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Notes: Updated version of the Pamela's Workout clock source module from one of the best Eurorack brands around. Now functions as a modulation source as well as clock, providing eight outputs of CV. Essential.

Supplier's notes:
'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.

Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.

Notes: The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analogue signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Page for Classic version of MATHS

Specifications

Width: 20hp
Max Depth
(incl. power cable): 32mm
Power:
60mA@ +12V
50mA @ -12V

Notes: Beads is a reinvention of Mutable Instruments' Clouds.

The concept is the same, live granular processing of an incoming audio signal, and the labels on the panel remain familiar.

The similarities stop here. The hardware and software have been redesigned from the ground up, with several goals in mind: a crisper and broader sound palette, more control, better playability, and direct access to exciting new features.

Beads' vastly improved specifications allow a higher audio quality, a longer buffer, the use of better interpolation and anti-aliasing algorithms, and key DSP blocks to run at a faster rate. Granular processing can now go to new territories, such as formants, wavetables, hard-sync-like sounds, or crispy noise.

The range of parameters, their response to the turn of a knob or a CV modulation have all been refined, for new possibilities such as reverse playback or percussive envelopes.

Control. To trigger or schedule grains, Beads provides new features to divide or randomize an external clock or trigger stream, spray bursts of grains in response to a gate, or get the grain rate to track a V/O CV or the frequency of an external oscillator.

Chaos. Each key parameter of a grain comes with its own attenurandomizer, which allows direct CV control, CV control of the randomization (spread) of this parameter, or internal randomization using some of Marbles' algorithms.

Character. Beads provides four audio quality settings, which go well beyond buffer sample rate and bit-depth: they affect the clock of the converters, the amplitude limiting and saturation of the signal path, the tone of the reverb, and additional media-emulation effects. From a pristine digital device to a dirty cassette, through a mode reproducing some of Clouds' characteristics.

Beads can operate as a delay without the need to switch to a different mode: just ask it to play a never-ending grain. Its DENSITY, TIME and SEED controls are repurposed to allow various features such as tap-tempo, beat slicing, time-stretching, or comb-filtering at rates tracking V/O.

Without any audio input, Beads will granularize 8 internal banks of wavetables.

All parameters have a dedicated knob.

14HP
25mm
+12V:100mA
-12V:10mA

Audio acquisition
Stereo I/O with automatic level detection.
Manual override of the level detection.
Automatic mono/stereo switching through patch cable detection.
Recording time: 4s (48kHz 16-bit, stereo) to 32s (24kHz u-law, mono).
Four quality modes, with different tone and reverb characters:
48kHz 16-bit
32kHz 12-bit with Clouds emulation
24kHz 12-bit with a hi-fi dry signal path
24kHz u-law with cassette emulation
The FREEZE button and the gate input freezes the content of the recording buffer, allowing you to dive into its sonic details.
Auto-saving of the FREEZE buffer.

Granular synthesis
Three grain generation modes:
Latched (continuous), with a periodic or randomized rate, tracking V/O.
Gated, with bursts of grains triggered by the press of the SEED button or an external gate.
Clocked, with randomization or division of an external clock or trigger signal.

Four grain parameters:
TIME. Temporal position within the buffer.
SIZE. Grain duration from 0.03 to 4 seconds, forward or backward playback.
SHAPE. Morphing between four key shapes of the grain envelope: solid rectangular, snappy decay, smooth bell, or reversed.
PITCH. With V/O tracking.

Attenurandomizers
Available for each of the four parameters of a grain, sampled each time a grain is started:
Direct CV control.
CV control of the amount of gaussian randomization.
Internal randomization with an independent, uniform or peaky, random source.

Delay
Control of both the base delay clock rate (DENSITY), and its multiplication (TIME), with optional random taps.
Tap tempo with the SEED button or an external signal.
Enveloping of delay repeats, with the SHAPE setting.
Pitch shifting of the delayed signal, controlled by PITCH.

Signal flow
Feedback path delay: 1 sample.
Independent knobs for feedback, dry/wet amount, and reverb amount.
CV input assignable to each of these three parameters, or to variable combinations of them.
When unpatched, the R output is summed to the L output.
Optional generation of a gate signal on the R output.

Specifications
All inputs: 100k impedance.
Audio codec: 24kHz, 32kHz or 48kHz, 24-bit.
16-bit CV capture.
Processing rate: audio-rate for the SEED and FREEZE inputs, 4kHz for the CV inputs.
Latency: 0.25ms.
CV input range: +/- 8V for grain parameters, +/- 5V for density (with V/O tracking) and assignable CV.
Internal processing: 32-bit floating point.

Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.

Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.

Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.

Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.

Notes: Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: An ultra-affordable leap into the warm world of analogue synthesis, the BEHRINGER Neutron gives you the power to create virtually any monophonic sound imaginable with incredible power and ease.

The pure analogue signal path is based on the legendary V3340 VCO chip with 5 variable oscillator shapes. Blend or switch the 2 oscillators and 5 LFO shapes for unique sound creation. For protection and convenience, the Neutron can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a Neutron gives you all the power of a monster modular synthesis system in a flexible package with the ability to create bewildering, complex sounds.

Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.

Notes: You can never have too many knobs, right? The PC4 packs 24 rotary pots into a handy little box, allowing you to control software and hardware parameters over MIDI. Nice.

Supplier's notes:
PC4 is a universal controller for all kinds of midi controllable hard- and software.

The device has 24 standard pots with rubber knobs designed in a 4 x 6 matrix. Various kinds of midi commands like control change, pitchbend and program change are possible.

Of course you can assign the pots to any of these commands by learning incoming midi commands like software it does. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instruments, effects and DAW's. Use the internal 16 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

A special feature is the switchable snap function for all pots. This simple function is very rare on standard midi controllers with pots. It avoids possible annoying value jumps.

Three switchable midi routings makes the unit much more flexible for complex midi setups.

Simultaneous control of external gear and software instruments is no problem for the PC4 due to the available USB and MIDI ports.

Notes: The MIDI Express 128 is an 8-input/8-output MIDI interface compatible with Mac and Windows.

Built from the same technology found in MOTU's flagship MIDI Timepiece, the MIDI Express 128 is a professional MIDI interface that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer. The Express 128 provides 8 x MIDI input, 9 x MIDI output, 128 x MIDI channels and compatibility with all Macintosh and Windows software.

The MIDI Express 128 takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for hot-swapping and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express 128 is powered by USB, no wall wart or AC plug.

No other MIDI interface offers this much value and performance at such an affordable price.

Notes: FL Studio reaches a milestone, better than ever. Still a firm favourite DAW after all these years, ideal for dance music. Free update to the latest version 20.5, and every new version after that. Forever.

Supplier notes:
Image Line FL Studio 20 is everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FL Studio 20 is the fastest way from your brain to your speakers. Image Line FL Studio 20 Producer Edition provides the highest level of program functionality for FL Studio.

What you can do with FL Studio Producer Edition 20:

- Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Be hosted in other DAWs as a VST or connected through ReWire.

- Live music performance including video effect visualization.

- Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.

- Multi-track audio recording up to the limit of your audio-interface inputs.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
- Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.

- Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favourite plugins and applications.

- Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.

- Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitch-shifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Notes: Brilliant experimental box inspired by electroacoustic musicians including John Cage. Signal processing, mixing, sound generation and the ability to send voltages to physical devices like motors and buzzers. Super creative.

Supplier's notes:
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!

Notes: Seriously potent polyphonic voice built around 16 sine-based oscillators. Capable of a huge range of tones thanks to FM, phase distortion and wavefolding. Another cracker from a consistently reliable brand.

Supplier's notes:
The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note

16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings

Notes: Perennial favourite nearfield monitor with a look inspired by the classic NS-10s. Punchy sound with the clarity and accuracy needed for production and mixdowns. Great value.

Supplier's notes:
The Yamaha HS8 is the new flagship model of Yamaha's HS series of active studio monitors, taking its cues from the ever popular and much demanded NS-10.

The Yamaha HS8 Active Studio Monitor features biamplified full range 2 way speakers rated at 75W and 45W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as the home project studio. The HS range of monitors has been designed in the same tradition of the legendary NS10M monitors.

Yamaha HS8 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology right across the HS range, which also helps to deliver a clean and precise signal. The HS8 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.

Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the BEHRINGER MODEL D lets you conjure up virtually any monophonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO. And when it comes to protection and convenience, the MODEL D can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a MODEL D is like having your own personal time machine, enabling you to freely embrace the past - or shape the future!

True to the Original:
Great care has been taken in designing the MODEL D including the true to the original "D Type" circuitry with its matched transistors and JFETs, ultra-high precision 0.1% thin film resistors and polyphenylene sulphide capacitors. This highly-focused attention to detail is what gives the MODEL D its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects, progressive organ sounds - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock, wave and synth-pop music forever, making them truly classic in every sense of the word. MODEL D's pure analog signal path with legendary VCO, VCF and VCA circuits, lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

VCO Triple Play:
MODEL D's 3 highly-flexible Voltage Controlled Oscillators (VCOs) provide an incredible range of 5 waveforms for sculpting the perfect sound. Oscillators 1 and 2 options include: triangular; triangular/saw; saw; square; wide pulse; and narrow pulse, while OSC 3 features: triangular; reverse saw; saw; square; wide pulse; and narrow pulse. Additionally, all 3 VCOs can be adjusted across an extremely-wide, 6-octave range (LO, 32', 16', 8', 4', and 2'). This amazing flexibility gives you all the tools you need to be your creative best.

24 dB Ladder Filter and VCA:
The very heart of MODEL D's sound is its highly-flexible 24 dB Ladder Filter, which lets you freely experiment with the Cutoff Frequency, Emphasis, and Contour to dial in the perfect sound. MODEL D's Filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice. You can also adjust the Attack, Decay, and Sustain controls to affect the cutoff frequency with time. The VCA Decay switch lets you set the length of time the note lingers after the key has been released. Additionally, support for filter-keytracking allows you to select how much filtering is applied based on the note being played. And if you want to add modulation, just set the Filter Modulation switch to the On position and use the Controllers Mod Mix knob to make it so. The VCA can even be overloaded via MODEL D's feedback circuit to add insane spice and edge to your sounds - without saying "goodbye" to your precious low-end content.

Making Waves:
You are always in complete control of MODEL D's onboard modulators, which features: adjustable Tune; Mod Depth; LFO Rate; Glide (portamento); and Mod Mix knobs. A range of switches is provided for selecting between: triangle or square wave oscillation; modulation On or Off; OSC 3 or Filter EG (Filter Envelope); and Noise (Mod SRC) or LFO. The Tune knob is used to adjust the frequency of OSC 1, 2 and 3 (as long as the OSC 3 switch is turned off). The internal Noise generator, which is switchable between either Pink or White noise for dramatically expanded waveform generation, is the default modulation source, unless an external Mod Source is connected at the 3.5 mm input jack. As we stated earlier, the BEHRINGER MODEL D is the ultimate mono, all-analog synthesizer in its class - especially when it comes to sound quality, versatility and affordability.

Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: As a stand-alone instrument, Mavis is a straightforward analogue synthesizer with patchable modular utilities and the unmistakable Moog sound and quality. Easily remove Mavis from its case and it becomes a 24-point CV controllable module (44hp) ready to be installed into your Eurorack system or alongside Moog's other semi-modular instruments.

Mixing the familiar with the exotic, Mavis features Moog's legendary oscillator and filter circuits alongside a diode wavefolder - the first analogue wavefolder to appear on a Moog instrument. Combining traditional subtractive synthesis with additive wavefolding and oozing with personality, Mavis' clever presentation of synthesis modules and utilities ensure deep creative synergy and musical connection.

Mavis is a powerful, fun, and low-cost Moog that makes learning synthesis or expanding an already-advanced studio setup approachable for anyone looking to explore classic analogue sound in a new way.

Get closer to the circuits at the heart of Mavis and come away with a Moog analogue synthesizer that is uniquely "yours". No soldering is required and can be completed by any skill level in an afternoon.

A powerhouse on its own, Mavis was also designed to enhance any interconnected Moog semi-modular setup or Eurorack system. In 44HP, the synthesizer offers incredible value with two oscillators, full ADSR, ladder filter, sample and hold, wavefolding, attenuators, mixer, mults, and much more for more complex musical arrangements.

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allows for intricate dialogue between them.

Built-in keyboard with Glide and KB scaling

As a standalone instrument or as a 44HP Eurorack module, Mavis adds an expressive 1 v/o controller to any setup with the flexibility to dial in experimental new pitch relationships via the KB scale knob and explore musical intervals that go beyond the established standards.

Full Range Analog Oscillator

A Voltage Controllable Oscillator with PWM (Pulse Width Modulation), Waveform mixing, and Mod Source mixing, delivers rich harmonic character and motion.

Voltage Controlled Filter

Sculpt your sound with the -24-dB Moog Low Pass Ladder Filter, delivering the sonic power behind the distinct sounds of Moog basslines and leads.

Audio Rate LFO and 4-Stage Envelope Generator

Mavis uses crossfaders in its modulation routing instead of switches, allowing you to blend between a variable shape LFO and four stage envelope generators for interesting and unusual modulation contours.

Wavefolding and Modular Utilities

Mavis features Moog's first-ever wavefolding circuit, allowing for additive synthesis to sit alongside traditional subtractive synthesis, unlocking sounds not heard from a Moog before. Mavis also features a broad modular utility section complete with attenuators, offsets, mults, and a flexible DC-coupled mixer providing the tools needed for creative patching and sound design.

Patchable Sample and Hold (S+H) circuit:

Generates a random CV pattern that can be patched to modulate other parameters, including setting Mavis into a "random sequencing" mode of performance.

24-Point Patch Bay

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allow for intricate dialogue between them.

Protective Cover

Mavis includes a fitted protective cover for use during studio downtime or taking your instrument on the go.

Specs

Type: Semi Modular Analog Synthesizer - Operate standalone or as 44hp Eurorack module
Polyphony: Monophonic
Keypad: 1 Octave Keypad w/ Glide and Scaling
Sound sources: Analogue Voltage Controlled Oscillator (Mixable Saw/Square)
Filter: Analogue -24dB Moog Low Pass Ladder Filter
Envelope: 4-stage Analog EG (Envelope Generator)
Wavefolder: Diode Wavefolder
LFO: Analogue LFO (Mixable Triangle / Square)
Modular utilities: Sample and Hold, Attenuators, Offsets, Mults, and a flexible DC-Coupled Mixer
Patch bay: 24-Point Patch Bay (3.5 mm)
Accessories: Protective Cover, Patch Cables, Calibration Tool, and Nut Driver Included

Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.

Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

NB: Comes with EU plug power supply

www.youtube.com/watch?v=P6FHbqRb9S4

Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.

Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!

Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO

Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V

Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.

Notes: uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: C4RBN is a 4/2-pole state variable filter with input saturation, output wavefolding and more. It offers a wide range of characters, from nice and clean filter sounds to screaming, squeaky, sounds.

An innovative input saturation circuit and the output wavefolder of WMD's classic SYNCHRODYNE filter bring great sonic flexibility.

Features:

3 independent 2 pole outputs for High Pass, Low Pass, and Bandpass
Inverting Attenuator (attenuverter) for FM allows for positive and negative CV control over the cutoff frequency
Independent 4 Pole output with switchable frequency response
Input Saturation with 3 switchable levels and CV input for additional fine control
PING circuit generates a fast decay envelope emulating the response of a vactrol
Output wavefolder for extra bite and screaming character
Resonance with self oscillation
Temperature compensated 1V/Oct tracking.
Performance focused control scheme allows for on-the-fly changes of filter types with intention

Power consumption: 92mA at +12V and 82mA at -12V

Depth: 38mm

HP : 4

Notes: The usual solid MIDI Fighter build quality and LED feedback combine with rotary encoders and push-button options in the Twister. Configure it for your chosen software and get creative.

Supplier's Notes:
The most playable knob controller around.

Each knob doubles as a super powerful button. Turn the encoders to control a parameter in any software and twist their built in buttons to quickly reset the knobs or turn effects on and off. This means each knob is like 3 knobs.

The heart of the Twister are the 16 "Endless Encoders". These are very powerful knobs that don't have a start or ending point. Instead the LED rings show you the position of the knob. This means that the controller and the software are always in sync, even when changing banks, racks or songs on the fly.

The Twister allows for deep customization of every knob across all 4 banks with 5 killer features not found on any other controller. Change LED color, transform an encoder into a DJ filter, enable fine midi control, toggle a parameter on/off, or setup a "shift" knob so pressing a push-encoder activates control of a secondary function

The Midi Fighter twister was designed with producers in mind. We need compact, reliable controllers that are easy to map to our DAW's. The endless encoders respond to the software so everything is always in sync, even when playing back recorded automation.

Combine The Twisters powerful knobs with a DAW template so that every time inspiration strikes, a powerful studio environment is there to support you. This is how the pro's do it - why wouldn't you?

The knobs not only control your typical volume, pan and FX send controls but they also enable a host of quick access to deeper control - only available on the twister. For example, push the encoder to send out a fine resolution range and dial in the exact EQ setting you want. Release and return to normal range control.

You need to be able to react to the dancefloor. Having a dedicated controller is just like being a practiced instrumentalist. Once you have a idea, you can just make it happen as soon the inspiration hits.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!

Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4

Notes: The Optomix music synthesizer module is a two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.

Features:

Damp circuit updated to accept audio as well as CV allows for patching side-chain compression.
STRIKE INput allows use of Gate signal to trigger Low Pass Gate circuit, "plucking" or "striking" the vactrol
DAMP and STRIKE parameters combine to allow for easy programming of percussive sounds (sharp Attack w/ Voltage Controlled Decay)
Normalization of a positive offset to the Channel inputs allows for level-shifting of CV, Envelope Generator and even subtle non-symmetrical clipping of signals
Summing stage with an AUXiliary IN allows for chaining of multiple units creating larger mixes
Part of a decentralized mix console integrated throughout the system along with X-PAN, modDemix, Dynamix, and RxMx
Direct coupled, process audio or control signals
Utilizes 4 vactrols
Pairs well with modDemix and MATHS

Specifications

Width: 8hp
Max Depth
(incl. power cable): 34mm
Power:
25mA@ +12V
25mA @ -12V

Notes: Belgian analogue innovators Joranalogue serve up an ultra-versatile filter module. Multimode flexibility meets self-oscillation for added sonic versatility. A hell of a lot of filter for the money.

Supplier's notes:
Representing the cutting edge in modular analogue voltage controlled filter (VCF) design, Filter 8 offers more possibilities and higher fidelity in 12 HP than ever before.

Starting from the classic OTA-style 4-pole cascaded lowpass (LP) topology, Filter 8 features separate LP outputs, each with their own character. Additional filter responses are achieved by pole mixing: 1-pole highpass, a special band boost and notch response, phase shifter and 4-pole bandpass. All outputs are available simultaneously.

Key to Filter 8's performance is the innovative resonant feedback circuit. By increasing the resonance, all outputs will resonate at the filter frequency, without any low frequency response loss. At higher resonance levels, self-oscillation is achieved, turning the module into an excellent 8-phase sine wave voltage controlled oscillator (VCO) with temperature and switchable gain compensation, low distortion, constant amplitude and accurate frequency tracking over at least 5 octaves. At sub-audio frequencies, Filter 8 can function as an 8-output voltage controlled slew modifier or 8-phase low frequency oscillator (LFO).

Simultaneous exponential and linear frequency modulation is possible, for classic FM tones or chaotic modulation. A hold feature is also provided, 'freezing' the output voltages manually or under gate control. This is useful for halting modulations, or as a sync-like effect at audio frequencies. The dedicated 'ping' input allows you to easily create crisp percussive sounds with different timbres.

While rooted in the legacy of classic synthesisers, Filter 8 provides a new approach to musical signal generators and modifiers: instead of simply a VCF, VCO, slew modifier or VCLFO, a single analogue module can now be any of those, and anything in between.

Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

Notes: Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***

Notes: With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

Geared for maximum compatibility, KeyLab Essential gives you unadulterated control of your digital world, seamlessly integrating with virtual instruments and DAW software.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.

Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine

Notes: Building on the synthesis platform of the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller.

The Superego+ is equipped with the following effects:

- DETUNE: pitch detune, EXP pedal controls pitch
- DELAY: warm, analog sounding delay, feedback is preset, EXP controls delay time up to 2 seconds
- ECHO: pristine digital delay, feedback is preset, EXP pedal controls delay time up to 2 seconds
- FLANGE: Electric Mistress style w/filter matrix, rate and feedback. EXP pedal controls rate
- PHASE: Small Stone style phase shifting with rate and depth control. EXP controls rate
- MOD: pitch-based vibrato or chorus. EXP controls rate
- ROTARY: rotary speaker style sound. Depth controls tweeter/horn balance. EXP pedal controls rate
- TREM 1: sine wave tremolo. EXP controls rate
- TREM 2: square wave tremolo. EXP controls rate
- PITCH: pitch shifting effect over a +/- one octave range. EXP controls whammy
- FILTER: resonant low-pass filter. EXP pedal controls frequency

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.

Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.

Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.

Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)