Display
Access your features with ease
Colour-coded Cues and Waveforms
Stay locked in to your performance
Industry-leading Loop Capacity
Up to 36 in a single song
Industry-Leading Memory System And Connection

If you have a BeatBuddy or MIDI Maestro, Aeros will sync with them automatically via MIDI. Once connected, auto quantize your loops to the measure of the beat, utilize powerful Aeros functionality with a single button press and more. The built-in Quick Start Guide will get you up and running fast, and detailed changelogs keep record of every new command.

Take songwriting and performance to the next level. Spark your creativity and do more of what you love. Aeros users get access to feature-packed Firmware Updates, bringing diverse new abilities to your looper pedal. You can download them over Wi-Fi with one press.

Technical Specifications

Type: Looper Pedal with Digital Mixer
Looper: 6 x Song Parts, 6 x Stereo Tracks, Unlimited Song Memories
Looping Time: 20 Minutes Mono (1-track), 48hrs Mono (Max Memory w/ 32GB Card)
Effects: Reverse, Fade In/Out, Loop Decay
Channels: 4 (L/R Main + Aux L/R)
Faders: 7 x Digital

Signal Processing: 32-bit Floating Point
Sample Rate: 44.1kHz
Bit Depth: 24-bit
Inputs: 2 x 1/4" (L/mono, R), 1 x 1/4" TRS (Stereo Aux)
Outputs: 2 x 1/4" (L/mono, R), 1 x 1/4" TRS (Stereo Aux)
MIDI I/O: 5-pin In/Out
USB: 1 x Micro-B
Other I/O: Wi-Fi, Bluetooth
Bypass Switching: Digital Dry Through
Storage: Internal, SD Card (up to 32gb, Not Included)
Screen: 4.3" Diagonal, Touch Enabled

Power Source: 9V DC Power Supply (Included)
Power Usage: 300mA

Height: 2.2"
Width: 7.8"
Depth: 5.6"
Weight: 2 lbs. 4 oz.

Notes: Serge Tcherepnin's superb DUSG multi-function module gets redesigned and updated for Eurorack. Function generator, integrator, oscillator and much more.

Supplier's Notes:
The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but also provides exceptional audio performance: transient rise times as fast as 13us and a maximum cycle speed of 27kHz.

Some functions for which one Slope Generator can be used:

Function generator for linear, logarithmic, exponential, stepped etc. curves
Integrate an incoming signal
Sawtooth / Pulse oscillator
Add, subtract up to 4 signals
Max and Min function
VC Transient Envelope Generator
VC LFO
VC Portamento device, Envelope Follower (Detector), VC Pulse Delay (Monostable), Sub-Harmonic Series Generator (Divider), Audio Oscillator with variable waveform symmetry (saw to triangle), Non-Linear Audio Processor (low-fidelity VCF).
Serge GTS for eurorack:

Designed by Serge Tcherepnin 2021-2023
Increased audio range (up to >28kHz)
Tracks >5 octaves as a Sawtooth / Pulse oscillator
Temperature stabilized
Eurorack format (3U), 26 hp
Power consumption: 90mA @ +12V, 80mA @ -12V
(NEW) Skiff-friendly: < 25mm (1")

Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that lets you analyse the spectral content of any audio signal and use that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyzer

The Spectral Analyzer provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.

- The Center Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.

- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesize the spectrum.

- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.

- The Feedback control lets you route the resynthesized audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank

The Oscillator Bank resynthesizes the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.

- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.

- The Octave control, not surprisingly, shifts the pitch of the output by octaves.

- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).

- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesized audio.

Optional Functions

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.

- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangorous, swarming textures.

- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets

Panharmonium provides 12 user Spectra memories and 12 user Presets.

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.

- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.

Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.

Notes: With the MORPHEUS digital filter module, Rossum are finally able to unleash the full power of the 14-pole Z0-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, which are called Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.

Like all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.

Morpheus Specifications

Filter cubes: 289
Filters: 1000
Filter sequences: 200
Sequence steps: 20,000 Dynamically Allocated

Inputs: Audio L/R
2x 3.5mm mono socket
100kO Input Impedance

Full Level Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Morph CV

1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Transform/Distortion CV

1x 3.5mm mono socket
100kO Input Impedance

Filter Sequencer Dec

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Inc

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Reset

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Outputs

Audio L/R
2x 3.5mm mono socket
1kO Impedance

Power requirements
+/-12V via 16-pin, Doepfer-style connector

Current draw
135mA +12V, 25mA -12V (maximum)

Dimensions
18HP (W); Panel to power connector (with connector plugged in) 25mm (D)

Supplied accessories
1x 16-pin, Doepfer-style cable
4x M3 screws
4x M2.5 screws
4x Nylon washers
1x Quickstart Guide

Notes: Sampler legend Dave Rossum's ultra-powerful Assimil8or module gets a black makeover. Eight-channel multi-timbral design with extensive CV control and clever sound manipulation options.

Supplier's Notes:
Designed to provide a powerful, flexible sampling engine for modular synthesis, the ASSIMIL8OR Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum's decades-long pioneering of affordable professional sampling technology.

ASSIMIL8OR provides eight independent channels of sampling with sound quality that can range from extremely hi-fi to low fi, all with extensive real-time CV control.

Assimil8or Specifications

Sample memory
2,300 seconds at 48kHz mono, freely allocatable between the 8 channels

Sample rates
48kHZ, 96kHZ, 192kHZ

A/D & D/A
24 Bits

Internal processing
32 Bits

Latency
100 microseconds at the Mix Outputs
180 microseconds at the Individual Outputs

Inputs

Sample L/R
2x 3.5mm mono socket
100kO Input Impedance

Gate/Trigger 1-8
8x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Control Voltage A 1-8
8x 3.5mm mono socket
100kO Input Impedance
96 kHz sample rate
Anti-alias filtered to 20kHz bandwidth

Control Voltage B&C 1-8
16x 3.5mm mono socket
100kO Input Impedance
48 kHz sample rate
No anti-alias filtering

Outputs

Mix Outputs L/R
2x 3.5mm mono socket
1kO Impedance

Individual Outputs
8x 3.5mm mono socket
1kO Impedance

Power requirements: +/-12V via 16-pin, Doepfer-style connector
Current draw: 220mA +12V, 30mA -12V
Dimensions: 28HP (W); Panel to power connector (with connector plugged in) 25mm (D)

Supplied accessories:
1x Micro SD card
1x 16-pin, Doepfer-style cable
4x M3 screws
4x M2.5 screws
4x Nylon washers
1x Quickstart Guide

Notes: ***B-STOCK: Box damaged, product in perfect working order***


***Now featuring Assimil8or Software Version 2.0! Available to download here: http://www.rossum-electro.com/products/assimil8or/

The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Seaboard RISE is the world's first truly accessible expressive MIDI controller. It establishes a new standard in music-making devices by combining the intimacy of acoustic instruments with the versatility of electronic music. Paired with Equator, our powerful software synthesiser, the Seaboard RISE unlocks unprecedented creative possibilities for contemporary musicians in a joyfully-crafted evolution of the keyboard.

The Seaboard RISE marks a turning point in the accessibility of Expressive MIDI products to a broad consumer market. It is the first Expressive MIDI device to offer an easy-to-use multi-platform synth, the first with an integrated user control panel, and the first to perform wirelessly with an integrated battery and Bluetooth over MIDI.

Accessible:
Start in piano mode and then explore new dimensions of touch interaction
Begin with even the most basic keyboard technique and grow from there
Customise sensitivity to match your own playing style

Versatile:
Use with a variety of software and hardware synthesisers as well as the Equator bundle included with RISE
Simulate the authentic dynamic range of any instrument to breathe new life into your favourite sounds
Personalise patches using the touch- sensitive trackpad and faders

Expressive:
Create new sonic possibilities by mapping sound parameters to unique gestures
Perform and record tracks with subtle and sensual details that previously required post-production
Push the boundaries of music with an instrument that marries tradition with innovation

Intimate:
Free yourself from cables using built-in MIDI over Bluetooth with up to 8 hours of continuous play
Enjoy the craftsmanship of a world-class instrument made of the best materials and built to last
Touch and shape sound timbres in an astonishingly direct and intuitive way

***Now comes with powerful, approachable new Tracktion Waveform software, providing excellent integration with multidimensional polyphonic instruments:

Waveform offers a plug-and-play experience for ROLI's Seaboard and BLOCKS instruments. Setting it apart from other DAWs, it seamlessly receives complex MPE data and has a user interface that helps musicians visualize and edit all of the expression parameters of MPE on multiple tracks all at once. Waveform builds on the legacy of previous Tracktion DAWs in providing production tools that are approachable to untrained musicians but also valuable to the workflows of professionals.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: Sound meets design

The Turn 7 bridges the gap between high-end HiFi turntables and uncompromising design. The belt-driven turntable meets the exacting demands of audiophile music fans thanks to precisely manufactured components. The acrylic platter with LED lighting and the external drive belt make the Turn 7 an absolute eye-catcher.

Powerful and steady drive

A decentralised, low-vibration DC motor drives the Turn 7. The integral flat belt runs gracefully along the turntable exterior, ensuring smooth operation and a sophisticated appearance. The start/stop rotary switch allows you to select between the turntable's two speeds (33 and 45 RPM).

Heart of acrylic: The turntable platter

The acrylic platter is 20 mm thick, weighs 1.7 kg, and has outstanding evenness thanks to precision manufacturing. It also has excellent antistatic characteristics. As a result, crystal-clear audio is possible without using a platter mat. The satin finish of the material creates a focal point and contrasts with the otherwise plain design of the belt-driven turntable.

Let there be light - LEDs inside

One of the unique features of the Turn 7 is the optional, blue platter illumination. Inconspicuously placed beneath the platter, multiple LEDs with a diffuser cover sets the mood and creates a warm and inviting ambience.

Top-class tone arm

The high-quality carbon tone arm has exceptional acoustic properties. The turntable's authentic sound is brought out to its full potential by effectively cancelling out vibrations. The ability to adjust the height (vertical tracking angle - VTA) and an anti-skating adjustment ensure maximum precision.

Ortofon 2M Red pre-installed

The turntable comes with the Ortofon 2M Red cartridge system pre-installed. The Ortofon 2M Red has an elliptical stylus tip and excellent sonic characteristics, including first-rate sound accuracy and reproduction. The Ortofon 2M Red is a highly versatile cartridge system with an open, dynamic sound and warm tones. The universal headshell connection (SME) adds more options for cartridge systems.

Meticulously perfected

In addition to its high-quality preamplifier, the Turn 7 also features versatile switching between line and phono signals. The gold-plated corrosion-resistant RCA connectors ensure the best possible signal transmission. The built-in USB output allows you to digitise vinyl records.

Simple design & pure functionality

The sturdy MDF wooden plinth and height-adjustable isolator feet with aluminium surround provide effective decoupling for the turntable. The high-gloss piano lacquer is a classy contrast to the timeless minimalism while emphasising the Turn 7's superior quality.

Technical Data

Turntable Section:
Type of turntable: Belt-Driven manual Turntable System with USB Interface
Drive: Belt drive
Motor: DC Motor
Rotation speeds: 33 1/3, 45 RPM
Starting Torque: //
Start-up time / rpm change: //
Wow and Flutter: 0,2% WRMS
S/N Ratio: >45dB or higher
Breaking System: Manually

Turntable Platter:
Turntable Platter: Acrylic glass
300 mm diameter
Weight About 1.7 kg

Tonearm Section:
Type: Straight Tonearm
Effective Length: 223.6 mm
Effective Tonearm Mass: 18.5g
Overhang: 18.61 mm
Tracking Error Angle: i1.5-
VTA Adjustment Range: - 2 ~ 4 mm
Applicable Cartridge Weight: 7.2 ~ 11.2 g (incl. Headshell)
Anti-Skating Range: 0 - 4 g

Cartridge:
Ortofon 2M Red
Output voltage at 1000 Hz, 5 cm/sec.: 5.5 mV
Channel balance at 1 kHz: 1.5 dB
Channel separation at 1 kHz: 22 dB
Channel separation at 15 kHz: 15 dB
Frequency response: 20-20.000 Hz + 3 / - 1 dB
Tracking ability at 315Hz at recommended tracking force: 70 um
Compliance, dynamic, lateral: 20 um/mN
Stylus type: Elliptical
Stylus tip radius: r/R 8/18 um
Tracking force range: 1.6 - 2.0 g (16-20 mN)
Tracking force, recommended: 1.8 g (18 mN)
Tracking angle: 24.7-
Internal impedance, DC resistance: 1.3 kOhm
Internal inductance: 700 mH
Recommended load resistance: 47 kOhm
Recommended load capacitance: 150-300 pF
Cartridge colour, body/stylus: Black/Red
Cartridge weight: 7.2 g

General:
Terminals: 1x PHONO/LINE Out, Build in Phono Stage (Pre Amp)
Power Supply: 12 V 1A DC
Power consumption: 12W
Dimensions: 420(W) x 356(D) x 148(H) mm
Weight: 8.2 kg

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Direct Drive HiFi Turntable System

With TURN 5 Reloop HiFi is launching a quartz-controlled, direct-drive turntable that meets the highest sound requirements. Using their expertise, Reloop have developed a new HiFi turntable, which with its technical sophistication is the best in its class.

Powerful DC motor & low-resonance die-cast platter

The brushless, direct-drive DC motor ensures a powerful drive at a very consistent rotation and the TURN 5 has been produced using die-cast precision manufacturing techniques. A dampening rubber base on the turntable system eliminates any unwanted resonance and the accompanying 5 mm rubber coating also protects against vibrations so that nothing stands in the way of the exceptional sound reproduction.

Static balanced S-tone arm & Hi-tech Ortofon cartridge system

The TURN 5 uses a statically balanced S-shape tone arm. This is supplied, along with the hydraulic lift and an anti-skating setting, with a convenient tone arm height adjustment with locking VTA. This guarantees optimum performance of the cartridge and an accurate reproduction of the recording medium.

The supplied Ortofon 2M Red cartridge is already pre-mounted on a headshell and stands out thanks to its elliptical cut with phenomenal sound quality.

High-quality control elements & connections

The three motor speeds can be selected with convenient controls on the top to 33 1/3, 45 or 78 rpm. This means the TURN 5 can also play back old shellac records with a corresponding mono-system (not included). Next to this is the large start/stop knob. The universal locking mechanism (SME) on the tonearm allows for a quick and easy headshell exchange. Also, with the supplied counterweight a whole range of cartridges can be used as this also supports heavier pick-ups.

On the rear panel of the TURN 5 is a gold-plated phono output pair (RCA) with a separate earth connection to prevent any potential interference. The terminal for all cable connections has been recessed to protect them as much as possible. For a simple exchange, the power cable and the RCA cable can be removed.

Elegant design in a particularly heavy-duty construction

The housing is built on a heavy-duty metal construction with shock-absorbing feet in order to isolate unwanted vibrations as much as possible and reduce ambient noise. The combination of several materials provides additional stiffness to the housing.

With its deep black piano finish, visually the TURN 5 is elegant and timeless. The gold-plated turntable hovers harmoniously above the cover plate and focuses the view on the important thing - the record.

Technical Data

Turntable Section:
Type: Direct Drive Manual Turntable System
Drive: Quartz driven upper-torque direct drive
Motor: 16 pole, 3 phase, brushless DC motor
Turntable Speeds: 3 speeds, fully manual (33 1/3, 45, 78 rpm)
Starting Torque: 4500 g/cm
Start-up time / rpm change: less than 0.2 sec.
Wow and flutter: 0.01% WRMS
S/N Ratio: More than 55 dB (DIN-B)
Brake system: electronic brake
Record weight: recommended 800g

Turntable Platter:
Material: aluminium die-cast
Diameter: 332 mm
Weight: About 1.8 kg (including rubber mat)

Tonearm Section:
Type: Universal Static Balanced S-Shaped
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Less than 3 degree
Offset Angle: 22-
Stylus Pressure: 0 - 4 g
Adjustable Tonearm Base (VTA): 0-6 mm
Applicable Cartridge Weight: 3.5~8.5 g (including headshell is 13~18 g)
Anti-Skating Range: 0 - 3 g
Effective tonearm mass: 20 g (incl. headshell)

Terminals:
1x PHONO Out (gold-plated), 1x GND Earth Terminal

General:
Power supply: AC 115/230 V, 60/50 Hz (EU/US), AC 100 V, 50/60 Hz (JP)
Power Consumption: 9 W
Dimensions: 458 (W) x 368.3 (D) x 162.4 (H) mm
Weight: approx. 12.8 kg

Notes: Part of Reloop's hi-fi range, the Turn 5 is a focussed audiophile turntable. No pitch control or other DJ features here, just high-end sound quality thanks to a quartz-controlled direct drive motor and the included Ortofon 2M Red cartridge.

Supplier's notes:
Direct Drive HiFi Turntable System

With TURN 5 Reloop HiFi is launching a quartz-controlled, direct-drive turntable that meets the highest sound requirements. Using their expertise, Reloop have developed a new HiFi turntable, which with its technical sophistication is the best in its class.

Powerful DC motor & low-resonance die-cast platter

The brushless, direct-drive DC motor ensures a powerful drive at a very consistent rotation and the TURN 5 has been produced using die-cast precision manufacturing techniques. A dampening rubber base on the turntable system eliminates any unwanted resonance and the accompanying 5 mm rubber coating also protects against vibrations so that nothing stands in the way of the exceptional sound reproduction.

Static balanced S-tone arm & Hi-tech Ortofon cartridge system

The TURN 5 uses a statically balanced S-shape tone arm. This is supplied, along with the hydraulic lift and an anti-skating setting, with a convenient tone arm height adjustment with locking VTA. This guarantees optimum performance of the cartridge and an accurate reproduction of the recording medium.

The supplied Ortofon 2M Red cartridge is already pre-mounted on a headshell and stands out thanks to its elliptical cut with phenomenal sound quality.

High-quality control elements & connections

The three motor speeds can be selected with convenient controls on the top to 33 1/3, 45 or 78 rpm. This means the TURN 5 can also play back old shellac records with a corresponding mono-system (not included). Next to this is the large start/stop knob. The universal locking mechanism (SME) on the tonearm allows for a quick and easy headshell exchange. Also, with the supplied counterweight a whole range of cartridges can be used as this also supports heavier pick-ups.

On the rear panel of the TURN 5 is a gold-plated phono output pair (RCA) with a separate earth connection to prevent any potential interference. The terminal for all cable connections has been recessed to protect them as much as possible. For a simple exchange, the power cable and the RCA cable can be removed.

Elegant design in a particularly heavy-duty construction

The housing is built on a heavy-duty metal construction with shock-absorbing feet in order to isolate unwanted vibrations as much as possible and reduce ambient noise. The combination of several materials provides additional stiffness to the housing.

With its deep black piano finish, visually the TURN 5 is elegant and timeless. The gold-plated turntable hovers harmoniously above the cover plate and focuses the view on the important thing - the record.

Technical Data

Turntable Section:
Type: Direct Drive Manual Turntable System
Drive: Quartz driven upper-torque direct drive
Motor: 16 pole, 3 phase, brushless DC motor
Turntable Speeds: 3 speeds, fully manual (33 1/3, 45, 78 rpm)
Starting Torque: 4500 g/cm
Start-up time / rpm change: less than 0.2 sec.
Wow and flutter: 0.01% WRMS
S/N Ratio: More than 55 dB (DIN-B)
Brake system: electronic brake
Record weight: recommended 800g

Turntable Platter:
Material: aluminium die-cast
Diameter: 332 mm
Weight: About 1.8 kg (including rubber mat)

Tonearm Section:
Type: Universal Static Balanced S-Shaped
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Less than 3 degree
Offset Angle: 22-
Stylus Pressure: 0 - 4 g
Adjustable Tonearm Base (VTA): 0-6 mm
Applicable Cartridge Weight: 3.5~8.5 g (including headshell is 13~18 g)
Anti-Skating Range: 0 - 3 g
Effective tonearm mass: 20 g (incl. headshell)

Terminals:
1x PHONO Out (gold-plated), 1x GND Earth Terminal

General:
Power supply: AC 115/230 V, 60/50 Hz (EU/US), AC 100 V, 50/60 Hz (JP)
Power Consumption: 9 W
Dimensions: 458 (W) x 368.3 (D) x 162.4 (H) mm
Weight: approx. 12.8 kg

Notes: Designed for Serato and Algoriddim Djay, the long-awaited Mixon 8 Pro is a four-channel hybrid controller with detailed jogwheel displays. Standalone mixer and four FX paddles give versatility for creative mixing.

Supplier's Notes:
Enhanced jog wheels with real-time displays

Boasting sleek, touch-sensitive gun metal platters and high profile rims, the enhanced jog wheel design of the Mixon 8 Pro allows you to control your music precisely. And thanks to the new vivid on-jog displays, DJs are kept well informed with real-time track information, including virtual needle illumination, a playhead position indicator, and track time remaining or elapsed.

Four FX pedals for instant effects

As an industry first, the Mixon 8 Pro features 4 sturdy onboard FX Paddles, providing instant tactile control of all your effects. Each channel also has a 3-band EQ and dedicated sound colour filters to shape your music even more (LPF/HPF).

Stand-alone mixer inside

The powerful inbuilt standalone mixer with independent level meters for inputs and outputs gives you flexible connections to either turntables or media players so you can mix digital and analogue sources simultaneously (2x Phono/4x Line). For even more convenience, you can also route the dual Mic inputs (XLR/Jack) with dedicated talk-over functions into the mixer channels to perfectly EQ your live vocals with onboard controls.

Technical data

In- & outputs: XLR Master-Output, 6.3 mm jack Booth-Output (TRS), RCA Master-Output, 2x RCA-Input (Phono/Line), 2x RCA-Input (Line), 1x Combo-Mic-Input (XLR/jack (TRS)), 1x Mic-Input 6.3 mm jack (TRS), 1x USB-B, 1x USB-C/USB-B, 2x Headphones (6.3 mm/3.5 mm jack)
Dimensions: 657 x 68 x 391 mm
Dimensions docking station: 320 x 9 mm
Weight: 5,7 kg
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl.: Controller, manual, USB cable (USB-A to USB-B), power supply (12V/3A)

Notes: The Quanalog Boubou is a combination of 5 voices of filter-based analogue drum synth that covers the basic drum set. It includes Kick, Low and Hi Tom, Rimshot, Snare and Hi Hats that can be the foundation for your Eurorack drum setup. Each voice has a lot of necessary control, which can be developed further to reach a wider range of possibilities.

At its base, every drum engine can become a signal processor with the core made by the analogue filter, so it can also process other engines, or alternatively other modules.

Each sound has been carefully made with a specific analogue filter structure to be able to create the feel of real percussion to cover both low-end and high-end frequencies. Quanalog have carefully tweaked every single component to give it a very classic sound quality, with a high-end built with an all metal pot, jack and switch to make sure it's the last module that breaks on your setup.

Kick drum

The kick drum is the combination of 2 parts; the bottom sound of the drums come from pure sine waves generated by analogue low-pass filter being excited to a resonance point, giving a thick and powerful sound blend with click sounds made by the feedback circuit, with control over frequency and mix volume to create a perfect bass drum.

All parameters affected by 3 compression mode define 3 differences, and a level that can be useful in different situations such as studio, live performance, etc. The sound from the kick voice can range from very soft and gentle, punchy energetic kick to a very harsh, overdriven sound that can send the dancefloor crazy!

The click tone and blend control are for the feedback circuit that can choose the frequency for the click sound from high click to low mid boost which can be cranked up until the distortion point.

The overdrive knob controls the amount of signal that feeds in. Start with a low input signal, that sounds familiar to an 808 bass drum and can be more overdriven so that it becomes more like a 909 or like Vermona kicks. It can be cranked up until it self resonates and can be use as a sine oscillator for generating bass sound.

The new version of Boubou has a tune CV and decay CV for the kick drum, making it an even more flexible kick drum pattern.

If you feed the trigger input instead of a short trigger but a waveform or audio, the kick drum becomes a wavefolder/bit crusher, which can make your simple waveform more complex. The Lo tom section without plugging the trig in becomes a notch filter for the bass drum with CV control over pitch.

Dual Tom

The Lo and Hi tom voices use the same core engine as a kick voice with CV control for the resonance point which affects the drum pitch. You can use voltage signal from other modules such as a sequencer, envelope, LFO or more, to vary the pitch to create multiple and polyrhythm feels.

The Lo Tom can vary from low frequency kick drums to a hi-tom/ bongo, using the combination of frequency and resonance control. The Hi tom can also become very high pitched, and can be used as a rimshot.

The dual tom has retrig knobs, which control the volume of the retrigger drum when gates are off. Depending on the gate length, it can create a flam, roll or a natural flap sound that makes "hand play". If you had a sequencer with trigger that has a different gate length for each step, it can create a very complex rhythm.

Like the kick drum, the dual tom part can become a sound processor with the low and hi tom as a dual notch filter with both low and high-frequency range. Can use it to create very rich and musical harmonic based on its resonance peak point.

Snare

The Snare voice is an analogue white noise going thru decay VCA, then it triggers a band pass filter with frequency and resonance control to define snare pitch. Turning "RES" makes it into a thin spring snare sound. By blending the Resonance amount and frequency, it starts to define the body tone of the snare. It can vary from a hi tom, to a hand clap, or 2nd hi hats.

Without plugging the trig in jack of the hi tom , it becomes a notch filter for the snare. So if you plug only the Snare trigger, the hi tom becomes the resonance section of the snare, which helps to create a very thick realistic bottom snare sound, and a rimshot sound can be created by the hi tom section. By plugging the trig to the hi tom sound, it separates the trigger from the snare trigger input.

Hats

The Hats engine uses an independent noise source going thru a high-pass filter that resonates at high frequency, then thru a decay-VCA which CV control over decay amount with an attenuator. Not only does it create an open-closed hi-hat, but it can also resemble a real hi-hat using a "CV pedal" to make it sound more natural.

It also has a mixer section that is able to feed in another sound source from an ext. VCO or anything can be mixed with the noise part. When the noise volume turn off, this sections acts as a decay VCA for another sound module. By this design, the module doesn't stick with fixed VCO tune like the other module, but it allows you to be creative on the timbre of the hats to make a very fine cymbal sound with precision pitch from another 1v/oct module.

Also, instead of trig in if you plug a VCO source to the trig input, it can make a noise VCO which follow the roots VCO frequency. You can use this to "ring" the ext.in VCO.

Overall

All 5 voices are analogue filter-based and they can process the signal that is being fed in, so the gate signal being processed thru VCA circuit can create a multi-level accent. Each module can process a gate signal to become a drum sound, or process each other or another sound source. The only limit is your imagination!

With 5 analogue drum engines, you can create a very good rhythm in your setup. When paired with any drum trigger, it becomes a very powerful drum machine that can be useful both in live and studio environments.

Boubou sound tips:

With the kick drum, the best sound is when you set the volume with soft mode, all parameters are low to a reasonable level, then you will see the magic when you crank it up!

With kick, lo and tom, you will be able to make them velocity sensitive by plugging a step CV signal instead of a trig or gate signal to the trigger input. You can create a multiple dynamic to the sound.

The Lo and Hi tom sound can be part of the Kick and Snare sound by not plugging any jack to the trigger input. You can use the sound from the lo and hi tom section to become a 2nd body sound with CV control resonance to create a thicker Kick and snare sound.

Try plugging an audio or waveform signal from another sound source, or VCO, and use the modulation for it. Or you can even try to plug the result of one section to the trigger input of the other.

Notes: PreSonus showcase their expertise with these painstakingly crafted monitors. Coaxial design offers all the benefits of a point source, for precise stereo imagine and phase alignment.

Supplier's Notes:
Listen to your mixes reproduced with lifelike realism! The Erisr Pro 8's symmetric design and consistent acoustic centre provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

The Eris Pro 8's coaxial design provides a single acoustic point source that creates a natural listening experience, revealing the subtlest nuances in your recordings, while providing a three-dimensional soundstage, detailed transient response, and lifelike sonic reproduction. Combined with a punchy low-end that defies its compact size, the Eris Pro 8 provides a superior listening experience for both home studios and professional mix rooms.

A 1.25-inch, ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 8-inch, woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 140 watts of power allows the Eris Pro 8 to reach down to an astonishing 35 Hz, while a finely detailed transient response and stunning dynamics deliver a natural and less fatiguing experience.

Acoustic tuning controls and a three-way Acoustic Space tuning lets you accurately configure the Eris Pro 8 for your room. Flexible input options enable connection to almost any line-level source, from mixers to audio interfaces and more. Provisions for wall and ceiling mounts make it easy to integrate Eris Pro 8 monitors into any stereo or multi-channel system.

Features

Single point-source coaxial design for wider sweet spot and better phase alignment
8-inch, woven-composite, low-frequency driver
1.25-inch, silk-dome, high-frequency driver
140W, Class AB amplification
35 Hz to 20 kHz frequency response
105 dB SPL (Peak, @ 1 meter
Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (+/-6 dB, center 10 kHz, continuously variable), Mid Frequency (+/-6 dB, center 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
XLR and 14-inch TRS balanced and RCA unbalanced rear-panel stereo inputs
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Wall and ceiling mountable

Inspired design for inspiring results

Placing the high-frequency driver in the centre of the low-frequency driver increases clarity, widens stereo imaging, and produces an incredibly even mid-range. Vocal clarity, the attack of a snare, and guitar presence shine through, allowing you to quickly and accurately place them in a mix and get the results you desire faster than ever before.

Symmetric response

The Eris Pro 8's coaxial design provide a symmetrical dispersion resulting in a crisper stereo image, greater soundstage depth, and superior separation between components in a complex mix.

Set up your studio monitors for your room

Acoustic Tuning controls ensure you'll get the flattest frequency response possible in your mix environment. You get Low Cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Specs

Electronics

Voltage: 220-240V UK
Wattage: 140 Watts
INPUT IMPEDANCE
Input impedance: 10KO

Performance
Peak SPL: 108 dB (@ 1 Meter)

Speakers
Crossover frequency: 3.1 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches

Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 12.80 x 10.60 x 12.20 in

Depth: 12.2" (30.1 cm)
Height: 12.82" (32.6 cm)
Width: 10.63" (27 cm)

Notes: Desktop version of Plankton's modular saturation unit. A patchable combination of analogue distortion and digital processing, combined into a versatile standalone effects unit.

Supplier's Notes:
SPICE is a modular saturation unit capable of a huge variety of sounds and colors. From subtle tube warmness to extreme fuzz distortion.

Features:

Rackable (38HP eurorack) modular desktop unit.

8 CV inputs with led level indicators.

6 main functions: Prefilter / Digital / Analog / Mixer / Envelope Follower / Feedback

Prefilter: High Pass and Low Pass filters to shape the sound before being processed. Both controllable via fader + CV input.

Digital: 12 bit Bit Crusher / Bit mute, Biswap and Bit inversion + Sample Rate reducer. Both controllable via potentiometer and CV inputs. It also offer an analogue input control with led clip indicator and a low pass filter to smooth the output signal. All the code will be Open Source

Analog: 7 analogue distortion circuits selectable with a rotary encoder + a sweet resonant state variable filter. Drive and Cutoff parameters are controllable via potentiometer and CV inputs. 2 of the circuits use the new Korg NU-TUBE.

Mixer: Dry and Wet controls to mixed the processed signal with the clean one of the input. Both controllable via fader + CV input.

Envelope Follower: A dedicated envelope follower with gain control and normal and inverted outputs to convert an incoming signal to an envelope. With its output you can control any of the CV parameters and shape the processed sound in many creative ways.

Feedback: a triple feedback section that sends the Wet input to the Prefilter, Digital and Analog sections. It's capable from a subtle resonance to a collapsed hardcore self generating tone.

Semi-modular architecture with pre-patched sections that can be restructured using patch cables. Each section (minus the feedback) can be used as an independent function from the rest.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A beautifully realised instrument drawing on West coast and East coast synthesis concepts to create something new and beguiling. Three oscillators, smooth filter and Buchla-style dynamics controller.

Supplier's Notes:
Taiga Paraphonic Modular Synthesizer

Taiga is a complete, modern, modular instrument that allows us to explore beyond the boundaries of a traditional analog synthesizer. The sound of Taiga can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth of the unique Dynamics Controller. These enable you to not only create sounds that would be traditionally expected from an analog synthesizer, but also to explore new sonic textures and performance possibilities.

Taiga oscillators

Waveforms generated by the three Taiga oscillators stretch beyond the basic geometric shapes and sounds associated with analog synthesis. Taiga waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga.

The Pittsburgh Filter

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analog delay tuned to enhance the source material by repeating it over and over. Echos utilize a pair of bucket brigade delay chips to produce a classic voltage-controllable analog delay effect that helps to place the sounds of Taiga in a simulated environment.

Open Architecture

Taiga has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 60 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Complete Set of Modular Tools

Taiga includes a host of fully modular, analog, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga toolset is deep enough for any type of sonic exploration.

Taiga features and other info:

Paraphonic synthesizer with unique additive elements

Fully patchable - use Taiga's components as separate modules with external devices or reroute its internal patching.
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
Clock-synced arpeggiator
3x Pittsburgh Modular Synthesizer developed 100% analog oscillators
Oscillator waveforms - sine, triangle, and saw - Waveforms can be combined
3x Pittsburgh Modular Synthesizer 6 stage wave folder/shaper circuit - folds inputted waves back onto themselves to increase harmonic content
Oscillators include frequency modulation (FM)
Noise generator - pitched somewhere between pure white and pink noise. Perfect for percussion or adding a bit of edge to a sound.
Variable state, multi-mode "Pittsburgh No-Dead-Spots" filter (lowpass, bandpass, highpass, modes can be combined)
Sample & Hold circuit
2x Analog ADSR / envelope generators
Pittsburgh dynamics section - an alternative to an envelope generator and a VCA, the dynamics controller is a Pittsburgh Modular invention that adds a dimension of control over a vactrol-less lowpass gate circuit, adding release time. (read more on this in the user guide)
Dual range analog LFO with square and triangle wave outputs.
LFO Range High: 2 Hz to 500 Hz Low: 41 seconds to 5 Hz
Dual Channel Mixer - 2 channel mixer and a 3 channel mixer joined together, capable of mixing both audio or control voltages.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Heart and Soul of Modular Synthesis:
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset

*For audio demos, please visit - http://www.lifeformsmodular.com/sv-1/

Notes: A real powerhouse of a sequencer, featuring eight tracks each with six different modes. MIDI and CV/gate outputs allow you to control pretty much any instrument, including modular gear.

Supplier's Notes:
Portable hybrid multiengine

A new inspiring way to create musical ideas and control all your studio gear

6 modes available per sequencer

Multitrack

8 tracks with totally independent parameters: start-end points, length, speed, etc. Configurable MIDI outputs and scale note filtering. Did you miss having more tracks? Now you can unlock up to 32 tracks in the OXI ONE.

Chord
Innovative chord function generator for easy creation of chord progressions.
Inspiring palette of chords with plenty of types and voicings that perfectly matches to each other. It comes with a handful of dedicated chord menus.

Poly
Total freedom with up to 7 voices, 4 CC's and plenty of parameters per step.
Forget your DAW piano roll for a moment and enjoy this new creative editing experience with unique features like per note chance or logic conditions.

Mono
Full control of a monophonic track with complete visualization of the melody.

Stochastic
Create the perfect recipe for an endless generative idea or melody.

Matriceal (new)
Forget everything you know about sequencing. A step further in generative improvisation.

All this in a compact and premium package

Take full control of your studio gear

USB Host

Connect and Power USB MIDI keyboards and controllers

BLE Central and Peripheral
Battery powered (Up to 8 hours)
BLE to CV, BLE to MIDI, BLE to MIDI USB and vice versa

Deep & instant command of your modular rack

With 8 cv, 8 gates, clock out and clock/cv in and all of them highly configurable

OXI ONE includes VCA ready dynamic envelopes, glide, vibrato, LFOs and
modulation outputs, you have plenty of possibilities for your Modular system.

The grid adds another layer of performance: turn on/off and change cv sources in real time
With "trig envelopes" MIDI and CV goes hand in hand
Triggered envelopes are AD envelopes with velocity as amplitude and
gate as decay time, the attack can be modulated by any of the modulation lanes (new)
Envelopes can be used as dynamic modulation source for VCA/LPGs
MIDI (TRS, USB, Bluetooth) to cv and vice versa
With MOD on, you can record the movement of the encoders to create looping modulation or draw automations directly in the grid
Sequencer: Select which sequencer affects the corresponding output and easily turn on/off the output
Modulation: assign any cv to output any internal modulation

Plenty of tools
From the creation of musical ideas to live sequencing and performing
OXI ONE gives you all the power
Full connectivity & battery powered
Use it as composition tool with your favourite DAW.

Bluetooth to unlock wireless power. Control awesome apps in your tablet, smartphone or any other BLE MIDI device.

Power and connect USB MIDI devices thanks to the USB Host capabilities.

MIDI routing from/to USB, TRS, BLE and CVs.

Up to 8 hours of battery life.

Play big & easy
Store up to 15 projects with up to 64 patterns for all the sequencers.

Live arranger with song view let's you arrange and chain patterns visually.

Performing keyboard with arpeggiator and advanced chord triggering.

UNDO function to the rescue.

128 steps per sequencer.

Solid & compact build
Compact dimensions: 36 x 14 cm.

Only 1.5 cm thick.

Premium anodized aluminium case and knobs.

Bright OLED display.

USB C port.

Algorithmic pattern generator
Get instant musical results with a fully controllable generator

Euclidean rhythms

Drum pattern generator based on MI Grids (new)

Random perform
On the go non destructive randomizer:
Velocity, Octave, Trigger, Retrigger (ratchets), Time division and more

Handy tools you always missed at your disposal:

Two LFOs per sequencer with assignable internal and external destinations (new)
Up to 32 Modulation Lanes
independent length and speed (new)
routable to external and internal parameters (new)
routable to any CV output
Routing to all possible internal parameters, CC's and other MIDI messages.
Loop function
Extend, zoom, duplicate and move your patterns in all directions

Specifications

5V DC 1.7A (USB type C supply)
Li-Po Battery 2200mAh
Radio equipment:
Bluetooth 5.0, 2.4GHz, Tx Max: 4 dBm
Mechanical specifications:
Aluminum chassis & Silicone buttons
Dimensions: 36 x 13 x 3 cm
Weight: 890 gr.
Operating temperature:
10 OC to 36 OC

Inputs and outputs

USB C for 5V power supply and MIDI USB. It also charges the internal Li battery
MIDI TRS input and output (Din adapter included). MIDI Out is 5V, MIDI IN accepts both 5V and 3.3V
MIDI Bluetooth BLE 5.0 bidirectional, peripheral and central roles.
CVS (1 t 8) outputs: from -3V to 8V
GATE (1 to 8) outputs: 5V or 10V configurable
Clock Out and Clock/CV In (can be independent with a splitter)

Accessories

Included in the package
USB C to A cable
MIDI DIN to TRS adapter (Black color) Type A

Not included

TRS to DIN5 Clock adaptor (Grey color):
Exposes One's Clock and Start-Stop IN and OUT to other gear's DIN SYNC ports
TRS to TR-TR stereo splitter (Pink color or Black and Red):
Splits the Clock and Reset outputs of the OXI One in two mono outputs.
Splits the Clock/Gate IN and Reset/CV IN inputs in two mono inputs.
OXI Split: increases the number of MIDI Outputs available.
OXI Pipe: Eurorack module to break out the CV/Gate outputs.

Notes: A unique analogue mixer from OTO, the Bebe Cherie is a six-channel design with built-in one-knob compressor and 'Bliss' enhancer. Excellent sound quality and a range of creative EQ options.

Supplier's Notes:
Bebe Cherie is a 6 stereo channels analogue mixer with a one-knob compressor and Bliss enhancer on the master bus.

- Full analogue mixer
- 4 channels with variable gain up to +34 dB, asymmetrical soft clipping and a tilt eq
- 2 channels with Baxandall 2 bands eq and a 0/+10 dB selectable input gain
- 3:1 ratio one-knob compressor on the master bus
- Bliss hi frequency enhancer on the master bus
- Unity gain Hi Fidelity phones out. Can be used as a second master output
- Alternate output
- 24 volts internal power supply for pro audio dynamic range
- Rugged Switchcraft- 3.5 mm stereo mini-jack connectors
- Audiophile film capacitors used in the eq circuitry, low noise and low distortion op amp on the audio path, THAT Corporation- VCAs, ALPS- pots

Dimensions : 290 x 145 x 62 mm
Weight : 1338 g

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The world's first 100% wireless DJ controller, with built-in speakers and rechargeable battery for unrivalled portability. Stream music directly over Wi-Fi or from USB/SD. Powered by the Engine DJ OS.

*** Engine DJ 3.1 Performance Software for Hardware (OS) - Update June 2023 ***

New Features

Touch FX - Use the touchscreen to control and interact with FX in a whole new way. Touch FX bring powerful effect combinations to your fingertips. Swipe in any direction to instantly create build-ups, drops, and transitions. The added ability to latch Touch FX allows you to focus on other aspects of your mix while the effect remains active. Touch FX are available for all Engine DJ devices, including Media Players, however, the selection of available Touch FX will vary by the device.

New Touch FX include: Filter Echo, Filter Reverb, Filter Roll, LFO Echo, Filter Dub Echo, Filter Gate, Noise Gate, Flanger, LFO Filter, Filter

New Main FX - Denon DJ devices receive 26 new and updated Main FX. This suite of new dynamic effects provides DJs with easy-to-use tools to build energy, create drama, aid with transitions, and individualize their performances.

New Main FX include: Echo Out, Swell Verb, Hold Echo, Recycler, Stutter Out, Riser, Pitch Down, Scale Down, Reverb, LFO Verb, Reverb Drop, Reverse Reverb, Reverb Rise, Flanger (-), Beat Break, Backspin, Brake, Roll

All effects now offer a Frequency parameter, allowing you to apply the effect to a focused frequency range.

Sampler Updates

Sampler audio can be routed to any available channel or the Main output. To change the Sampler routing, open Settings and choose the Mixer tab.
The Sampler pad mode can now also be accessed by pressing the ROLL pad mode button twice without holding the Shift button. (Denon DJ hardware)
The sampler volume setting is now remembered between power cycles.
Added the ability to read Smartlists created in Engine DJ (Desktop).

Improvements and Fixes

Track Preview can now be routed directly to the headphones for instant track previews without setting the cue source in advance. (PRIME 4)
Reworded Effect parameter reset behavior setting to make it clearer.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where the internal SATA drive would not show up as a source immediately after updating.
Fixed an issue where a track remained in the Prepare list when loading to a deck in certain situations.
Improved peak hold behavior on all products that have peak hold VU meters.
Other various stability enhancements & improvements

Engine DJ Preparation Software (Desktop)

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Mixstream Pro Go

Battery-powered standalone streaming DJ controller with Amazon Music

Instant vibes anywhere

From bedroom to beach and from livestreaming studio to patio party, the Mixstream Pro Go is always ready for action, wherever your vibe-quest takes you. With its built-in rechargeable battery, on-board speakers, Wi-Fi, USB/SD card slots, professional DJ performance essentials, and wireless lighting control, the Mixstream Pro Go is the world's first 100% wireless standalone DJ controller. No longer are you confined to your studio or bedroom, now you can share your mixing skills virtually anywhere. No wires, computers, or existing music library required!

Millions of tracks at your fingertips

The Mixstream Pro Go integrates with Amazon Music Unlimited and other popular streaming services, giving you endless access to over 100 million tracks across all genres. With this unprecedented musical access, you no longer need an established music library to pull up and rock a party or gig. The built-in Wi-Fi and lightning-fast on-board song analysis lets you practice, perform and enjoy music for hours on end. Tracks are analysed for bpm and key as they are loaded and buffered into the internal memory, ensuring uninterrupted playback and flawless performances.

Immersive built-in speakers

The high-quality, built-in speakers of the Mixstream Pro Go make it truly standalone and ready for action, right out of the box. These volume adjustable, custom-tuned drivers produce rich, full sound and are the perfect solution for mixing your music on the go. For active DJs, the built-in speakers are the ultimate, convenient option for practicing, livestreaming, video content creation, and personal monitoring when connected to a larger sound system.

Set your smart home to party mode

The Mixstream Pro Go connects wirelessly to Phillips Hue and Nanoleaf smart home lighting, making it easy to add dynamic visuals to your next party or backyard mix session. Using the built-in Engine Lighting embedded control, connecting to a Philips Hue lighting hub or Nanoleaf system only takes a few taps. Once connected, your indoor and outdoor smart lighting will instantly respond and dance perfectly in time to the rhythm of your music.

Dynamic on-screen lighting controls let you set the visual vibe for any music genre with options for custom colour selection, chase pattern, strobing, and more! The lights even respond to the movements of the crossfader, volume controls, and scratching for an amazing, immersive audio/visual experience!

Powerful pro DJ lighting integration and control

For advanced lighting options and features, professional DJs can pre-analyse their music library with SoundSwitch desktop software, export their library to a USB drive, SD card, or to their Dropbox cloud, and have full control of DMX lighting using the touchscreen of the Mixstream Pro Go. This functionality makes it simple to provide a professional lighting experience at events and gigs without the need to bring along a laptop or DMX controller.

Laptop-free performances on the go

The Mixstream Pro Go features 2 USB inputs and 1 SD card slot for optimum versatility when it comes to music selection and library curation. Quickly prep playlists from Serato, rekordbox, and iTunes using the Engine DJ desktop software, export to a USB drive or SD card, insert the drive in the Mixstream Pro Go, and then perform your entire show in standalone mode. This frees up your laptop to be a dedicated broadcasting device for your next livestreaming session!

Multiple DJ performance options

In addition to being able to DJ in Standalone Mode with Engine DJ OS, the Mixstream Pro Go's Computer Mode allows you to use the device as a DJ software controller for Serato DJ (in upcoming release) and Virtual DJ (Serato DJ Lite is supported for free, a paid license is required for Serato DJ Pro and Virtual DJ). When in Computer Mode, the Mixstream Pro Go's touch screen offers hands-on control over library navigation, song selection, FX control, and more. This incredible flexibility combined with the sweet freedom of being battery-powered opens up an entirely new world of location options for your DJ adventures.

Technical Specifications

Connections

Audio Outputs
(1) XLR output pair (main left/right, balanced)
(1) RCA output pair (main left/right, unbalanced)
(1) 1 1/4" (6.35 mm) stereo output (headphones)
(1) 1/8" (3.5 mm) stereo output (headphones)

Audio Inputs
(1) 1 1/4" (6.35 mm) microphone input

Other
(2) USB port (for USB drives)
(1) USB port (to computer)
(1) SD card slot
(1) power adapter input (for charging and wired use)

Audio

Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 114 dB (A-weighted)
Signal-to-Noise Ratio: > 94 dB (A-weighted)

Headroom
Mic: > 16 dB
Outputs: > 16 dB

Channel Separation: < -110 dB (1 kHz, unity)

T.H.D.
Line: < 0.01% (1 kHz, unity)
Microphone: < 0.05% (1 kHz, unity)

Speakers
Frequency Response: 20 Hz - 20 kHz +/- 1 dB

Analogue Input
Microphone: -40 dBu (unity) / -60 dBu (minimum)

Analogue Output
Master, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Master, Unbalanced: +16 dBu (maximum) / 0 dBu (unity)
Headphone Output: < 30 mW

Power
Connection: DC, Center Positive
Voltage: 12.0 V 3.0 A
Built-In Rechargeable Battery

Dimensions (width x depth x height)
Width x Depth x Height: 22.3" x 11.2" x 2.9" / 566 x 284 x 74 mm
Weight: 8.11 lbs. / 3.7 kg

Notes: The world's first 100% wireless DJ controller, with built-in speakers and rechargeable battery for unrivalled portability. Stream music directly over Wi-Fi or from USB/SD. Powered by the Engine DJ OS.

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's Notes:
Mixstream Pro Go

Battery-powered standalone streaming DJ controller with Amazon Music

Instant vibes anywhere

From bedroom to beach and from livestreaming studio to patio party, the Mixstream Pro Go is always ready for action, wherever your vibe-quest takes you. With its built-in rechargeable battery, on-board speakers, Wi-Fi, USB/SD card slots, professional DJ performance essentials, and wireless lighting control, the Mixstream Pro Go is the world's first 100% wireless standalone DJ controller. No longer are you confined to your studio or bedroom, now you can share your mixing skills virtually anywhere. No wires, computers, or existing music library required!

Millions of tracks at your fingertips

The Mixstream Pro Go integrates with Amazon Music Unlimited and other popular streaming services, giving you endless access to over 100 million tracks across all genres. With this unprecedented musical access, you no longer need an established music library to pull up and rock a party or gig. The built-in Wi-Fi and lightning-fast on-board song analysis lets you practice, perform and enjoy music for hours on end. Tracks are analysed for bpm and key as they are loaded and buffered into the internal memory, ensuring uninterrupted playback and flawless performances.

Immersive built-in speakers

The high-quality, built-in speakers of the Mixstream Pro Go make it truly standalone and ready for action, right out of the box. These volume adjustable, custom-tuned drivers produce rich, full sound and are the perfect solution for mixing your music on the go. For active DJs, the built-in speakers are the ultimate, convenient option for practicing, livestreaming, video content creation, and personal monitoring when connected to a larger sound system.

Set your smart home to party mode

The Mixstream Pro Go connects wirelessly to Phillips Hue and Nanoleaf smart home lighting, making it easy to add dynamic visuals to your next party or backyard mix session. Using the built-in Engine Lighting embedded control, connecting to a Philips Hue lighting hub or Nanoleaf system only takes a few taps. Once connected, your indoor and outdoor smart lighting will instantly respond and dance perfectly in time to the rhythm of your music.

Dynamic on-screen lighting controls let you set the visual vibe for any music genre with options for custom colour selection, chase pattern, strobing, and more! The lights even respond to the movements of the crossfader, volume controls, and scratching for an amazing, immersive audio/visual experience!

Powerful pro DJ lighting integration and control

For advanced lighting options and features, professional DJs can pre-analyse their music library with SoundSwitch desktop software, export their library to a USB drive, SD card, or to their Dropbox cloud, and have full control of DMX lighting using the touchscreen of the Mixstream Pro Go. This functionality makes it simple to provide a professional lighting experience at events and gigs without the need to bring along a laptop or DMX controller.

Laptop-free performances on the go

The Mixstream Pro Go features 2 USB inputs and 1 SD card slot for optimum versatility when it comes to music selection and library curation. Quickly prep playlists from Serato, rekordbox, and iTunes using the Engine DJ desktop software, export to a USB drive or SD card, insert the drive in the Mixstream Pro Go, and then perform your entire show in standalone mode. This frees up your laptop to be a dedicated broadcasting device for your next livestreaming session!

Multiple DJ performance options

In addition to being able to DJ in Standalone Mode with Engine DJ OS, the Mixstream Pro Go's Computer Mode allows you to use the device as a DJ software controller for Serato DJ (in upcoming release) and Virtual DJ (Serato DJ Lite is supported for free, a paid license is required for Serato DJ Pro and Virtual DJ). When in Computer Mode, the Mixstream Pro Go's touch screen offers hands-on control over library navigation, song selection, FX control, and more. This incredible flexibility combined with the sweet freedom of being battery-powered opens up an entirely new world of location options for your DJ adventures.

Technical Specifications

Connections

Audio Outputs
(1) XLR output pair (main left/right, balanced)
(1) RCA output pair (main left/right, unbalanced)
(1) 1 1/4" (6.35 mm) stereo output (headphones)
(1) 1/8" (3.5 mm) stereo output (headphones)

Audio Inputs
(1) 1 1/4" (6.35 mm) microphone input

Other
(2) USB port (for USB drives)
(1) USB port (to computer)
(1) SD card slot
(1) power adapter input (for charging and wired use)

Audio

Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 114 dB (A-weighted)
Signal-to-Noise Ratio: > 94 dB (A-weighted)

Headroom
Mic: > 16 dB
Outputs: > 16 dB

Channel Separation: < -110 dB (1 kHz, unity)

T.H.D.
Line: < 0.01% (1 kHz, unity)
Microphone: < 0.05% (1 kHz, unity)

Speakers
Frequency Response: 20 Hz - 20 kHz +/- 1 dB

Analogue Input
Microphone: -40 dBu (unity) / -60 dBu (minimum)

Analogue Output
Master, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Master, Unbalanced: +16 dBu (maximum) / 0 dBu (unity)
Headphone Output: < 30 mW

Power
Connection: DC, Center Positive
Voltage: 12.0 V 3.0 A
Built-In Rechargeable Battery

Dimensions (width x depth x height)
Width x Depth x Height: 22.3" x 11.2" x 2.9" / 566 x 284 x 74 mm
Weight: 8.11 lbs. / 3.7 kg

Notes: All-analogue, digitally-controlled mixer with 10 stereo inputs, three stereo outputs, clickless mutes, save and recall, MIDI, and CV via expanders.

Xer Mixa is a mixer with 10 stereo-paired inputs, three stereo-paired output busses, tactile controls, and a 100% analogue signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 8 interactive fader-controlled channels and two aux inputs, all with clickless mutes. Configuration options abound for per-channel pan-law settings, pre- or post-fader sends, and channel settings are made simple with the screen. Settings can be saved into preset slots for easy recall for performances or sessions.

Xer Mixa is a compact 32HP, with a streamlined and easy-to-use interface. CV control over almost any parameter is available through the rear-panel connecting Expando Expandi, which adds CV 8 inputs to Xer Mixa. Connect up to two Expando Expandis for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are available together as a discounted bundle, or individually.

Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for an expressive mixer.

Notes: Warp is a novel synth engine that combines the best of additive and wavetable synthesis.

In the center of Warp's control panel is a colorful XY LED matrix that represents the sound space from which Warp draws its sounds. This XY sound space consists of 32x16 frequency spectra. Each of Warp's four voices can move freely and independently across the XY space. It always uses the surrounding frequency spectra to calculate a wavetable based on 512 sine waves in real time using additive synthesis. By changing the position, wicked wavetable sounds are possible, playable with four voices and eight oscillators and navigable in two directions. An intuitive integrated editor allows playful modeling of your own frequency spectra.
With Warp's SPEC effects the frequency spectrum can be filtered and deformed in realtime before a wavetable is calculated. The wavetable can then be modified with WARP effects like wavefolder, PWM bend, overdrive and redux. The resulting wavetable serves as source for two oscillators per voice, which can be detuned and also synchronized to each other. Each voice is followed by a 12/24dB/octave high pass and low pass filter.

Warp offers an integrated editor, with which you can playfully draw and modify your own frequency spectra. The XY-Sound Space is seen as a canvas on which you can draw your own frequency peaks. Several drawing algorithms are available as tools to edit single or a group of harmonics in a musically meaningful way. There is also the possibility to derive frequency spectra from audio samples from the SD card or to put whole wavetable audio files into the XY sound space. Likewise, the XY sound space can be exported to the SD card as a wavetable audio file of any length and bit depth, so Warp can also be used as an intuitive wavetable generator for other synthesizers.

Also on board are two internal ADSR envelopes and two LFOs, which can be routed to a variety of internal destinations using a modulation matrix. To keep the overview, all modulations are color-coded and are additionally visualized by pulsating LEDs in the modulation matrix view.

Navigation through the menu is as intuitive as with our QUASAR module and is simply done via a push-encoder and a back button. The display always shows which function the four surrounding aluminum encoders currently have, and colored LEDs next to the encoders provide visual assistance. Likewise, the tuning of the module is done via a detented encoder, which adjusts the pitch either in fine steps, in semitones or in octaves. An octave switch is thus already integrated.

For all its feature-richness, Warp still remains a playable and performance-oriented instrument. The large potentiometers serve as macro controls to control several parameters under the hood at once. This keeps the instrument straight forward with a manageable number of controls, but they are all very expressive.
Likewise, the module offers the ability to save and load presets and also comes with audio files and presets on board. Thus, Warp is ideally suited for both detail-oriented sound design and hands-on performance.

In the standalone version, Warp is a monophonic four-voice synth voice that can also be used as an oscillator. With an expander module, it will also be possible to play Warp four-voice polyphonic via MIDI and CV/Gate in the future.

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.



Main functions
4 Voices & 2 oscillators using a hybrid additive-wavetable synth engine
Big knobs act as macro controls for underlying parameters and enable expressive Hands-On playability
Polyphonic with expander, monophonic as standalone unit
Usable as a full synth voice or as an oscillator module
Additive synthesis with 512 sine waves per oscillator = 4096 sine waves in total
XY sound space as a collection of 32x16 frequency spectra
Each voice travels independently across the XY space and uses the underlying spectra to synthesize a wavetable in real-time
Spectral FX are applied on the spectrum before a wavetable is generated
Wavetable FX are applied once the wavetable is generated, e.g. Wavefolder, PWM-Bend, Redux, Overdrive
Two Post-Filters per voice: 12/24dB Lowpass and Highpass with resonance control
Independent oscillator settings per voice, e.g. volume, pitch, stereo pan, detune, sync, X/Y position
Integrated modulation by 2x ADSR, 2x LFO with many waveforms
Modulation matrix view to see everything that is going on at once
Integrated editor for playful drawing of own frequency spectra
Algorithms for musically meaningful drawing of harmonics

Width: 24 HP
Depth: 30 mm
Current draw +12V: 205mA
Current draw -12V: 20 mA
Current draw +5V: 0 mA

** Includes 3mm screws, 16-Pin to 10-Pin eurorack power cable, USB cable for firmware updates **

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.

Notes: A revolutionary keyboard controller that puts the world's best sound library at your fingertips. Get direct, hands-on control of virtual instruments from NI and thousands more from developers like Arturia, Heavyocity, Korg, Output, Spitfire Audio, and u-he.

Browse and tweak everything from synths and drums to orchestral libraries and scoring tools - all seamlessly integrated with Kontrol's tactile controls and large, high-res screen. Then play with a new level of expression and freedom thanks to a best-in-class keybed, polyphonic aftertouch, Light Guide, and Play Assist features. And with a comprehensive package of included software, featuring the industry-leading sampling platform Kontakt 7, you'll be ready to go from day one.

Polyphonic aftertouch

Take expression one step further with the slightest pressure on individual keys. Bring new layers of nuance to your playing with cutoff, pitch, vibrato, and much more, without reaching for an extra encoder or dial. All three models come complete with polyphonic aftertouch on an industry-leading keybed developed in collaboration with Fatar.

Thousands of instruments made real

Kontrol brings the world's best virtual instruments to life in a genuinely immersive experience. Whatever you're playing, get in-depth control thanks to an unparalleled direct connection to Kontakt. Find sounds quickly with intuitive on-screen navigation, then adjust and play them with intelligent auto-mapping that understands the parameters.

Included software

Kontrol comes with a host of creative music production tools - all fully integrated with the hardware, to give you everything you need to start making music straight out of the box.

Included software
Kontakt 7
A free Kontakt instrument of your choice
Komplete 14 Select
Komplete Kontrol Software
Stradivari Cello

An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

NKS 2 NKS (Native Kontrol Standard) is NI's technical standard for virtual instruments and effects. It's used across the industry and ensures that all compatible plugins are precisely mapped to controls. Kontrol marks the launch of NKS 2, which powers the unmatched software integration experience.

S61 MK3 Dimensions: 967.4 × 323 × 86 mm
Weight: 6kg

Hardware specifications:
1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminum, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI 1.0 mode)
Windows 10 (latest service pack) or higher
8 GB RAM

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Third-generation version of NI's outstanding MIDI controller keyboard updates what was already a winning formula. Here in the 49-key version, offering outstanding control of software and immense playability.

Suppliers notes:
An intelligent keyboard controller in three size options, designed to be at the core of any studio. Virtual instruments meet the real world with seamless Kontakt integration and a high-resolution screen. Plus, polyphonic aftertouch delivers intuitive parameter control across all three models, in combination with weighted, hammer-action keys in the S88. All contained in an overhauled design that looks incredible and is built to last.

Dimensions: 802.2 × 323 × 86 mm
Weight: 5.5 kg

Thousands of instruments made real Virtual instruments are brought to life in a genuinely immersive experience. Whatever you're playing, get in-depth control and integration through advanced NKS technology. Find sounds quickly with intuitive on-screen navigation. Then fluidly adjust and play them thanks to intelligent auto-mapping. This unparalleled direct connection means you can play completely real-feeling Kontakt instruments, plus thousands of partner sounds, instruments, and effects, with no interruptions to your workflow.

Polyphonic aftertouch

Take expression one-step further and instinctively control parameters with the slightest pressure on each individual key. Modulate cutoff, pitch, vibrato, and much more without reaching for an extra control. All three models have an industry-leading keybed, developed in collaboration with Fatar to deliver the best possible polyphonic aftertouch experience.

Hardware specification

1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminium, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

Included software

Komplete Select
Komplete Kontrol Software
Stradivari Cello
Guitar Rig LE
Elements Suite
Hypha

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI
mode)
Windows 10 (latest service pack) or higher
8 GB RAM
An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

Notes: A revolutionary keyboard controller that puts the world's best sound library at your fingertips. Get direct, hands-on control of virtual instruments from NI and thousands more from developers like Arturia, Heavyocity, Korg, Output, Spitfire Audio, and u-he.

Browse and tweak everything from synths and drums to orchestral libraries and scoring tools - all seamlessly integrated with Kontrol's tactile controls and large, high-res screen. Then play with a new level of expression and freedom thanks to a best-in-class keybed, polyphonic aftertouch, Light Guide, and Play Assist features. And with a comprehensive package of included software, featuring the industry-leading sampling platform Kontakt 7, you'll be ready to go from day one.

Polyphonic aftertouch

Take expression one step further with the slightest pressure on individual keys. Bring new layers of nuance to your playing with cutoff, pitch, vibrato, and much more, without reaching for an extra encoder or dial. All three models come complete with polyphonic aftertouch on an industry-leading keybed developed in collaboration with Fatar.

Thousands of instruments made real

Kontrol brings the world's best virtual instruments to life in a genuinely immersive experience. Whatever you're playing, get in-depth control thanks to an unparalleled direct connection to Kontakt. Find sounds quickly with intuitive on-screen navigation, then adjust and play them with intelligent auto-mapping that understands the parameters.

Included software

Kontrol comes with a host of creative music production tools - all fully integrated with the hardware, to give you everything you need to start making music straight out of the box.

Included software
Kontakt 7
A free Kontakt instrument of your choice
Komplete 14 Select
Komplete Kontrol Software
Stradivari Cello

An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

NKS 2 NKS (Native Kontrol Standard) is NI's technical standard for virtual instruments and effects. It's used across the industry and ensures that all compatible plugins are precisely mapped to controls. Kontrol marks the launch of NKS 2, which powers the unmatched software integration experience.

S49 MK3 Dimensions: 802.2 × 323 × 86 mm
Weight: 5.5kg

Hardware specifications:
1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminum, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI 1.0 mode)
Windows 10 (latest service pack) or higher
8 GB RAM

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Complete Control
The Komplete Kontrol S88 gives you complete control over the world's most advanced software instruments. There is no other device that will give better or more intuitive control of the Komplete software. The high-quality, fully weighted hammer action keybed gives you superior feel over competing keyboards and high quality encoders offer total control of all key software parameters. The Light Guide™ key illumination and Clear View display deliver a unique visual perspective on the creative process.

Huge Amount of Control
The innovative Native Map technology ensures that struggling to map Komplete instruments is a thing of the past. With every Komplete instrument having being pre-mapped by Native Instruments' leading sound designers all you have to do is simply select your desired instrument and watch as the parameter names and values load onto the clear view display providing a huge amount of parameter control right there on the S88.

Easy to Use and Navigate
With a built in light guide system located to the top of the keys the Kontrol S88 helps you identify drum cells, key switches, phrases and many more at just a glance saving you time and allowing you to absorb yourself fully in the music. Not only do the colour coded lights serve as instrument group markers but they also have the incredible ability once in scale mode to light up the notes of a desired scale allowing you to create fantastic and professional sounding melodies whether an experienced of aspiring keyboard player.

Touch Strips
The two ultra-sensitive touch strips located on the left of the keys have the ability to act as pitch and mod wheels allowing you to add unique nuances to your playing. They can also be used to mimic physical objects like springs and bouncing balls for interesting modulation curves.

Chord Mode for Easy Chord Performances
Activate chord mode on the Native S88 and create a rich harmonic performance by playing single keys. Map chords simply by selecting mode and inversion, or by loading up a chord set of ready-to-play progressions to inspire and augment your own compositions.