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Cat: 312550 Rel: 12 May 08 • View all DJ mixers
 
3-channel analogue mixer with full cut EQ
Notes: The NUO 3.0 is a 3 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.

It features the professional characteristics that made its predecessors acclaimed worldwide, and it equips the best analogue
components available in the market place in order to obtain the highest sound performance.


The NUO 3.0 is tailored to any kind of DJ and music style thanks to its versatility and plenty of features, such as the precise
and ergonomic full cut EQ, professional FX loop with send and return control in pre or post fader mode, faders curve adjustments
and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.

Whatever the music style you play,
the NUO 3.0 will please all your needs.

Its superb sound quality and robust format, plus balanced XLR Master output and booth output for monitoring make it also a perfect
mixer for small installations.
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 1 in stock $519.45
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quote 312550
Cat: 369788 Rel: 06 Oct 09 • View all DJ mixers
 
4-channel analogue mixer
Notes: The NUO 4.0 is a 4 channel analogue mixer addressed to professional DJ and installations.

The NUO 4.0 features the professional characteristics that made its predecessors acclaimed worldwide, and it equips the best analogue components available in the market place in order to obtain the highest performance.

The NUO 4.0 is tailored to any kind of DJ and music style thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, professional FX loop with Send and Return control in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ. Whatever the music style you play, the NUO 4.0 will please all your needs.

Its superb sound quality and robust format, plus 2 balanced XLR microphone inputs and 2 balanced XLR outputs for master and booth make it also a perfect mixer for installations.
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MRP:$650.88 SAVE 12%
 2 in stock $575.77
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quote 369788
Cat: 739425 • View all DJ mixers
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The NUO 4.0 is a 4 channel analogue mixer addressed to professional DJ and installations.

The NUO 4.0 features the professional characteristics that made its predecessors acclaimed worldwide, and it equips the best analogue components available in the market place in order to obtain the highest performance.

The NUO 4.0 is tailored to any kind of DJ and music style thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, professional FX loop with Send and Return control in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ. Whatever the music style you play, the NUO 4.0 will please all your needs.

Its superb sound quality and robust format, plus 2 balanced XLR microphone inputs and 2 balanced XLR outputs for master and booth make it also a perfect mixer for installations.
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 1 in stock $532.04
Cat: 389414 Rel: 22 Jun 10 • View all DJ decks
 
Single CD, USB DJ deck with rekordbox music management software
Notes: The CDJ-350 will allow users to create DJ performances with various digital music files including MP3, AAC, WAV and AIFF files that are stored on different forms of media, including USB mass storage device class products or CD-R/RW discs. The media player also includes Pioneer's proprietary music management software, rekordbox, making it possible to manage music files on a computer for quick song selection when played back on compatible Pioneer players.
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 3 in stock $562.22
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quote 389414
Cat: 420718 Rel: 31 Mar 11 • View all Drum machines
 
Analog drum synthesiser
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.

The instruments on the DRM1 MKII are as following:

KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
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MRP:$749.77 SAVE 24%
 2 in stock $568.47
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quote 420718
RME
Cat: 420693 Rel: 29 Mar 11 • View all Audio & MIDI interfaces
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 3 in stock $749.97
Cat: 735193 Rel: 31 Mar 11 • View all Drum machines
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.

The instruments on the DRM1 MKII are as following:

KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
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 1 in stock $540.08
Cat: 416355 Rel: 18 Apr 11 • View all DJ interfaces
 
Professional DJ audio interface with 2 USB ports & capable of 4-deck mixing
Notes: The Rane SL4 for Serato Scratch Live connects 4 vinyl turntables or CD players to your computer and the mixer of your choice. Using special control vinyl, CDs or MIDI controllers, you can scratch and mix files from your Mac or Windows computer's CD or hard drive. This intuitive system replicates the traditional DJing experience for real feel usability. With unparalleled performance, stability and audio quality, you'll know why thousands of DJs worldwide choose Rane with Serato Scratch Live.

The Rane Serato Scratch Live SL4 interface is the first Standalone DJ interface with 2 USB ports for seamless DJ changeover and back-to-back performances. Superior sound is delivered with high quality 96 kHz, 24bit audio. Built-in galvanic isolation between USB and audio with turn on/off muting ensures that only the purest interference-free audio signal is heard. Low-latency ASIO and core audio drivers allow you to use the SL4 interface as a studio production tool with multiple third-party software applications.

The Rane Serato Scratch Live SL4 is masterfully crafted by Rane for the discerning DJs.
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MRP:$1,250.45 SAVE 43%
 2 in stock $708.25
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quote 416355
Cat: 712292 Rel: 18 Apr 11 • View all DJ interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Rane SL4 for Serato Scratch Live connects 4 vinyl turntables or CD players to your computer and the mixer of your choice. Using special control vinyl, CDs or MIDI controllers, you can scratch and mix files from your Mac or Windows computer's CD or hard drive. This intuitive system replicates the traditional DJing experience for real feel usability. With unparalleled performance, stability and audio quality, you'll know why thousands of DJs worldwide choose Rane with Serato Scratch Live.

The Rane Serato Scratch Live SL4 interface is the first Standalone DJ interface with 2 USB ports for seamless DJ changeover and back-to-back performances. Superior sound is delivered with high quality 96 kHz, 24bit audio. Built-in galvanic isolation between USB and audio with turn on/off muting ensures that only the purest interference-free audio signal is heard. Low-latency ASIO and core audio drivers allow you to use the SL4 interface as a studio production tool with multiple third-party software applications.

The Rane Serato Scratch Live SL4 is masterfully crafted by Rane for the discerning DJs.
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 1 in stock $635.24
RME
Cat: 445883 Rel: 26 Jan 12 • View all Audio & MIDI interfaces
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $996.35
Cat: 442625 Rel: 02 Mar 12 • View all DJ decks
 
Multi media player for digital DJ
Notes: Intentionally designed to feel and function like other CDJ models further up the range, the CDJ-850 will give that all important reassurance when turning up to a gig with other CDJ models in the booth. And just as budding DJs practiced on the CDJ-800 at home in preparation for their club gigs on the CDJ-1000, the CDJ-850 is set to become the new training ground for DJs hoping to break it on the club circuit.

Apart from the ProDJ Link connection, the CDJ-850 inherits so many of the most exciting features from the CDJ-2000 and 900, offering major enhancements over the outgoing CDJ-800MK2.

The full-size 206mm jog wheel will be familiar to all existing professional CDJ users, giving the same performance and feel as the top range products. And no matter which CDJ you play on, the browsing logic is always the same and all the work put into customising rekordbox collections will be available on every player in the range. So wherever you play, it will always feel like home.

The CDJ-850 features the same large rotary select dial as the CDJ-2000 and is the most affordable product in the range to feature the Wave display to see peaks and drops of the music. An intuitive Tag List feature allows you to think ahead 10, 20 or many more tracks by arranging temporary set lists on the fly. You can save this as a playlist and recall it later in rekordbox or use it again at the next gig.

And what's more, it's the only player to feature Tag List editing, so you can add, remove and change the order of tracks in the list. Adapting to all ways of working, the CDJ-850 plays music from CD, USB and PC. Despite the price point, it's capable of playing professional 24-bit WAV and AIFF, along with MP3 and AAC music files. It can be used as a Midi controller and 24-bit soundcard for music software, and with HID capability, software companies will be quick to announce Plug&Play support.
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 2 in stock $864.72
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quote 442625
Cat: 462019 Rel: 06 Aug 12 • View all Vocal microphones
 
Large diaphragm microphone
Notes: The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformer-less circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern, used in most recording situations, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67/U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

With just 7 dB-A/17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted).

The letters TLM stand for transformer-less microphone. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20Hz and thus even very low bass signals are reproduced without coloration.

The TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.
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MRP:$912.49
 1 in stock $837.60
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quote 462019
Cat: 467328 Rel: 05 Sep 12 • View all Synthesisers
 
49-note keyboard synthesiser
Notes: Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

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 2 in stock $575.12
Cat: 471426 Rel: 30 Oct 12 • View all Drum machines
 
8-channel standard analogue drum synthesiser with triggle inputs
Notes: The DRM1 MKIII is an analogue drum synthesizer. It offers eight instruments, each with seven knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve, one knob, one function.

The instruments on the DRM1 MKII are as following:

Kick: mainly but not only for making big and fat kick drums
Drum1 and Drum2: very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU
Multi: 3 x oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping
Snare: what can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: that's analogue (heavy- or soft-) metal
Clap: classic analogue hand claps.

The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.

This version comes with triggle inputs for each drum. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.

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 1 in stock $594.55
Cat: 471429 Rel: 30 Oct 12 • View all Drum machines
 
8-channel analog drum synthesiser with trigger inputs
Notes: The DRM1 MKIII is an 8-channel, completely analog drum synthesizer. It gives you total control over every parameter through its 72 controls.

The new version has following changes:

The Kick channel instead of the DRUM1 channel. The Kick channel has some different parameters and can create fatter and deeper kick sounds.
The Drum channels have a Wave parameter which transforms the oscillator's waveform from sine to square
The oscillators of the Drum channels will be started with each trig signal.

The DRM1 Mk III is a flexible 8-channel drum synthesizer, which gives you the ability to create your own sounds, as well as many other classic analog drum sounds. Every sound parameter of the DRM1 Mk III has its own controller, so its easy to use and you'll always have a clear picture of the settings.

This version comes with triggle inputs for each drum. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.
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 1 in stock $751.01
Cat: 481437 Rel: 03 Apr 13 • View all Audio & MIDI interfaces
 
Audio interface designed for the iPod Touch, iPhone, iPad or Mac
Notes: The Apogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your Mac, iPad, iPod touch or iPhone. With Apogee's legendary digital audio conversion and world-class mic preamps, the Duet is the best way to capture your music with incredible dimension and detail.

The new Duet for Mac & iPad features special circuitry designed to deliver professional performance for iPad use along with low latency USB 2.0 performance for Mac. And with the addition of MIDI I/O you can connect and power a Core MID compatible keyboard/controller while using Duet with your iPad or iOS device.

The Duet's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. The Duet's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.

Much like the AD/DA converters, the Duet's mic preamps feature the latest components and offer seamless click-free transitions as the gain increases and decreases throughout the incredible range of 0-75dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. Duet's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.

An Apogee technology first introduced in 1992 on Apogee's AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee's most advanced audio converters, Soft Limit is included in Duet and can be enabled in Apogee Maestro software.

This superior analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog-like warmth to the sound.

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 2 in stock $566.62
Cat: 480252 Rel: 29 Apr 13 • View all Synthesisers
 
Powerful 25 key analog synthesiser with sub oscillator
Notes: Say hello to the Sub Phatty, the grittiest Moog Synth ever.

Moog Music's engineers have crafted the Sub Phatty's oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.

The Sub Phatty is the first analog synth to feature Moog's transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.

The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.

The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument's front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts i it's all there.

The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.

The Sub Phatty's filter includes the transformative new Multidrive circuit, a unique combination of OTA distortion and FET drive, which serves as the sparkplug in the instrument's powerful sound. At low settings, Multidrive adds warmth and width; when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level.

Users can access a total of 16 definable presets via the 4/4 preset matrix on the Sub Phatty's front panel. This matrix also doubles as a control panel for the instrument's subcutaneous nerve center, users can select filter poles, set pitch bend amounts, toggle between legato glide modes, and more. These functions can also be accessed via the included Sub Phatty standalone/plugin editor.

The configuration of the Sub Phatty's mixer section allows users to easily determine, at any given moment, which sources overdrive the filter and which simply pass through it. The mixer section further hosts controls for a square wave sub oscillator; those operating the Sub Phatty can utilize this tool as a third oscillator for added depth, or to craft their own customized incarnations of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver rich, punchy low-frequency content, designed for analog percussion and sound effects.

http://www.youtube.com/watch?feature=player_embedded&v=xwn33DIJ3r8
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 1 in stock $717.00
Cat: 515446 Rel: 19 Dec 13 • View all Vocal microphones
 
Large diaphragm condenser microphone with shockmount and cardioid polar pattern
Notes: The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformer-less circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

Applications:
Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern:
The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features:
The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features:
With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted). The letters TLM stand for "transformer-less microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety:
The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*Includes an SG 1 metal swivel mount.
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 2 in stock $837.60
Cat: 561016 Rel: 01 Apr 14 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B STOCK - Box opened, product in perfect working order ***

The Analog Keys is a flagship analog synthesizer. Analog synthesis, digital controls, and unprecedented playability make it an instrument for the expressive musician.

The Analog Keys is a four voice polyphonic analog synthesizer, capable of generating the finest basslines, chords, leads, and sounds imaginable. The warm and deep tone represents the pinnacle of analog synthesis and the acclaimed Elektron sequencer stands ready to arrange and warp the analog sounds in real-time. Complete the experience by treating the four voices with incredibly well-crafted master effects. A new world of sounds awaits.

The Analog Keys is tailor-made for the stage. The 37 semi-weighted keys of the keyboard give instant fingertip control of the analog tones. The special performance mode offers direct access to user-defined parameters, and the joystick, capable of controlling up to fifteen parameters, allows for extreme morphing of sounds. Improvising when playing live has never been this easy.

Compatibility with other instruments is well catered for. Simply press a button to transform the Analog Keys into a MIDI keyboard, ready to control external MIDI gear. Thanks to the dedicated CV sequencer and the CV/Gate and DIN sync outputs, analog instruments of both today and yesteryear can be played, sequenced, and controlled with precision. Use the multitude of control options to breathe new life in vintage and modern rigs alike.
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 1 in stock $936.69
Cat: 542011 Rel: 01 Jan 90 • View all PA speakers
 
Pair of 1000W high-definition portable powered loudspeakers
Notes: A compact powerhouse, the all-new SRM350 delivers the unparalleled ease-of-use, professional sound quality and indestructible portability that made the original a live sound legend. Now, packed with 1000W of power, truly useful sound-enhancing DSP and setup-friendly audio tools, the SRM350 is the most compact, high-output SRM ever designed.

The SRM350 features modern tools like application-specific speaker modes and an automatic feedback destroyer each with a single-button interface that gets you optimized performance in just seconds. And with the integrated 2-channel mixer, you can easily mix multiple sources.

Only the Mackie SRM350 delivers proven performance, huge power and unmatched sound quality in such an indestructibly portable design.
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 1 in stock $615.42
Cat: 531916 Rel: 02 Sep 14 • View all Filters
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 1 in stock $684.25
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quote 531916
Cat: 542584 Rel: 15 Sep 14 • View all DJ turntables
 
High torque direct drive DJ turntable featuring multi-pitch control and unrivalled build & sound quality
Notes: The PLX-1000 is precision engineered for the booth, drawing on 50 years' experience of making high-end turntables. This high-torque direct drive turntable is equipped with a classic layout and a rubber-lined, S-shaped tone arm that improves isolation and prevents feedback. It is solidly built for excellent vibration damping and ultra-precise, high grade audio playback.

Featuring next generation improvements, the PLX-1000 is the perfect score for professional DJs and vinyl enthusiasts. Combine this turntable with your Pioneer DJM mixer and get the ideal DJ system set-up.

The high-torque direct drive makes sure that your tracks reach a rotation speed of 33? rpm in merely 0.3 seconds thanks to a starting torque of 4.5kg/cm (or more). On top of that it ensures stable rotation and exceptional control.

For low impendance and amazing sound quality output, you can easily connect to the professional-grade, gold-plated RCA jacks. Ideal for a DJ on the road, the PLX-1000 has interchangeble power and audio cables.

Unique to this turntable is the multi-pitch tempo control. Next to a standard variable width of i8%, you can also select a variable width from i16% and i50%. A simple reset button instantly reverts to the fixed rotation speed at i0%.
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 4 in stock $624.81
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Cat: 546682 Rel: 04 Dec 14 • View all Effects units
 
Spring reverb effects unit with exposed spring design
Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
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 5 in stock $500.68
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quote 546682
Cat: 739046 Rel: 19 Dec 14 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A dual Voltage Controlled Oscillator designed for generating complex waveforms.

Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
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 1 in stock $547.69
Cat: 557458 Rel: 19 Dec 14 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) for generating complex waveforms
Notes: A dual Voltage Controlled Oscillator designed for generating complex waveforms.

Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
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 2 in stock $557.73
Cat: 563544 Rel: 10 Mar 15 • View all Synth modules
 
Dual oscillator subtractive synth voice module, 40HP wide
Notes: The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 1 in stock $638.36
Cat: 563664 Rel: 10 Mar 15 • View all Synth modules
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 6 in stock $542.39
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quote 563664
Cat: 570479 Rel: 11 May 15 • View all DJ mixers
 
4 channel professional analogue DJ mixer with VCF filter system & 3-band EQ
Notes: Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.
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Played by: DJ Sven Løve
 4 in stock $537.19
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quote 570479
Cat: 560990 Rel: 29 Jun 15 • View all Audio & MIDI interfaces
 
18 input, 20 output Thunderbolt audio/MIDI interface with extra-low round-trip latency
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Designed for the project studio that needs plenty of I/O, Focusrite's 18-in, 20-out Clarett 8Pre combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency - enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster or easier way of getting audio into or out of a DAW.

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. Instrument inputs feature extra headroom to handle the loudest pickup.

Latency is the delay to a signal as it passes through your DAW system from interface input to interface output. Clarett Thunderbolt offers the world's shortest. Signals go round so fast that you can record and monitor through your DAW with your favourite plugins such as EQ, reverb or compression, giving artists a fuller sound to perform with.

Clarett features Focusrite's class-leading 24/192 conversion quality: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW

18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre..

Two mic/line/instrument inputs on the front panel give you instant, easy access to a pair of analogue inputs, even when rack mounted.

The monitor panel provides analogue and digital input levels, and main monitor outputs, via a 6-segment, multichannel hardware meter. Monitor features include a level control, plus dim and mute buttons, alongside dual high-power headphone outputs.
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 1 in stock $711.72
Cat: 579172 Rel: 07 Aug 15 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $555.95
RME
Cat: 571284 Rel: 22 Aug 15 • View all Audio & MIDI interfaces
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 1 in stock $645.66
Cat: 584159 Rel: 01 Oct 15 • View all Synthesisers
 
Analog synthesiser with full rugged steel/aluminium case and very high build quality - features Leipzig synth's "Moog" style filter
Notes: Nyborg is part of the Analogue Solutions range of analogue music equipment. Nyborg is a precision electronic musical instrument. It combines all the often needed music electronic circuitry to make a music synthesiser in one compact module.

No compromise has been made with the construction of Nyborg. Cheaper options in parts have not been used.

Why Do I need this synth? What's So Special?

Nyborg is a compact true analogue mono synth in a neat, smart, small package.

When we say 'real analogue' we mean that the entire audio patch and all modulation is entirely analogue, using circuits based on awesome sounding vintage 1970s designs. There circuits are not locked down by CPUs, controls are quantised and read by CPUs. With exception of the MIDI to CV circuit, which by its nature must have a digital element, Nyborg really is analogue and the sound benefit is immediately apparent!

We get may good comments about how good Analogue Solutions sound, how good, warm and full of character they are.

The synth has been designed by a musician who is a big fan of electronic music, and knows how to program a synth, not designed by an engineer. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.

Nyborg 12 and Nyborg 24 are identical, with the exception of the filter section - Nyborg24 uses a 4 pole 24dB ladder low pass filter. It uses the same filter as the awesome Leipzig synthesizer, which is similar (but not the same, having its own character) to the old vintage Moogs.
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 2 in stock $620.63
Cat: 592164 Rel: 02 Nov 15 • View all MIDI controllers
 
New version of Ableton's hardware instrument for hands-on playability with Ableton Live 9.5 - play or step sequence beats, notes, chords and automation
Notes: ***Register Live 9 Intro and get a Live 10 Intro license delivered to your user account. This is an automated process; no further action is required.

There will be a grace period of one month starting at release of Live 10 Intro, during which registered versions of Live 9 Intro will still trigger a free upgrade to Live 10 Intro.

A grace period of 4 weeks also applies to customers who registered Live 9 Intro up to 4 weeks before November 2nd 2017.

For further information please contact support@ableton.com***

What is Push?
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.

Make beats:
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.

You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.

Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.

Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.

Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.

Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.

Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.

Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.

Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
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 6 in stock $530.93
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quote 592164
Cat: 591066 Rel: 30 Nov 15 • View all DJ decks
 
Rekordbox compatible, compact digital deck equipped with a large touch screen & MIDI compatibility
Notes: The XDJ-700 comes with a large touchscreen, a familiar club layout and it inherits a host of features from its big brother, the XDJ-1000. Its compact size and removable stand offer great set-up possibilities for even the smallest booth or home set-up.

With support for our free rekordbox software you can prepare and manage your tracks on a PC or Mac before hitting the booth.

The 7-inch, full-colour LCD touch screen gives you instinctive control for ultimate creativity. The GUI is divided into three sections so you can effortlessly access all the features you need.

The Browse function allows you to call up a Qwerty keyboard and search for keywords. It also lets you choose how you view your tracks: list, artwork or custom view.

Trigger Hot Cues and Hot Loops in perfect time.

Quantize snaps cues and loops to the rekordbox beat grid. This enables a reliable performance without breaking the rhythm of your music during playback.

Automatically beatmatch up to 4 playing decks. Works with music that has been beat-analysed by rekordbox.

Keep tracks playing muted during live edits such as loop, scratch or reverse. Release the jog wheel and the track comes back at exactly the right place.

The large, full-colour LCD display shows all the info you need, including Wave Zoom, beat countdown, phase meter, key analysis indicator and more.

With ProDJ Link you can connect up to 4 players, turntables or laptops via LAN connection and share a single source. Combine this with rekordbox to access pre-prepared loops and cues, sync the beat with the master deck, and access a host of advanced pro-DJ features.

Simply plug in your rekordbox USB or connect your iPhone, iPod touch or Android smartphone to load tracks directly to the XDJ. Get access to a multitude of advanced performance features when preparing your tracks in rekordbox or using the rekordbox app.

The XDJ-700 offers DJs and venues unparalleled set-up possibilities. Being our slimmest player yet, it has been designed with the small booth or home set-up in mind. A removable stand helps it to fit into even smaller spaces.

Fully assignable MIDI functionality via USB can transmit most control information to external devices and can also be used as a MIDI controller.

'My Settings' allows you to prepare your system's setting preferences in rekordbox and save them to USB, SD, smartphones and tablets. This way you can instantly switch to your own settings when alternating DJs in the booth.
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 1 in stock $617.51
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quote 591066
Cat: 590202 Rel: 18 Dec 15 • View all Synthesisers
 
Moog's first ever tabletop semi-modular synthesiser with voltage controlled 32 step sequencer with 64 sequence locations
Notes: The Moog Mother-32 is the first table-top semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.

Mother-32 comes secured in a rugged extruded aluminium enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patch-bay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.

*For sound demos, please visit - http://www.moogmusic.com/products/semi-modular/mother-32#sound-tab
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 2 in stock $577.73
Cat: 598236 Rel: 08 Mar 16 • View all Synth modules
 
Dual oscillator synth module in Eurorack format
Notes: The Heart and Soul of Modular Synthesis:
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset

*For audio demos, please visit - http://www.lifeformsmodular.com/sv-1/
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 1 in stock $553.36
Cat: 598242 Rel: 08 Mar 16 • View all Synth module accessories
 
Hand-stained all hardwood eurorack synth module enclosure with power - 360HP of space
Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"
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 2 in stock $792.73
Cat: 590608 Rel: 16 Mar 16 • View all Hi-fi cartridges
 
Magnetic core moving coil stereo cartridge
Notes: The AT-ART9 inherits the basic magnetic design from the AT50ANV, which was developed as our 50th anniversary model. Also, It reproduces the highest-quality sound using the vibration system from the AT-OC9/III.

A neodymium magnet is employed with a maximum energy product BHmax of 50[kJ/m3] whilst a permendur yoke is used with a high saturation flux density and excellent magnetic materials.

The housing is made of machined aluminium materials and the cover is made of hard plastic materials. This disperses parasitic resonance and results in clear sound quality.

The base that supports the magnetic circuit and vibration system is made of machined aluminium material. This enables it to serve as a solid base to support stable playback capability.

The basic structure is an original MC type, with separate cylindrical coils to the left and right channels. Since power is generated independently in each of the left and right channels, this structure offers truly superior separation. If the signal from the opposite channel escapes, this can cause intermodulation distortion and have a decisive impact on audio quality and how the stereo sound spreads. The structure of this product ensures a clear and smooth sound. Additionally, the two coils have a reverse-V shape which reduces effective moving mass as seen from the stylus tip, limiting unnecessary movement of the coil and further eliminating distortion.

The stylus tip is a special line contact type with a 40 um × 7 um curvature radius (used in the AT50ANV) and a solid boron cantilever with a 0.26 mm diameter. This allows accurate transfer of music signals read by the stylus tip to the magnetic coil.

Two brass mounting screws are provided to attach the cartridge to the shell. They are optimally suited to the high sound quality of the cartridge itself.

The PCOCC coil enables purer transmission because it does not produce grain boundaries in the direction of the transmission.
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 1 in stock $937.73
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quote 590608
Cat: 590414 Rel: 05 Apr 16 • View all Synth modules
 
Sequencer synthesiser module with 8 channels and 512 steps - 36HP wide
Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $546.58
Cat: 617810 Rel: 30 Jun 16 • View all Synth modules
 
USB to MIDI to CV converter synth module - 12HP
Notes: Shuttle Control is a 16-channel MIDI/CV interface which can receive USB-MIDI at a number of inputs simultaneously. For instance control signals from a tablet/PC/Mac at the "to device socket" or USB-MIDI-Keyboard or controllers via the "to host" sockets.

As the sockets provide for a +5V voltage you can use them for example for a LED lamp. An editor allows you to create and save up to 16 different mappings which can be recalled directly at the module. Those mappings can be for example 8-voice polyphonic setups with different CV scales (1V/oct, 1.2V/oct ot Hz/V). This makes it possible to use VCOs with different CV scales simultaneously to integrate them in a polyphonic setup. Besides this you can assign LFOs, triggers, Control Changes and random to the outputs.

Additionally the module can be used as a power solution for a small modular system and has an input for an external laptop brick power supply (12-20V). Also it can pass the Eurorack operational voltages via a long ribbon cable with a number of Euro connectors, both male and female sockets.

The note CV and gate signals generated by the MIDI/CV interface can be sent to other modules internally via Doepfer's internal bus. Endorphin.es' own Terminal and Furthrrrr can read their signals so you can create an entire Endorphin.es system easily.
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 1 in stock $506.81
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quote 617810
Cat: 608752 Rel: 07 Jul 16 • View all Synthesisers
 
Synthesiser keyboard with 61 semi-weighted keys with aftertouch
Notes: The best Sledge ever:
The exclusive dark look includes a black case, a semi-weighted keyboard with reverse black and grey keys and an even more professional touch feeling. New modulation features and sounds, with a mix of pure synthesis and sampling, push Sledge further than ever before.

New colour, best touch:
The reverse color keyboard perfectly matches the black look and thanks to semi-weighted keys and new balanced springs, gives an unbeatable feeling, for a more satisfying musical experience.

Double power, bigger sound:
The audio output level is enhanced, for a stronger, cleaner and fatter sound. The LFO2 is now synchronized, allowing to keep the same modulation phase on all notes.

Sounds from the world:
Top musicians have contributed a signature sound-set which, together with the new settings, further improves the warm and crisp sound that made Sledge appreciated worldwide.

Sledge Spectre:
A tool for creating and transferring Sample Content from a computer to Sledge, that has the additional ability to play back Samples.

Sound mapper:
With Sound Mapper you can manage and reorganize the internal sound library of your Sledge. Load, save, copy, send, receive and all you want to do with your sounds library, you can do it thanks to a user friendly interface.

Package contents:
- Sledge
- Power cord
- CD manual

*For audio demos, please visit - http://www.studiologic-music.com/products/sledge-black-edition/
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 1 in stock $780.22
Cat: 618623 Rel: 22 Jul 16 • View all MIDI keyboards
 
Capacitive touch keyboard with 9 octave ranges for the 29 full-sized keys
Notes: The 512 is a gold plated capacitive touch keyboard, packed with a unique blend of truly musical features to enhance your creative experience. The 512 is available with or without the optional rack ears that allow it to fit in a standard 19" rack enclosure, taking up only 4u spaces.

Why is capacitive touch better? Quite simply, eliminating mechanical moving parts found in traditional keyboards makes a product that will never wear out, as mechanical keyboards do. No more intermittent key contacts, or failed aftertouch circuits to worry about! In addition, capacitive touch provides a much faster response time for playing notes, and allows multiple forms of expression to be executed by the performer.

There are five main functions of the 512. It can act as a keyboard, arpeggiator, sequencer, MIDI to CV converter, and MIDI to MIDI converter. The 512 can control both MIDI and CV/Gate synthesizers simultaneously. Pitch, Pitch Bend, Mod Wheel, Gate, Velocity, Aftertouch, and Clock are all available in both their MIDI and CV form. CV's follow the 1V/Oct standard with positive polarity Gate signals, allowing the 512 to control the majority of analog synthesizers both past and present. The 512's CV output is adjustable providing a range of .47V/Oct to 1.34V/Oct. This then allows you to control other CV standards such as the 1.2V/Oct synthesizers used in Buchla and EML brands as well.
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 2 in stock $746.84
Cat: 723742 Rel: 22 Jul 16 • View all MIDI keyboards
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


The 512 is a gold plated capacitive touch keyboard, packed with a unique blend of truly musical features to enhance your creative experience. The 512 is available with or without the optional rack ears that allow it to fit in a standard 19" rack enclosure, taking up only 4u spaces.

Why is capacitive touch better? Quite simply, eliminating mechanical moving parts found in traditional keyboards makes a product that will never wear out, as mechanical keyboards do. No more intermittent key contacts, or failed aftertouch circuits to worry about! In addition, capacitive touch provides a much faster response time for playing notes, and allows multiple forms of expression to be executed by the performer.

There are five main functions of the 512. It can act as a keyboard, arpeggiator, sequencer, MIDI to CV converter, and MIDI to MIDI converter. The 512 can control both MIDI and CV/Gate synthesizers simultaneously. Pitch, Pitch Bend, Mod Wheel, Gate, Velocity, Aftertouch, and Clock are all available in both their MIDI and CV form. CV's follow the 1V/Oct standard with positive polarity Gate signals, allowing the 512 to control the majority of analog synthesizers both past and present. The 512's CV output is adjustable providing a range of .47V/Oct to 1.34V/Oct. This then allows you to control other CV standards such as the 1.2V/Oct synthesizers used in Buchla and EML brands as well.
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 1 in stock $641.84
Cat: 615816 Rel: 27 Jul 16 • View all DJ controllers
 
4 deck DJ controller with integrated 4.3" displays & 16 velocity sensitive trigger pads - includes Serato DJ download
Notes: ReiNVenting DJ Performance:
The NVII with its sleek design, seasoned with red and white colours, really grabs your attention. But it's so much more - it improves on the superior performance of the original NV! Suited and tailored with an eye-catching symmetrical design, the NV II features an upgraded layout with clear markings for fast, responsive operation. Its striking platter design with hints of red make the NVII one hot controller!
What's under the hood? Aside from cool look and those great 4.3-inch full-colour screens, the NV II adds gridlines on the screens so you can seamlessly beat match your tracks. In addition, the NVII adds a 5-column sort to view your music 3 columns at time by song, artist, time, bpm and key. We didn't just improve an already great DJ controller - we created the NV II to reiNVigorate your DJ skills!

Touch and Feel the Mix:
You can feel the music through the adaptive 5-inch touch-activated platters. The NV II comes equipped with touch-capacitive EQ and filters to dynamically carve out the groove with drop/boost, available at your fingertips.
The highly-advanced touch-adaptive jog wheels adjust to your style and feel while manipulating your mix on the fly. Whether you scratch in your favourite cuts or nubb in perfect transitions blends, the platters are an extension of your personality and style.
What's the big deal about the touch capacitive EQ, FX and filter knobs? You have free range to carve out a custom sonic mix by just tapping the EQ/FX knob and adding a simple twist. Think of it as your stylus on a touch screen, where you can control every curve of your musical art, creating the perfect mix. With the touch-capacitive knobs you can literally feel your mix.

Performance Trigger Pads:
Create your own remix during your performance with our 16 velocity-sensitive pads. These are great for finger drumming, looping sample slicing, hot cues and more. Bright RGB backlit pads with color-coded feedback for each mode make switching in and out a liquid operation. While tapping your feet to the beat, the velocity response has an amazing feel for setting loops or set your cue points for awesome drops.

Four Deck Control:
With four decks, you have unlimited opportunity to create the remix you always imagined, while monitoring your performance on the built in screens. Aside from switching views on the screens, you have control to switch from decks 1-4 with one fast click on each deck. Depending on whether you mix acapella with instrumentals with four decks or create party/club mashups to pepper into your set, you can do it all on the fly at your gig or in recording studio.

Toolroom Remix Packs:
DJs who want to get into producing (or producers who want to DJ) will appreciate the Toolroom Remix package of professional-grade stems, from the world's premier electronic music label. Create endless bangers with exclusive access to textures and grooves that empower you to create live remixes or great set build ups and drops. Infuse high-quality sounds into your set on the fly or in studio mode. It's a great value, making the NV II fully equipped with all the tools you need to conquer new opportunities.

Out on the Road with Inputs for Pros:
Gig a lot and need a versatile board? The NV II fits in any environment and comes road-ready with XLR outs to deliver the best in sound. You also have Booth/Master RCA outputs to monitor your performance with N-Wave 580L speakers, along with a 1/4" microphone output. While cueing up your music, you have the flexibility of using the 1/4" input or the 1/8" input for your headphones. Play all of your music connected via USB with the latest Serato DJ software.
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 2 in stock $520.50
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quote 615816
Cat: 621753 Rel: 01 Jan 90 • View all PA speakers
 
Pair of 1000W high-definition portable powered loudspeakers - bundled with speaker stand kit!
Notes: A compact powerhouse, the all-new SRM350 delivers the unparalleled ease-of-use, professional sound quality and indestructible portability that made the original a live sound legend. Now, packed with 1000W of power, truly useful sound-enhancing DSP and setup-friendly audio tools, the SRM350 is the most compact, high-output SRM ever designed.

The SRM350 features modern tools like application-specific speaker modes and an automatic feedback destroyer each with a single-button interface that gets you optimized performance in just seconds. And with the integrated 2-channel mixer, you can easily mix multiple sources.

Only the Mackie SRM350 delivers proven performance, huge power and unmatched sound quality in such an indestructibly portable design.
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 1 in stock $646.71
Cat: 738694 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 1 in stock $589.38
Cat: 622849 Rel: 23 Sep 16 • View all Synthesisers
 
Complete, stand-alone desktop format modular synthesiser
Notes: The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, stand-alone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters. A self-contained modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be patch compatible any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options. The Lifeforms SV-1 module can also be removed from the Blackbox and inserted into a larger Structure eurorack enclosure or any other eurorack format case as your system grows.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset
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 4 in stock $589.33
Cat: 734987 Rel: 23 Sep 16 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, stand-alone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters. A self-contained modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be patch compatible any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options. The Lifeforms SV-1 module can also be removed from the Blackbox and inserted into a larger Structure eurorack enclosure or any other eurorack format case as your system grows.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset
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 2 in stock $563.27
Cat: 627984 Rel: 12 Oct 16 • View all Audio & MIDI interfaces
 
18x22 USB audio interface with DSP, mixing & effects
Notes: The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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 2 in stock $519.45
Cat: 735249 Rel: 27 Oct 16 • View all DJ controllers
 
B-STOCK: Box opened, product in perfect working order
Notes: The DJ-808 is a state-of-the-art DJ controller with a 4-channel mixer, built-in drum sequencing, vocal processing, and the deepest Serato DJ integration available. Going way beyond a typical DJ controller, the DJ-808 is an instrument, with a Roland "TR-S" drum machine that contains the world's most iconic drum sounds and can even control the Serato Sampler within Serato DJ. The VT Voice Transformer can pitch your voice to match the key of your Serato DJ tracks, while two AIRA Link ports let you connect compatible synths and electronic gadgets, and produce a live remix, with just a simple USB cable. Sound quality is high-end and the hardware is built tough yet easy to carry - ready for inspired sets that push the boundaries of what it means to DJ.

World-class software meets world-class hardware:

With the DJ-808, Serato and Roland bring the best of software and hardware together into a single instrument that ushers in a new era of DJ'ing. It melds the supreme power of Serato DJ software with the genre-defining sound and precise engineering of Roland hardware. Decades of combined expertise give today's producers and DJs state-of-the-art tools and innovative features that open up a new world of creative options, both on stage and in the studio.

Legendary TR drum sounds and sequencing:

From the TR-909's unmistakable hi-hats to the wall-shaking boom of the TR-808, Roland TR drum machines have defined the sound of entire genres of dance music. Customize your beats on the fly and in the moment using the DJ-808's built-in TR drum machine with its iconic sounds and 16-step sequencer that stays in perfect sync with Serato DJ.

The integrated TR drum machine contains the Bass Drum, Snare Drum, Hi-Hats and Clap from the TR-808, TR-909, TR-707, and TR-606 drum machines - the rhythmic foundation of a lot of dance music. These sounds use Roland's acclaimed and award-winning Analog Circuit Behaviour, faithfully replicating the original electronic circuitry of these influential rhythm boxes. It means you get all the thump and sizzle of the classic instruments, with dedicated knobs to control tuning, attack, and decay - putting a new twist on these legendary sounds.

In addition to the internal TR drum sounds, the TR-S sequencer can also trigger the new 8-slot Serato Sampler within Serato DJ. You can mix and match individual drum sounds, layer kicks and snares, and build drum parts limited only by your creativity.

Deep Serato DJ control:

Careful design considerations in the Roland DJ-808 take full advantage of everything Serato DJ has to offer. Built-in DVS support (with the purchase of a Serato DVS license), dedicated loop control buttons, controls for Serato Flip, HOT CUE, FX, even Key Sync - it is all there. Key Sync and Loop functions get dedicated sections so you can quickly adjust the key or shift the loop for a particular deck. The design of every pad, slider and button is with performance in mind. This workflow feels familiar and yet new and exciting, all at the same time.

Cut, scratch and cue with the high-performance platters:

The large, high-quality platters feel great and have the lowest latency of any DJ controller available. You get incredibly tight control over your music with super-fast scratches and cuts. The durable and responsive platters have integrated displays that clearly show playback status so you're always in control. You can even control two decks simultaneously from a single platter with dual deck mode.

Expand your DJ setup on stage and in the studio:

If you are a producer, a DJ, or both, the built-in connectivity for synths, turntables, microphones and more allows the DJ-808 to take your craft to a completely new level. Two AIRA link USB ports let you easily connect compatible Roland instruments and effects with a single USB cable. Trigger synchronized keyboard arpeggios or play live bass lines, leads and sound effects. One connection is all you need to inject your DJ sets or productions with exciting musical elements that can easily sync to your Serato DJ tracks.

Pitch Perfect with Voice Transformer and Serato Key:

Not only does the DJ-808 have a high quality mic input with an XLR combo jack, but also has a dedicated vocal processor, the VT Voice Transformer, that can drastically transform your voice. Knobs for EQ, Pitch and Formant make dramatic vocal effects easy and the ducking capability will automatically adjust the volume when speaking or singing into the mic. And the VT's Auto Pitch function will even re-pitch the incoming signal to match the key of your Serato DJ tracks.

Pro hardware for demanding sets:

Roland has a long history of making rock-solid, reliable instruments with performance in mind, and the DJ-808 is no exception. It has smooth, intuitive knobs and faders, adjustable curves, removable crossfader and touch-sensitive RGB buttons for HOT CUE, ROLL, SAMPLER, SLICER, PITCH PLAY and TR drum machine triggering.
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 1 in stock $868.90
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