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Notes: Inside our brand new issue:

Still House Plants: London's post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones's motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire's mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists' Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O'The Clock, Goran Kajfes Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinono, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Duul, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain't It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cardenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: Andre 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: It? Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Brighde Chaimbeul, London, UK

On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

Review: Sometimes reunions can be awkward. A load of people who lost touch trying to ignore the nagging 'whys' and 'what ifs' of their now-fractured shared histories, while attempting to 'catch up' on what's been going on since they fell out of regular contact ages ago. Thankfully, Warpaint's return to the release schedule after a two year hiatus, and their return to Rough Trade, the label they started out on, only feels right. Common Blue is a two-sided single that also serves as a reminder of why we fell for the band in the first place, 20 years ago (if that doesn't make you feel old, more references are available). The title track is best described as an earthy-groover, melodies effortlessly flowing over hushed vocals, arrangement wrapped around a strolling rhythm. In comparison, 'Underneath' takes the tempo down, beautiful sung harmonies and gentile guitar chords creating the sonic equivalent to a summer afternoon by the lake.

Review: Dive into the haunting depths of Pratt & Moody's latest single, 'Creeping Around and you will find this enigmatic duo showcasing their expertise in merging dark soul with haunting melodies. Building on the success of their previous hits (including the wonderful 'Lost Lost Lost' and 'Wheels Turning') they explore themes of infidelity with raw emotion. Pratt's velvety vocals intertwine seamlessly with Moody's evocative guitar on 'Creeping Around' which has a late-night introspection to it where melancholy and passion converge in a David Lynch-esque world. Each note resonates with longing and desire that stays with you after the music finishes.

Review: Well on from his startling 2021 debut 'The Celestial Suite', Los Angeles' neo soul production maestro Pale Jay has since gone on to proffer many a 7" record, of which 'In Your Corner' is the latest treat to feast your ears. Both shorn ahead of time from his latest LP, Bewilderment, 'In Your Corner' and 'Bewilderment' are pensive retro soul falsettoers, both of which feature Jay's own, longing vocals, and evince a mood of being caught in between two difficult paths in life. The A uplifts with its surrounded Hammonds and righteous get-through-it lyrics, concerning self-discovery amid self-judgment. The B-side, by contrast, tells the story of the disintegration of a family, and skews more lo-fi, vintage hip-hop.

Review: Pale Jay's latest LP Bewilderment spawns two more treasure here on this new and essential 7" from Karma Chief Records. Up first is an Afro-beat tinged cut, 'In Your Corner' with a subtly uplifting rhythm although listen deeper and you'll get locked in to the lyrics which detail an internal struggle for self-acceptance. On the flip is the album title cut which showcase Jay's signature sounds - silky falsetto over soulful harmonies and dusty hip-hop beats. This one also tell a story, this time about the breakdown of a family and the journey into self that ensues.

Review: Experimental hip-hop supertroupe Clipping returns with a new collaborative single with Cooling Prongs (Christopher Fleeger) for a noise-infused remake of J-Kwon's 2004 hi 'Tipsy' on the A-side, followed by a harrowing ambient noise track by the latter artist on the B. Diggs and co.'s obverse is a raucous industrial cover version, revelling in the in-the-club braggadocio of the original, yet diverting its repetitious crunk towards metallic clanks and rapid snaps. Prongs' 'Midnight' is a surreal, deep-fried coda to counterpart the A's heat, providing it the utmost ample dark contrast.

Review: Mumford & Sons drop a surprise single release alongside Pharrell Williams, 'Good People', delivering on a long-awaited promise to hop in the studio together after years of knowing each other. Finally falling back on their immediate instincts, 'Good People' hears the band and the solo wunderkind sing of tiredness and revelation, making adept use of a dry, driving, sportsmanlike instrumental palette (think hand claps, stomps, gospel harmonies). Though cryptic in theme, the mood on this one-off is one of triumph and impending miracle works to come.