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Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder Zoom F6 Multitrack Field Recorder
Cat: 734836 Rel: 01 Aug 19 • View all Handheld recorders
 
Professional field recorder with 32-bit float recording & dual AD converters
Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide
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coming soon $646.35
Zoom F8n Field Recorder & USB Audio Interface (audio recorder/USB audio interface)
Cat: 711951 Rel: 06 Dec 18 • View all Handheld recorders
 
24-bit/192kHz, 8-in/4-out field audio recorder
Notes: Zoom's F8n Field Recorder is an 8-channel, 10-track portable digital recorder that incorporates several important changes over its predecessor, the F8. Eight locking mic/line Neutrik Combo inputs provide up to 75 dB of gain for the mic pre, which can now be accessed via TRS or XLR connector. Line level inputs and outputs operate at +4 dBu; a pair of balanced TA3 mini XLRs serve as the main outputs while a stereo 1/8-inch jack facilitates headphone use.

Audio files are recorded as WAVs at sample rates ranging from 44.1 to 192 kHz (16- or 24-bit), with support for 47.952 kHz and 48.048 kHz sample rates. Files are stored to SD/SDHC/SDXC cards and two card slots allow redundant recording for critical applications. The F8n's Advanced Look-Ahead Hybrid Limiters add a 1 millisecond delay to the audio path, avoiding clipping before audio is recorded.

A Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy (output on BNC connectors). The F8n has the ability to record simultaneously via USB and to the internal SD card slots, and a 'pre-record' buffer captures up to six seconds of audio before the Record button is pushed. The F8n can be powered using AA batteries, an AC adapter or a 9-18 VDC power supply via HR10A-7R-4S 4-pin connector.
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 1 in stock $825.25
Cat: 697317 Rel: 06 Aug 18 • View all MIDI keyboards
 
Eurorack synth module enclosure with integrated keyboard
Notes: The Monolith is a 37-key keyboard with 104HP Eurorack rails. The keyboard generates MIDI, aftertouch, glide and velocity as well as the usual gate and tune CV. Comes with power as well as Keyscan and Levels (output) modules.

- MIDI in/out/thru
- 37 key keyboard with semi weighted keys
- 4 V/Oct outs - 2 with glide, 2 without
- Aftertouch
- Velocity sensitive
- 1/4" L and R outputs
- Built-in headphone amp w/1/4" Headphone out
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$753.91 SAVE 20%
 1 in stock $603.13
Cat: 665765 Rel: 14 Nov 17 • View all Synth modules
 
Eight-channel mixer module designed especially for live performances & jam sessions - 40HP
Notes: A game changing mixer for live performance within the Eurorack modular synth ecosystem.

The Performance Mixer is an 8 channel audio mixer designed specifically for live performance and jam sessions within the modular ecosystem. With 12 audio inputs for the first 6 channels, and 2 true stereo channels, there is plenty of room for all your modular signals and more.

2 mono auxiliary sends with dual mono returns, stereo send and return, and another set of stereo mix inputs give you the routing you need to send signals to interesting effects as well as utility uses such as bus compression and master equalizers.

Tired of not being able to tune oscillators and program sequencers on the fly? Not to worry, the performance mixer also includes a cue mix section so you can monitor your incoming signals in headphones before sending them to the front of house mix. Just like on a traditional DJ mixer, the cue mix knob determines how much of the cue vs the FOH mix you hear in the phones.

Two headphone outputs for convenience and teamwork. Collaborate with friends without wasting any channels by sending the stereo output of their mixer into the unity gain mix input. Monitor with the dual headphone outputs and you can both hear the entire mix.
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 2 in stock $608.08
Cat: 467328 Rel: 05 Sep 12 • View all Synthesisers
 
49-note keyboard synthesiser
Notes: Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

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 2 in stock $570.21
Cat: 471426 Rel: 30 Oct 12 • View all Drum machines
 
8-channel standard analogue drum synthesiser with triggle inputs
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers eight instruments, each with seven knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve, one knob, one function.

The instruments on the DRM1 MKII are as following:

Kick: mainly but not only for making big and fat kick drums
Drum1 and Drum2: very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU
Multi: 3 x oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping
Snare: what can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: that's analogue (heavy- or soft-) metal
Clap: classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.

This version comes with triggle inputs for each drum. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.

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 1 in stock $589.46
Cat: 471429 Rel: 30 Oct 12 • View all Drum machines
 
8-channel analog drum synthesiser with trigger inputs
Notes: The DRM1 MKIII is an 8-channel, completely analog drum synthesizer. It gives you total control over every parameter through its 72 controls.

The new version has following changes:

The Kick channel instead of the DRUM1 channel. The Kick channel has some different parameters and can create fatter and deeper kick sounds.
The Drum channels have a Wave parameter which transforms the oscillator's waveform from sine to square
The oscillators of the Drum channels will be started with each trig signal.

The DRM1 Mk III is a flexible 8-channel drum synthesizer, which gives you the ability to create your own sounds, as well as many other classic analog drum sounds. Every sound parameter of the DRM1 Mk III has its own controller, so its easy to use and you'll always have a clear picture of the settings.

This version comes with triggle inputs for each drum. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.
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 1 in stock $744.59
Cat: 735193 Rel: 31 Mar 11 • View all Drum machines
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.

The instruments on the DRM1 MKII are as following:

KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
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 1 in stock $535.47
Cat: 420718 Rel: 31 Mar 11 • View all Drum machines
 
Analog drum synthesiser
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.

The instruments on the DRM1 MKII are as following:

KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
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MRP:$743.36 SAVE 24%
 2 in stock $563.61
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quote 420718
Cat: 725954 Rel: 25 Mar 19 • View all Synth modules
 
Touch-sensitive, multi-dimensional 12-channel CV controller with master section - 42HP
Notes: The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $617.39
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quote 725954
Cat: 739081 Rel: 25 Jun 18 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 1 in stock $575.49
Cat: 739085 Rel: 25 Mar 19 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $581.69
Cat: 690806 Rel: 25 Jun 18 • View all Synth modules
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 2 in stock $609.12
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quote 690806
Cat: 738882 Rel: 30 Apr 19 • View all Sequencers
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Unlock limitless creativity with the SQUID multitrack sequencer. Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Intuitive workflow:

Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Arrange phrases in real time:

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

Save your 'happy accidents':

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

Connect various instruments:

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Import and export fast:

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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 1 in stock $526.39
Cat: 730197 Rel: 30 Apr 19 • View all Sequencers
 
Multitrack sequencer offering control over 16 channels of hardware instruments, synths, drum machines, samplers & your DAW - in one unit
Notes: Unlock limitless creativity with the SQUID multitrack sequencer. Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Intuitive workflow:

Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Arrange phrases in real time:

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

Save your 'happy accidents':

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

Connect various instruments:

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Import and export fast:

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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 3 in stock $536.73
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quote 730197
Cat: 590414 Rel: 05 Apr 16 • View all Synth modules
 
Sequencer synthesiser module with 8 channels and 512 steps - 36HP wide
Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $541.90
Cat: 607501 Rel: 06 Nov 18 • View all Synthesisers
 
Portable 16-track sequencer with built-in synthesis & sampling
Notes: Centred around an advanced 16-track sequencer where all tracks run independently, OP-Z makes individual track speed and track length possible. In addition to this, it's possible to add unique step behaviours to every one of the 16 steps: a feature we call step components. Think of this as dual layer sequencing where the first layer is a traditional 16 step sequencer, while the second layer adds variation per cycle, note variation, micro sequencing, direction, parameter changes, re-trig's and much more, all on just one single step. In theory, it's possible to create a complete song by programming only the 1st step of the 16, using multiple step components to create endless variations, a technique recommended for experts and engineers only. Seriously, in some situations it's actually almost impossible to predict the complete length of a sequence. So, we created a special component for those situations named 'catch up', that forces a track to exit at a certain step to stay in sync. In total, there are 14 components sorted into 3 groups: triggers, note variations and specials.

All 14 components have 10 values and behaviour programs. The product of all this is that you have 140 ways to alter just one single step. Probably more than most people can handle. And to make step composing really intuitive and super-fast, all keys are backlit with multi-colour LED's with instant machine feedback, a must-have for poorly lit club gigs and late-night-in-bed composing. Actually, the print on the unit itself is made with a special glow-in-the dark-paint. A pretty cool 'world's first' for synthesizers.

Bring your own screen:

OP-Z is a completely stand-alone synthesizer and composer, ready to be used at anytime and anywhere, but for those of you who need that extra injection of vibrant graphics, interactive user interface and awesome synced animations to feel inspired, we introduce the concept of BYOS - bring your own screen. You already have the phone with that gorgeous retina display in your pocket, right? Just download the OP-Z app, pair the two devices and you are all set. Add cellular connectivity, WiFi and powerful graphics processing to that, and the concept certainly makes sense. All this tech when connected to the OP-Z adds several unique features - like using the phone's camera, snapping a series of photos and arranging them to a beat, creating a synchronised music video 'a-la-minute'.

We support Dropbox on IOS as well, so transfer of your custom artwork on to your IOS device will be instant and without cables. To eliminate any latency between image and sound, we ported the OP-Z sound engine to run simultaneously on your IOS device. Something we call 'dual domain synthesis'.

Photomatic:

Snap a series of photos and sequence them to a beat. Compose a song and create a completely synchronised music video 'a-la-minute'. The included photomatic feature is just pure instant fun.

Custom graphics:

By adding any artwork or a photo to your IOS device camera roll or to a Dropbox folder, you can create high quality custom graphics, patterns, colour palettes or stop motion videos. Anything can be animated in pace with your music.

Create your own world:

OP-Z is tailor made for unity 3D, the world's most popular multi-platform game engine. Chosen because of its intuitive workflow and excellent VR support. A dedicated OP-Z toolkit for unity will be available at launch that opens up the entire machine.

Full unity 3D integration:

Teenage engineering have worked closely with Keijiro Takahashi and the unity Tokyo studio to fully integrate OP-Z with the unity game engine. As Keijiro-san is both a full time software evangelist at unity and a renowned VJ at night, we have had access to a selection of Keijiro-san's personally developed tools and shaders which deliver stunning 3D graphics that run at full speed on iPhone or iPad. Keijiro-san's tool-set and real life experience in performances with motion graphics have been invaluable in making OP-Zan inspiring live tool for moving images in sync with music. The weakest point of VJ-ing has always been the creation of content. By exposing the inner control data of the OP-Z and linking it to unity, users can create anything within unity, build the project and just drop the build to a Dropbox folder. Customizing every single polygon in a performance.

If it don't have tape, it's not OP:

The new tape feature is probably one of the coolest sonic features of the OP-Z. Imagine a short snippet of tape secretly recording everything that is programmed in the sequencer - all in real-time. And with its own dedicated track it's possible to sequence the tape, trig the in-point, length and speed. OP-Z will come with a range of tape reels with unique character and functions. Scrub, scratch, wind-up and mess-up!
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 8 in stock $517.07
Cat: 717586 Rel: 12 Jun 19 • View all DJ turntables
 
Professional direct drive turntable
Notes: The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.
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 More than 10 in stock $826.30
Cat: 701387 Rel: 13 Dec 18 • View all Studio mixers
 
Multi-track live recording console
Notes: TASCAM has continuously been providing industry-leading recording solutions for decades, such as the TASCAM 38 Open Reel 8-track, the DA-88 Digital 8-track and the legendary Portastudio Cassette and Digital Multitrack recorders. TASCAM now builds on this legacy to deliver a new classic: The Model 24 Multitrack Recorder/Mixer/Interface.

Whether used for rehearsal, live shows or studio production, this triple-function recording console perfectly meets the needs of today's working and recording musician.

Simple, Intuitive Design:

One glance is all you need. The TASCAM Model 24 was developed for easy and immediate operation, with everything you need placed right at your fingertips. 100mm faders allow for precise control over volume. A full set of familiar EQ and Auxiliary knobs remove the need to menu diving, and all input/output connections are all on the surface for quick and easy access.

The Model 24 is truly a modern take on a classic design.

TASCAM's Revolutionary Recording Technology:

Featuring 16 high-grade TASCAM mic preamps in addition to multiple sets of stereo line inputs, the Model 24 delivers studio quality audio performance right from the start. When it's time to record The TASCAM Model 24 allows musicians and engineers to capture up to 24 tracks simultaneously (at 24bit/48kHz resolution) directly to the SD card, with the ability to support punch in/out 8 tracks at the same time. And once the take is done, the Model 24 can easily playback any or all of the recorded tracks through the console for immediate mixdown.

Flexible Connectivity:

In addition to the studio quality mic preamps and powerful EQ and routing options the Model 24 features a dedicated stereo channel 1/8", dual RCA Bluetooth connectivity. This allows users to easily integrate mobiles devices into the mix for rehearsal playback, walk-in music and more. Finally, the TASCAM Model 24 can also act as a powerful audio interface and will connect directly to your PC or Mac for easy integration with your DAW of choice.

Durability and Reliability:

Designed to be both lightweight and rugged, the Model 24 can easily be carried from studio to stage with the confidence that TASCAM's legendary reliability will keep the music going.
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 4 in stock $846.98
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quote 701387
Cat: 726553 Rel: 13 Dec 18 • View all Studio mixers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TASCAM has continuously been providing industry-leading recording solutions for decades, such as the TASCAM 38 Open Reel 8-track, the DA-88 Digital 8-track and the legendary Portastudio Cassette and Digital Multitrack recorders. TASCAM now builds on this legacy to deliver a new classic: The Model 24 Multitrack Recorder/Mixer/Interface.

Whether used for rehearsal, live shows or studio production, this triple-function recording console perfectly meets the needs of today's working and recording musician.

Simple, Intuitive Design:

One glance is all you need. The TASCAM Model 24 was developed for easy and immediate operation, with everything you need placed right at your fingertips. 100mm faders allow for precise control over volume. A full set of familiar EQ and Auxiliary knobs remove the need to menu diving, and all input/output connections are all on the surface for quick and easy access.

The Model 24 is truly a modern take on a classic design.

TASCAM's Revolutionary Recording Technology:

Featuring 16 high-grade TASCAM mic preamps in addition to multiple sets of stereo line inputs, the Model 24 delivers studio quality audio performance right from the start. When it's time to record The TASCAM Model 24 allows musicians and engineers to capture up to 24 tracks simultaneously (at 24bit/48kHz resolution) directly to the SD card, with the ability to support punch in/out 8 tracks at the same time. And once the take is done, the Model 24 can easily playback any or all of the recorded tracks through the console for immediate mixdown.

Flexible Connectivity:

In addition to the studio quality mic preamps and powerful EQ and routing options the Model 24 features a dedicated stereo channel 1/8", dual RCA Bluetooth connectivity. This allows users to easily integrate mobiles devices into the mix for rehearsal playback, walk-in music and more. Finally, the TASCAM Model 24 can also act as a powerful audio interface and will connect directly to your PC or Mac for easy integration with your DAW of choice.

Durability and Reliability:

Designed to be both lightweight and rugged, the Model 24 can easily be carried from studio to stage with the confidence that TASCAM's legendary reliability will keep the music going.
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 1 in stock $783.61
Cat: 608752 Rel: 07 Jul 16 • View all Synthesisers
 
Synthesiser keyboard with 61 semi-weighted keys with aftertouch
Notes: The best Sledge ever:
The exclusive dark look includes a black case, a semi-weighted keyboard with reverse black and grey keys and an even more professional touch feeling. New modulation features and sounds, with a mix of pure synthesis and sampling, push Sledge further than ever before.

New colour, best touch:
The reverse color keyboard perfectly matches the black look and thanks to semi-weighted keys and new balanced springs, gives an unbeatable feeling, for a more satisfying musical experience.

Double power, bigger sound:
The audio output level is enhanced, for a stronger, cleaner and fatter sound. The LFO2 is now synchronized, allowing to keep the same modulation phase on all notes.

Sounds from the world:
Top musicians have contributed a signature sound-set which, together with the new settings, further improves the warm and crisp sound that made Sledge appreciated worldwide.

Sledge Spectre:
A tool for creating and transferring Sample Content from a computer to Sledge, that has the additional ability to play back Samples.

Sound mapper:
With Sound Mapper you can manage and reorganize the internal sound library of your Sledge. Load, save, copy, send, receive and all you want to do with your sounds library, you can do it thanks to a user friendly interface.

Package contents:
- Sledge
- Power cord
- CD manual

*For audio demos, please visit - http://www.studiologic-music.com/products/sledge-black-edition/
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 1 in stock $773.55
Stanton T92 M2 USB Turntables (pair) (DJ turntables (pair))
Cat: 693601 Rel: 01 Jan 90 • View all DJ turntables
 
Professional quality USB turntable featuring high-torque direct-drive motor
Notes: The T.92 M2 USB DJ Turntable is one of Stanton's newest additions. The T.92 M2 USB uses a direct-drive motor with a motor torque of 1.6kg and has built-in USB connectivity making it easier than ever to digitalise your beloved vinyl records. Features also include a key lock function, a pitch range of +/-12%, three playback speeds (33/45/78) and Quartz Lock. The new T.92 M2 aims to fit in effortlessly with any DJ setup and comes with a free full copy of Deckadance 2 DJ Software.

Deckadance 2 DJ Software:

Deckadance 2 is a powerful DJ application built for Stanton products, whether you're a professional DJ, remix/groove producer, mobile DJ or even just a bedroom DJ Deckadance 2 is flexible enough to suit any performance objectives. Not only is Deckadance 2 a standalone application but it can also run inside of your DAW with VST support as well as running VST compliant effects and soft synths inside Deckadance 2 giving you the capability to perform mind-blowing sets while being controlled by MIDI controllers, timecoded vinyl and CD systems. Deckadance 2 provides you with every tool you need to stand out above other DJs.
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 1 in stock $516.05
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quote 693601
Cat: 670612 Rel: 14 Dec 17 • View all Sequencers
 
Modern, easy-to-use & versatile hardware sequencer - MK2 version
Notes: Pyramid is designed to be the perfect brain for your musical setup, from studio to stage. It brings together a powerful sequencer, a looper, a rhythm generator, a real-time effect processor, a midi controller and an input+output interface.

Pyramid does not produce sounds. Instead, we have focused our energies on creating an innovative and complete sequencing solution full of creative tools.

Pyramid is an instant source of inspiration to start, finish & perform your song!

Hardware & computer hub:
With Pyramid's high precision clock, the sequencer becomes a great synchronisation tool for both vintage and recent devices. Your instruments will always keep in time: Pyramid is the heartbeat of your studio.

You can also use Pyramid sequencer as a rock-solid interface box for your MIDI, USB MIDI & CV/GATE setup:
- Filter note/clock/start stop/cc/pitch/aftertouch messages
- Route MIDI in to USB MIDI out
- Convert MIDI in to CV/GATE output and add effects
- Convert CV/GATE in to MIDI out
- Convert MIDI IN clock to DIN SYNC

Even if you use a DAW as your primary sequencer, Pyramid will become an indispensable Swiss knife!

Capture your inspiration:
Record a performance at any time with the built-in keyboard, the smartpads (generates chords, scales or repeats), the touchpad, the 5 encoders or an external controller... with true polyphony and high precision!

Create polyphonic melodies & rhythms with the advanced step sequencer:
Create and arrange complex rhythms and melodies with the full realtime step sequencer, or edit your live recording.

Draw automation:
Create CC or FX automation with the touchpad or with the 16 pads.

Generate outstanding euclidean grooves:
Pyramid offers one algorithmic euclidean sequencer engine per track, auto generating uncommon and rich rhythmic patterns. Almost all traditional rhythms from across the world can be generated with this tool.

Deeply play with your tracks:
Once your tracks are created, Pyramid offers several ways to play with your sequences: mute/unmute your 64 tracks on the fly, launch sequences (group of tracks), or chain sequences to create a complete, structured song.

Flexible interface:
Pyramid includes 5 clickable encoders and a wide touchpad.

User-friendly screen:
The graphic display makes Pyramid fun and easy to use. Everything you need to know is spotlighted. And if you want to go further on, just press the "display" button.

Polyrhythms & polymeters:
Pyramid is fully polyrhythmic. This means that you can set different and unusual time signatures on each track, to create shifted-beat sequences. Polyrhythmic constructions will bring new flavours to your productions.
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 7 in stock $670.13
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quote 670612
Cat: 738765 Rel: 09 Jul 19 • View all Synthesisers
 
Compact, portable algorithmic digital synthesiser
Notes: Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.
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 2 in stock $516.05
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quote 738765
Cat: 531916 Rel: 02 Sep 14 • View all Filters
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 1 in stock $678.40
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quote 531916
Cat: 718781 Rel: 01 May 19 • View all Earphones
 
Assertive in-ear monitors with extremely high resolution & distortion-free sound reproduction - clear
Notes: High-resolution sound - down to the finest details - with precise, accurate soundstage, even at extreme sound pressure levels. The IE 500 PRO combines huge power and clarity for any location and any stage in the world. Thanks to the twisted pair cable, it can be operated comfortably at high volumes. So sound professionals can keep even the finest details under control, the dynamic 7mm driver works with the newly developed TrueResponse technology. It refines the natural strengths of the diaphragm and eliminates stress factors that occur with other driver systems. Distortion, feedback peaks and overlapping frequency ranges are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. A miniature design also permits a formerly inconceivable, flat construction, which fits comfortably and securely into any ear canal. The accompanying silicone and memory foam adapters improve the fit and shielding, making it feel like it is tailor-made. Even with extreme movement, the IE 500 PRO sits securely in the outer ear - and can still be inserted or removed in a matter of seconds. The innovative, shock-proof cable duct (patent pending) is naturally replaceable.

High-resolution, strong mid-ranges:

With the IE 500 PRO, musicians can reliably locate themselves in the mix and hear every nuance of other voice or instrument, even on the loudest stages. The low-resistance system performs clearly and free from distortion, even at high sound pressure levels - thanks to TrueResponse technology. High-resolution, strong mid-ranges, accurate soundstage, and a robust design fit for any stage... the IE 500 PRO represents the philosophy of the entire IE series: MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single high-performance dynamic driver - with a diaphragm measuring only 7 mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor, and a two-chamber absorber in the direction of the ear canal minimizes feedback peaks that would otherwise occur naturally. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 500 PRO protects your hearing - even after hours of use on the loudest stages. For professionals that previously got lost in the mix, their sound suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 500 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector allows the IE 500 PRO to also withstand tough nights on the stage. Again, and again.
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 2 in stock $516.05
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quote 718781
Cat: 718782 Rel: 01 May 19 • View all Earphones
 
Assertive in-ear monitors with extremely high resolution & distortion-free sound reproduction - black
Notes: High-resolution sound - down to the finest details - with precise, accurate soundstage, even at extreme sound pressure levels. The IE 500 PRO combines huge power and clarity for any location and any stage in the world. Thanks to the twisted pair cable, it can be operated comfortably at high volumes. So sound professionals can keep even the finest details under control, the dynamic 7mm driver works with the newly developed TrueResponse technology. It refines the natural strengths of the diaphragm and eliminates stress factors that occur with other driver systems. Distortion, feedback peaks and overlapping frequency ranges are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. A miniature design also permits a formerly inconceivable, flat construction, which fits comfortably and securely into any ear canal. The accompanying silicone and memory foam adapters improve the fit and shielding, making it feel like it is tailor-made. Even with extreme movement, the IE 500 PRO sits securely in the outer ear - and can still be inserted or removed in a matter of seconds. The innovative, shock-proof cable duct (patent pending) is naturally replaceable.

High-resolution, strong mid-ranges:

With the IE 500 PRO, musicians can reliably locate themselves in the mix and hear every nuance of other voice or instrument, even on the loudest stages. The low-resistance system performs clearly and free from distortion, even at high sound pressure levels - thanks to TrueResponse technology. High-resolution, strong mid-ranges, accurate soundstage, and a robust design fit for any stage... the IE 500 PRO represents the philosophy of the entire IE series: MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single high-performance dynamic driver - with a diaphragm measuring only 7 mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor, and a two-chamber absorber in the direction of the ear canal minimizes feedback peaks that would otherwise occur naturally. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 500 PRO protects your hearing - even after hours of use on the loudest stages. For professionals that previously got lost in the mix, their sound suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 500 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector allows the IE 500 PRO to also withstand tough nights on the stage. Again, and again.
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 2 in stock $516.05
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quote 718782
Cat: 718648 Rel: 20 May 19 • View all Synth modules
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 7 in stock $607.05
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quote 718648
Cat: 735249 Rel: 27 Oct 16 • View all DJ controllers
 
B-STOCK: Box opened, product in perfect working order
Notes: The DJ-808 is a state-of-the-art DJ controller with a 4-channel mixer, built-in drum sequencing, vocal processing, and the deepest Serato DJ integration available. Going way beyond a typical DJ controller, the DJ-808 is an instrument, with a Roland "TR-S" drum machine that contains the world's most iconic drum sounds and can even control the Serato Sampler within Serato DJ. The VT Voice Transformer can pitch your voice to match the key of your Serato DJ tracks, while two AIRA Link ports let you connect compatible synths and electronic gadgets, and produce a live remix, with just a simple USB cable. Sound quality is high-end and the hardware is built tough yet easy to carry - ready for inspired sets that push the boundaries of what it means to DJ.

World-class software meets world-class hardware:

With the DJ-808, Serato and Roland bring the best of software and hardware together into a single instrument that ushers in a new era of DJ'ing. It melds the supreme power of Serato DJ software with the genre-defining sound and precise engineering of Roland hardware. Decades of combined expertise give today's producers and DJs state-of-the-art tools and innovative features that open up a new world of creative options, both on stage and in the studio.

Legendary TR drum sounds and sequencing:

From the TR-909's unmistakable hi-hats to the wall-shaking boom of the TR-808, Roland TR drum machines have defined the sound of entire genres of dance music. Customize your beats on the fly and in the moment using the DJ-808's built-in TR drum machine with its iconic sounds and 16-step sequencer that stays in perfect sync with Serato DJ.

The integrated TR drum machine contains the Bass Drum, Snare Drum, Hi-Hats and Clap from the TR-808, TR-909, TR-707, and TR-606 drum machines - the rhythmic foundation of a lot of dance music. These sounds use Roland's acclaimed and award-winning Analog Circuit Behaviour, faithfully replicating the original electronic circuitry of these influential rhythm boxes. It means you get all the thump and sizzle of the classic instruments, with dedicated knobs to control tuning, attack, and decay - putting a new twist on these legendary sounds.

In addition to the internal TR drum sounds, the TR-S sequencer can also trigger the new 8-slot Serato Sampler within Serato DJ. You can mix and match individual drum sounds, layer kicks and snares, and build drum parts limited only by your creativity.

Deep Serato DJ control:

Careful design considerations in the Roland DJ-808 take full advantage of everything Serato DJ has to offer. Built-in DVS support (with the purchase of a Serato DVS license), dedicated loop control buttons, controls for Serato Flip, HOT CUE, FX, even Key Sync - it is all there. Key Sync and Loop functions get dedicated sections so you can quickly adjust the key or shift the loop for a particular deck. The design of every pad, slider and button is with performance in mind. This workflow feels familiar and yet new and exciting, all at the same time.

Cut, scratch and cue with the high-performance platters:

The large, high-quality platters feel great and have the lowest latency of any DJ controller available. You get incredibly tight control over your music with super-fast scratches and cuts. The durable and responsive platters have integrated displays that clearly show playback status so you're always in control. You can even control two decks simultaneously from a single platter with dual deck mode.

Expand your DJ setup on stage and in the studio:

If you are a producer, a DJ, or both, the built-in connectivity for synths, turntables, microphones and more allows the DJ-808 to take your craft to a completely new level. Two AIRA link USB ports let you easily connect compatible Roland instruments and effects with a single USB cable. Trigger synchronized keyboard arpeggios or play live bass lines, leads and sound effects. One connection is all you need to inject your DJ sets or productions with exciting musical elements that can easily sync to your Serato DJ tracks.

Pitch Perfect with Voice Transformer and Serato Key:

Not only does the DJ-808 have a high quality mic input with an XLR combo jack, but also has a dedicated vocal processor, the VT Voice Transformer, that can drastically transform your voice. Knobs for EQ, Pitch and Formant make dramatic vocal effects easy and the ducking capability will automatically adjust the volume when speaking or singing into the mic. And the VT's Auto Pitch function will even re-pitch the incoming signal to match the key of your Serato DJ tracks.

Pro hardware for demanding sets:

Roland has a long history of making rock-solid, reliable instruments with performance in mind, and the DJ-808 is no exception. It has smooth, intuitive knobs and faders, adjustable curves, removable crossfader and touch-sensitive RGB buttons for HOT CUE, ROLL, SAMPLER, SLICER, PITCH PLAY and TR drum machine triggering.
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 1 in stock $861.47
Cat: 681276 Rel: 09 Mar 18 • View all Drum machines
 
Next generation drum sequencer & sampler - updated design of the AIRA TR-8
Notes: Born of the most famous and influential drum machines ever made, the TR-8S combines the best of its Roland heritage with modern production techniques and professional sound design. The result? A forward-thinking, performance-tuned instrument unlike any other. Build your dream kit from the most iconic drum sounds of all time, plus the finest selection of samples from our vast library - or import your own custom samples. Tap, tune, and tweak with hands-on controls and production tools that make your patterns move and groove. And why keep this kind of percussive power confined to the studio? The TR-8S was literally made to play live.

Design Kits with Authentic TR Drums, Sampled Sounds, and Effects:
The TR-8S comes loaded with the largest, most authentic collection of TR drum machines available. The powerful new processor gives our next-generation ACB models a whole new level of detail and nuance, giving you that classic Roland boom, snap, and sizzle. And now you can incorporate preset and custom samples, creating unique hybrid and layered kits, and enhance them with specialized effects that inject professional sound design into the TR formula.

Transistor Rhythms:
The TR-8S has every sound from the most sought-after TR drum machines, with detailed circuit-models of the 808, 606, 909, 707, 727, and even several modified versions. These are not sound-alike sample-packs or mere recordings of TR drum sounds. Each machine is a detailed, down-to-the-circuit-model that sounds and behaves exactly like the original hardware. All these sounds are yours, at your fingertips, and ready to use in your own productions and performances.

ACB Meets Samples:
Today's rhythm tracks require a diverse set of sounds and production techniques, and it's harder than ever to sound truly unique. While authentic TR sounds are vital for producing drum tracks, mixing and layering sounds opens a world of modern styles and the exciting potential to craft your own signature sound. Pull from the extensive collection of preset samples, or import your own mono or stereo sounds using the SD card slot. Like the TR sounds, you can deeply manipulate samples with immediate hands-on control. Adjust decay and tuning and alter sample start points, speed, and direction. You can create a kit entirely from samples or mix and match with TR sounds for genre-defying drum tracks that demand attention.

Drumatic Effects:
The right effects can make a drum part stand out by creating depth and space. Whether it's delay on a rim-shot, overdrive on a kick, filters on toms and cymbals, or just the right amount of reverb on select instruments, the TR-8S has percussion-tuned effects that simply sound great. In addition to the Master FX knob, each channel has a customizable CTRL knob, placing all this sound-shaping power within easy reach. The attack of the kick, the snap of the snare, phaser depth, distortion amount-whatever parameter you need direct and immediate access to-can be assigned to the CTRL knob or Master FX knob and saved with the kit. Both Instrument and Master Effects, along with their precise settings, are also saved with each kit, making your productions always performance-ready.

Fast, Fluid, and Fun:
You can program on the 16 TR-REC buttons or use the velocity-sensitive performance pad to play live, or record into the sequencer. And you can move seamlessly between either, playing and editing - reshaping your drum parts without ever interrupting your flow. Create intricate grooves and detailed fills using velocity, accents, flams, and adjustable sub-steps for modern rolls and ratcheting. Get experimental with unusual polyrhythms and complex meters by adjusting the length or "last step" of each drum part.

Variations on a Theme:
Keep things fresh and exciting, even during extended live sets. The TR-8S can store 128 patterns-each with eight variations and three kinds of fills-and patterns or variations can be triggered individually or chained together for evolving sequences. In performance situations, you can copy patterns on the fly and even stay ahead of the beat and work on patterns that aren't currently playing. Each pattern can include the tempo and the kit, along with its knob positions and effect settings. This gives you instant recall and enough storage and flexibility to play an entire set without ever repeating a measure in the same way.

Filling In:
Well-placed fills can create thrilling moments in a track or a live set. Each pattern in the TR-8S can contain two fills which you can customize or create from scratch. There's also an adjustable "Scatter" fill which will slice and dice a measure into short bursts of cool and controlled chaos. But at times, your hands may be too busy to trigger every fill manually. That's where Auto-Fill comes in. Automating fills every 2, 4, 8, 16, or 32 measures keeps your hands free, but also adds interesting dynamics to your performances.
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 4 in stock $530.84
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quote 681276
Cat: 730907 • View all Studio mixers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The RODECaster Pro is the world's first fully integrated podcast production studio. Whether you are just starting out, or are a seasoned broadcast professional, the RODECaster Pro Podcast Production Studio is all you will ever need.

Connect and record:

The 4 high-quality microphone channels are able to power studio condenser microphones as well as conventional dynamic microphones. You can quickly connect microphones for you and your guests with automatic level setting and one-touch recording to a microSD card. You can literally be recording your first podcast within minutes of taking the RODECaster Pro out of the box.

Sound Effects and Jingles:

The RODECaster Pro comes with eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads - perfect for giving your podcast that professional quality. You can record audio direct to the programmable pads from any input, or simply "drag and drop" files from your computer using the supplied software. You can even select your favourite colours for the pad illumination.

Phone calls:

Have a remote guest you want to interview? Simply connect your phone to the RODECaster Pro via Bluetooth or with a TRRS cable. The RODECaster Pro automatically provides "mix-minus" audio to prevent echo being heard by the caller, without the need to purchase dedicated and costly hardware. Telephone interviews with a remote guest never sounded so good!

Class A Servo-biased Preamps:

The RODECaster Pro's pristine preamps and outputs feature Class A circuitry, as found in broadcast consoles that cost hundreds of thousands of dollars. The Class A preamps provide a much cleaner gain structure with lower levels of distortion. The result is an incredibly clean, low-noise signal. The Preamps are also servo-biased, keeping distortion levels low. Your signal is broadcast-pure.

APHEX on board:

Your pristine signal can also be enhanced with the legendary patented audio processors, APHEX Aural Exciter and APHEX Big Bottom. These have been incorporated in the audio processing section of the RODECaster Pro, and your sound will have that rich, warm tone only found in professional studios. The RODECaster Pro also features multistage dynamics, such as compression, limiting, de-essing and noise-gating.

Recording options

The RODECaster Pro operates as a standalone unit straight out of the box, recording direct to a microSD card. You can be up and running in minutes. The RODECaster Pro can also connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favourite recording software.

The RODECaster Pro is also able to seamlessly stream a live show - today's radio!
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 1 in stock $542.30
Cat: 711949 Rel: 20 Dec 18 • View all Studio mixers
 
Fully integrated podcast production studio
Notes: The RODECaster Pro is the world's first fully integrated podcast production studio. Whether you are just starting out, or are a seasoned broadcast professional, the RODECaster Pro Podcast Production Studio is all you will ever need.

Connect and record:

The 4 high-quality microphone channels are able to power studio condenser microphones as well as conventional dynamic microphones. You can quickly connect microphones for you and your guests with automatic level setting and one-touch recording to a microSD card. You can literally be recording your first podcast within minutes of taking the RODECaster Pro out of the box.

Sound Effects and Jingles:

The RODECaster Pro comes with eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads - perfect for giving your podcast that professional quality. You can record audio direct to the programmable pads from any input, or simply "drag and drop" files from your computer using the supplied software. You can even select your favourite colours for the pad illumination.

Phone calls:

Have a remote guest you want to interview? Simply connect your phone to the RODECaster Pro via Bluetooth or with a TRRS cable. The RODECaster Pro automatically provides "mix-minus" audio to prevent echo being heard by the caller, without the need to purchase dedicated and costly hardware. Telephone interviews with a remote guest never sounded so good!

Class A Servo-biased Preamps:

The RODECaster Pro's pristine preamps and outputs feature Class A circuitry, as found in broadcast consoles that cost hundreds of thousands of dollars. The Class A preamps provide a much cleaner gain structure with lower levels of distortion. The result is an incredibly clean, low-noise signal. The Preamps are also servo-biased, keeping distortion levels low. Your signal is broadcast-pure.

APHEX on board:

Your pristine signal can also be enhanced with the legendary patented audio processors, APHEX Aural Exciter and APHEX Big Bottom. These have been incorporated in the audio processing section of the RODECaster Pro, and your sound will have that rich, warm tone only found in professional studios. The RODECaster Pro also features multistage dynamics, such as compression, limiting, de-essing and noise-gating.

Recording options

The RODECaster Pro operates as a standalone unit straight out of the box, recording direct to a microSD card. You can be up and running in minutes. The RODECaster Pro can also connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favourite recording software.

The RODECaster Pro is also able to seamlessly stream a live show - today's radio!
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 2 in stock $587.41
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quote 711949
RME
Cat: 445883 Rel: 26 Jan 12 • View all Audio & MIDI interfaces
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $987.84
RME
Cat: 420693 Rel: 29 Mar 11 • View all Audio & MIDI interfaces
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 3 in stock $743.56
RME
Cat: 571284 Rel: 22 Aug 15 • View all Audio & MIDI interfaces
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 3 in stock $640.14
RME ADI2 DAC 2 Channel DA Converter & Audio Interface (DA converter/headphone amplifier)
RME
Cat: 673824 Rel: 05 Mar 18 • View all Audio & MIDI interfaces
 
High-quality USB DA converter & headphone amplifier
Notes: In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.

As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

Improving DA:

With the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.

Super Low Noise for IEM lovers:

The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.

Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background...). Even when used with IEMs.

Lights Out:

A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off/on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!

SteadyClock FS:

The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behaviour didn't change in the DAC.

Final Chord:

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback.
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 5 in stock $824.15
Cat: 716748 Rel: 05 Mar 19 • View all DJ turntables
 
Upper torque hybrid turntable instrument
Notes: The most advanced DJ turntable ever made.

With the RP-8000 MK2, we present the most advanced turntable of all time, developed in close cooperation with renowned international turntable artists. This turntable is designed for a seamless integration with Serato DJ Pro, offering the possibility of controlling up to 7 different performance modes via the pad section. And thanks to the unique Platter Play mode, the pads can be used to control the platter's rotation speed to create melodies and authentic musical performances. The RP-8000 MK2 represents the perfect balance of a first-class professional turntable and an innovative musical instrument.

Real Time LC Display:

Besides all creative improvements, the RP-8000 MK2 has everything a DJ turntable should be equipped with. A digital LC display shows information regarding pitch, BPM, deck assignment, scales and notes, elapsed/remaining time of current track, as well as firmware settings. In Serato DJ Pro, it is possible, for example, to show the current BPM value of a track, in order to exactly match your tracks without the need to look at your computer monitor.

Pad section with 7 New Performance Modes:

Developed for application with Serato DJ Pro, and thanks to the seamless plug-and-play integration, the RP-8000 MK2 in a DVS setup offers unparalleled creative possibilities. The 8 large pads with RGB illumination can control over 7 different performance modes (Cue, Sampler, Saved Loops, Pitch Play, Loop, Loop Roll, Slicer), as well as 2 user modes, which can be custom assigned with individual preferred functions. Furthermore, by using the multi encoder it is possible to browse tracks directly from the turntable unit itself, and load them instantly to the respective deck. Thanks to its MIDI compatibility, the RP-8000 MK2 can communicate with every MIDI compatible DJ software - this way, an additional controller for performance modes is not necessary.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-8000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Platter Play - Creative Platter Pitch Control:

Platter Play mode allows users to control the platter's pitch via the performance pads, opening up new possibilities for musical live performances and turning the RP-8000 MK2 into a legitimate musical instrument. A total of 22 scales and 34 notes are at your disposal with an option to create up to 9 user-defined scales. The two speed select buttons can be used for pitch bending in Platter Play mode and also to respectively increase or decrease the audio material's pitch in steps of one half-tone. Furthermore, the platter's speed can also be controlled via an external MIDI keyboard.

High-Resolution Pitch Section with Digital Fader:

By using the high-resolution pitch fader, you can adjust the platter speed in the classic turntable pitch range +/-8%. The RP-8000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch, allowing for increased creativity when manipulating and mixing records. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes the RP-8000 MK2 an extremely smooth running turntable. Also, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration-reducing rubber to eliminate unwanted vibrations and resonance.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-8000 MK2's housing is more reinforced and heavier than ever before. This results in a turntable that is extremely resistant to vibrations caused by heavy bass sounds, and its shock-absorbing feet help to further improve this isolation. The surface is coated with a scratch-resistant high-quality deep black metallic finish.

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-8000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. Due to the additional output, the turntable can be connected to 2 mixers simultaneously, also allowing an easy switch from DVS to vinyl. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
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 1 in stock $542.94
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quote 716748
Cat: 712292 Rel: 18 Apr 11 • View all DJ interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Rane SL4 for Serato Scratch Live connects 4 vinyl turntables or CD players to your computer and the mixer of your choice. Using special control vinyl, CDs or MIDI controllers, you can scratch and mix files from your Mac or Windows computer's CD or hard drive. This intuitive system replicates the traditional DJing experience for real feel usability. With unparalleled performance, stability and audio quality, you'll know why thousands of DJs worldwide choose Rane with Serato Scratch Live.

The Rane Serato Scratch Live SL4 interface is the first Standalone DJ interface with 2 USB ports for seamless DJ changeover and back-to-back performances. Superior sound is delivered with high quality 96 kHz, 24bit audio. Built-in galvanic isolation between USB and audio with turn on/off muting ensures that only the purest interference-free audio signal is heard. Low-latency ASIO and core audio drivers allow you to use the SL4 interface as a studio production tool with multiple third-party software applications.

The Rane Serato Scratch Live SL4 is masterfully crafted by Rane for the discerning DJs.
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 1 in stock $629.81
Cat: 661463 Rel: 19 Jul 18 • View all DJ controllers
 
DJ control system with motorized platter & familiar turntable layout
Notes: The Rane DJ Twelve is a motorized control turntable that brings a seamlessly accurate, true-vinyl performance experience to digital music software. It liberates DJs and Turntablists from the pain of damaged tonearms or needles and eliminates unwanted audio feedback, bringing sub-bass back into their music. The Rane Twelve feels instantly familiar to any DJ who has played on a vinyl turntable before, but adds hot-cue and track search capability at the sweep or touch of a finger.

With no tonearm or damaged/skipping needles, the Rane Twelve gifts the Pro, Club, Scratch and Battle DJ with a zero-error, secure and solid performance environment coupled with the 100% essence of a 'real-feel', true vinyl DJ experience. The heartbeat of the music finally returns to the DJs fingertips! The Twelve's twin-torque, 12-inch motorized platter gives 3,600 ticks of resolution, per single vinyl revolution. This brings precision music file playback with hitherto unrealized digital performance accuracy - customizable even further with a DJ's own choice of slipmat/butter-rug.

For too long now, Turntablists and DJs have had to compromise at live shows on their preferred levels of sub-bass frequencies, dialling it back in fear of feedback, rumble and noise. Now, with the Rane Twelve, control vinyl DJs can #ReclaimTheBass and perform their music at the full frequency range enjoyed by their fellow 'digital' DJs. In addition, the layout of the all-metal bodied Twelve is so familiar, that any DJ who's used a turntable before will feel instantly at home. The control elements are simplicity itself to use, with 4 deck-select buttons and the multi-function touch strip for track searching and setting/triggering hot cues, in place of the tone arm.

Both an evolution and a revolutionary movement in DJ turntable technology, the Twelve motorized DJ control system is without doubt, RANEvolutionary!
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 2 in stock $671.17
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quote 661463
Cat: 416355 Rel: 18 Apr 11 • View all DJ interfaces
 
Professional DJ audio interface with 2 USB ports & capable of 4-deck mixing
Notes: The Rane SL4 for Serato Scratch Live connects 4 vinyl turntables or CD players to your computer and the mixer of your choice. Using special control vinyl, CDs or MIDI controllers, you can scratch and mix files from your Mac or Windows computer's CD or hard drive. This intuitive system replicates the traditional DJing experience for real feel usability. With unparalleled performance, stability and audio quality, you'll know why thousands of DJs worldwide choose Rane with Serato Scratch Live.

The Rane Serato Scratch Live SL4 interface is the first Standalone DJ interface with 2 USB ports for seamless DJ changeover and back-to-back performances. Superior sound is delivered with high quality 96 kHz, 24bit audio. Built-in galvanic isolation between USB and audio with turn on/off muting ensures that only the purest interference-free audio signal is heard. Low-latency ASIO and core audio drivers allow you to use the SL4 interface as a studio production tool with multiple third-party software applications.

The Rane Serato Scratch Live SL4 is masterfully crafted by Rane for the discerning DJs.
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MRP:$1,239.76 SAVE 36%
 2 in stock $796.30
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quote 416355
Cat: 667555 Rel: 15 Jan 18 • View all MIDI controllers
 
Compact USB control surface with 16 touch-sensitive motorized faders
Notes: Although a keyboard and mouse are tried-and-true DAW-control devices, they're far more effective when used in tandem with the FaderPort 16's precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, only the FaderPort 16 provides 16 100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes - and, of course, control track levels with the touch of a finger. With the FaderPort 16, you'll enjoy the fastest, most efficient workflow you've ever experienced.

Work faster and smarter:
Rather than forcing you to revise your mixing method, the FaderPort 16 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 16 handles what you really want to get your fingers on: your mix. Having the ability to control the levels of 16 channels at once makes creating the perfect mix easier than ever before. And the FaderPort 16 allows you to view just the information you need to access. Sixteen digital scribble strips provide visual feedback. Quickly navigate between tracks and buses. Need to automate your virtual instruments? The FaderPort 16 lets you view just those tracks, making switching automation tasks a breeze. This is DAW control the way you always hoped it could be!

One-button access to key functions:
The FaderPort 16's unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Universal compatibility and tight Studio One integration:
FaderPort 16's streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control virtually any DAW. No driver installation is necessary; just plug the control surface into a USB port and take command of your mix and plug-ins.

But the FaderPort 16 is downright magical when used with PreSonus Studio One. (Studio One Artist is included.) You'll be amazed how much faster you can work.

An amazingly fast, efficient studio workflow awaits you:
With the compact, easy-to-use FaderPort 16, you'll enjoy the fastest, most efficient workflow and the most session control you've ever experienced. But don't just take our word for it; visit your favorite PreSonus dealer and try the FaderPort 16 for yourself!
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 2 in stock $726.47
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quote 667555
Cat: 705029 Rel: 09 Oct 18 • View all Studio mixers
 
22-channel hybrid performance & recording mixer
Notes: StudioLive AR22 USB 22-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician's mixer: lightweight, versatile, feature-rich, and packed with analogue connections and digital tools, yet easy to learn and use. Mix with 16 of PreSonus' famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.

StudioLive AR22 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the 12 mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus' prized Class A preamps; 3-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicated bus, for feeding stage wedges, a headphone amp, or an in-ear system. You also get control-room outputs with level control to feed your studio or front-of-house monitors.

Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board - no direct box needed.

Our unique Super Channel (stereo Channel 21/22) allows you to connect four stereo analogue and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel's unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac or Windows PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!

Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It's smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR22 USB mixer to your computer via USB 2.0, and you have a 22x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer - just hit Record and go. Recording can't get much easier than this!

Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act. Using the two stereo USB playback streams, you can add backing tracks, click tracks, or program music to your mix. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don't forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.

PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus' Capture live-recording software, then edit in our award-winning Studio Oner Artist DAW (recording and production software); both are included free. As a bonus, you get the Studio Magic Plug-in Suite for Mac and Windows, which includes seven popular plug-ins in VST, AU, and AAX formats.

To get a great mix, you need high-quality effects. The StudioLive AR22 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It's just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.

Compact and built for the road, the StudioLive AR22 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems.
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 2 in stock $615.33
Click for better price!
quote 705029
Cat: 720637 Rel: 30 Oct 17 • View all Sequencers
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Polyend designed Seq with some non-digital musical devices in mind. They did it for a reason. Their goal was to implement features that make Seq as playable and fun to use as possible. They made it easy to set up and even easier to create rhythms, chords, and melodies. Most of the functions are available directly from the front panel and all its features give you the quickest and most natural way to bring your ideas to light. And, when you've got them together, rest assured they won't get lost thanks to the Autosave function.

Seq is its own computing centre, hardware- and software- optimized to manage given tasks in the most effective way, without latency or glitches. Immediate responsiveness creates a synergy between the musician and the tool. It's an inspiration right from the very first step.

The idea:
Intuitive to use hardware step sequencer. 32 steps, 8 track polyphony, 256 pattern storage - all enclosed within the highest quality aluminium and wooden housing. Multiple connections give you the freedom to play with your hardware and software devices. It's designed for you to be inspired and, most importantly, fully enjoy the process of creation. Seq is all you need for the way you make music today.

The heart of your creativity:
Equipped with a wide array of inputs and outputs, allowing you to communicate freely with other devices of every era and genre. Lets you feed tracks with MIDI notes using your favourite MIDI controller. Every track can be recorded step by step or in real time and then quantized independently.

With two MIDI outputs, you can connect rhythm and sound machines simultaneously. You choose where to send out the signal from every track, and if that's not enough, you can also use the USB port for the same purpose.

Big step forward in design:
The use of oak and aluminium - materials of timeless quality - allowed Polyend to avoid the need for any flashy details, making what remains even more elegant in its simplicity. Seq buttons are made of silicone with specially matched density and firmness. Their shape, size, and arrangement were chosen carefully to provide an instant and explicit response. Most of the parameters and values can be read from the Seq interface at a glance. For the rest of them, Polyend provide a bright and sharp screen. Minimalistic, stripped down from any distractions, it brings all the information you need in any performing conditions you meet.

Read more
 3 in stock $778.10
Cat: 667754 Rel: 30 Oct 17 • View all Sequencers
 
Flexible step sequencer featuring 32 steps over 8 polyphonic tracks, with 256 pattern storage
Notes: Polyend designed Seq with some non-digital musical devices in mind. They did it for a reason. Their goal was to implement features that make Seq as playable and fun to use as possible. They made it easy to set up and even easier to create rhythms, chords, and melodies. Most of the functions are available directly from the front panel and all its features give you the quickest and most natural way to bring your ideas to light. And, when you've got them together, rest assured they won't get lost thanks to the Autosave function.

Seq is its own computing centre, hardware- and software- optimized to manage given tasks in the most effective way, without latency or glitches. Immediate responsiveness creates a synergy between the musician and the tool. It's an inspiration right from the very first step.

The idea:
Intuitive to use hardware step sequencer. 32 steps, 8 track polyphony, 256 pattern storage - all enclosed within the highest quality aluminium and wooden housing. Multiple connections give you the freedom to play with your hardware and software devices. It's designed for you to be inspired and, most importantly, fully enjoy the process of creation. Seq is all you need for the way you make music today.

The heart of your creativity:
Equipped with a wide array of inputs and outputs, allowing you to communicate freely with other devices of every era and genre. Lets you feed tracks with MIDI notes using your favourite MIDI controller. Every track can be recorded step by step or in real time and then quantized independently.

With two MIDI outputs, you can connect rhythm and sound machines simultaneously. You choose where to send out the signal from every track, and if that's not enough, you can also use the USB port for the same purpose.

Big step forward in design:
The use of oak and aluminium - materials of timeless quality - allowed Polyend to avoid the need for any flashy details, making what remains even more elegant in its simplicity. Seq buttons are made of silicone with specially matched density and firmness. Their shape, size, and arrangement were chosen carefully to provide an instant and explicit response. Most of the parameters and values can be read from the Seq interface at a glance. For the rest of them, Polyend provide a bright and sharp screen. Minimalistic, stripped down from any distractions, it brings all the information you need in any performing conditions you meet.

Read more
 2 in stock $909.03
Click for better price!
quote 667754
Cat: 717391 Rel: 19 Sep 18 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Medusa hybrid synthesizer materialized from the genuine passion and a positive relationship between Dreadbox and Polyend synthesized in the proper way.

At first, there was a simple desire to add a sequencer and preset functionalities to the famous Dreadbox analog voices. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time.

Careful, Medusa might be dangerously absorbing and can drag you in for a long time.
The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.

Seems like a simple addition, but this fusion brings something that has never been available before.

The Build:

- All that analogue and digital functionality connected in one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.
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 1 in stock $772.51
Cat: 697806 Rel: 19 Sep 18 • View all Synthesisers
 
Hybrid synthesiser with monophonic & paraphonic modes of operation
Notes: Medusa hybrid synthesizer materialized from the genuine passion and a positive relationship between Dreadbox and Polyend synthesized in the proper way.

At first, there was a simple desire to add a sequencer and preset functionalities to the famous Dreadbox analog voices. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time.

Careful, Medusa might be dangerously absorbing and can drag you in for a long time.
The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.

Seems like a simple addition, but this fusion brings something that has never been available before.

The Build:

- All that analogue and digital functionality connected in one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.
Read more
 2 in stock $782.85
Click for better price!
quote 697806
Cat: 677576 Rel: 03 Jul 18 • View all Synthesisers
 
Compact, desktop monophonic synthesiser featuring a pre-tuned analogue oscillator
Notes: A Love Letter to the Analogue Monosynth:

A modern, semi-modular synthesiser inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analogue monosynth with a host of unconventional and inspirational features. Patch cables optional.

Creative Synthesis Design:

With our new temperature stabilized, dual VCA oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral waveshapers crafted for deep harmonic shaping, enabling a layer of additive synthesis alongside the classic subtractive synthesis waveforms. Waveforms are fed into our binary filter, a custom state variable filter architecture offering near infinite resonance with or without self-oscillation. Sonically this creates a juicy, fluid filter adding depth and energy to the oscillator that can scream if you ask it to.

The heart of the Microvolt 3900's sound is our new dynamic VCA technology. Where a standard VCA works in two dimensions, the Microvolt 3900 dynamic VCA technology adds a third dimension. As the dynamic VCA closes, decreasing the amplitude, harmonics are removed from the source. As the dynamic VCA opens, the harmonics are restored. This mimics the behaviour of sounds in nature. The result is a lively, organic sounding synthesiser full of energy. The design of the dynamic VCA also allows the instrument to be plucked or struck, opening up another set of percussive musical possibilities.

Open Electronic Experimentation:

The Microvolt 3900 is patched internally and does not require patch cables to dial in a wide variety of unique and powerful sounds. For deeper experimentation, the Microvolt 3900 includes a 39-point Eurorack format friendly 1/8" jack patchbay for complete signal routing control over a full complement of audio and modulation options. A four-stage envelope generator, multi-purpose function generator, wide range LFO, chaotic random source, arpeggiator, sequencer, and MIDI to CV control are also available to create dynamic sounds unique to the Microvolt 3900.

Includes:

- 5 Nazca Audio brand patch cables
- MIDI connector cable
- Universal DC power adapter
Read more
 1 in stock $546.03
Cat: 734987 Rel: 23 Sep 16 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, stand-alone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters. A self-contained modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be patch compatible any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options. The Lifeforms SV-1 module can also be removed from the Blackbox and inserted into a larger Structure eurorack enclosure or any other eurorack format case as your system grows.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset
Read more
 2 in stock $573.95
Cat: 735530 Rel: 03 Jul 18 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A Love Letter to the Analogue Monosynth:

A modern, semi-modular synthesiser inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analogue monosynth with a host of unconventional and inspirational features. Patch cables optional.

Creative Synthesis Design:

With our new temperature stabilized, dual VCA oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral waveshapers crafted for deep harmonic shaping, enabling a layer of additive synthesis alongside the classic subtractive synthesis waveforms. Waveforms are fed into our binary filter, a custom state variable filter architecture offering near infinite resonance with or without self-oscillation. Sonically this creates a juicy, fluid filter adding depth and energy to the oscillator that can scream if you ask it to.

The heart of the Microvolt 3900's sound is our new dynamic VCA technology. Where a standard VCA works in two dimensions, the Microvolt 3900 dynamic VCA technology adds a third dimension. As the dynamic VCA closes, decreasing the amplitude, harmonics are removed from the source. As the dynamic VCA opens, the harmonics are restored. This mimics the behaviour of sounds in nature. The result is a lively, organic sounding synthesiser full of energy. The design of the dynamic VCA also allows the instrument to be plucked or struck, opening up another set of percussive musical possibilities.

Open Electronic Experimentation:

The Microvolt 3900 is patched internally and does not require patch cables to dial in a wide variety of unique and powerful sounds. For deeper experimentation, the Microvolt 3900 includes a 39-point Eurorack format friendly 1/8" jack patchbay for complete signal routing control over a full complement of audio and modulation options. A four-stage envelope generator, multi-purpose function generator, wide range LFO, chaotic random source, arpeggiator, sequencer, and MIDI to CV control are also available to create dynamic sounds unique to the Microvolt 3900.

Includes:

- 5 Nazca Audio brand patch cables
- MIDI connector cable
- Universal DC power adapter
Read more
 2 in stock $535.69
Cat: 622849 Rel: 23 Sep 16 • View all Synthesisers
 
Complete, stand-alone desktop format modular synthesiser
Notes: The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, stand-alone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters. A self-contained modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be patch compatible any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options. The Lifeforms SV-1 module can also be removed from the Blackbox and inserted into a larger Structure eurorack enclosure or any other eurorack format case as your system grows.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset
Read more
 3 in stock $584.29
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