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Cat: 589495 Rel: 10 Dec 15 • View all Synth modules
 
Dual envelope generator synthesiser module - 20HP wide
Notes: The Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or "pings".

The PEG has full CV control of envelope shape, skew, and ping (clock) division/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.

Scaling/shifting:
- Scale knob is an attenuating inverter for main envelope output (Maximum 0V to +10V non-inverted, and Minimum -10V to 0V inverted).
- Bi-polar button centers main envelope output around 0V (-5V to +5V output)
- "+5V ENV" jack is a non-scaling output that always produces a 0V to +5V envelope, regardless of Scale and Bi-polar settings
- "OR" jack outputs an analog OR of the two scaled envelope curves. This outputs the highest value from either envelope at any given moment, taking into account the Scale and Bi-polar controls.

Gate outputs:
- End-of-Rise (EOR) gate output goes high when envelope finishes a rise portion, and goes low when envelope begins a rise portion
- End-of-Fall (EOF) gate output goes high when envelope finishes a fall portion, and goes low when envelope begins a fall portion
- Jumper for each channel changes EOR output to a Half-Rise gate output. The Half-Rise jack goes high when 50% of the time of the rise portion has elapsed, and goes low after 50% of the time of the fall portion. Using the Skew parameter, this jack provides a variable phase gate output useful for quadrature effects and clock phase shifting and trigger delay effects. Factory setting is EOR for red channel, Half-Rise for blue channel.

Triggering/cycling:
- Cycle button for each channel forces envelope to self-cycle in sync with the ping clock (LFO mode). Button lights up when in cycle mode.
- "T" jack toggles the state of both channels' Cycle button when a gate is applied
- "QNT" jack for each channel triggers an envelope to start at the next quantized beat, with respect to the divided/multiplied ping clock. Holding a gate high on this jack causes the envelope to repeat.
- "Async" jack for each channel causes an envelope to output immediately (asynchronously). Holding a gate high results in an AR envelope (rise-sustain-fall). If cycle mode is enabled, the envelope will continue to cycle at this new phase with respect to the ping clock. Phase can be reset to being in sync with the ping clock by pressing the cycle button or applying a pulse to the QNT jack.

CV input jacks:
- CV control of Ping Div/Mult, Skew, and Curve using the CV jacks. Respective knobs set the center offset for the applied CV
- CV of 0-10V will modulate the parameter's full range However, a 0-5V CV will modulate the parameter within a very useful range.
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out of stock $278.01
Cat: 589490 Rel: 10 Dec 15 • View all Synth modules
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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 1 in stock $214.18
Cat: 589494 Rel: 10 Dec 15 • View all Synth modules
 
Compact, playable four-channel tap-tempo, clock-syncable LFO synthesiser module with variable skew and reset - 12HP wide
Notes: The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.

The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.

Controls and jacks:
- Tap tempo button ("Ping") for manually setting the tempo
- Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
- On/mute button enables or mutes the output (latching button)
- Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
- At 0% Skew (0V of CV), the shape is a "plucky" near-expo curve
- At 1% Skew (just over 0V of CV), the shape is ramp-down
- At 50% Skew (about 5V of CV), the shape is a triangle
- At 100% Skew (about 10V of CV), the shape is ramp-up
- Skew knob provides offset to the incoming CV signal, so any range of CV is acceptable
- Reset jack restarts the LFO without changing the tempo (rising edge triggered)
- OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
- LED flashes and dims to the signal on the OUT jack
- Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
- On/Mute button lights up when channel is On

Advanced:
- Ping and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!)
- Trim-pot on PCB allows for adjustment of comparator threshold value

- "Fire-on-unmute" jumper per channel:
- When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.
- If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)

- Bipolar/Unipolar jumper:
- Setting jumper to Bipolar makes the outputs -5V to +5V
- Setting jumper to Unipolar makes the outputs 0V to +10V
- One jumper controls all four channels

- One-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion

- Floating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate

- Connects to other modules using ribbon cables:
- Outputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer
- Normalization of ping jacks can connect to the 4ms Quad Clock Distributor
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 1 in stock $244.46
4ms Wav Recorder Module (synth module)
Cat: 648950 Rel: 29 Jun 18 • View all Synth modules
 
6HP Eurorack module for recording high-fidelity, low-noise stereo WAV files
Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.
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 2 in stock $234.73
Ableton Live 9 Standard Edition (B-STOCK) (audio production software)
Cat: 654116 Rel: 07 Mar 13 • View all Music production software
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


What is Live?
Live is software for creating musical ideas, turning them into finished songs, and even taking them onto the stage. With two views - the classic Arrangement View, where musical ideas are laid out along a timeline, and the unique Session View, where you can improvise and quickly experiment with musical ideas - Live is a fast, fun, intuitive way to make music.

Create:
No matter what instruments you use to create, Live helps you get your ideas down quickly. Live's Session View is a musical sketchpad you can use to mix and match musical ideas without the constraints of a timeline. Advanced warping features mean you can change the tempo and timing of any audio, in real time, without stopping the music. Use Live's unique audio-to-MIDI conversion tools to turn drum breaks, guitar lines, or even harmony parts into MIDI patterns that you can edit and reuse with your own sounds. And with Live's Racks you can make creative combinations of instruments and effects and control them with customized macros.

Finish:
From arranging to mixing to mastering, Live has workflows that will help you go from song ideas to finished tracks. You can organize and edit your music in a traditional timeline in Arrangement View, or improvise your way to a finished song, recording everything you do in Session view. And Live has all the tools you need to get your mix or master sounding great - everything from precise EQs to warm, vintage compressors.

Perform:
Live's Session View is the perfect environment for improvising and playing live - everything stays in sync, so you can mix and match audio at any tempo and never have to think about lining things up. Whether you're playing a solo performance with hardware or software instruments, or processing audio with a live band, Live has got everything you need. And it's perfect for jamming hands-on: Live works with any MIDI controller, and you can map knobs, faders, and buttons to control almost anything.

Updates and improvements:
Regular version updates means Live 9 users get new creative tools and features. Live 9.7 brought new slicing features to Simpler, adding to the wealth of new sampling possibilities offered since the 9.5 update. Also in 9.5 were new vintage-sounding analog-modelled filters and improved waveforms and monitoring, while 9.2 added refinements and improvements to Live's audio warping engine and a new Tuner device.

Then there's Link: Ableton's new technology that keeps software in time over a wireless network. Now a built-in feature of Live and a growing number of other applications, it makes playing together with multiple devices a lot simpler.
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out of stock $292.07
Cat: 601494 Rel: 28 Mar 18 • View all Synth modules
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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 2 in stock $201.19
Cat: 655470 Rel: 03 Jul 17 • View all Synth modules
 
Envelope generator module - 21 HP
Notes: The ADSR envelope from the Japanese 100m system is well-known for its percussivity and the enormous punch. ACL gives us three of them in one single Eurorack module, the Envelope X3.

Sometimes an envelope generator doesn't have to be function-ladden, but just reliable, solid and good. This is what ACL achieves with the Envelope X3 module. The technical quality originates in precision components, as used in measuring instruments for instance, in order to keep the parameters exact, always the same and to keep you happy.

Three identical, classic Attack-Decay-Sustain-Release envelopes are integrated; function-wise rather simple with a gate input and one positive and one inverted envelope output each. The gate inputs are normalized (1 -> 2 -and 1 -> 3; with input 1 as master) which minimizes the amount of patch cords. Normalizations can be disrupted by patching a cable.

Each envelope generator has a time range switch with two positions to select between short and long envelope times.

The LEDs for visualisation were omitted to keep the power consumption low.
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out of stock $215.27
Cat: 665164 Rel: 04 Oct 17 • View all Synth modules
 
4 channel audio signal mixer - 12HP
Notes: The ACL Gate Mixer is a 4 channel Audio signal mixer, consisting two 2-in-1 mixers (1+2 & 3+4), whose outputs are summed together to the master output. All 4 channels can be switched ON/OFF via switches and/or gate or even CV signals.

Furthermore there is an AUX-input, which is routed unity gain (no attenuator) to the SUM. The logic of switching the signals on and off can be negated (inverted), meaning a high control signal could switch the signal on (gate=on) - or the opposite behaviour; a high control signal could switch the signal off (gate=mute).

So you can always switch the channels on and off using the switch, by just flipping the channel's state (on or off). No disturbing clicks or glitches should be heard when switching an audio input signal on and off due to a fast "slew ramping" takes place in the circuit, controlling the amplitude of the signal when switched on and off.

Each Channel has a LED which is lighting up, when the channel is switched on.
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out of stock $235.82
ACL M/S Matrix Module (synth module)
Cat: 665160 Rel: 04 Oct 17 • View all Synth modules
 
Synth module for converting stereo material into M/S format - 10HP
Notes: The ACL M/S Matrix module is able to deconstruct a conventional stereo signal, consisting of a left and a right channel, into its mid and side signals. The other way round it can convert a M/S stereo signal to L/R stereo.

For that reason the module has four bi-directional sockets which carry the left, right, mid and side signals and are either inputs or outputs, depending on the mode of conversion.

When you play with the individual levels of left and right, classic panning happens. Something different happens with M/S: A change of the Side signal's level will change the stereo width while changing the Mid signal's amplitude will make the centre more or less present but the side signal will remain unchanged!

For instance turning up the S signal from zero to max will continuously convert a centre mono signal into a wide stereo signal.

The module offers individual level control for each stereo channel which can be controlled with potentiometers and voltages

Besides the aforementioned different compression of mid and side you might as well process stereophonic reverb and change the stereo width of the reverb tail.
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out of stock $216.34
Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $293.14
Cat: 665163 Rel: 05 Oct 17 • View all Synth modules
 
Two channel audio amplifier with stereo capabilities
Notes: The ACL VC Panning Amplifier is specially designed to process audio signals, dynamically positioning them in a stereo field. In case one processes mono signals, but still needs low distortion, low CV feed-trough, low noise voltage controlled attenuation and amplification, the unit can be also operated as two standalone VCAs.

The module has two exponential response VCAs with voltage and manually controlled gains, input level attenuators and overload indicators.

When no jack is connected to IN 2 and CV 2 inputs, they are normalized to IN 1 and CV 1 inputs respectively. Some of the possible configurations with this arrangement allow the gain of both channels to be controlled together with one CV, while processing different audio signals, or both channels to be operated individually, if needed. The gain balance between both VCAs and hence the panorama position of a stereo signal is manually and voltage controllable. The common gain of the two channels is also manually adjustable with a single pot.
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out of stock $269.36
Notes: The TMA-1 Studio headphones are AIAIAI's latest professional cans especially designed for the studio. The Copenhagen-based design collective had lengthy sessions in mind when they consulted with musicians, producers and engineers. They were looking to create a more referenced sound and enhanced comfort with the response and durability of the TMA-1, with an adjusted EQ curve to adapt the original's for use in the studio. They chose an over-the-ear design that increases comfort, especially appreciated when used for long periods of time.

The newly introduced TMA-1 Studio's feature several differences which help them excel in the world of production.

The Studios shun portability for comfort, appearing significantly bulkier than the vanilla TMA-1's. Featuring circumaural ears pads that fit around the ear and extra headband padding, the Studio's are comfortable even when worn for long periods of time - perfect for that all day studio session.

Under the hood AIAIAI have also tweaked the drivers themselves, giving the Studios a flatter, producer-friendly frequency response - and making them more delicately balanced then the slightly bass heavy TMA-1's.

The result is one of the clearest, most comfortable listening experiences available, with the protein based circumaural cups preserving rich highs, mids and lows whilst blocking all unwanted noise. Although not the most detailed cans at their price range, the overall package of sound, style and build quality make the Studio's hard to beat.

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out of stock $201.91
Cat: 698445 Rel: 09 Aug 18 • View all Synth modules
 
Analogue multi-tap phaser - silver faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 1 in stock $286.66
Cat: 637047 Rel: 22 Mar 17 • View all Synth modules
 
Model D-based complex envelope generator - dark edition
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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 1 in stock $226.09
Cat: 637046 Rel: 22 Mar 17 • View all Synth modules
 
Model D-based complex envelope generator - silver
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.to an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!
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out of stock $210.94
Cat: 625067 Rel: 22 Sep 16 • View all Synth modules
 
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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out of stock $220.68
Cat: 637044 Rel: 22 Mar 17 • View all Synth modules
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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 1 in stock $226.09
Cat: 637042 Rel: 22 Mar 17 • View all Synth modules
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - silver
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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out of stock $210.94
Cat: 708087 Rel: 23 Jan 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $223.92
Cat: 708090 Rel: 18 Apr 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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 1 in stock $210.93
Cat: 625060 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 1 in stock $209.86
Cat: 625059 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 2 in stock $208.78
Cat: 625058 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 2 in stock $268.26
Cat: 625054 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 1 in stock $254.21
Cat: 625079 Rel: 22 Sep 16 • View all Synth modules
 
Ring SM Ring Mod Sub Bass Mixer Module
 1 in stock $263.94
Cat: 625077 Rel: 23 Sep 16 • View all Synth modules
 
AJH synth ring sm ring mod sub bass mixer module
 1 in stock $258.53
Cat: 625082 Rel: 22 Sep 16 • View all Synth modules
 
Sonic XV Diode Ladder Wave Filter Module
out of stock $247.72
Cat: 625081 Rel: 22 Sep 16 • View all Synth modules
 
Sonic XV Diode Ladder Wave Filter Module
 2 in stock $200.12
Cat: 688825 Rel: 01 Aug 18 • View all Synth modules
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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 1 in stock $225.00
Cat: 688824 Rel: 01 Aug 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 2 in stock $271.51
Cat: 737861 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 1 in stock $243.39
Cat: 698447 Rel: 25 Oct 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - silver, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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out of stock $226.09
Cat: 525143 Rel: 15 Aug 14 • View all MIDI controllers
 
Akai Pro's new flagship Ableton Live controller designed for Ableton Live, with included production software package
Notes: In 2009, Akai Professional collaborated with the creators of Ableton Live, a powerful music performance and production software environment, and introduced the original Ableton Performance Controller-APC40. The instrument raised the standards of controller design, revolutionized hardware and software integration, and proved to be an essential performance tool for Ableton Live users everywhere. Building upon this original partnership, Akai Professional now introduces an all-new, reimagined Ableton Live controller-APC40 mkII.

The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.

APC40 mkII features a 5x8 RGB clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses-loaded, playing, and recording-so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.

APC40 mkII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 mkII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.

APC40 mkII comes pre-mapped to Live for an instant performance and production setup. When APC40 mkII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface-no additional configuring is required. In addition, all of APC40 mkII's controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 mkII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 mkII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.

APC40 mkII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today's electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more.
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 1 in stock $288.35
Akai EWI USB Wind Controller (USB wind controller)
Cat: 441254 Rel: 22 Nov 11 • View all MIDI controllers
Notes: The EWI USB is an electronic wind instrument for musicians looking for an easy-to-play, easy-to-use controller. Akai Professional's decades of experience in wind and electronic music instruments are rolled into their most user friendly.
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MRP:$362.17 SAVE 21%
out of stock $286.66
Cat: 580158 Rel: 17 Jul 15 • View all MIDI controllers
 
Feature-packed, highly playable pad controller - 64-part, 32-step sequencer to control pad events, Ableton included
Notes: Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software

OK, it was a tall order. We admit it. People loved the original MPDs so much that we didn't want to mess with success.

But we did.

The MPD2 Series is a product of over six years of detailed customer research and user feedback. We asked what you wanted and we listened closely. We took what you told us and turned it into the most capable and user-friendly line of pad controllers Akai Professional has developed to date.

Nitty-Gritty
The MPD232 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

Experience the Difference
First, we stepped up our game by adding new, ultra sensitive Thick Fat MPC pads, creating an amazingly responsive user experience. The MPD232 has an expanded control set featuring eight knobs, eight faders, eight buttons arranged in three banks for 72 total controls. This will enable you to maximize your sound and give you increased control over effects.

The MPD232 also boasts an all-new 64-channel, 32-step performance sequencer, which the MPD32 did not have. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Goodies
Along with the improved functionality we've added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset Editor.

The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD232.

Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we've ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.
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out of stock $209.86
Cat: 519810 Rel: 24 Jul 14 • View all MIDI keyboards
 
Performance USB/MIDI Pad & Keyboard Controller with comprehensive production software package
Notes: Engineered to be an all-in-one controller solution, the Akai Professional MPK225 is a performance pad and keyboard controller that combines deep software integration with over L300 worth of premium music software included, enhanced workflow, and core technologies from the iconic line of MPC workstations. The MPK225 additionally features a number of enhancements requested by our producer community.

MPK225 comes equipped with 25 semi-weighted, full-size keys and a premium piano-style keybed for unprecedented response and natural feel. Each key is velocity-sensitive and outfitted with aftertouch for dynamic, expressive performances and recordings. In addition, onboard Octave Up and Down controls allow players to access the entire melodic range; play bass lines, piano harmony, solo leads and much more.

Classic MPC Note Repeat and MPC Full Level are onboard for further inspiration. With MPK225, musicians and composers can incorporate genuine MPC workflow into their productions and create with the tools that producers have relied on for years. In addition, an arpeggiator, with adjustable resolution, range, and patterns, enables users to explore complex melodic ideas, effortlessly.

MPK225 is armed with powerful production software-Ableton Live Lite for out-of-the-box music creation. Ableton Live Lite is a fluid audio/MIDI environment that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas.

MPC Essentials with a RRP of L100 is groove/beat production and sample-triggering software. It can integrate directly into any DAW, such as Ableton Live Lite, or run standalone. In addition, it extends the power of MPK261 by adding up to 8 pad banks and 4 samples and insert effects per pad. With the comprehensive included 1GB sound library, MPC Essentials empowers you with the essential sounds of modern music production, and you can easily import your own WAV and AIFF sound samples as well and assign them to any pad.

Hybrid 3.0 with a retail value of L109 from Air Music Technology is the next generation in synthesis. Hybrid is a legendary synthesiser from Air Music Technology. The AIR team is responsible for the core of much of the effects offerings in Avid's Pro Toolsr software, and also developed a suite of award-winning virtual instruments specifically for Pro Tools. Leveraging this history of excellence, AIR's mission is to create the world's most innovative virtual instruments, music software, and effects now for all platforms.
This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds - a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.

SONiVOX Twist with a L79.99 RRP is a spectral morphing synthesis virtual instrument, makes it easy to create unique, serious sounds using simple controls. SONiVOX designs, develops and markets leading music software technologies, products and applications for desktop and mobile consumer devices.

Expand your creative arsenal further with exclusive discounts on premium Air Instruments unlocked with your purchase. The AIR Instrument Expansion Pack brings the world's most innovative virtual instruments to your favorite DAW. These seven instruments, ranging from breathtaking emulations of vintage gear to unique synthesis technologies, enable you to tap into familiar sounds or create something no one has ever heard before. Breathe some life into your music.
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out of stock $209.86
Cat: 742630 Rel: 14 Mar 14 • View all Studio monitors
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Engineered for meticulous reproduction of even the most complex modern music, Akai Professional's RPM800 studio monitors easily handle layer after layer of sound, providing critical detail and the tools needed to mix with confidence. The fast Kevlar cone provides lucid low-end agility, reproducing intricate bass patterns with ease. It's authoritative sound for the craft of music production, only from Akai Professional.

RPM800 offers pure and accurate frequency response from 38Hz to 30kHz. The 120-Watt distributed Class A/B provides the woofer and tweeter dedicated amplification - 80 Watts to the woofer, 40 Watts to the tweeter - meaning you get ultra-efficient power and minimal distortion. The flared rear-firing bass port delivers low-frequency depth and definition

Dedicated proximity and EQ-tailoring controls give you the ability to fine-tune the speaker in diverse mixing environments. RPM800 also features HF Trim, MF Boost, and LF Cutoff controls, which allow you to find the right balance in any environment. The included monitor isolation pad dramatically decreases structure-borne resonances, and the integrated radio frequency protection preserves signal purity. RPM800 includes XLR, balanced 1/4" TRS, and RCA inputs.

RPM800's cabinet is painstakingly reinforced to minimize flex, combating unwanted coloration while blocking anomalies and sound artifacts from polluting your mix. The no-compromise build quality is reflected even in components you'll never see such as the recess-mounted amp, on/off transient protection, and 14 gauge wiring to transducers. RPM800 also features a built-in output current limiter, over-temperature limiter, and subsonic filter - a full array of top-notch components that make all the difference in the purity that you hear.
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 1 in stock $201.43
Cat: 438819 Rel: 21 Oct 11 • View all Drum machines
 
Drum machine
Notes: The XR20 is a portable beat production center loaded with fresh sound library that's designed for making hip-hop and R&B wherever and whenever inspiration strikes. Over 700 sounds cover standard and electronic drums, one-shot hits, bass and synth sounds to easily create a total mix in next-to-no time.

The XR20 includes reverb, EQ and compression to enable MCs and producers to complete their tracks. Plug in a microphone and mix vocals with your beats. The XR20 runs on wall or battery power so it's flexible and portable. In pattern play mode, you can trigger different patterns from each pad, so you can tailor the beats to flow with the energy on-stage. Bright blue pads light with the beat to illuminate your performances as you light up the club.

With the XR20 beat production station, Akai Pro put the hip in hip-hop.

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MRP:$297.26 SAVE 19%
out of stock $241.23
AKG
Cat: 486090 Rel: 30 Mar 13 • View all Instrument microphones
 
Condenser microphone, ideal for use on acoustic guitar, percussion, cymbals, and overheads
Notes: Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking.
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out of stock $234.73
AKG K712 Pro Studio Headphones (studio headphones)
AKG
Cat: 492017 Rel: 05 Jun 13 • View all Studio headphones
 
Studio headphones with wide 10Hz-39.8KHz frequency response
Notes: For precision listening, mixing and mastering.

The K712 Pro's are reference, open, over ear headphones for precise listening, mixing and mastering. The over ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without compromise. Their precise powerful sound results from improved low end performance by 3dB. Being hand crafted in Austria, the K712 Pro's represent the high quality and legendary design AKG is internationally known for.

These headphones have a genuine soft leather headband for a lightweight and comfortable fit, and the carefully selected transducers ensure consistency and accurate localization.

The K712 Pro's come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
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 More than 10 in stock $206.61
Notes: The MultiMix 10 Wireless is a 10 channel rack-mount mixer that is well suited to smaller clubs and venues, houses of worship, and traveling systems.

This mixer is ideal for venues and mobile rigs, featuring 4 mono channels with XLR+1/4" combo inputs, phantom power and TRS inserts and 2 x stereo-paired channels with 1/4" inputs. You can stream sound from any Bluetooth device with single-button pairing and the front panel has a stereo 1/8" AUX input, 1/8" stereo mix output, plus 2 XLR+1/4" combo inputs.

Channels 1-4 are mono and offer both XLR mic inputs (selectable phantom power is provided) and balanced 1/4" inputs. TRS inserts are also provided. Channels 5/6 and 7/8 are stereo-paired channels, offering left and right balanced 1/4" ins. Channels 7/8 also offer a pair of stereo RCA inputs. Configured in stereo, Channels 9/10 are dedicated to receiving a stereo audio signal from any Bluetooth-enabled device.

Thanks to a simple, single-button front-panel, it's easy to manage. Each channel offers a peak LED, trim knob, 2-band EQ, pre and post sends, a pan knob, and a smooth-travelling 60mm fader.

The MultiMix 10 Wireless features 1/4" aux sends and 1/4" balanced stereo returns on the rear panel. The main stereo outs are 1/4" balanced, and an additional set of 1/4" stereo monitor outs are provided. The Master section on the front panel features additional easy-access XLR+1/4" combo inputs for Channels 1 and 2 that override the respective rear inputs, making it easy to temporarily connect a microphone or other sound source without removing the mixer from the rack.

A 1/8" jack allows a non-Bluetooth source to access Channel 9. Located alongside the master fader, the twin 10- stage LED meters have red peak indicators. There's also a dedicated headphone jack and the level is controlled by the monitor/phones knob. A very handy 1/8" output provides the main mix directly from the front panel.
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out of stock $254.21
Cat: 519838 Rel: 19 Feb 15 • View all Electronic drums
 
Percussion pad with on-board sound storage and 8 dual zone isolated rubber pads
Notes: SamplePad Pro is the all-in-one percussion instrument that knows no bounds. Isolated and responsive dual-zone pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computerieven a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you're looking for in a pad-based instrument - and more.

SamplePad Pro is streamlined and sleek. The backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.

Want more? No problem. SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer. A convenient module mounting kit is available.

With SamplePad Pro, there's no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds - each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next "must-have" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.

Equipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1/4" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input - with level control - so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.
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 2 in stock $288.35
Cat: 383582 Rel: 24 Mar 10 • View all Drum machines
 
Drum machine with reverb, EQ and compression effects
Notes: Alesis's SR16 has dominated the drum machine market since 1990 and continues to be in demand today. This next-generation SR18 is loaded with cutting-edge drumsets, electronic drums, one-shot hits, and modern percussion sounds for any cutting-edge musician's performances and compositions. From hip-hop to country and everything in between, the SR18 nails it on the first take. The SR18 has an effects engine with Alesis reverb, EQ, and compression so you can output recording or performance-ready sounds.

Alesis' exclusive Dynamic Articulation technology modifies sample sounds so they change as you play them. This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and colour changes you'd expect from their acoustic counterparts.

You can plug in an instrument, such as a guitar, and play along for setup simplicity. You can play in bass parts using the pads on the SR18 or connect a MIDI keyboard for fast, musical low end. The SR18 can be powered by AC or batteries, so whenever or wherever you need to lay down a groove, you're ready to roll. It's time for you to step up to the next Alesis drum machine.

Includes:

SR18 drum machine
AC adapter
Quick start guide.
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MRP:$258.32 SAVE 14%
out of stock $222.84
Cat: 519825 Rel: 05 Nov 14 • View all MIDI keyboards
 
Advanced USB MIDI pad/keyboard controller with extensive software bundle included
Notes: The Alesis VI61 is an advanced USB/MIDI keyboard MIDI controller that lets you take command of your music software with a series of pads, knobs, and buttons. With 61 velocity-sensitive semi-weighted keys with aftertouch and Octave Up/Down buttons, you can expand the keyboard to the full melodic range and play bass lines, chords, and melodies. VI61 also features 16 assignable knobs and 48 assignable buttons for manipulating effect plugins and virtual instruments: open and close filters, adjust volume levels, activate effects, tweak parameters, and more. 16 velocity-sensitive RGB trigger pads allow you to launch clips or finger drum with exceptional response and colorful visual feedback. Plus, pitch and modulation wheels expand the expressive capabilities of your performing.

VI61 was designed to seamlessly and effortlessly integrate with your music software. A single USB connection to your Mac or PC provides both power and MIDI functionality, allowing you to plug right into your computer and start making music. With the 5-pin MIDI Out, you can also use VI61 to control external MIDI modules, synthesizers, and more. A LED screen and illuminated knobs, buttons, and pads provide real-time visual feedback and are laid out for an intuitive workflow. Plus, VI61's compact design makes it easy to take this advanced MIDI controller on the road or implement it into any sized studio.

VI61 is bundled with Ableton Live Lite and Xpand!2 by AIR Music Tech, two dynamic pieces of software that enable you to record, produce, and perform with your computer. Ableton Live Lite is a fluid audio/MIDI environment that enables you to spontaneously record, remix, improvise, and edit musical ideas on the fly. Xpand!2 is an advanced virtual instrument that comes with a collection of premium sounds, ranging from acoustic instruments to futuristic synthesizers. Together, these powerful music platforms allow you to create or perform music with VI61 right out of the box.

Box includes:
VI61 MIDI Keyboard Controller
USB Cable
Ableton Live Lite (Download)
Xpand!2 by AIR Music Tech (Download)
User Guide
Safety & Warranty Manual
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out of stock $210.94
Cat: 674952 Rel: 15 Mar 18 • View all MIDI keyboards
 
37-key wireless USB keytar controller featuring integrated Bluetooth connectivity
Notes: Wireless Freedom Improved:

Take back the stage and experience untethered keytar performance with the next generation Alesis Vortex Wireless 2. Featuring improved ergonomics for better playability, a more durable housing, and an updated control layout, the updated Vortex Wireless 2 offers comprehensive MIDI controller functionality in a stylish and stage-ready keytar design with a stunning gloss-black finish. This dynamic MIDI keytar controller connects wirelessly to your computer and easily integrates with popular virtual instruments, plugins, and DAWs. For maximum stage and studio mobility, the PC- and Mac-compatible USB dongle uses a single USB port to establish a reliable, wireless connection. Create dynamic, expressive performances that the audience will both see and hear.

Onboard Control and Connectivity:

Command the stage with 37 velocity-sensitive keys with aftertouch, 8 RGB back-lit velocity-sensitive drum pads, and a row of 8 back-lit faders all laid out in an accessible, hands-on design. A series of neck controls provides additional performance options: you can tweak sounds using the MIDI-assignable touch strip and MIDI-assignable accelerometer, expand melodic ideas with the octave range buttons, and activate sustain all while your right hand remains free to play. Vortex Wireless offers multiple connectivity options and comes equipped with USB-MIDI and traditional MIDI Out jacks.

Virtual Instruments, DAW, and Preset Editor Included:

Vortex Wireless 2 includes premium bundle of virtual instrument plugins, including Hybrid 3, Loom 2, Vacuum Pro, and Xpand!2 from AIR Music Tech, and TimewARP 2600 by Way Out Ware. For performing, producing, recording, we include Ableton Live Lite. Finally, a clear, concise, and easy to use, point-and-click preset editor is included, so you can quickly configure any parameter of any preset on your Alesis Vortex Wireless 2. You can also use the editor software to save and load all of your Vortex presets to and from your hard drive for easy backup.
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out of stock $222.84
Cat: 431968 Rel: 17 May 12 • View all Studio mixers
 
Multipurpose studio mixer with FX
Notes: The Allen & Heath ZED-10FX mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound.

The ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

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out of stock $243.39
Cat: 608888 Rel: 15 Aug 16 • View all Studio mixers
 
4 in, 4 out USB audio interface (24-bit/96kHz) with built-in FX & Cubase LE software included
Notes: Hybrid compact mixer / 4×4 USB interface with FX:
ZEDi-10FX combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface and an outstanding multi-model FX unit, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10FX is a versatile companion for every step of the creative journey.

The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. ZEDi-10FX includes a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that two of ZEDi-10FX's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

Mixer + USB interface
ZEDi-10FX offers the best of both worlds, incorporating a studio quality 4 in / 4 out, 24-bit/96kHz USB audio interface for hassle-free multitrack recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow.

Cubase LE Music Production Software included:
ZEDi-10FX comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

Cubasis LE Mobile Music Production app:
The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

ZedFX multi model:
ZEDi-10FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

Exceptional audio quality:
ZEDi-10FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

Road tough:
All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

Made for guitars:
ZEDi-10FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

It's an Allen & Heath:
Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.
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out of stock $226.09
Cat: 628650 Rel: 17 Oct 16 • View all Synth modules
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: 'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 4 in stock $263.94
Cat: 584252 Rel: 15 Apr 16 • View all Synth modules
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 1 in stock $203.36
Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $235.81
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