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Erica Synths Syntrx Analogue Synthesiser (UK plug)
Cat: 750753 Rel: 16 Oct 20 • View all Synthesisers
 
Analogue synthesiser
Notes: Since its beginnings Erica Synths has promoted experimental electronic music and has developed instruments that enable musicians to explore it.

When it comes to standalone instruments, one of the most encouraging instruments in experimental music was Synthi AKS, so Erica Synths have teamed up with engineers from Riga Technical University to develop a synthesizer with a user interface inspired by Synthi AKS.

SYNTRX [sintrex] is developed from scratch all analogue synthesizer (no part of schematics is cloned from Synthi AKS) with digitally controlled patch matrix. Unlike most of patch matrixes around, that mechanically connect signals, our 16x16 matrix utilizes 32 (!!!) 16 channel analogue switch ICs AS16M1 (made in Latvia, Alfa RPAR) and is a mixer/buffered multiple with 3 level attenuation (gain 1, 0,6 and 0,3) in connection points. It has 256 patch memory, automatic patch switching in performance mode or via MIDI messages.

SYNTRX has 3 highly accurate VCOs that track great over 8 octaves, noise generator with "colour" filter, resonant VCF, ring modulator, spring reverb, looping envelope generator, joystick controller, input amplifier with adjustable gain for microphone to line level signals, 3 VCAs, output signal filter, analogue CV/audio signal level indicator and built in speakers. Extra features, not found on Synthi AKS, are Sample & Hold circuit with individual clock, octave switch for VCO1, synchronization of VCO2, AD mode on the envelope generator, as well as MIDI that accepts CV, Gate, Modulation wheel messages and program change messages for the matrix control. The SYNTRX comes in aluminium enclosure with ash tree side panels.

SYNTRX will inspire users to explore the space and travel to previously undiscovered audible realms.
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Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument
Cat: 789907 Rel: 16 Oct 20 • View all Drum machines
 
Sampler & drum machine & synthesiser
Notes: MASCHINE+ is a sampler, a drum machine, a synth, and an on-stage superpower. In short, it's whatever you make it. Leave the laptop behind, jam with your other gear, and create beats in minutes with a wealth of on-board sounds, instruments, and effects.

It's the iconic MASCHINE workflow, with fewer strings attached.

Standalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment - from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.

As well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth - pretty much anything you can think of if you flex your sound design skills.

Whether you're digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else - more sounds means more creative ways to make music.

Bring real expression to live performances with intuitive control over your music - tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesizer rolled into one.

Clips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you've fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.

Play and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.

MASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.

Need more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits.

AUDIO INTERFACE SPECIFICATIONS

Line-In
Full Scale Level: +18,6 dBu
Dynamic Range: 100 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.1 dB
Crosstalk L/R: -96 dB

Mic Input (max gain)
Full Scale Level: -32 dBu
Dynamic Range: 90 dB
THD+N: 0.01 %
Frequency Response:: 20Hz-20kHz +/- 0.4 dB

Mic Input (min gain)
Full Scale Level: -3.4 dBu
Dynamic Range: 102 dB
THD+N: 0.004 %
Frequency Response:: 20Hz-20kHz +/- 0.15 dB

Line Out
Maximum Output Level: +18.0 dB
Dynamic Range: 102 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.5 dB
Crosstalk L/R: -100 dB

Headphone Out:
Maximum Output Level: 29.4 mW @ 33 Ohm load
Dynamic Range: 102 dB
THD+N: 0.007 %
Frequency Response:: 20Hz-20kHz +/- 0.35 dB
Crosstalk L/R: -60 dB

Dimensions: 322 x 301 x 51 mm / 12.68'' x 11.85'' x 2.01''

Weight: 2.50 kg / 5.51 lbs
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RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition)
Notes: Black version of RME's premium stereo AD/DA converter, offering exceptionally accurate conversion for mastering and critical listening applications.

Supplier's Notes:
RME's reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC).

Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).

Analog or Digital - Options Galore
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.

Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME's latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.

High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
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 1 in stock $1,656.28
Pioneer DDJ-1000SRT Serato Performance DJ Controller Pioneer DDJ-1000SRT Serato Performance DJ Controller Pioneer DDJ-1000SRT Serato Performance DJ Controller Pioneer DDJ-1000SRT Serato Performance DJ Controller
Cat: 743616 Rel: 29 Aug 19 • View all DJ controllers
 
4-channel performance DJ controller for Serato DJ Pro
Notes: Flagship Serato business from Pioneer. The brand's top-of-the-range DDJ-1000 controller gets reconfigured for Serato. Same hardware layout as the standard version but optimised for DJ Pro instead of Rekordbox.

Supplier notes:
The Serato-compatible version of our popular DDJ-1000 is here - meet the DDJ-1000SRT. This 4-channel DJ controller for Serato DJ Pro is designed to feel just like our club-standard CDJ+DJM setup. You'll enjoy low-latency, full-size jog wheels and a slick MAGVEL FADER for tight scratching. And with On Jog Display, which shows you important track information in the centre of each jog wheel, you can concentrate on the crowd, not your laptop.

Build excitement on the dancefloor and create huge drops using 4 Sound Colour FX and 14 Beat FX. The DDJ-1000SRT comes with a free voucher for Pitch 'n Time DJ, enabling you to get creative with advanced key-related features. With multiple inputs and outputs, you can enhance your setup by connecting external equipment like CDJs, the DDJ-XP1, or turntables. This Serato DJ Pro controller will take your gigs to the next level.

Big Jog and Magvel Fader:
Scratching feels intuitive thanks to the full-size jog wheels, which you can set to your preferred resistance using Jog Adjust, and a MAGVEL FADER. Highly durable for more than 10 million movements, the MAGVEL FADER makes intricate performances feel easy.

Club-style layout:
The buttons and knobs on this Serato DJ Pro controller are arranged in the same way as those on our club-standard NXS2 DJ equipment. As a result, transitioning between this setup and gear you find in DJ booths is a breeze.

On Jog Display:
See all the information you need via the full-colour, high-definition LCD screen in the centre of each jog. Monitor playback time, BPM, playback position, and more. This feature's easy to use, with the display matching the Serato DJ Pro GUI.

Professional FX:
Enhance tracks using 4 popular Sound Colour FX - Pitch, Filter, Dub Echo, and Noise - from our DJM-series DJ mixers, and get creative with 14 Beat FX. You can instantly reference BPM and the name of the selected FX thanks to the dedicated Beat FX screen.

Well connected:
The DDJ-1000SRT has 4 inputs so you can connect to CDJs or analogue turntables, and use it as a stand-alone DJ mixer. You can also connect directly to PA speakers and microphones thanks to a Booth, 2 Master, and 2 Mic inputs.
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Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option) Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option) Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option)
Cat: 439571 Rel: 22 Mar 12 • View all Synthesisers
 
4 voice analogue synthesiser with CV/gate
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer
MFB
Cat: 755493 Rel: 09 Apr 20 • View all Synthesisers
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 3 in stock $1,045.85
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Jomox Alpha Base Analog Drum Synthesizer Jomox Alpha Base Analog Drum Synthesizer Jomox Alpha Base Analog Drum Synthesizer Jomox Alpha Base Analog Drum Synthesizer
Cat: 648368 Rel: 09 Nov 17 • View all Drum machines
 
Versatile analog drum machine
Notes: A modern classic. Analogue-focused drum machine with a few nice digital features for good measure. Proper weighty sound and huge sound-sculpting options for live or studio use.

Supplier's notes:
True analogue. Eleven instruments. Sequencer. MIDI/USB/SD-Card. Samples. Sampling inputs. Balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years - they've simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox have ever built.
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 5 in stock $1,608.74
Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer
Cat: 762144 Rel: 29 Jul 20 • View all Studio mixers
 
Hyrbid analogue & digital mixer
Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.
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FORTHCOMING
Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser Arturia PolyBrute 6 Voice Analogue Polysynthesiser
Cat: 789226 • View all Synthesisers
 
6-voice analogue polysynthesiser
Notes: Imagine using 6 analog voices to craft a sound that's powerful, raw, and entirely yours. Imagine a sound existing in two states simultaneously in a single preset, with seamless morphing between them. Imagine multi-axis performance controls offering next-generation musical expression. Imagine instant and limitless modulation at your fingertips. Imagine a polysynth made by musicians, for musicians.

Raw, powerful, organic. The analog Brute voice is an unmistakable sonic force to be reckoned with - how about six at once?

PolyBrute's six-voice power starts with two Brute waveshaping oscillators. With sprawling timbral versatility from delicate airy pads to snarling stacked bass, these are six voices you can count on to excel in every application.

The tactile and reactive nature of analog synthesis is right at the heart of PolyBrute's architecture. Tame or animate the oscillators with an expanded array of multiple filters, envelopes and LFOs for absolute control over the analog domain. Once you've harnessed its sound sources, PolyBrute is your vessel for an inspiring voyage into sound.

PolyBrute's morphing abilities let you perform, compose, and explore sound without boundaries.

Imagine being able to sweep all the parameter settings between two different patches all at once. PolyBrute goes even further with its groundbreaking ability to gradually morph between two completely different states within any patch.

For morphing to work, hands-on control is essential - PolyBrutes takes it to another level. The all-new Morphee three-dimensional performance touchpad ensures that intricate morphing expression is always right at your fingertips. Manipulate any facet of PolyBrute's sound, from delicate morphing to extreme dynamic shifts, across the X, Y and Z axis in an instant.

It doesn't end there; PolyBrute is armed to the teeth with articulate controllers to give your performances and compositions the elusive human touch.

This unparalleled sonic flexibility and expressivity is what earns PolyBrute its place in synthesizer history - a trailblazer of creativity.

The Matrix- the digital brain for PolyBrute's analog heart. The Matrix is where PolyBrute's analog reactivity and digital precision collide - an advanced architecture unlike any synth before it.

PolyBrute puts all that analog power right up front with dedicated knobs and switches, offering unmatched control and immediacy.

Almost everything you touch also generates MIDI, so you can capture your every move as part of your DAW productions. Need some instant attitude? Crank up the enhanced Steiner filter's Brute Factor. Want to change the cutoff on both filters at once? Grab the Master Cutoff knob. Time to move the floor beneath your feet? Dial in VCO 2's sub-oscillator. It's all right there in front of you.

Library management, parameter editing, and instant integration with your DAW.

Hook PolyBrute up to your computer and enjoy seamless bi-directional editing and organization. PolyBrute Connect bridges the gap between hardware and software like never before, letting you incorporate its expansive sound into your virtual studio workflow. Construct patches, go deeper with morphing tweaks, and control PolyBrute's sound in real-time from your Mac or PC - simple.

An instrument of this magnitude is deserving of only the highest attention to detail - PolyBrute is a synthesizer years in the making.

It's undergone rigorous testing to ensure a build quality of the finest calibre. Controls, buttons, and expressive components that are a delight to use, time after time. Its pristine metal chassis is embellished with luxurious dark walnut appointments for a timeless aesthetic, with a sleek, modern flare that sets it apart from the crowd.

PolyBrute is something unmistakably new, while remaining firmly rooted in synth design heritage.

Analog Morphing Synthesizer:
6 voices of Polyphony
Mono, Unison, Poly voicing
Single, Split, Layer modes

Two Analog VCOs:
Saw
Triangle + Metalizer
Square + Pulse Width
Sub
Linear FM
Hard Sync

Three LFOs:
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options

Three stereo digital effects:
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...
Delay : 9 algorithms including BBD, Digital delay, ...
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer,

Box contents:
PolyBrute unit
Power cable

Instrument size : 38.3 x 14.9 x 4.4 inches (972 x 378 x 110mm)
Instrument weight : 44 lbs. (20 Kg)
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Native Instruments Komplete 13 Ultimate Software
Cat: 789848 Rel: 01 Oct 20 • View all Music production software
 
Music production software
Notes: THE LIMITLESS PRODUCTION SUITE:
Everything that makes KOMPLETE 13 so fantastic, expanded with the full range of synths, sampled instruments, and effects, plus a colossal orchestral and cinematic toolkit for artists, sound designers, and composers. Including GUITAR RIG 6 PRO, STRADIVARI VIOLIN, MYSTERIA, STRAYLIGHT, PHARLIGHT, and much more.

PLATFORMS:
KONTAKT 6
REAKTOR 6

CINEMATIC:
ACTION STRIKES
ACTION STRINGS
DAMAGE
EMOTIVE STRINGS
EVOLVE
EVOLVE MUTATIONS
EVOLVE MUTATIONS 2
KINETIC METAL
KINETIC TOYS
MALLET FLUX*
MYSTERIA*
PHARLIGHT*
RISE & HIT
STRAYLIGHT*
THRILL

SYNTHESIZERS:
ABSYNTH 5
FM8
FORM
KONTOUR
MASSIVE
MASSIVE X
MONARK
RAZOR
REAKTOR PRISM
REAKTOR SPARK
RETRO MACHINES MK2
ROUNDS
SKANNER XT
SUPER 8*
TRK-01

CREATIVE SAMPLERS:
BATTERY 4
FLESH
POLYPLEX

PLAY SERIES:
ANALOG DREAMS
BUTCH VIG DRUMS*
CLOUD SUPPLY*
ETHEREAL EARTH
HYBRID KEYS
LO-FI GLOW*
MODULAR ICONS*

DRUMS AND PERCUSSION:
ABBEY ROAD 50S DRUMMER
ABBEY ROAD 60S DRUMMER
ABBEY ROAD 70S DRUMMER
ABBEY ROAD 80S DRUMMER
ABBEY ROAD MODERN DRUMMER
ABBEY ROAD VINTAGE DRUMMER
DRUMLAB
MASCHINE DRUM SELECTION
STUDIO DRUMMER

WORLD INSTRUMENTS:
BALINESE GAMELAN
CUBA
INDIA
MIDDLE EAST
WEST AFRICA

ACOUSTIC PIANOS:
ALICIA'S KEYS
NOIRE*
THE GENTLEMAN
THE GIANT
THE GRANDEUR
THE MAVERICK
UNA CORDA

ELECTRIC PIANOS AND ORGANS:
GEORGE DUKE SOUL TREASURES
SCARBEE A-200
SCARBEE CLAVINET/PIANET
SCARBEE MARK I
VINTAGE ORGANS

GUITAR AND BASS:
ELECTRIC SUNBURST DELUXE*
PICKED ACOUSTIC*
SCARBEE FUNK GUITARIST
SCARBEE JAY BASS
SCARBEE MM-BASS
SCARBEE MM-BASS AMPED
SCARBEE PRE-BASS
SCARBEE PRE-BASS AMPED
SCARBEE RICKENBACKERr BASS
STRUMMED ACOUSTIC
STRUMMED ACOUSTIC 2

CONTEMPORARY HORNS AND STRINGS:
SESSION HORNS PRO
SESSION STRINGS PRO 2

CLASSICAL INSTRUMENTS:
BRASS ENSEMBLE
BRASS SOLO
PERCUSSION
STRADIVARI VIOLIN*
STRING ENSEMBLE
WOODWIND ENSEMBLE
WOODWIND SOLO

STUDIO EFFECTS:
ENHANCED EQ
PASSIVE EQ
RAUM*
RC 24
RC 48
REPLIKA XT
SOLID BUS COMP
SOLID DYNAMICS
SOLID EQ
SUPERCHARGER GT
TRANSIENT MASTER
VARI COMP
VC 160
VC 2A
VC 76

CREATIVE EFFECTS
CRUSH PACK - BITE
CRUSH PACK - DIRT
CRUSH PACK - FREAK
DRIVER
GUITAR RIG 6 PRO*
MOD PACK - CHORAL
MOD PACK - FLAIR
MOD PACK - PHASIS
MOLEKULAR
REPLIKA XT
THE FINGER
THE MOUTH

ALSO INCLUDES:
39 EXPANSIONS
KOMPLETE KONTROL SOFTWARE
CREATOR TOOLS
NATIVE ACCESS

SYSTEM REQUIREMENTS:

Windows 10 (64-bit, latest Service Pack)
macOS 10.14 or 10.15 (latest update)
Intel Core i5 or equivalent CPU, 4 GB RAM (6 GB recommended), graphics hardware support for OpenGL 2.1 or higher, 10 GB free disk space (240 GB for complete installation)
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts.
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MRP:$1,295.20 SAVE 18%
 1 in stock $1,057.72
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quote 789848
Native Instruments Komplete 13 Ultimate Collectors Edition Software
Cat: 789851 Rel: 01 Oct 20 • View all Music production software
 
Music production software
Notes: The full package of NI's industry-standard music software collection. Synths, samplers, drums, live instruments, pianos, guitars, cinematic sounds, effects and much much more.

Supplier's Notes:
Total creative freedom for those who need it all, with flagship synths, sampled instruments, effects, and groundbreaking orchestral libraries - almost everything we've ever released. Including CREMONA QUARTET, GUITAR RIG 6 PRO, ARKHIS, MYSTERIA, PHARLIGHT, STRAYLIGHT, NOIRE, and many more.

PLATFORMS:
KONTAKT 6
REAKTOR 6

SYNTHESIZERS:
ABSYNTH 5
FM8
FORM
KONTOUR
MASSIVE
MASSIVE X
MONARK
RAZOR
REAKTOR PRISM
REAKTOR SPARK
RETRO MACHINES MK2
ROUNDS
SKANNER XT
SUPER 8*
TRK-01

CREATIVE SAMPLERS:
BATTERY 4
FLESH
POLYPLEX

DRUMS AND PERCUSSION:
ABBEY ROAD VINTAGE DRUMMER
ABBEY ROAD 50S DRUMMER
ABBEY ROAD 60S DRUMMER
ABBEY ROAD 70S DRUMMER
ABBEY ROAD 80S DRUMMER
ABBEY ROAD MODERN DRUMMER
DRUMLAB
MASCHINE DRUM SELECTION
STUDIO DRUMMER

WORLD INSTRUMENTS:
BALINESE GAMELAN
CUBA
INDIA
MIDDLE EAST
WEST AFRICA

CONTEMPORARY HORNS AND STRINGS:
SESSION HORNS PRO
SESSION STRINGS PRO 2

ACOUSTIC PIANOS:
ALICIA'S KEYS
NOIRE*
THE GENTLEMAN
THE GIANT
THE GRANDEUR
THE MAVERICK
UNA CORDA

ELECTRIC PIANOS AND ORGANS:
GEORGE DUKE SOUL TREASURES
SCARBEE A-200
SCARBEE CLAVINET/PIANET
SCARBEE MARK I
VINTAGE ORGANS

GUITAR AND BASS:
ELECTRIC SUNBURST
ELECTRIC SUNBURST DELUXE*
PICKED ACOUSTIC*
SCARBEE FUNK GUITARIST
SCARBEE JAY BASS
SCARBEE MM-BASS
SCARBEE MM-BASS AMPED
SCARBEE PRE-BASS
SCARBEE PRE-BASS AMPED
SCARBEE RICKENBACKERr BASS
STRUMMED ACOUSTIC
STRUMMED ACOUSTIC 2

CLASSICAL INSTRUMENTS:
AMATI VIOLA*
BRASS ENSEMBLE
BRASS SOLO
GUARNERI VIOLIN*
PERCUSSION
STRADIVARI CELLO*
STRADIVARI VIOLIN*
STRING ENSEMBLE
WOODWIND ENSEMBLE
WOODWIND SOLO

CINEMATIC:
ACTION STRIKES
ACTION STRINGS
ARKHIS*
DAMAGE
EMOTIVE STRINGS
EVOLVE
EVOLVE MUTATIONS
EVOLVE MUTATIONS 2
KINETIC METAL
KINETIC TOYS
MALLET FLUX*
MYSTERIA*
PHARLIGHT*
RISE & HIT
STRAYLIGHT*
THRILL

STUDIO EFFECTS:
ENHANCED EQ
PASSIVE EQ
RAUM*
RC 24
RC 48
SOLID BUS COMP
SOLID DYNAMICS
SOLID EQ
SUPERCHARGER GT
TRANSIENT MASTER
VARI COMP
VC 160
VC 2A
VC 76

CREATIVE EFFECTS:
CRUSH PACK - BITE
CRUSH PACK - DIRT
CRUSH PACK - FREAK
DRIVER
GUITAR RIG 6 PRO*
MOD PACK - CHORAL
MOD PACK - FLAIR
MOD PACK - PHASIS
MOLEKULAR
REPLIKA XT
THE FINGER
THE MOUTH

ALSO INCLUDES:
73 EXPANSIONS
KOMPLETE KONTROL SOFTWARE
CREATOR TOOLS
NATIVE ACCESS
E-VOUCHER FOR THE NI ONLINE SHOP

SYSTEM REQUIREMENTS:
Windows 10 (64-bit, latest Service Pack)
macOS 10.14 or 10.15 (latest update)
Intel Core i5 or equivalent CPU, 4 GB RAM (6 GB recommended), graphics hardware support for OpenGL 2.1 or higher, 10 GB free disk space (240 GB for complete installation)
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts.
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MRP:$1,748.98 SAVE 18%
 1 in stock $1,435.87
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Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer
Cat: 727158 Rel: 03 Apr 19 • View all Synthesisers
 
All-in-one portable synthesiser, sampler & controller with additional features - new 2019 edition
Notes: One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.
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MRP:$1,554.50 SAVE 27%
 6 in stock $1,132.27
Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer (B-STOCK) Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer (B-STOCK) Teenage Engineering OP1 Portable Synthesiser, Sampler & Sequencer (B-STOCK)
Cat: 793796 Rel: 03 Apr 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.
Read more
 1 in stock $1,103.96
Erica Synths Fusion System II Synthesiser (UK plug) Erica Synths Fusion System II Synthesiser (UK plug) Erica Synths Fusion System II Synthesiser (UK plug)
Cat: 780750 Rel: 30 Sep 20 • View all Synthesisers
 
Fusion synthesiser
Notes: Erica's brilliant valve-based Fusion modules bundled together into a complete system. Unique sound and features. Includes skiff case, patch cables and everything you need to get started.

Supplier's Notes:
Vacuum tube based eurorack modular synthesizer for sounds of unprecedented pressure.

Erica Synths is one of the few manufacturers that use vacuum tubes in eurorack modules, and those, who are familiar with tube-based modules, know that tubes can push the sound to extremes or turn it deep, saturated and complete.

Erica Synths have come up with three new Fusion series modules - Fusion VCF3, Fusion Modulator (already available) and Fusion VCA/Waveshaper/Ringmodulator - to create the Erica Synths Fusion System II - a modular synthesiser for sounds of unprecedented pressure, unconventional modulations and creativity-inspiring patching. A 104HP system has 63 patchpoints for extensive experiments in sound design, all analogue signal and CV path; it's a system for those, who take sound design seriously.

Fusion System II includes:

Two Fusion VCO2s - fully analogue sound source with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix.

Fusion VCF3 - resonant 24dB/oct lowpass filter of unique design that combines vacuum tubes and vactrols, providing distinct, soft filtering. For more versatility a CV recorder, that records motion of the potentiometer, is incorporated in the module, so you can design advanced modulation patterns.

Fusion Modulator - complex, all analogue CV source that consists of several blocks - two EMS Synthi functionality inspired looping envelope generators with simultaneous unipolar (0V-10V) and bipolar (-5V-+5V), VCA, Noise generator and Sample&Hold.

Fusion VCA/Waveshaper/Ringmodulator - a modulation source based on two miniature pentodes that operates as VCA, waveshaper and ringmodulator. With two CVs applied simultaneously to different stages of the VCA, audio rate modulations, using ringmodulator as a waveshaper it becomes surprisingly versatile sound shaping module.

Fusion Delay/Flanger/Vintage Ensemble - a distinct multifunctional analogue effects module that combines BBD chip based effects with an adjustable tube overdrive in the delay output and a feedback path for extra thickness of the sound.

104HP One Row Skiff case (with or without a lid)

20 patch cables
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MRP:$3,033.81 SAVE 25%
 1 in stock $2,266.71
Erica Synths Pico System II Desktop Modular Synthesiser Erica Synths Pico System II Desktop Modular Synthesiser Erica Synths Pico System II Desktop Modular Synthesiser
Cat: 778768 Rel: 30 Sep 20 • View all Synthesisers
 
modular synthesiser
Notes: The world's smallest modular synth. Serious options in a compact setup via a carefully chosen selection of Erica's tiny Pico modules: sequencing, synths, drums, effects and more.

Supplier's Notes:
Erica Synths Pico System II is the world's smallest modular synthesizer.

In its functionality this system is as good as the Pico System I, however, as there have been several additions to the Pico Series, for example, the significant Pico Voice, we decided to upgrade the Pico System to make it even more multifarious. There are two new modules in the system: the Pico Voice - a sound source, which gives quite a big timbral diversity, and the Pico Modulator, which replaces the Pico EG and the Pico VCA. That gives us a 3HP free space which we have filled with one more Pico A MIX for more handy control of the sound sources in live performances. Pico System II comes with external PSU, Pico Drum Programmer, wrench key and 20 patch cables.

Pico modules included in the system are:

SEQ - powerful 16 step sequencer with 16 pattern memory

VCO - 32 custom waves in 2 banks, great 1V/oct tracking and LFO mode

VOICE - sound source with 8 sound generation algorithms

VCF1 - Polivoks-inspired LP/BP VCF, ideal for acid-like basslines

TRIGG - 4 trigger pattern generator that also serves as a master clock for the system. Web-based pattern designer app allows user to upload own patterns

2xDRUMS - 64 sample player with 3 adjustable parameters and CV control over them. Web-based app and Pico Programmer (included) allows the user to upload their own sound samples

MULTI - buffered audio/CV/clock signal splitter

RND - sine/pulse LFO and random events (random trigger, S&H and noise) generator

MOD - lin/log ASR envelope generator and linear VCA

2xA MIX - 3 input audio mixer

DSP - stereo effects processor with 8 great sounding custom effects

OUTPUT - stereo output module with headphone amplifier


Technical specifications:
Dimensions (WxDxH): 240mmx140mmx80mm
Power supply: universal 110-240VAC - 12VDC adapter
Power consumption 500mA
Mass : 1,35 kg excluding PSU,
1,85 kg with PSU and patch cables
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MRP:$1,555.80 SAVE 13%
 1 in stock $1,357.01
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FORTHCOMING
Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser Moog Grandmother Dark Series Semi-Modular Analogue Synthesiser
Cat: 792857 Rel: 31 Dec 20 • View all Synthesisers
 
Semi-modular analogue synthesiser
Notes: Grandmother Dark is a new color variant for Moog Grandmother. Grandmother Dark presents the same great features, sounds, and specs as the original colorful Grandmother, now offered in an all-black color scheme that invokes the timeless look of Moog's classic modular control panels.

Grandmother is a sonic playground that harkens back to Moog's modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analog synthesis.

Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analog, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation.

Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother's infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would.

In addition to its standalone function, Grandmother is also an ideal analog audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system.

WHAT'S IN THE BOX:

Grandmother Dark
Manual
Patch Cables (2x 6/12/18/24")
Registration Card
Drawstring Bag
IEC Cable
Power Brick
Instrument Catalog

WEIGHT
18 lbs.

DIMENSIONS
23"W x 14 1/4" D x 5 1/2" H

POWER
Included Power Adapter 12V, 2A -100 to 240 Volts AC, 50/60Hz
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MRP:$1,360.03 SAVE 17%
coming soon $1,133.36
FORTHCOMING
Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser Moog Matriarch Dark Series Semi-Modular Analogue Synthesiser
Cat: 792867 Rel: 31 Dec 20 • View all Synthesisers
 
Semi-modular analog synthesiser
Notes: Matriarch Dark is a new color variant for Moog Matriarch. Matriarch Dark presents the same great features, sounds, and specs as the original colorful Matriarch, now offered in an all-black color scheme that invokes the timeless look of Moog's classic modular control panels.

Matriarch is an analog synthesizer with an emphasis on imagination. The pinnacle of Moog's semi-modular family of synthesizers, Matriarch's patchable architecture and classic Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, shifted, and stored with Matriarch's intuitive 256 step sequencer, or stack the analog VCOs to play on a massive 4 oscillator mono synth.

With a deep assortment of synthesis modules based on Bob Moog's original circuit designs, Matriarch's 100% analog signal path spans a dynamic sonic vocabulary - from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails . Coupling the power of vintage-designed stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multi-dimensional sound that empowers the sonic exploration of space and time.

Though Matriarch's semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard into a fully modular analog synthesizer at a moment's notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.

MODULE-PROVENANCE:
Oscillators based on the Minimoog
Mixer based on the classic CP3 module
Filters based on the classic 904A module
Envelopes based on the classic 911 module
VCAs based on the classic 902 module
Analog Delay based on the MF-104M and 500 Series effects

WHAT'S IN THE BOX:
Matriarch Dark
Manual
Patch Cables: (2x 6/12/18/24")
Registration Card
Drawstring Bag
IEC Cable
Power Brick
Instrument Catalog

SPECS:
TYPE-- Semi-Modular Analog Synthesizer
SOUND-ENGINE-- 100% Analog
NUMBER-OF-KEYS-- 49 Full-Size Keys
TYPE-OF-KEYS-- Velocity-sensing with Aftertouch (Velocity and After-touch are not hard-wired - available via MIDI, KBD VEL OUT and KB AT OUT jacks)
OTHER-CONTROLLERS-- Pitch Bend, Mod Wheel, Variable Glide, Expres-sion pedal in to CV out, and Sustain Pedal in
POLYPHONY-- Monophonic, 2-Note Paraphonic, and 4-Note Paraphonic SOUND-SOURCES-- 4x Analog Oscillators with Selectable Waveforms (Os-cillators 2, 3, and 4 support Hard Sync), White Noise Generator, External Input jack.
MIXER-- 6 input (5 eurorack level and 1 instrument level) DC coupled dis-crete mixer with
asymmetrical clipping behavior
FILTERS-- 24dB/Octave Low Pass Filter with Resonance, 24dB/Octave switchable Low
Pass/High Pass Filter with Resonance. Configurable in parallel (HP/LP), stereo (LP/LP), and series (HP/LP).
MOD-SOURCES-- Analog Modulation Oscillator with selectable and patchable output (Sine, Saw, Ramp, Square, Stepped Triangle, Smoothed Random, Sample and Hold, Noise). Additional LFO (Tri, Square)
ENVELOPES-- 2x Four-Stage ADSR with End of Envelope gate outputs
ATTENUATORS-- 3x Bipolar Voltage Controlled Attenuators with Ring Mod capabilities
MULTS-- 2x4 Parallel-wired Non-buffered Patch Points
VCAs-- 2x discrete analog VCAs routed in stereo
EFFECTS-- Stereo Analog Delay with Ping/Pong, MIDI and CV clock sync, voltage controlled Mix, and independent L/R delay times, feedback, and I/O.
ARPEGGIATOR-O-STEP-SEQUENCER-- 256 Steps with up to 4 notes per step; 12
Sequence locations
PATCH-POINTS-- 90 x 3.5mm front and rear panels, 49 Inputs, 33 Outputs, 2x4 Parallel-wired Mults.
PEDAL-INPUTS-- 1/4" Sustain, 1/4" Expression
AUDIO-INPUT-- 1/4" TS jack (Rear Panel)
AUDIO-OUTPUTS-- 2x 1/4" TS jacks for line level output (Rear Panel), 1/4" Headphone jack with dedicated level knob (rear panel), 2x 3.5mm Eurorack level outputs, 2x 3.5mm Delay outputs
MIDI-IOO-- 5-pin DIN In, Out, Thru; plus MIDI over USB (Rear Panel)
DIMENSIONS-- 32" (81.28cm) Wide x 14 1/4" (36.19cm) Deep x 5 1/2" (13.97cm) High
POWER-- Included Power Adapter 12V DC (positive tip), 2A, 100 to 240 Volts AC, 50/60Hz with screw-on barrel connector.
WEIGHT-- 24lbs. / 10.89kg
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MRP:$2,721.35 SAVE 17%
coming soon $2,267.80
Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser
Cat: 692803 Rel: 02 Dec 19 • View all Synthesisers
 
128-voice polyphonic synthesiser module
Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
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MRP:$2,067.92 SAVE 17%
 1 in stock $1,722.18
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quote 692803
Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK)
Cat: 783751 Rel: 24 Sep 18 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.
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 1 in stock $3,470.52
Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK) Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK)
Cat: 792509 Rel: 24 Sep 18 • View all Synthesisers
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.
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 1 in stock $3,258.53
Vermona PerFourMer MkII Quad Analog Synthesizer Vermona PerFourMer MkII Quad Analog Synthesizer Vermona PerFourMer MkII Quad Analog Synthesizer
Cat: 439566 Rel: 22 Mar 12 • View all Synthesisers
 
4-voice analogue synthesiser
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk
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MRP:$1,606.36 SAVE 18%
 3 in stock $1,319.19
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Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option) (B-STOCK) Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option) (B-STOCK) Vermona PerFourMer MkII Quad Analog Synthesizer (CV/gate option) (B-STOCK)
Cat: 787359 Rel: 22 Mar 12 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
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 1 in stock $1,358.78
RME Fireface UCX Audio & MIDI Interface
RME
Cat: 445883 Rel: 26 Jan 12 • View all Audio & MIDI interfaces
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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MRP:$1,443.00 SAVE 26%
 1 in stock $1,060.71
RME Fireface UFX II Audio & MIDI Interface RME Fireface UFX II Audio & MIDI Interface RME Fireface UFX II Audio & MIDI Interface
RME
Cat: 637503 Rel: 02 Mar 17 • View all Audio & MIDI interfaces
 
30-in/30-out USB audio interface featuring RME's unique direct USB recording & range of analog inputs
Notes: The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.

The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.

RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.

Improved DURec (Direct USB Recording):
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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MRP:$2,314.25 SAVE 25%
 1 in stock $1,726.51
ACL System 2 Desktop Modular Synthesiser
ACL System 2 Desktop Modular Synthesiser (desktop modular synthesiser)
Cat: 765867 Rel: 17 Jul 20 • View all Synthesisers
 
Desktop modular synthesiser
Notes: Beautiful complete modular system from Berlin-based Audiophile Circuits League. Based around two contrasting VCOs and a ladder filter, but with massive depth beyond the basics.

Supplier notes:
With System II Audiophile Circuits League presents a powerful modular Synthesizer with two full-featured Oscillators and an extremely musical Lowpass filter. Based on the Multifunction Discrete VCO and the Variable Sync VCO, System II serves with an unbelievably vast sound spectrum, from thick basses to aggressive Leads. The new VC Dual Amp provides a crystal clear sound, which can be perfectly integrated in the studio thanks to the high quality Audio Interface.

System II is a beautiful compact system, suitable for all situations.

System 2 is a modular instrument built entirely from ACL components. The search for a microcomputer in this system would be in vain because all modules are analog and for the most part discrete.

The whole thing comes in a metal case with oak side panels. A KAZU power supply is also included. - However, not as a module, but discreetly installed inside. This leaves four partial units for personal additions. The KAZU power supply is characterized by minimal interference and voltage peaks. The same applies to the built-in EVE 1 bus board. The result: extremely clear high-end sound.

Included modules:
Multifunction Discrete VCO
2 x Oktave
Variable Sync VCO
Discrete Core Ladder VCF
Gate Mix
2 x Multi II
Envelope X3
2 x QLFO
2 x VC Dual Amp
Audio Interface
EVZ1-Gehause 6U 84TE (incl. Kazu PSU, EVE1 Busboard, AC Adapter 15V - 3.34 A)
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 1 in stock $3,780.37
Access Virus TI2 Polar Keyboard Synthesizer Access Virus TI2 Polar Keyboard Synthesizer
Cat: 527752 Rel: 21 Jul 14 • View all Synthesisers
 
Award winning hardware synthesiser with up to 90 voices (dependent on patch)
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
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 2 in stock $2,083.05
Access Virus TI2 Darkstar Keyboard Synthesizer Access Virus TI2 Darkstar Keyboard Synthesizer Access Virus TI2 Darkstar Keyboard Synthesizer Access Virus TI2 Darkstar Keyboard Synthesizer
Cat: 527756 Rel: 21 Jul 14 • View all Synthesisers
 
Special black/gun metal edition edition of the Virus TI Polar
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
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 1 in stock $2,342.35
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quote 527756
Access Virus TI2 Desktop Synthesizer Access Virus TI2 Desktop Synthesizer Access Virus TI2 Desktop Synthesizer
Cat: 527748 Rel: 14 Apr 14 • View all Synthesisers
 
Desktop synthesiser module with all-metal enclosure with wooden front strip
Notes: This synthesizer will make any desktop proud! The TI Desktop features an all-metal enclosure with a wooden strip on the front. Loads of knobs and buttons give direct access to the most important sound shaping parameters.

This range of instant access hands-on control will delight those who don't like menu diving. Like all other Virus TI synthesizers, a stereo analogue input offers the power to process external signals through the Virus' sound engine.

An optional 19" rack mounting kit is available for purchase.

There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.
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 3 in stock $1,754.59
ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate)
Notes: All you could ever dream of from an Eurorack console, and then some.

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings cause you can never have enough switches.

MECHANICAL:
Format: Eurorack
ADDAC807A Width: 56 HP
ADDAC807B Width: 24 HP
Depth: 4.5 cm
Weight: 1.5 kg (3.3 lb)

CONTROL VOLTAGE I/O:
CV inputs: i 5v

ELECTRICAL:
Max current: 650mA on each rail
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $1,580.64
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FORTHCOMING
Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black) Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 31 Dec 20 • View all Drum machines
 
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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MRP:$2,074.40 SAVE 17%
coming soon $1,728.66
Analogue Solutions Impulse Command Synthesiser & Sequencer Analogue Solutions Impulse Command Synthesiser & Sequencer Analogue Solutions Impulse Command Synthesiser & Sequencer
Cat: 727740 Rel: 08 Apr 19 • View all Synthesisers
 
Compact true analogue synth - great for melodic & percussive sounds
Notes: True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
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 2 in stock $1,078.26
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Analogue Solutions Impulse Command Synthesiser & Sequencer (B-STOCK) Analogue Solutions Impulse Command Synthesiser & Sequencer (B-STOCK) Analogue Solutions Impulse Command Synthesiser & Sequencer (B-STOCK)
Cat: 791471 Rel: 08 Apr 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
Read more
 1 in stock $1,010.43
Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser
Cat: 674106 Rel: 05 Jan 18 • View all Synthesisers
 
Analog synth module with 3 VCO's, each featuring sawtooth & square wave
Notes: Fusebox is a 3 VCO true analogue monosynth with the legendary Analogue Solutions vintage synth sound.

Designed by Tom Carpenter - a user and collector of vintage sounds, and a musician with a passion for electronic music.

All the voice and modulations are 100% analogue. Fusebox features an advance choice of modulation and melodic possibilities right out of the box before even plugging in MIDI.

Fusebox features no presets - each sound is unique and created by the user!

There is no quantisation, stepping, or locking in by CPU.

Fusebox is designed, engineered and built in England by Analogue Solutions who have over 24 years in the synthesiser industry.
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 1 in stock $1,392.66
FORTHCOMING
Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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MRP:$5,897.78 SAVE 17%
coming soon $4,914.81
Black Corporation Kijimi 8 Voice Polyphonic Analogue Synthesiser
Cat: 767536 Rel: 28 May 20 • View all Synthesisers
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,780.37
Black Corporation Xerxes Polyphonic Analogue Synthesiser
Cat: 765885 Rel: 27 Feb 20 • View all Synthesisers
 
polyphonic analogue synthesiers
Notes: Wow! Stunning analogue polysynth inspired by the classic early 80s Elka Synthex, renowned for amazing strings and pads. Painstakingly developed by the company behind the Deckard's Dream. Beautiful.

Supplier's notes:
Xerxes is an eight-voice polyphonic analog Synthesizer that features two discrete logic DCO's per voice. Each DCO section offers four waveforms (triangle, saw, square, pulse), octave switch, transpose, oscillator PWM, PAM, ring mod, pulse width, and a volume knob. It offers an analog multimode filter (HP/BP/LP) as well as two LFO's and 2 ADSR envelopes. Furthermore there is an analog BBD stereo chorus.

The synth is heavily inspired by the well-known Elka Synthex Synthesizer from the past but it is not a replica. It's a completely new development that has many modern and clever new features. The interface was not taken from the vintage Synthex but is also heavily inspired without cloning it.
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 1 in stock $3,952.16
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Radikal Technologies Delta CEP A Desktop Semi-Modular Paraphonic Synthesiser
Cat: 796115 Rel: 31 Jan 21 • View all Synthesisers
 
Synthesiser
Notes: A semimodular synthesizer consists of 9 essential synthesis modules whose combination provides a very powerful and straight forward starting point into the world of Eurorack synthesizers. Let's see, which modules are included in Radikal's latest brainchild: The system includes one swarm oscillator, a mixing stage with a noise source, a very powerful filtering section around the analog multimode filter plus stereo digital emulations of 12dB multimode and 24 dB ladder filters and one VCA. One LFO and one snappy envelope generator for modulation purposes plus the secret weapon of all Radikal Technologies digital modules, the SNAPSHOT INTERPOLATOR are adding extra excitement to your sonic adventures. The icing on the cake of the sound engine is a digital FX section with incredible modulated stereo delay effects including tape delay, phasing, chorus, flanging etc.!

In a modular synth system, the different sound generating and altering sections are not connected. The user has to establish all the connections that are necessary to generate sound effects and tones with patch cables. In a semimodular synth the most essential connections are hardwired. This means you can play the DELTA CEP A right out of the box. Of course you can go a step further and add your own module patching.

The DELTA CEP A has a MIDI interface, which is essential when you want to use the paraphonic mode of the Synth. The paraphonic mode let's you play chords and turns the DELTA into the perfect pad and ensemble section. The MIDI Interface has additional outputs for external modules and a special digital bus allows for controlling the SWARM OSCILLATOR RT-311 direct with notes and chords to layer additional voices in monophonic and chords mode using an external MIDI keyboard.

The SNAPSHOT INTERPOLATOR is a very unique feature in the synthesizer world. First you have the ability to store snapshots of your sound creations into the internal memory. Then you can play these snapshots sequentially for very cool sonic sequences. But that is not all. You can even create smooth transitions from one snapshot to the other for stunning sound morphing effects. Independent from the Interpolator, the snapshot memories can also be used as preset memories and are filled with sounds from our sound designers.

23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs and 17 inputs - the DELTA CEP A has a great synthesis potential that can even grow by adding additional modules. The connectivity provides the freedom to use it as part of your existing Eurorack system or as an independent solo synthesizer with our special DELTA CEP A desktop case.
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MRP:$1,396.33 SAVE 19%
coming soon $1,127.94
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