Review: The lads behind Albion Records know a thing or two about where to look for fresh steps forwards in the minimal, house and techno scenes. After last year's Gab Jr release, they're finally back to hit number 10 with a double pack compilation that sets in stone what the label is all about. There's a lot to dig into here, but some of the standouts include the sharp and sneaky "Forgot Your Name" by Henry Hyde, the Boogizm-goes-electro freakery of Christian Jay's "Restive" and the swinging jazz surrealism of Phil Evans' "Hazard". With more than a little garage shuffle hovering over this release, it's set to be another huge one in all corners of the minimal tech house scene.
Review: Tomoki Tamura and Tuccillo are back together once again as Doublet, with both seasoned tech house champs having fun in the studio jamming out the kind of stripped back, heads down grooves you'd expect to hear them play out. "Tee's 8" is a cheeky A side jam with the kind of acid line that goes down easy and then works you from the inside out. "Three Thousand Men" has a slight dubby thread to it which sits comfortably amongst the sturdy groove of the drums, and then "Tentation" switches gears for a bright and melodic creation that skips around in funky syncopation without even needing to worry about a kick drum.
Review: Shahr Farang continues to blossom as a label, primarily as a vessel for the work of Sohrab Karimi and Rasul Gafarov, better known as Ahu and Lenta respectively. On this occasion, Ahu and Lenta have teamed up to present some intriguing clippings from two separate improvised studio jams. As is customary with the label, the primary mode of expression is minimal techno shrouded in hazy textures and atmospheric matter, but it veers more towards the kind of clicks and cuts you'd expect from a classic Scape record than anything geared towards the dancefloor. The steady tick of a 4/4 kick means this music isn't necessarily consigned to the headphones though - the right kind of warm up slot or backroom could be just the place to melt into these delicate productions.
Review: The sixth installment on Malin Genie's self-titled label welcomes Will & Ink resident Yaleesa Hall into the fold. Regular collaborators Malin and Yaleesa have turned out plenty of joint 12"s in the past on Will & Ink and this very label, and they sound more comfortable and sonically aligned than ever on this mighty record. There's no messing with "Alpha Decay," a loose and lysergic dubby techno workout. "Tachyon" orbits a similar soundworld, but shears the fat away for a minimal palette that sounds powerful echoing around the ample space in the mix. "Muck" slips into freaky after hours house territory, and "Stocha" drops a massive Basic Channel dub techno chord around a whisper of a beat to devastating effect.
Review: The re-launched Secretsundaze label continues to spread it's wings with the signing of Lisbon born, London based Silvestre.The push and pull of influences from his own and adopted countries have combined to find him a unique sound that embraces rap, R&B, reggaeton as well as breaks and woozy pads from UK hardcore and house. Mixing samples, his own voice and continuing the fusion of reggaeton and breakbeat/techno from previous releases, the Silvestre Is Boss EP aims for a hazy vibe.AAAs Silvestre explains: The pad and synth choices on this EP are picked specifically to sound dreamy, a dream where you arrive at the club but the party is already finished, which sucks." Silvestre began making his name in 2015 with his first release on the Diskotopia label from Tokyo and followed that up with appearances on Creme Organization and Paraiso. He then dropped the killer 'All The Things' EP of mid-tempo party bangers on his own Padre Himalaya label which reached the top 30 of Phonica's illustrious Singles of the Year list. The Silvestre Is Boss EP is his strongest work to date with 5 tracks of quality floor and headphone directed material that perfectly balances the need for playful melody and harmony with tough grooves and synthetic ambience. Drafted in on remix duty is Secretsundaze fave D.K. (Antinote records) who takes EP heater 'Fuego', dialling down the breakbeats for a smoother trip.
Review: Mysticisms' is delighted to reissue Nail's timeless debut release, Cassiopeia. Appearing on the DiY Collective's 'Strictly 4 Groovers' compilation album for Warp Records in 1993, the original appears as a stand alone at last and is backed with a specially created 2019 Remix. Starting in 1989 and centered around Nottingham, the collective, also known as DiY Sound System, were a focal point for the burgeoning house scene in the midlands. Promoting an alternative take on post-acid house's creeping commercialisation, DiY kept to simple ethos of good music and a good party and were at the forefront of the new Free Party movement. Alongside parties, the collective set up a studio and label and young Neil Tolliday was introduced by in-house engineer Damian Stanley. 'Nail' was born and during studio downtime, the 18 year old wrote Cassiopeia around the S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland SH101. Cassiopeia became the stand out inclusion on the compilation and rightly, is still highly prized. Fitting in and outside the Deep House vibe DiY were known, it fuses elements of ambient and even trance, with a beautiful arpeggio and vocal sample atop simple, but killer bass line and claps. Tolliday's 2019 Remix is a fitting accompaniment, stretching towards dub techno before house kicks back perfectly for today's heads. Bounce the Mystery.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Review: UK dub techno maestro Steve O'Sullivan is back with another payload of deep immersion heaters under his Bluetrain guise, this time on the Future Primitive label. There's a deadly restraint at work on "Congo Shuffle", where the elements get reduced to needlepoint precision and the low end rhythm section stalks with purpose. "Invisible Guest" takes things in an explicitly dubwise direction, channelling serious Rhythm & Sound vibes for an immaculate head-nodder, before "Paralyzed Dub" slows down further into an end of the line skank for the weary to find solace in - masterful movements in the echo chamber from start to finish.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Catch Me If You Can (Jorge Savoretti Ethereal dub) (7:08)
Review: Michael James' "Winds Of Change" EP was a big look for Constant Black, and now the eminent minimal house label draws on a hit list of sharp shooters to deliver some deadly remixes. Huerta is up first with an angular but rolling dub twist on "Catch Me If You Can", before Nick Beringer pings things in a wonderfully hazy direction with his "7am Dub" of "Stormy Skies". Pascal Benjamin gets into a tight, focused funk on his version of "Reservoir", and then Jorge Savoretti flies in an "Ethereal Dub" of "Catch Me If You Can".
Review: Building on the momentum of the strong reissue programme undertaken at Thule Records HQ, Thor returns to the fray with some new productions that add a new chapter to the story of Icelandic techno. This limited run of Decay appropriately comes on marbled grey vinyl. Of course, the unique atmosphere the label carved out in the 90s has been left intact - the dubby processing and icy melodies abound throughout, creating utterly immersive techno and house variations in the process. "Insanity Dub" has a live feel to its drum set which injects a curious disco energy into the mix, while "Rusty Flashback" takes things in a subtle tech house direction. "Garden Of Corrosion" stands apart with its slender sound palette, placing the emphasis on groove and swing, while "Pepper Jones" ramps the dub techno exploration up to 11. If you love the sound of Thule, you're going to love this.
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: The Aesthetic label is steadily growing as yet another strong side to the Constant Sound empire, and they're sounding fit as a fiddle with this latest drop from Niko Maxen. "Aesthetic 04" leads in with "Calibans Dance", a swirling, dubbed out affair with intriguing percussive tones to add an intriguing edge to the stripped back house groove. "Lessons" has a heads down, twitchy demeanour it's impossible to resist, and then "Twelvty" summons up some elegant synth strokes that hover in between the shuffling beats. The latter provides more than enough inspiration for Kepler to deliver an astounding remix that plays around with bouncy arps and pointed house rhythms in his inimitable style.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: It's always a treat to spot Edward donning his Desert Sky guise for another trip into the hinterland of minimal techno, where expression reigns free and all kinds of sound sources tumble into a truly exotic mix. On this album for PAL SL, all bets are off as we get whisked down a mysterious and meandering path where organic and electronic matter merge in the shadows, all strapped to subliminal but pronounced grooves that make this some of the most potent, intriguing club material in circulation right now. Buy the ticket, take the ride and dance out under that Desert Sky.
Review: By his usual prolific standards, Romanian producer Barac Nicolae has been rather quiet this year. "The Real You Is Not You", a double-pack of varied dancefloor cuts in his trademark minimal style, is only his second outing of the year. It's rather good, though, with sparse but groovy rhythm tracks providing the backing for all manner of ear-pleasing musical touches and mind-altering electronic effects. Our picks of the bunch are the funky, dreamy and sun-kissed hypnotism of "A Story Behind Everything" and the tipsy wonkiness of the title track, where trippy vocal samples and blissful synth riffs rise above an undulating, off-kilter groove.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Long-serving Italian deep house producer Enrico Mantini has been in the game for a long time, first dropping bombs back in the early 90s, but his career has enjoyed a powerful second wind in the past few years with appearances on Half Baked, 4 Lux and more besides. Having released the Inner Heights EP on PURISM earlier in 2017, Mantini returns with an album of immersive, tripped out grooves supposedly recorded live at Tresor in Berlin. The vibe is consistently deep, refined and just a little bit trippy for the minimal house crowd to go head first into.
Review: Active for the past couple of years, Burnski's Instinct alter ego has been a revealing window into the ruder side of this seasoned producer's repertoire, and so it continues on round seven of this self-titled label series. The A-side jam "Operation" finds the Leeds stalwart in UK Garage mode, riding a mean bassline flex and amping up the 2-Step shuffle. Jack Michael takes up the B-side mission with a razor-sharp electro workout that matches bleepy electronica with badass breaks and nasty bass to get bodies freaking all over the joint. This is a record precision primed for basement sessions - if you're looking for some sounds to do real damage in the dance, look no further.
Review: Priku's new diffusion series Atipic Lab has brought us some killer material of late, by some right heroes of the Rominimal scene such as Arapu, Vlad Arapasu and Cosmijn. The latest edition comes from the ever reliable Vincentiulian, who first appeared on the label back in 2016 with the brilliant Atipic 002 - which we consider a modern classic. Expectations are high, then, for ATIPICLAB 006 and he certainly didn't let us down. From the obtuse yet mesmerising bounce of A side cut "Agera", to the more straight ahead B side cuts such as "I Don't Wonder" which shows off Vincent's knack for crafty and infectious rhythm programming, and the funky afterhours groove of "Ultrak" with its smooth rolling bass.
Review: It's hard to believe that Enzo Siragusa's Fuse label has now been carving out its own niche in the tech house world for a full decade. To mark the occasion, the label boss has pulled together more key tracks for his second volume of "A Decade of Rave". This compilation is another treasure trove of club cuts that feature the main man alongside some of his key associates, Rich NxT, Rossko, Archie Hamilton and Seb Zito. The tracks are unwaveringly dubbed out and driving, with weighted bottom ends that will get any moody dancer moving. From warms up to peak time to afterparties, these are hugely versatile tracks.
Review: REPRESS ALERT: Mandar are back on Oscillat Music following their stunning five-disc LP from last year, and the deep house super group are sounding as vital as ever. "String Theory" holds court over the A side and promises to be the soundtrack to many a heart-stirring moment under starry skies this summer. The titular strings are a powerful force in this track, bringing a classy brand of emotion to the slinky dancefloor tones Mandar are best known for. "Poisoned Worlds" is a deeper club cut that places the emphasis on crafty drum science for after hours crew, providing a neat balance to the show-stopping tones of the A side.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Asad Rizvi's bountiful archive of names and tunes continues to yield more fruit, this time in the shape of his Asadinho alias on regular haunt RvS. The bleeps cut through the shuffling drums on the Silverlining Mix of "When We Come To It" in a flurry of late night tech house finery. The original mix of the track is a tougher, slower twist with a straight-ahead groove but plenty of funk drizzled in between the joints. "Koppaitch" spreads itself across the B-side with a sizzling disco groove and more of those mean-tempered synths that project a dark and seedy side to Rizvi's many-sided musical dice.
Review: REPRESS ALERT: Thule are back on the Icelandic techno reissue trip, this time returning to a serious classic from Sanasol (Yagya & Thor) that originally came out in 1997. This particular, highly sought after, gem leads in with the majorly heady house throb of "Seveneleven (Original Mix)" which piles the dubby processing and lush melodics on heavy while still retaining a sense of airiness to uplift the soul. By contrast, the "Closedonsundays Mix" focuses on a tough but crooked beat and that undulating bassline for a completely different flavour. On the flip, the "Sanaramalonger Mix" returns to the mellower flow of the original but with a more submerged finish and some pronounced dub stabs. Then the "Ozzy Mix" finishes the package with a minimal take that prefigures the upsurge of dubby clicks n' cuts laptop beats that would explode in the years to come. Essential tackle for all deep techno explorers.
Review: Four years ago, Vincent Lemieux + Guillaume & The Coutu Dumont made their collaborative debut as Flabbergast via a fine EP on Circus Company. They've been silent since, meaning that this belated sequel on Yoyaku feels like a big release. "Enweye" operates towards the deeper end of the stripped-back tech-house spectrum, with the duo wrapping intergalactic synthesizer melodies around rock solid kick drums, crashing cymbals and fluid tribal percussion on impeccable opener "Nowel". "Jowanne" is arguably even deeper, with cascading ambient lead lines tumbling down over a shuffling rhythm track and more tropical drum hits. Over on side B, Varhat offers his interpretation of "Nowel", in the process delivering a loose-limbed tech-house percussion jam with hazy, sun-kissed melodies occasionally rising above the sweat-soaked beats.
Review: REPRESS ALERT: relik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: Having built up his self titled label alongside his sterling work as part of Oscillat, Lazare Hoche and Will & Ink, the one and only Malin Genie delivers his debut solo album. Moving beyond the pure club focus of his singles and EPs, the Genie has seized this opportunity to present a widescreen panorama of his sound, leading in with the subliminal ambience of "You" as a springboard to explore breaks, electro, techno, and especially IDM. There are so many ideas swirling round Anthropomorphic Sympathy, it's hard to know where to begin describing it. A true headphone commute for the deep listener to burrow into.
Review: The latest Hands Off joint features three artists making waves in intriguing corners of the deep house firmament. Desos opens up the A side with the dreamy groove of "Dubs", before Space Age lays down the classic, Mr Fingers-flavoured haze of "Sunday Rain". Desos returns on the flip with another subtle yet punchy cut, keeping the melodies submerged and sublime on "Jaaa" before Common Mode takes things in a distinctly dubby direction with "Beauty Queens".
Review: Holden's 2006 debut album was an astonishing one that gets a timely reissue on double crystal-clear splatter vinyl. A high watermark for proudly synthetic and computer made music, it was the bold arrival of an artist who endures as an innovator to this day. "The Idiots Are Winning" is a masterclass in unhinged grooves, glitchy electronic sounds and mutant sounds that set a new benchmark in experimental textures, sound design and dance floor clout. "Idiot" is the standout banger, "Lump" is more trippy and heat workout, and "10101" is the twitchy and mesmeric workout you cannot escape. Music as idiosyncratic as this doesn't come along too often, and even 13 years left it still sounds fresh.
Review: J Room steps up with a contribution to the minimal tech house conversation that sees emergent artist Jale making a strong statement with three powerful original tracks and a remix from Cosmjn. Jale's style leans on Detroit string synths for a sense of melancholic grandeur, and densely packed rhythm sections that bump as much as they punch. "Orbital Dream" takes things in a dreamy after hours direction, and "Eclipse" works up some rugged synth trysts that snap around a subtly broken beat. Cosmjn's remix of "Orbital Dream" is not to be slept on either as it subtly adjusts the accent of the groove to make an immersive tech house roller par excellence.
Review: The latest drop on Mr KS & Friends comes from Sylan 101, an artist making a truly accomplished debut brimming with musicality and fresh beat constructions compatible with, but not beholden to a deep house vibe. "Nostalgia (Healing Of Time)" is a smoky broken beat groove with gentle piano chords and muted trumpet, while "Brief Encounters" draws on subtle guitar licks and harmonious pads for decoration over snaking drums. "Been There Once" heads in a more mysterious direction, throwing some spoken word refrains into the mix and keeping the instrumentation more subtle and atmospheric.
Review: Mark Ambrose brings his years of expertise in the deeper end of the techno spectrum to bear on this latest joint for Crayon, the label he founded way back in the mid 90s. "Destiny Angel" is a stomping, expansive cut with a cinematic lilt to its sound design and melodic progression - one for people to truly travel on. "Bleeps & Bits" is a more rugged workout that digs deep into intricate rhythm programming and FX processing to create a unique future-tribal flavour. "Just Tonight" keeps the beats dynamic and broken, but with a much hookier punch and some choice vocal snippets that should find favour with all kinds of DJs.
Review: UK tech house hero Burnski has been serving up some serious heat of late under the Instinct alias, channelling that old school UK vibe of drum & bass, speed garage and 2-step. His exploration into these styles bring about this sixth instalment of his eponymous series with 3 cuts set to cause havoc on dancefloors this year. A side cut "Overthrow" rides on a slick tech house groove before moving into a swing-fuelled rhythm and razor-sharp sub-bass and it's business as usual. On the flip, shadowy stepper "Phased" fuses Artful Dodger's classic swagger with the dark sci-fi aesthetic of Ed Rush & Optical. Finally, put your lighters up for the furious junglist roller that is "Free Life".
Review: The new incarnation of the famous fabric mix series serves up a big one here with Ibiza kingpins and US house torchbearers The Martinez Brothers laying down a fulsome 23 track mix. It brims with the sort of energy that they always have themselves in the booth and takes you on a contemporary trip through the bendy minimal of Cabanne, Frak's percussive workout and some tropical curveballs from The Bayara Citizens. The Brothers also impress with two of their own tracks - "Jam Joint" and "Mistakes" - full of wonky synth work and shuffling drums, and it marks another highpoint in their longstanding career.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.