Search dance music

Notes: This limited-edition pedal utilizes a NOS 1960s 2N404 germanium transistor and a modern PNP silicon transistor which, when combined, provide a more aggressive tone than our standard Fuzz Factory model.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to inter-modulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz.

This pedal can run off a 9V battery or a standard centre-negative 9VDC power supply.

Assembled in Minneapolis, MN USA using high grade, through-hole components.

Notes: Gating very complex sounds like fuzz and delay is always a challenge. The Loop Gate provides a loop switch with a built-in "perfect" audio gate (high headroom, no distortion, no hiss) that lets you set up a loop of pedals you can switch in and out of your signal path at will, but you have a couple of really fun options to control that loop that include a cross-fade "mix" option, as well as creating tremolo-like sounds with "chop" mode.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: This Box of Rock simulates Zachary's favorite amp turned up all the way, a 1966 Marshall JTM45. The tone control adjusts brightness and there's a high-headroom low-noise boost.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: The Sonar is a "tremolo" pedal, but this one's different. This unit has the ability to chop up any signal you send into or out of it. Unlike most other tremolos, it can cut down your high gain signal to silence. It can also sound gorgeously transparent like a traditional tremolo. It does other fun stuff like increase or decrease tempo, duty cycle (amount of time the trem is ON in a given cycle), or both simultaneously on the fly. It also has tap tempo and a slew of advanced features (attack, release, and depth controls). Lastly, and perhaps most importantly, it has aZVEX Machine circuit built right into the box.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: This pedal was originally designed for J.Mascis. He requested two Box of Rock pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we're releasing to the public... we made it so you can adjust the sub frequencies (like the Distortron), and you can convert either channel to a Super Hard-On. In this way, you can configure the pedal to be two Distortrons cascaded, two Super Hard-Ons cascaded (like a Super Duper 2-in-1), or a Box of Rock with boost, or a Super Hard-On going into a Box of Rock. Distortion/boost heaven!

Power supply is not included

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: The Super Seek Trem is a much expanded 16 step version of our original Seek Trem sequencer pedal.

Features include MIDI sync, tap tempo control, tap tempo sync, expression pedal control of speed or glissando, individual step glissando, 8 user programmable memory locations, and delta speed control.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: The Super Seek Wah is a hugely expanded 16 step version of our original Seek Wah II sequencer pedal.

Features include MIDI sync, tap tempo control, tap tempo sync, expression pedal control of speed or glissando, individual step glissando, 8 user programmable memory locations, and delta speed control.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: Whether you're a game developer, filmmaker or musician, virtual reality is the undeniable future of content creation. While 360-video is exploding in popularity, the ability to easily create 360-audio has lagged behind...until now.

The Zoom H3-VR virtual reality audio recorder is the complete solution for capturing and processing spatial audio for VR, AR and mixed-reality content. With a built-in Ambisonic mic, recorder and decoder, the H3-VR puts 360-audio in the palm of your hand.

In the past, capturing VR audio required a dedicated Ambisonic mic, a separate recorder and a computer for encoding the audio from raw Ambisonics A format to VR-ready Ambisonics B format. Now, with the H3-VR, all of the encoding and decoding is done on board, saving time, money and effort at every step.

Ambisonics Audio for VR:

The H3-VR's 4-capsule Ambisonic mic captures precise 360-degree VR audio recordings up to 24 bit/96 kHz. And without ever connecting to a computer, the onboard decoder allows you to export Ambisonics B-format files directly.

Binaural 3D Stereo:

The H3-VR also records stereo binaural WAV files up to 24 bit/48 kHz. Stereo binaural provides a hyper-realistic spatial recording that enhances 2D productions with 3D audio.

Standard Stereo:

The H3-VR even offers standard stereo recording for recordings that will be played out of speakers rather than headphones.

5.1ch Surround for Video:

Free to download, ZOOM Ambisonics Player software can easily convert Ambisonics audio to a 5.1ch surround file that is pre-aligned to the proper speakers, and is exported to your video or audio editor for syncing with standard video.

Live Streaming 360:

The H3-VR also enables you to live stream events in 360 degrees so that wherever your fans are, they'll have access to the best seats in the house.

Notes: The Zoom F1 Field Recorder + Shotgun Mic is the ultimate solution for run-and-gun filmmakers who need to capture professional quality audio for video.

The Zoom F1 Field Recorder + Shotgun allows you to capture professional audio everywhere your camera takes you.

The F1-SP comes with the SGH-6 Shotgun Mic known for capturing pro-quality, hyper directional sound, and it's aluminium body makes it extremely lightweight. Combined with the F1, you can record high-resolution audio up to 24 bit/96 kHz, providing high-impact audio for any video production.

Connect the F1 and Shotgun to the included shock mount and attach it to your camera. Then connect the F1's audio output to your camera's input using the included 3.5mm stereo cable and you're ready to record.

While recording to your camera, the F1 can also record to a microSD card, providing a stereo audio file which can be edited in post-production.

Monitor your levels, battery life, lo-cut settings and more with the F1's newly designed monochromatic display, ensuring visibility even in bright sunlight.

One-touch buttons make record levels, limiter settings, and volume output easily accessible.

The SMF-1 shock mount was engineered to eliminate unwanted thumping sounds caused by vibrations when shooting on the move.

Calibrate and sync:
The F1's tone generator provides a test tone to assist in setting proper audio levels. Sound markers make aligning audio and video easy.

No chance of overload:
An on-board limiter keeps your levels safe when spikes in loud volume occurs.

Convenient power sources:
The F1 can be powered using two AAA batteries (included) or with the optional AD-17 power adapter.

USB Connectivity:
Transfer recordings to your computer in card reader mode or record directly to your computer using the F1 in USB audio interface mode.

Here's what's included:

- F1 Field Recorder
- SGH-6 Shotgun microphone
- WSS-6 Windscreen
- SMC-1 Stereo mini cable for DSLR
- SMF-1 Shock mount
- 2 AAA batteries
- Quick guide

Notes: Packed with professional vocal effects, built-in looper, and our new Formant Pedal, no matter what style you sing the V6 will take your music to the next level.

Command Your Performance:
Perfect for live performance, you can easily activate effects and quickly recall your favourite settings.

Voices In Your Head? Not Anymore:
The V6 offers instant access to dozens of studio-grade effects that can be combined to create the right voice for any song.

Plenty of Preloaded Patches:
With 40 preloaded patches there are plenty of great sounds to choose from right out of the box. Or experiment and create and save your own.

Take Your EDM from the Studio to the Club:
Select the key of your song and the V6 will process your voice to the nearest pitch within the key. Using the ADJUST knob you can determine how fast the processing is executed to obtain a softer or harsher correction to your original voice.

Step to Add Flavour:
The V6 is the only vocal processor to use an expression pedal for shifting the formant of your voice. The formant pedal can provide radical changes in vocal characteristics without changing the pitch, delivering an unprecedented level of creativity and exploration.

A Mic Designed Just for You:
An important component of the V6 is Zoom's innovative SGV-6 mic. The SGV-6 is designed to isolate your voice by suppressing sounds from other instruments on stage. The mic's vocal isolation enables the V6 to process your voice with unmatched accuracy.

Meet Your New Backup Singers:
The built-in looper allows up to 3:30 of loop creations. Overdub multiple vocal parts all by yourself. Simply step on the footswitch and off you go.

Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software

Notes: Zoom takes the turbocharged design of the R24 and scales it down for an ultra-portable music production solution. Like its predecessor, the R8 combines four production tools in one versatile device. In addition to being an 8-track recorder that utilizes SD memory, the R8 is an audio interface, a control surface and a pad sampler.

With the ability to record two tracks simultaneously, the R8 is perfect for capturing audio on-the-go. Record live music performances, rehearsals, songwriting sessions or even audio for film and video. Capture your audio at up to 24-bit/48kHz resolution as WAV files. On each of its side panels, the R8 features a built-in stereo condenser microphone for field recording or quick, convenient "sketch-pad" ideas. When you're ready, you can use over 140 built-in studio effects to enhance your tracks and the pro-quality mastering effects to ensure that studio sound.

The R8 is more than a multi-track recorder. When combined with your compute, it becomes a powerful audio interface. Connect the R8 to your computer via USB, launch your favoriteDAW or use the included Cubase LE software and start laying down your tracks. Simultaneous 2-in/2-out capability allows you to record up to 24-bit/96kHz high-definition audio. If you use the 44.1kHz sampling rate, the internal DSP effects of the R8 are also available for your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring.

Computers bring incredible control and power to the recording process, but they're not very intuitive when it comes to mixing. Through a simple USB connection, you can control the transport and mixing functions of major DAWs such as Cubase, Logic, and Sonar from the R8. No more mixing with a mouse! The R8 makes mixing a pleasure.

The R8's sampler function consists of eight voices triggered by eight built-in pads. Samples can also be assigned to each pad to create loops. It also has internal drum loops, which allow you to easily create pro-quality backing and basic tracks. Not only does the R8 offer over 500 drum patterns to work with, it also includes a 2GB SD card containing 500MB of drum loops recorded by Big Fish Audio.

Best of all, the R8 will operate on four standard AA alkaline batteries (not included) for over five hours of continuous use. In addition, the R8 comes with a 2GB SD card and supports up to 32GB SDHC cards for a maximum of 100 track hours. Using SD media for recording not only makes the R8 lighter and more portable, it also ensures increased reliability with no concern for hard drive failure. The R8 can also function under USB bus power or with the included AC adapter.

With the new R8 from Zoom, versatility, control and comprehensive features come together in a single device that fits in a guitar case.

Notes: The compact, rugged TAC-2R audio interface uses the latest Thunderbolt technology for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio - all the way up to 24-bit/192kHz - in full fidelity.

The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2R - no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electric keyboards and music playersieven passive instruments such as electric guitars and basses.

Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent 1/4" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electric keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for zero latency. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.

Notes: A tiny but powerful field recorder capable of recording two channels in extremely high resolution. Records directly to microSD via a pair of mic/line inputs, with up to 8 hours recording time from a pair of AA batteries.

Supplier's Notes:
The small and mighty field recorder

Small design, big sound

With 32-bit float recording, the F3 effortlessly captures the quietest raindrops and the loudest explosions. Its small footprint allows for this recorder to be placed anywhere, as you capture and monitor up to 192 kHz of high-quality audio.

Focus on the scene

When you're working in the field or on set, sound levels can fluctuate often and quickly. The F3 allows you to adapt to your scene without having to set the gain or worry about clipping. In post, you'll be able to work with your capture, regardless of extremely low or high levels.

Award winning audio

Featuring the dual A/D converters and low-noise preamps found in our professional F-Series recorders, the F3 guarantees high-quality recordings in any setting or situation.

Battle tested

The F3 is built with durable side bars, standard tripod mount and slide-resistant rubber feet ensuring that you can mount it on your gear or hide it in any scene. It's sturdy metal casing and locking XLR connectors is designed for use in a variety of environments.

Wav watching

Monitor your recordings with seamless accuracy as the F3 displays your audio as real-time waveforms.

Record & listen

The headphone output allows you to keep an ear on your recordings, plus a line output enables you to go to your camera or other gear.

The F3 is well-equipped for long location shoots or remote fieldwork, with a variety of power options and massive storage.

With two alkaline AA batteries, take advantage of over eight hours of battery life.

Set yourself up for an unlimited charge via the AD-17 AC adapter or USB power supply.

Use a micro SD card up to 1TB to record over 180 hours of audio at the highest possible sample rate/bit-depth.

30' of control

Versatile control options give your production more flexibility than ever. Stay out of the shot and record from a distance of up to 30-feet (10m) using the F3 control app for iOS and Android*.
*F3 control app for Android available Spring 2022.
BTA-1 Bluetooth adapter sold separately.

Audio interface & streaming

Connect your F3 to a computer or iOS device via USB as an audio interface and record or stream up to two channels in crystal-clear 24-bit/96 kHz resolution. The loopback function allows you to combine your computer's audio with the F3 inputs to complete the sound for your stream.
*Available in 32-bit float/ 96 kHz with a firmware update in Spring 2022.

What's in the box

F3 Field Recorder
AA Batteries (x2)
Quick Tour

Specifications

Input and output channels
Inputs - MIC/LINE (mono): 2
Outputs - LINE OUT: 1, PHONE OUT: 1
Inputs
MIC/LINE (MONO)

Connectors: 2 XLR (2: HOT)

Input gain: Adjustment unnecessary (dual AD converter circuits used)
Input impedance: MIC: 3 kO or more, LINE: 3 kO or more
Maximum input level: MIC: +4 dBu,
LINE: +24 dBu

Phantom power: +24/48 V, Combined channel total of 10 mA or less

Equivalent input noise: ?127 dBu or less (IHF-A) when waveform magnification is ×1024 with 150 ? input
Outputs

Line out

Connector: 1 stereo mini jack

Maximum output level: +1 dBu

Output impedance: 100O or less
Phone out
Connector: 1 stereo mini jack
Maximum output level: 50 mW + 50 mW (into 32 O load)

Output impedance: 15O or less
Recorder

Maximum simultaneous recording tracks: 2

Maximum simultaneous playback tracks: 2

Recording format: WAV - 44.1/48/ 88.2/96/192 kHz, , 32-bit float mono/stereo,
BWF and iXML formats supported
Recording media: 4 - 32 GB cards compatible with the microSDHC specification

64 GB - 1 TB cards compatible with the microSDXC specification

Display: LCD with backlight (96×64 resolution)

USB
Connector: USB Type-C - Use a USB cable that supports data transfer. USB bus power is supported.

Audio interface operation:
USB 2.0 High Speed, 44.1/48/88.2/96 kHz, 24-bit, 2-in/2-out
Mass storage operation: USB 2.0 High Speed
Remote

Dedicated wireless adapter (ZOOM BTA-1)

Power:
2 AA batteries (alkaline, NiMH or lithium)
AC adapter (ZOOM AD-17): DC 5 V/1 A
USB bus power is supported

Notes: Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: A whopping six channels of VCA action in just 8hp of rack space. DC-coupled linear VCAs based on the LM13700 OTA. Normalled to act as a summing mixer. Very nice.

Supplier's Notes:
The VnIcursal VCA is an 8hp 6 Channel VCA Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It the smallest, most compact Voltage Controlled Amplifier in the Eurorack market. It provides 6 OTA(LM13700)-based DC Coupled Linear VCAs for Audio or CV. The 6 VCAs are summed together so it can be used as a voltage controlled mixer. Each VCA is normalled to the sum so they can be removed from the mix and used on their own. The potentiometers control the amount of gain, and when a voltage is inserted into the CV in the potentiometers act as attenuators. With a control voltage of 5 volts the VCA will be at unity gain, anything above that can clip the input. LED brightness with or without CV in provides constant feedback of each channels amount of gain.

The VnIcursal is not a perfect scientifically spec'd VCA. Analog VCAs can only close so much, or be so silent. In certain situations based on power supplies and gain stages the VCA can experience some bleed or noise mainly at the sum out as all channels are passively summed then buffered.

Notes: ZIQAL is proud to present you the DIMENSION. A modern, high resolution and performence eurorack wavetable oscillator.

High resolution / Serum compatible

The Dimension wavetable engine uses 2048 samples * 256 waveforms wavetables to bring high definition tables to your system. Its wavetables reproduction precision will fit any of your audio textures needs.

Dimension is compatible with the Serum wavetables format and feature an intuitive and fast file browser, allowing you to explore thousand of already available wavetables. Just drop your favorites wavetables on its SD card and instantaneously start exploring new sonic territory.

24 voices

Dimension is capable of playing not less than 24 voices simultaneously within 10HP tanks to its embeed modern high end audio processor. Depending on the active patch mode voices can be assigned to chords polyphony or unison engine

Polyphonic stereo, Dimension, Dual or LFO modes

The Classic mode provides 4 oscillator voices panned over stereo outputs. You can control theses voices in CV programing chords or with the internal notes scaler and or feeding midi into the module.

The Dimension mode allows the waveform to be morphed across the entire module memory in an X Y fashion. As the module allows to store internally 25 wavetables of each maximum 256 waveforms. This mode allows wavetable morphing over (25*256) 6400 different waveforms.

Dual / LFO mode

Dual mode output two different wavetables on each output. LFO mode operates as the dual mode, except that the frequency range of output two is set in the subsonic range.

In any mode, voices can also be multiplied 6 times and detuned to play massive 6 voice unison. When using 4 voices it brings not less than a total of 24 voices out of your oscillator.

Specifications

Power
Supply: +12V 100mA
-12V 15mA

Mechanical
Size : 10HP
Depth : 25mm ( power connector included )

Audio processing
32bit 44.1kHz floating point
High performance anti-aliasing filter

Memory
25 internal patches / wavetables
Internal memory backup/load from SD
Display
65k colors
38400 pixels

Control / Modulation
CV -3V ... 7V
FM -8V ... +8V
Navigation "NAV" -8V ... +8V
A (Macro) -8V ... +8V
B (Macro) -8V ... +8V

Wavetables
2048 samples per waveform
16 bit
44.1kHz
256 waveforms per wavetable

Included
4 M3 hex screws
Power connectors

Notes: Firm favourites from Yamaha, the HS8s are a solid choice for two-way active nearfield monitors, seen here in a slick white finish. Also available in black if you're not feeling brave enough for the white option.

Supplier's notes:
The Yamaha HS8 Active Studio Monitor White is an affordable two-way powered speaker designed to deliver accurate and detailed sound production for recording, mixing and production.

The Yamaha HS8 follows in the footsteps of the legendary Yamaha NS10 which, can be found in most studios all around the world, and provides a pristine sound, critical to recording studio applications. The 120W bi-amplified speaker features an 8" woofer powered by a 75W amplifier and a 1" tweeter with 45W amplification delivering an extremely flat and accurate response.

The low resonance, bass reflex enclosure improves the cabinet's rigidity, reducing cabinet resonance and delivering a clear and uncoloured sound crucial for accurate mixing.

In addition, Yamaha have implemented a new technology that helps reduce the audible port noise by 6dB ensuring a tighter restitution of the crucial low-end without sacrificing power. The Yamaha HS8 also features Room Control, High Trim and Low Trim controls reducing room modes and imperfections.

Notes: For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in their products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Included in the box:

1 x Yamaha MG12XUK Analogue Mixer
1 x AC Adapter
1 x Cubase AI Download Information
1 x Owner's Manual
1 x Technical Specifications Sheet

Notes: Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: Perennial favourite nearfield monitor with a look inspired by the classic NS-10s. Punchy sound with the clarity and accuracy needed for production and mixdowns. Great value.

Supplier's notes:
The Yamaha HS8 is the new flagship model of Yamaha's HS series of active studio monitors, taking its cues from the ever popular and much demanded NS-10.

The Yamaha HS8 Active Studio Monitor features biamplified full range 2 way speakers rated at 75W and 45W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as the home project studio. The HS range of monitors has been designed in the same tradition of the legendary NS10M monitors.

Yamaha HS8 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology right across the HS range, which also helps to deliver a clean and precise signal. The HS8 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Everyone loves a white speaker cone, right? Firm favourites since their release in 2013, the HS7s are ideal for entry-level production use or as a monitor for home DJ setups.

Supplier notes:
Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.

By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.

Notes: The ultimate finger drum pad

With ultra-sensitive Pads in an ergonomic layout perfect for finger drumming, the FGDP features a Tone Generator, internal speaker, and rechargeable battery that make it a true all-in-one instrument that you can play anywhere. Let your fingers make the rhythm!

Made for finger drumming

Thoughtfully designed layout and Pads for the ultimate finger drumming performance. From sampled acoustic drums that sound like they're right in front of you to powerful electronic sounds, beloved and curated by top professional artists, covering a wide range of genres. Yamaha promises uncompromising performance.

Optimised layout

Introducing a distinctive Pad layout meticulously designed for optimal finger drumming by prioritizing ergonomic comfort.

With the FGDP, you have the freedom to assign Voices to Pads according to your creative vision, but at Yamaha, we recommend the 3-finger style. Harness the power of your thumb for the kick drum, rely on the enduring middle finger for precise hi-hat control, and let your dexterous index finger bring to life the delicate nuances and intricate phrases of the snare.

The home position enables you to effortlessly execute fundamental rhythms, like 8th notes using just one hand. You can use your other hand to play on the other symmetrically laid out pads to unleash captivating back beats in 16th note or double kick styles.

Equipped with an ample number of Pads perfectly suited for finger drumming, the FGDP empowers you to deliver your finest performances, setting itself apart from conventional Samplers and MIDI Pads.

Expressive precision

Featuring cutting-edge Pads designed to capture every subtle nuance, the FGDP ensures that no detail goes unnoticed. With the powerful combination of the internal Tone Generator, you can deliver delicate performances encompassing ghost notes, impactful accents, flams, and lightning-fast rolls. Moreover, the Pads support Aftertouch, allowing for enhanced expression and enabling unique drumming techniques such as cymbal choking by applying pressure to a Pad while holding it pressed. With the FGDP, your drumming possibilities are almost limitless.

Specifications

Size/Weight

Dimensions

Width: 223 mm (8-3/4 in)
Height: 51 mm (2 in)
Depth: 223 mm (8-3/4 in)
Weight: 1.1 kg (2 lbs. 7oz)

Packing Box

Width: 282 mm (11-1/16 in)
Height: 110 mm (4-11/32 in)
Depth: 272 mm (10-3/4 in)

Pad section

Drum Pads: 18 pads
RGB square pads: 8 pads

Number of Trigger Settings:
Preset: 12
User: 50
After Touch: Polyphonic, Channel
Assignable Functions: Yes

Control Interface
Display: LCD with backlight

Tone generator
Tone Generator AWM2

Maximum Polyphony: 64 notes
Drum kits: Preset: 48 Kits, User: 50 Kits
Voices: 1,500
Kit Edit: Yes
Effects: Reverb: 11, Chorus: 10, Variation: 23, Speaker EQ: 5

Audio Files
Import limit: 100 files
sample format: WAV, AIFF (44.1 kHz, 16-bit, mono/stereo)
Maximum loadable sample time approx. 600 seconds (44.1 kHz, 16-bit, mono), approx. 300 seconds (44.1 kHz, 16-bit, stereo), approx. 20 seconds per file

Click
Tempo: 30 to 300 BPM, Tap Tempo supported.
Beat: 1 - 16
Others: Patterns (1/4, 1/4T, 1/8, 1/8T, 1/16, 1/16T, Clave)

Session Creator

Number of Session Creators: 23
Sections: Intro, Main × 4, Ending
Parts: Drum, Bass, Other × 4

Recorder
Recording time: USB flash drive approx. 80 minutes per file
Format: WAV (44.1 kHz, 16 bit, stereo)

Functions

Voices
Note Repeat: Each Pad
Humanize: Each Pad

Registration Memory
Number of Buttons: 4
Preset: 5 Banks, User: 50 Banks

Amplifiers and Speakers

Amplifiers: 2.5 W
Speakers: 4 cm × 1

Other

Connectors

Headphones: Headphones/Output (Stereo mini jack x 1)
AUX IN: AUX IN (stereo mini jack × 1)
USB: USB TO DEVICE (Type A), USB TO HOST (Micro B)

Power Supply
Power Supply: USB power adaptor 5 V/1.5 A or greater USB BC specification compatible products (Sold separately)
Internal Battery: 1,400 mAh, 4.5 Wh 3 hours
Power Consumption: 7 W

Accessories
Included Accessories: Owner's Manual, USB cable

Notes: ***B-STOCK: Box opened/damaged, but product is in excellent condition and in perfect working order***


Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: Small but serious monitors from Yamaha's wildly popular HS series. With bass all the way down to an impressively low 70 Hz, these little speakers punch above their weight.

Supplier's Notes:
High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 70 Hz - 22 kHz
Frequency response (-3dB): 85 Hz - 20 kHz
Crossover: 3.2 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 100 dB SPL
Components: HF: 0.75" Dome, LF: 3.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 132 mm (5.2"), R Side: 132 mm (5.2")
Height: L Side: 223 mm (8.8"), R Side: 223 mm (8.8")
Depth: Side: 189 mm (7.4"), R Side: 177 mm (7.0")

Net weight: L Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 70 Hz - 22 kHz
Frequency response (-3dB): 85 Hz - 20 kHz
Crossover: 3.2 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 100 dB SPL
Components: HF: 0.75" Dome, LF: 3.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 132 mm (5.2"), R Side: 132 mm (5.2")
Height: L Side: 223 mm (8.8"), R Side: 223 mm (8.8")
Depth: Side: 189 mm (7.4"), R Side: 177 mm (7.0")

Net weight: L Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Tiny but powerful studio monitors from Yamaha's hugely popular HS range. Impressive bass response all the way down to 60 Hz despite their compact dimensions. Here in their white colourway.

Supplier's Notes:
High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.

Notes: The new component of the Leibniz Subsystem which operates on signals and voltages through manipulating binary 8-bit numbers. Jena connects to the Drezno module in a loopback. A binary transfunctioner maps input functions (eg. waveshapes) to some other functions through the classic table look-up mechanism. Input 8-bit values are treated as indices to an internal memory map. The value read from successive locations of the memory are passed to the output.

A simple VCO sawtooth or a triangle wave may be transformed to a plethora of waveshapes from any of the shape banks, with additional, deep through-zero phase modulation. Individual bit outputs may be used to produce interesting signals as well. There is a dedicated bank of Walsh functions i with these signals you can perform additive Walsh synthesis, not very common in Eurorack, but a quite powerful technique.

Transforming slow waveforms to sequences of binary signals is a great way to create rhythmic drum patterns. Jena comes with a special bank that has plenty of such patterns i just connect up to 8 drum voices to individual bit outputs on Jena. The rhythms can be selected or morphed on the fly through external CV input.

Obviously, being limited to 8 bits both in phase and signal value, Jena will not deliver crystal clear timbres you may know from many wavetable oscillators. Instead, it offers buzzy, jittery and gritty sounds as well as jerky and skippy rhytms, just like vintage computers, that were sometimes unreliable and unpredictable.

Digital waveshaper and function mapper
Through-zero phase modulation
Walsh function generator
Drum pattern generator
Voltage controlled bank and shape scanning.

Dimensions
8 HP

Current Draw
70 mA +12V
50 mA -12V

Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga

Notes: Drezno and Lipsk (sold separately) are the first in series of modules which constitute The Leibniz Binary Subsystem, a group of 8-bit signal processing devices offering comprehensive digital signal manipulation, as well as audio signal, control voltage, trigger, and gate generation. Drezno is the input/output front-end of the system, consisting of an analog-to-digital converter (ADC) and a digital-to-analog converter (DAC), that alone can be used for manipulating analog signals and voltages based on their binary representation.

Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.

Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection

Notes: Three-band isolator with stereo inputs and outputs, splitting the signal into highs, mids and lows then allowing you to control level and frequency via CV for some clever sound sculpting and modulation.

Supplier's Notes:
Katowice is a stereo variable-band isolator that allows the user to manipulate a selected range of frequencies. It is the first module in a series of upcoming Xaoc Devices products designed specifically for processing stereo signals.

Katowice splits the stereo input signal into three bands: low, middle, and high. While the knobs and CV inputs define the center frequency and bandwidth of the mid band, the low and high bands are automatically adjusted so that the sum of all three is a complete signal. All three bands are passed through high quality VCAs and their stereo outputs are available separately for further processing. A stereo mixdown signal is also available.

Katowice may be used as a crossover network, a parametric EQ, DJ-style kill filter, or other band-selective applications, including multiband compression and stereo enhancement.

TECHNICAL DETAILS:
Eurorack synth compatible
10hp, skiff friendly
Current draw: +100mA / -100mA
Reverse power protection

Notes: A seriously versatile filter here, much more than meets the eye. Stereo, state-variable, multi-mode design gives you huge control over frequency response and stereo image.

Supplier's Notes:
Zagrzeb is a stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF). It offers five distinct frequency responses, three of which are available simultaneously. Spread control allows for animation of the stereo image by moving the left and right filter cutoff frequencies in opposite directions. Zagrzeb is designed to sound smooth and clean unless it is overdriven with a hot signal- however, it does not lack character! We believe it will be appreciated by fans of old Japanese synthesizers, but bear in mind that Zagrzeb is not a clone of any existing design. The four-pole state variable structure is a new development and offers unique sonic characteristics. While Zagrzeb is designed for filtering stereo signals (e.g. samples or stereo oscillators like Xaoc Devices Odessa), it can easily handle mono signals and is capable of creating a faux stereo pair thanks to a special phase shifting network at the input.

Dimensions:
8 HP

Current Draw:
70 mA +12V
60 mA -12V
0 mA 5V

Notes: Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.

Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.

Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.

Main features:

full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: *** B-STOCK: Box damaged, but product is in excellent condition and in perfect working order ***


A seriously versatile filter here, much more than meets the eye. Stereo, state-variable, multi-mode design gives you huge control over frequency response and stereo image.

Supplier's Notes:
Zagrzeb is a stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF). It offers five distinct frequency responses, three of which are available simultaneously. Spread control allows for animation of the stereo image by moving the left and right filter cutoff frequencies in opposite directions. Zagrzeb is designed to sound smooth and clean unless it is overdriven with a hot signal- however, it does not lack character! We believe it will be appreciated by fans of old Japanese synthesizers, but bear in mind that Zagrzeb is not a clone of any existing design. The four-pole state variable structure is a new development and offers unique sonic characteristics. While Zagrzeb is designed for filtering stereo signals (e.g. samples or stereo oscillators like Xaoc Devices Odessa), it can easily handle mono signals and is capable of creating a faux stereo pair thanks to a special phase shifting network at the input.

Dimensions:
8 HP

Current Draw:
70 mA +12V
60 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.

Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.

Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.

Main features:

full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA

Notes: Part of Xaoc's range of modular mixing tools, the Bohumin 1966 is a commander module for Ostrawa stereo mixer modules, adding a second stereo aux bus, voltage control and manual attenuators with clickless mutes

Supplier's notes:
Bohumin [bo'xumin] is an expander for Xoac Deives' Ostrawa full stereo mixer module. By connecting to Bohumin, Ostrawa gains a second full stereo AUX bus with voltage control over the amount of the effect on each channel. Bohumin features manual attenuators for stereo returns of both AUX A and AUX B, as well as four gate inputs for automated clickless muting of each stereo input channel. Please note that Bohumin is not compatible with Ostrawa's sister module Praga. Similarly, Praga's expander Hrad cannot be connected to Ostrawa. However it is possible to chain any combination of Ostrawas and Pragas, and each of them may have its corresponding expander attached.

Technical details

10hp, skiff friendly
Power drawn from Ostrawa: +50mA/-40mA

Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection

Notes: Part of Xaoc's Leibniz binary system, the Rostock is a digital delay line capable of processing triggers, audio, CV and video signals. Another useful module from the unique Leibniz series.

Supplier's Notes:
Rostock is a component of the Leibniz Binary Subsystem. It is a data pipeline, a FIFO (first in - first out) shift register, or a very short digital delay. The module operates similarly to a BBD delay or an ASR (analogue shift register), except that it is digital. It consists of a chain of memory cells that pass bits from one to another at each clock cycle. The delay length is variable from 1 to 64 stages (with optional looping and scrambling). It works by processing data in the Leibniz bus and must be connected to other Leibniz modules using data ribbon cables at the back. Rostock may process data sequences representing rhythms, control voltages, audio-rate signals, and even video signals because the bits can change at extreme rates (up to 2MHz). In addition, its memory may be digitally looped. Delaying and looping is a fundamental building block for sequence automation, pattern and chaos generation, and various cybernetic modular patches. Thus, Rostock is a multi-purpose open-ended device that invites creative thinking.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Current draw: +70mA/-40mA
Reverse power protection