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Notes: This is the One: A Stone Roses Photo Essay by Dennis Morris

Hand Signed & Numbered by Dennis Morris to the End Paper and Photographic Print

Hardback in Clamshell Case with Photographic Art Print - Limited Edition

New & Unread

A 200 page photo essay chronicling the rise of The Stone Roses, documenting the inception of the four piece band from their formation in Manchester in 1983 to the establishment of their place in British music history. A beautifully presented, intimate look at an iconic band. Printed on high quality silk paper stock featuring over 250 never before seen images of The Stone Roses - including live photos from Spike Island, Glasgow Green, behind the scenes photos and intimate studio shots.

Classic on-stage photos from the legendary Spike Island and Glasgow Green concerts.
Includes never- before-seen behind the scenes images and intimate studio portraits.
Forewords provided by Dennis Morris and Luke Bainbridge.
200 pages with over 250 images within a hardcover.
Individually signed and numbered by Dennis Morris
Includes numbered limited edition print of The Stone Roses signed by Dennis Morris
Supplied in a protective embossed sleeve
Limited to 1,000 copies

Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira

Notes: Here comes the ultimate Studio Ghibli piano solo collection featuring 77 essential musical masterpieces! From 20 of Studio Ghibli's most beloved films, including "My Neighbor Totoro," "Princess Mononoke," "Spirited Away," and more, comes a piano solo sheet music collection featuring 77 iconic songs. In addition to timeless favorites, songs from popular soundtracks such as "Kiki's Delivery Service" and "Porco Rosso" are included. Featuring Studio Ghibli musical masterpieces in solo piano arrangements, this collection features the movie theme songs as well as fan-favorite instrumental music. The difficulty levels range from easy to intermediate, making them accessible to a wide range of players, and the simpler arrangements can be fully enjoyed by players who can feel the essence and atmosphere. The book cover features official Studio Ghibli artwork. The book is supported in Japanese, English, and Chinese. This one volume offers a comprehensive, special collector's edition for enjoying Studio Ghibli's music. "Studio Ghibli 77 Selections" will surely take you on a musical journey through 20 Studio Ghibli films!

Notes: In the early 1980s, Karen O'Sullivan made her way from where she grew up on Manhattan, NY's Upper West Side to the then-desolate Lower East Side to photograph the burgeoning scenes of hardcore punk and hip hop. "Somewhere Below 14th & East" is the first collection of Karen's photos, compiling over 150 images of artists as diverse as The Clash, Run DMC, Iggy Pop, Beastie Boys, Minor Threat, UTFO, Misfits, and Whodini, as well as the various characters and ne'er-do-wells brave enough to witness history in the making. With its combination of O'Sullivan's striking imagery and first-hand accounts by those who were there, "Somewhere Below 14th & East" chronicles an extraordinary time where boundless possibility and stifling desperation intersected to create one of the most vital and creative times in New York's history.

Notes: Massive document collecting all 12 issues of In Effect Fanzine from 1988-1999. Extras include essays and context from Chris Wynne for every issue and a foreword by Brett Beach, along with new photos, flyers, etc. 722 pages total dedicated to this legendary NYHC fanzine.

Notes: ""20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It's been 20 years of madness, magic and music. Now it's been distilled into our own book to mark this milestone. I'm honestly surprised at how much I remembered!" - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world's leading electronic music labels.

Established in 2003, Damian Lazarus' label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there's the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world's most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label's history, interviewing Damian at length and revealing Crosstown's story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

- Deluxe 240 page book
- Limited edition with only 400 copies on public sale
- De-bossed hardback cover, printed on FSC certified papers, with alternating paper stocks, book ribbon and G.F. Smith endpapers
- Foreword by Pete Tong MBE
- Comprehensive label discography
- Printed in the UK by PurePrint, the first CarbonNeutral printer in the world