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Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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MRP:$404.71 SAVE 13%
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quote 781603
ALM Pip Slope Mk2 Compact Envelope Generator Module
Cat: 792489 Rel: 21 Sep 20 • View all Synth modules
 
envelope generator module
Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
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 9 in stock $104.93
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WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 23 Sep 20 • View all Synth modules
 
filter module
Notes: Proper surgical EQ in Eurorack format, with five parametric bands of filters for shaping sound. As usual for WMD, there's a lot of thought gone into making it versatile, doubling up as a morphing filter for mono, dual mono or stereo signals.

Supplier's Notes:
SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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 4 in stock $244.10
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Tangerine Dream: Itinerary: The Concert Memorabilia 1970-2014 by Brad Duke
Cat: 779750 Rel: 21 Sep 20 • View all Books
 
10x12" memorabilia collection in coffee-table book format
Notes: This complex work is a painstakingly detailed and incredibly massive exhibit of Tangerine Dream's paper past. Presented in a 10x12" (ca. 25x30 cm) coffee-table book format - specifically designed to sit beside Edgar's Force Majeure autobiography perfectly, "Itinerary" has a scope of about 452 pages, and contains over 1,100 images of TD's posters, flyers, tickets, passes, programs, invitations, contracts, stage plots, spreadsheets, memos, itineraries, telexes, receipts, press releases, etc. - all of which has been described by one of the world's leading collectors of music memorabilia to be "the most astonishing collection of memorabilia by one band" he's ever seen.
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 3 in stock $84.58
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Tangerine Dream Solace Package (limited edition)
Cat: 777107 Rel: 25 Sep 20 • View all DJ gifts & gadgets
 
facemask bundle package
Notes: Content: 2 face masks, 1 high-quality poster of the Barbican TD Exhibition, 1 fridge magnet showing Edgar Froese.

Material: Cotton satin, breathable, hand-made, with elastic earloops, washable at 60 degrees Celsius.
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 1 in stock $38.27
Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser Omnitronic EQ-25 MKII 5-Band Stereo DJ Equaliser
Cat: 789843 Rel: 23 Sep 20 • View all DJ mixers
 
DJ equaliser
Notes: Stereo EQ designed for DJs, offering five frequency bands with i12dB boost/cut to help shape the tone of line-level signals, typically used on the output of the mixer. Clean sound and typical good value from Omnitronic.

Supplier's Notes:
5-band equalizer with vintage rotary knobs for DJs

The Omnitronic EQ-25 MK2 is an analog 5-band equalizer for DJs in a 1-channel stereo unit. Using high-grade components such as long-life ALPS RK27 potentiometers, the rack-mounted equalizer has excellent sound characteristics. With the large, smooth rotary knobs DJs get an effective tool for creative sound shaping in the club or studio. The equalizer provides XLR and RCA connectors and features a bypass switch for bridging.

Power consumption:: 12 W
S/N ratio: >97 dB
Equalizer: master: 2 x 5-band tone control Stereo
centre frequency: 75/300 Hz, 1/3/10 kHz

Control range:: i12dB

Connections:
Input: 2 x line via 3-pin XLR
Input: 2 x line via RCA (f) mounting version
Output: 2 x line via 3-pin XLR
Output: 2 x line via RCA (f) mounting version

Max. level: Input: +22 dBu
Output: +22 dBu
Housing design: (19") 48.3 cm rack installation 1 U
Width:: 48.3 cm
Height:: 4.45 cm
Depth:: 14.5 cm
Weight:: 2.25 kg
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MRP:$282.66 SAVE 11%
 4 in stock $250.52
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quote 789843
Eddie Piller Presents The Mod Revival
Eddie PILLER/VARIOUS
Eddie Piller Presents The Mod Revival (unmixed 4xCD in hard-back book case)
Cat: EDSL 0054. Rel: 23 Sep 20
Rock
  1. The Jam - "I Got By In Time"
  2. The Jolt - "I Can’t Wait"
  3. The Inmates - "Dirty Water"
  4. Purple Hearts - "Frustration"
  5. Teen Beats - "Strength Of The Nation"
  6. The Chords - "The British Way Of Life"
  7. New Hearts - "Only A Fool"
  8. Speedball - "No Survivors"
  9. The Circles - "Opening Up"
  10. Back To Zero - "Your Side Of Heaven"
  11. The Cigarettes - "They're Back Again, Here They Come"
  12. The Users - "Kicks In Style"
  13. Long Tall Shorty - "Falling For You"
  14. Beggar - "Don’t Throw Your Life Away"
  15. The Mods - "One Of The Boys"
  16. The Nips - "Gabrielle"
  17. The Fixations - "No Way Out"
  18. Untamed Youth - "Untamed Youth"
  19. The Leepers - "Paint A Day"
  20. Terry Tonik - "Just A Little Mod"
  21. The Accidents - "Blood Spattered With Guitars"
  22. The Two Tone Pinks - "Look But Don’t Touch"
  23. Les Elite - "Get A Job"
  24. Secret Affair - "Let Your Heart Dance"
  25. The Step - "Let Me Be The One"
  26. Small Hours - "Can’t Do Without You"
  27. Dexy’s Midnight Runners - "Dance Stance"
  28. The Bureau - "Let Him Have It"
  29. Nine Below Zero - "Pack Fair & Square"
  30. Madness - "The Prince"
  31. The Akrylyx - "Smart Boy"
  32. The Media - "South Coast City Rockers"
  33. Dolly Mixture - "New Look Baby"
  34. Squire - "Does Stephanie Know?"
  35. The Little Roosters - "I Need A Witness"
  36. The Directions - "Three Bands Tonight"
  37. Lambrettas - "Go Steady"
  38. The Merton Parkas - "Flat 19"
  39. Hidden Charms - "Run For Your Money"
  40. The Crooks - "Modern Boys"
  41. The Name - "Fuck Art Let’s Dance"
  42. The Reaction - "I Can’t Resist"
  43. The Killermeters - "Why Should It Happen To Me"
  44. The Colours - "The Dance"
  45. The Sets - "Life On An LI"
  46. The Donkeys - "The Donkeys"
  47. The Long Ryders - "Looking For Lewis & Clark"
  48. Scarlet Party - "101 Dam-Nations"
  49. Mood Six - "Hanging Around"
  50. The Onlookers - "You & I"
  51. The Same - "Movements"
  52. The Times - "I Helped Patrick McGoohan Escape"
  53. The Prisoners - "The More That I Teach You"
  54. The VIPs - "The Quarter Moon"
  55. The Scene - "Something That You Said"
  56. Solid State - "Train To London Town"
  57. Small World - "Love Is Dead"
  58. Sema 4 - "Up Down & Around"
  59. Variations - "Fight Back"
  60. 007 - "Can You See Me"
  61. The Gents - "The Faker"
  62. The Amber Squad - "Can We Go Dancing?"
  63. Dr & The Medics - "Round & Round"
  64. Heartbeats - "Go"
  65. The Clues - "No Vacancies"
  66. The Risk - "Good Together"
  67. Little Murders - "She Lets Me Know"
  68. The Kick - "Stuck On The Edge Of A Blade"
  69. The Truth - "Confusion (Hits Us Every Time)"
  70. Inspiral Carpets - "Saturn 5"
  71. Ocean Colour Scene - "The Day We Caught The Train"
  72. The Untouchables - "Free Yourself"
  73. Makin Time - "Here Is My Number"
  74. Reflection - "All I Want To Be"
  75. Five Thirty - "Abstain"
  76. James Taylor Quartet - "One Way Street"
  77. Daggermen - "Ivor The Engine Driver"
  78. The Moment - "Sticks & Stones"
  79. The Blades - "Revelations Of Heartbreak"
  80. Fast Eddie - "Shake A Tail Feather"
  81. Corduroy - "E Type"
  82. Mother Earth - "Stoned Woman"
  83. The Clique - "Wormin'"
  84. The Rage - "Come With Theones That You Know"
  85. Strangeways - "All The Sounds Of Fear"
  86. Studio 68 - "The Other Me"
  87. Dance Stance - "The Other Side Of Paradise"
  88. Stupidity - "Bend Don’t Break"
  89. E-Types! - "She Changes"
  90. The Mads - "The Mods Are Back In Town"
  91. The Elements - "Caught In A Storm"
 in stock $25.43
Sequenz Korg Wavestate Minilogue & Microkorg Keyboard Soft Case Sequenz Korg Wavestate Minilogue & Microkorg Keyboard Soft Case Sequenz Korg Wavestate Minilogue & Microkorg Keyboard Soft Case
Cat: 768133 Rel: 23 Sep 20 • View all Keyboard bags & covers
 
keyboard soft case
Notes: A soft case that can hold units such as the wavestate or the microKORG.

This is an ideal soft case for transporting small KORG keyboards such as the wavestate, minilogue, minilogue xd, or microKORG. Thick cushioning securely protects your valuable instrument, yet the case is amazingly lightweight at less than 500g. The case material is the popular black camouflage, projecting a mature ambience.
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 7 in stock $47.36
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Old Blood Noise MAW XLR Microphone Effects Manipulator Vocal Pedal
Cat: 782148 Rel: 21 Sep 20 • View all Effects pedals
 
Vocal manipulator pedal
Notes: What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It's the new multi-tool for effects lovers on stage and in studio.
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MRP:$319.92 SAVE 17%
 1 in stock $265.52
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FORTHCOMING
Mukatsuku Font Name Design Disk Stabilizer/Record Weight Stabilizer (510 gram) Plus Black & Gold Font Name Wooden Stabiliser Box
Notes: Mukatsuku disc stabilizer/record turntable weight plus wooden branded box with magnetic lid both with the font name design -

No springs, clips or screws required, just place the Mukatsuku disc stabilizer over the spindle and hey presto, you can obtain tighter bass and sweeter treble, as well as improved dynamics/less distortion, bringing the record into more intimate contact with the platter.

Weight of each stabilizer is approx 510 grams and made from aluminium.

Bespoke Black & Gold Stabiliser Box with Mukatsuku Font Name Design Name On Magnetic Lid to house the Mukatsuku 510 Gram Stabilizer approx 85mm x 85mm height 55mm approx 150g in weight
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coming soon $57.80
Korg NuTekt HAS Nutube Headphone Amplifier DIY Kit (no soldering required) (B-STOCK) Korg NuTekt HAS Nutube Headphone Amplifier DIY Kit (no soldering required) (B-STOCK) Korg NuTekt HAS Nutube Headphone Amplifier DIY Kit (no soldering required) (B-STOCK)
Cat: 793291 Rel: 01 Jan 90 • View all Headphone amplifiers & monitors
 
***B-STOCK: Box opened, product unused***
Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!
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 1 in stock $180.94
QTX Studio Monitor Speaker Stands (50cm, pair)
QTX
Cat: 785757 Rel: 25 Sep 20 • View all Speaker stands, pads & mounts
 
Stands for QTX Studio Monitor Speakers
Notes: Studio Monitor Stands - 2pcs

A pair of stylish monitor stands ideal for studio, home or small projects. Supplied with floor spikes to increase stability providing a sturdy stand for monitor speakers.

The box for this item contains :

2 x Studio Monitor Stands
8 x Floor Spikes
1 x Hex Key
Pack of M6x25 fixing screws
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 2 in stock $30.78
Pioneer HC-CP08 Coiled Cable & Ear Pads For HDJ-CUE1 (yellow)
Cat: 789475 Rel: 25 Sep 20 • View all Headphones parts
 
Coiled cable & ear pads
Notes: Find your style and personalize your HDJ-CUE1s by switching the cable and earpads on your DJ headphones with one of five brightly colored replacements available in the HC-CP08 accessory pack. It includes two replacement ear pads and a detachable coiled cable. Available in orange, yellow, green, blue, and pink.

Short coiled cable
Length (Europe) : 1.2 m/ 47.24" coiled (extended length 1.8 m /70.87")
Plug : L-type mini-jack

Leather ear pads
Material : Polyurethane leather
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MRP:$34.69 SAVE 17%
 1 in stock $28.91
Pioneer HC-CP08 Coiled Cable & Ear Pads For HDJ-CUE1 (orange)
Cat: 789470 Rel: 25 Sep 20 • View all Headphones parts
 
Coiled cable & ear pads
Notes: Find your style and personalize your HDJ-CUE1s by switching the cable and earpads on your DJ headphones with one of five brightly colored replacements available in the HC-CP08 accessory pack. It includes two replacement ear pads and a detachable coiled cable. Available in orange, yellow, green, blue, and pink.

Short coiled cable
Length (Europe) : 1.2 m/ 47.24" coiled (extended length 1.8 m /70.87")
Plug : L-type mini-jack

Leather ear pads
Material : Polyurethane leather

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MRP:$34.69 SAVE 17%
 1 in stock $28.91
Pioneer HC-CP08 Coiled Cable & Ear Pads For HDJ-CUE1 (green)
Cat: 789480 Rel: 25 Sep 20 • View all Headphones parts
 
Coiled cable & ear pads
Notes: Find your style and personalize your HDJ-CUE1s by switching the cable and earpads on your DJ headphones with one of five brightly colored replacements available in the HC-CP08 accessory pack. It includes two replacement ear pads and a detachable coiled cable.

Short coiled cable
Length (Europe) : 1.2 m/ 47.24" coiled (extended length 1.8 m /70.87")
Plug : L-type mini-jack

Leather ear pads
Material : Polyurethane leather
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Pioneer HC-CP08 Coiled Cable & Ear Pads For HDJ-CUE1 (pink)
Cat: 789487 Rel: 25 Sep 20 • View all Headphones parts
 
Coiled cable & ear pads
Notes: Find your style and personalize your HDJ-CUE1s by switching the cable and earpads on your DJ headphones with one of five brightly colored replacements available in the HC-CP08 accessory pack. It includes two replacement ear pads and a detachable coiled cable.

Short coiled cable
Length (Europe) : 1.2 m/ 47.24" coiled (extended length 1.8 m /70.87")
Plug : L-type mini-jack

Leather ear pads
Material : Polyurethane leather
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MRP:$34.69 SAVE 17%
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Make Noise 0-CTRL Sequencer (B-STOCK) Make Noise 0-CTRL Sequencer (B-STOCK)
Cat: 793286 Rel: 01 Jan 90 • View all Synthesisers
 
***B-STOCK: Box opened, product unused***
Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables
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 1 in stock $362.96
Pioneer HDJ-CUE1BT DJ Headphones With Bluetooth Functionality (matte black)
Cat: 789466 Rel: 21 Sep 20 • View all DJ headphones
 
DJ headphones with Bluetooth functionality
Notes: On-ear wireless DJ headphones at a very attractive price point. Same 40mm drivers as the more expensive HDJ-X5 model, but with interchangeable parts to customise the look to your own taste.

Supplier's Notes:
Start your DJ journey with HDJ-CUE1 headphones. These styled DJ headphones are built on DNA from our pro models but are available at a much more modest price.

While these entry-level cans are our most affordable pair yet, they match many of the feature and quality benchmarks set by our professional headphones range. Choose the HDJ-CUE1 for a pro look and feel, rich sound, compact and flexible design, and high-quality finish. Enjoy specialist sound tuning inherited from the pro-level HDJ-X5; perfectly hear low frequencies in the bass and kick drums so you can mix precisely and know exactly what your friends will hear when you drop the next track.

Pick your favorite from a range of colors to match your individual style and listen to music on the move thanks to Built-in Bluetooth technology. You can also opt for a wired version of the headphones if you prefer.

Hear the full richness of your music when DJing or just listening to a favorite track. Dynamic drivers enable you to feel the bass and hear mids and high-end sounds with crystal clarity, helping you to mix with pin-point precision.

Each HDJ-CUE1 model can handle the heavy stress that DJing places on headphones. All moving parts have passed our strict-in house durability tests and extra-strong metal sliders in the headband bring added reliability.

Bluetooth gives you the freedom to listen to music wirelessly. The built-in microphone enables you to take phone calls and, when you want to start DJing, you can simply connect the included cable to focus on your mix.

With ear cups that turn a full 90 degrees and a flexible, cushioned headband, you can comfortably monitor your mix your way. Listen with one ear while the other cup rests on the back of your head, or while your headphones are draped around your neck.

Personalize your look and express yourself by switching out the cable and earpads for one of 5 brightly colored replacements. Our separately sold HC-CP08 accessory pack is available in orange, yellow, green, blue, and pink.

The lightweight, folding design means you can easily take your headphones wherever you go.

A detachable 1.2m short-coiled cable is included, giving you freedom to move while performing, and its bayonet connector prevents accidental disconnections.

Type: Closed, dynamic
Driver Units: 40 mm dome type
Cord: 1.2 m short coiled cable (1.8 m extended length)

What's in the box
1.2 m coiled cable (extended length 1.8 m)
USB charging cable
Precautions for use
Instruction Manual (Quick Start Guide)

Specifications
Weight (without cord): 250 g
Maximum Input Power: 2000 mW
Sensitivity: 104 dB
Frequency Range: 5 - 30000 Hz
Impedance: 32 O
Bluetoothr: standard ver. 5.0
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MRP:$114.35 SAVE 17%
 2 in stock $95.29
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Pioneer HC-CP08 Coiled Cable & Ear Pads For HDJ-CUE1 (blue)
Cat: 789483 Rel: 25 Sep 20 • View all Headphones parts
 
Coiled cable & ear pads
Notes: Find your style and personalize your HDJ-CUE1s by switching the cable and earpads on your DJ headphones with one of five brightly colored replacements available in the HC-CP08 accessory pack. It includes two replacement ear pads and a detachable coiled cable.

Short coiled cable
Length (Europe) : 1.2 m/ 47.24" coiled (extended length 1.8 m /70.87")
Plug : L-type mini-jack

Leather ear pads
Material : Polyurethane leather
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MRP:$34.69 SAVE 17%
 1 in stock $28.91
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer (B-STOCK)
Cat: 793289 Rel: 01 Jan 90 • View all Synthesisers
 
***B-STOCK: Box opened, product unused***
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
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 1 in stock $330.84
Teenage Engineering POM-16 Home-Build Stand-Alone Keyboard With Tuneable Keys & Programmable Step Sequencer (assembly required) (B-STOCK) Teenage Engineering POM-16 Home-Build Stand-Alone Keyboard With Tuneable Keys & Programmable Step Sequencer (assembly required) (B-STOCK)
Notes: Teenage Engineering go DIY with this kit-build CV/MIDI keyboard, designed to play nicely with Eurorack gear, Pocket Operators and the brand's own modular range.

Supplier's notes:
The POM-16 is a home-build stand-alone keyboard with individual tuneable keys and a programmable step sequencer.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: The unit is designed to send CV, Gate, MIDI, and PO Sync to control the POM-400 or other synthesizers. These signals do not make sounds.

FEATURES
Powder-coated Aluminium Chassis
Keyboard and Sequencer
Stores up to 64 patterns
Battery power option
Power supply sold separately
Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm
Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-16 chassis
1 x Keyboard
16 x Trim Knob
1 x Value Knob
4 x Rubber Foot
4 x Chassis Screw
1 x Screwdriver
1 x User's Manual
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 1 in stock $159.53
Hosa MID-305RR Right Angle MIDI Cable (5 ft, black)
Cat: 370639 Rel: 25 Sep 20 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: 5 ft long DIN to DIN MIDI cable, with right angled connectors.

This cable is designed to interconnect MIDI devices. Right-angle connectors on both ends allow easy access to MIDI ports with minimal clearance.

Connectors: Right-angle 5-pin DIN to Same
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 2 in stock $6.41
FORTHCOMING
Presonus Studio One 5 Artist Software (boxed)
Notes: Studio One Artist provides everything you need to create your own music and podcasts as intuitively as possible, and does it all with a single-window, drag-and-drop workflow that will make you wonder why you put up with other software that isn't designed the same way. You'll supercharge your creativity thanks to unlimited tracks and buses and a complete suite of virtual instruments and native effects. And if that's not enoughifor the first time ever, now Studio One Artist supports third-party VSTs, so you can bring your existing instrument and effects collection into Studio One Artist. And we've made them even easier to use, thanks to new advanced Key Switch support.

Studio One is designed to keep you in the creative flow by providing powerful tools that never get in your way. Robust virtual instruments like Mai Tai, Mojito, Impact XT and Presence XT are included for deep synth, rhythm, and instrument sample playback, respectivelyiand the included Native Effects sound just as good (and frequently, better) as third-party effects solutions.

Guitarists will love the new third-generation Ampire tech that has the most realistic amp and cabinet (and stompbox!) simulations we've ever made. Fans of EDM and hip-hop will appreciate Studio One's Pattern Editor, which allows for intuitive drum and melody composition via a familiar drum-machine inspired UI, which might be just about the most fun and rewarding music-creation technique out there.

The standard for end-to-end production, only Studio One 5 seamlessly moves with you from initial inspiration to full production, final mix to digital release... and lets you truly create without boundaries.
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coming soon $83.50
Presonus AudioBox 96 Studio 25th Anniversary Edition Hardware & Software Recording Kit (B-STOCK) Presonus AudioBox 96 Studio 25th Anniversary Edition Hardware & Software Recording Kit (B-STOCK)
Cat: 793287 Rel: 01 Jan 90 • View all Audio & MIDI interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Celebrating the brand's 25th birthday, PreSonus offer a studio pack for beginners, including the excellent AudioBox 96 interface, headphones, mic, cables and Studio One Artist software. All you need to get started.

Supplier's Notes:

Everything you need to record and produce
Start recording today with this complete, all-PreSonusr package! Based on the AudioBox USBr 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.

AudioBox USB 96: Simple, reliable, and portable.
The AudioBox USB 96 is the heart of the AudioBox 96 Studio. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy. Read more about the AudioBox USB 96.

Studio One Artist makes recording a breeze.
No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy! Read more about Studio One Artist.

Capture every nuance with the M7 condenser microphone.
Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones.
PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions. Read more about HD7 headphones.

Make your own magic.
At PreSonus, we want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface product we make. But here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products.
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 1 in stock $168.09
Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK) Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK) Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK) Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK) Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK) Presonus Audiobox USB 96 25th Anniversary Edition 2x2 USB Audio Interface (B-STOCK)
Cat: 793288 Rel: 01 Jan 90 • View all Audio & MIDI interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Special matte black edition to celebrate PreSonus's 25th birthday. Audiobox USB 96 offers the classic entry-level interface features of 2-in, 2-out audio plus MIDI in and out. Great value.

Supplier's Notes:

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USBr 96 audio interface is for you! This simple, handy little audio/MIDI interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

The AudioBox USB 96 audio interface's two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Here is a mobile audio interface in the best sense of the term. The AudioBox USB 96 was given a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it's USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the AudioBox USB 96 audio interface will give you great sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the AudioBox USB 96 comes equipped with Studio One Artist to provide you with a complete recording solution right out of the box. Check out the AudioBox USB 96 and Studio One at your favorite PreSonus dealer.

PreSonus interfaces come with everything you need to craft your own mesmerizing spells in the studio. That's why the Studio One Artist is included with every PreSonus audio interface product. But not only that, the Studio Magic Suite software with PreSonus' audio interface products.

Input/Output
1 USB 2.0 port
2 combo XLR/14" mic/instrument inputs
2 balanced 14" main (L/R) line outputs
1 stereo 14" headphone output

MIDI in/out
Digitalia
24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate
Professional-grade A/D/A converters (+105 dBu dynamic range)
Zero-latency monitoring via internal mixer
Compatible with most Macr and Windowsr recording software
Included Software
Studio Oner Artist
Studio Magic Plug-in Suite

Physical
1/3U rack-mountable (with optional 3UMR rack-mounting system)
Road-rugged construction with all-metal chassis and metal knobs
Weighs just 5 lbs (2.3 kg)
Powered via USB bus- no wall wart!
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 1 in stock $84.58
Rode DC-USB1 Power Cable For Rodecaster Pro Podcast Production Console Rode DC-USB1 Power Cable For Rodecaster Pro Podcast Production Console
Cat: 781267 Rel: 25 Sep 20 • View all USB cables & adapters
 
Power cable
Notes: The DC-USB1 is a power cable that allows the RODECaster Pro to be powered from any compatible USB output, making it entirely portable. It features a locking connector for added security. A high-power (2.4A minimum) USB output is required for operation.

*USB device/power bank not included.

Power Requirements:
5V/2.4A (USB)

12V/1A (DC)
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MRP:$32.12 SAVE 22%
 1 in stock $24.90
Old Blood Noise Endeavors Mondegreen Weird Delay Pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$242.83 SAVE 26%
 1 in stock $178.79
Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 25 Sep 20 • View all Effects pedals
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$205.57 SAVE 29%
 1 in stock $146.97
Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20 • View all Effects pedals
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$128.48 SAVE 18%
 1 in stock $105.98
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Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller
Cat: 783064 Rel: 24 Sep 20 • View all Effects pedals
 
MIDI pedal controller
Notes: The Midibox2 allows you to connect Empress Pedals equipped with a control port to MIDI. It converts the standard 5 pin MIDI cable to a simple guitar patch cable.

Specifications:
Power Input Voltage: 9V DC
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 30mA
Enclosure Material: Die Cast Aluminum
Input connector: Standard 5 pin MIDI connector
Output connector: 1/4" Jack
Height: 1.25"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lb
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MRP:$115.63 SAVE 16%
 1 in stock $97.43
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Old Blood Noise Endeavors Black Fountain Oil Can Delay Pedal
Notes: The Black Fountain reflects back to the days before digital delay, emulating the sounds of the famed and elusive "oil can delay" units. These units emphasized a chorus-like modulation on the repeats of the effect signal as well as a beautiful and warm repeat cycle.

The Modern mode emulates the classic long delay "oil can" units such as the Morley EDL, Tel-Ray Model 10 and Fender Echo-Reverb. The Time and Repeat controls mimic the functions of the vintage units, while the Fluid control introduces modulation based on the characteristic "wobble" of the electrostatic delay platter. The Vintage mode is similar in function to the Modern mode, but has a grittier and gainier feel to the repeats. Both the Modern and Vintage mode have a delay time of 800 milliseconds.

The Organ Tone mode is based on the Tel-Ray Deluxe Organ Tone, Fender Dimension IV and other short-delay "oil can" units. The vintage units had a fixed delay time of approximately 20 milliseconds, which is implemented here, but the Black Fountain goes above and beyond the original units by incorporating variable Rate and Depth controls for the modulation effect. In addition, the Mix control is capable of dialing a 100% wet signal so a vibrato effect may be produced. The Organ Tone mode also features a simple reverb that mimics the single-spring tank in the original Deluxe Organ Tone effect. The Organ Tone mode has a delay time of 211 milliseconds.

The Black Fountain now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC
60 mA
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MRP:$242.83 SAVE 18%
 1 in stock $200.21
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Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal
Cat: 783102 Rel: 24 Sep 20 • View all Effects pedals
 
Tape delay pedal
Notes: Rich, lush tape delay in an incredibly small box. 3 flavors of tape age let you choose how dark and gritty the repeats will get while filter and modulation controls allow for even more fine tuning. Tap tempos with ratio multiplier mean rhythms like dotted eights are all at your fingertips.

Now with an analog dry path, the Tape Delay is packed with features, all accessible from the advanced configuration mode. Presets can store all your settings and be recalled at the touch of a button, making switching live fast and easy.
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MRP:$340.47 SAVE 29%
 2 in stock $243.03
Old Blood Noise Endeavors Dark Star Pad Reverb Pedal
Notes: There's a gentle hum, a soft light somewhere in the darkness. And it grows. A little hope that you're not the only one in a vast universe. Isolated, alone and dying. When there's truly nothing making noise, what do you hear? Is it nothing? Or is it the softness, the growing of a voice that resides below the normal hum and frequency of the universe. The voice of the Dark Star.

The Dark Star is what we would use to create long reverberated pads. The noises underneath the lead. The mood setter. That's the Dark Star. The way a song feels. That's because of the Dark Star.

At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay Feedback. In Crush, you've got a pitch control for +/- an octave and then a control for Bit Crush. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.

The Dark Star has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.

The Dark Star now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$242.83 SAVE 19%
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Old Blood Noise Visitor Parallel Multi-Modulator Pedal
Cat: 782184 Rel: 21 Sep 20 • View all Effects pedals
 
Multi-modulator pedal
Notes: Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
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MRP:$242.83 SAVE 17%
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Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal
Cat: 783107 Rel: 24 Sep 20 • View all Effects pedals
 
Delay pedal
Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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MRP:$591.01 SAVE 21%
 2 in stock $464.66
Old Blood Noise Minim Reverse Modulated Delay/Reverb Pedal
Cat: 782151 Rel: 21 Sep 20 • View all Effects pedals
 
Delay/reverb pedal
Notes: Reverb and harmonic tremolo with modulated delay. Designed to work nicely as a companion pedal to the brand's Rever reverse delay and reverb, but equally potent on its own.

Supplier's Notes:
Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rever. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse section selectable between normal speed or double speed. Sat next to the Rever, it's like a long lost sibling. Put both on your board and see how well they get along.
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MRP:$289.08 SAVE 27%
 2 in stock $211.98
Maxon FW-10 Fuzz Elements Wind Ten Series Fuzz Pedal
Cat: 783306 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: Manufactured under a myriad of brands, this circuit can be found in the Vox Tonebender Professional MKII, Marshall Supa Fuzz, RotoSound Fuzz Box and the rare Rangemaster Fuzzbug. Yet whatever the name, everyone can agree on one thing - this was the guitar sound of early classic rock.

Perfect for replicating the timeless tones of Beck, Page, & Clapton, the FW10 Fuzz Elements Wind captures all the magic of the original Mk II Tonebender and adds a little modern mojo of its own.

Wind offers an edgy, aggressive tone with plenty of midrange sizzle, yet it cleans up beautifully with your volume knob and offers excellent note definition even with complex chords.

Maxon also added two tweaks to this classic circuit to make it more versatile. First; a Vintage/Hot switch that selects between the Gain level of the original and a higher Gain setting. Vintage serves up 100% Tonebender, while Hot offers more sustain for solos or to drive you amp over the edge.

Wind also features a selectable input buffer that works to provide a more accurate, uncolored recreation of the guitar input signal. In short: It's your sound, just dirtier.

The original Sola Sound Tonebender was used by some the greatest guitar players of the 60s and 70s.

If you're looking to worship at the altar of rock's holy trinity, Fuzz Elements Wind will be your guide.

TECH TALK:
The FW10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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MRP:$186.30 SAVE 11%
 1 in stock $164.88
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Maxon OD-808 Overdrive Reissue Series Pedal Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 25 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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Maxon FF-10 Fuzz Elements Fire Ten Series Fuzz Pedal
Cat: 783302 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: The AF100 Bee Baa was Roland's answer to the gnarly, nasty guitar boxes coming out of the USA & the UK in the late 60's and early 70's.

A combination of transistor Fuzz, Octavia, and Treble Booster, the Bee Baa's massive metal housing & triple stomp switches provided ample evidence that this pedal was not to be trifled with.

Even Maxon was hard-pressed to reproduce the AF100's might in their compact chassis format. Opting to stick with the Fuzz aspects of the Bee Baa, they decided to leave out the Treble Boost section of the circuit when developing this next Fuzz Elements model.

The FF10 Fire produces two distinctly different yet equally aggressive fuzz tones based on the AF100's signature sounds.

In normal mode, the FF10's three controls can dial in thick & muscular transistor tones akin to a great-sounding Big Muff, but with improved midrange response and superior note clarity & clean-up.

Activating the Notch switch scoops mids & accentuates the upper octave harmonics dramatically, creating sizzling, searing sustained tones that are perfect for lead work.

As on the original AF100, Maxon kept the Notch setting foot switchable, allowing the user to toggle between these two titanic tones in mid-song.

Smaller & less expensive, but just as effective as the original it was inspired by: Fuzz Elements Fire brings the heat.

TECH TALK:
The FF10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783302
Maxon GE-601 Graphic Equalizer Reissue Series Pedal Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 25 Sep 20 • View all Effects pedals
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783410
Maxon BD-10 Hybrid Bass Driver Ten Series Pedal
Cat: 783267 Rel: 21 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: The BD10 Hybrid Bass Driver brings Maxon's 40+ years of experience in Overdrive design to the world of the Bass Guitar. But guitarists, don't despair; the BD10 works equally well with six strings as it does with four!

The BD10 was designed in cooperation with Masaki - a prominent Japanese Bassist who has played with world-class musicians such as Carmine Appice, Gus G, and John Petrucci, and is also a founding member of the Japanese heavy metal band Animetal.

Masaki's aggressive approach to the Bass includes fluid soloing, manic slapping & popping, energetic fills, and crashing chords for punctuation. He required an overdrive that could keep up with this energetic playing style while still retaining low-end punch and authority.

The BD10's symmetrical clipping path provides sustained, harmonically-rich saturation that retains note clarity and expressiveness even at maximum settings. Aggressive yet dynamic, the BD10 can articulate fast playing techniques such as the multi-finger picking and two-handed tapping that Masaki is famous for.

The BD10 can cover a wide variety of distorted tones, from semi-dirty boosts to punchy, tube-like grind all the way to super-saturated shred. Distorted sounds can then be blended with Dry signal using the independent Clean and Drive Level controls.

Fine tuning the balance between Clean and Distorted signals, the user can obtain the ideal mix for their particular playing style and equipment. Use a pick? Turn up the Drive for chunky chugs. Play with your fingers? Boost the Clean for more clarity and articulation of your notes.

Clean signal can be boosted up to +6 dB above unity gain, allowing the DB10 to be used as a clean or semi-clean booster or as a linedriver for your signal chain.

Since the BD10's circuit is based on Maxon's legendary 808 design, it can also be used with Guitar. The dual tone controls allow the user to dial in the lows that are typically lost with 808-style pedals, while the ability to blend clean and dirty signals can simulate the sound of a dual-amp rig as well as pedals like the Klon Centaur and Voodoo Labs Sparkle Drive.

Compact, versatile, and musically expressive, the BD10 Hybrid Bass Driver is a worthy and welcome addition to the Maxon family of world-class Overdrives.

TECH TALK:
The BD10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.
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quote 783267
Maxon CS-9 Stereo Chorus Pro Nine Series Pedal
Cat: 783314 Rel: 25 Sep 20 • View all Effects pedals
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS-9 Pro's chorus effect is bold and resonant without sounding harsh. Unlike the somewhat sterile sounds of its 80's predecessor, the CS-9 Pro has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS-9 Pro's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS-9 Pro can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A top-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS-9 Pro is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the Pro thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS-9 Pro features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS-9 Pro is essentially the same as Maxon's CS550, but in a smaller chassis and with battery or AC power options.

TECH TALK:
The CS-9 Pro circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102. Though the 3207/3201 combo has less delay range than other BBD's of this type, the difference is negligible and the inherent decay of signal quality adds "vintage lo-fi warmth" to the signal.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS-9 Pro features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 2 (Out, Inv. Out)

Residual Noise: -92 dB or less (input shorted IHF-A weighted)

Delay Time: 0.9 mSec to 6.4 mSec

Speed Frequency: 0.4 Hz to 8 Hz

Controls: Speed, Width, Delay Time, Blend

Switch: Normal/Effect (true bypass configuration w/4PDT switch)

Power Supply: 6F22 9V Manganese dry cell battery x1 or Maxon AC adaptor

Power Consumption: 26 mA (9 V) or 26 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g (including battery)

Options: Maxon AC Adaptor (AC210N) Tip Negative/Barrel Positive configuration

Accessories: 9V Manganese dry cell battery x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783314
Maxon ASC-10  Ambient Stereo Chorus Ten Series Pedal
Cat: 783260 Rel: 21 Sep 20 • View all Effects pedals
 
Ambient stereo chorus pedal
Notes: The ASC10's chorusing effect is set especially wide in the stereo spectrum, offering a lush tonality that actually sounds like two guitars playing at once.

The extended operation range of the Rate and Depth controls conjure up everything from gorgeous 12-string simulations to punch-drunk rotary speaker spins.

Stunning on clean sounds and aggressive on distorted tones, the ASC10 is equally at home in the front-end or the FX loop of an amp.

Dual, phase-inverted outputs allow for panning of the ASC10's effect between two amps or tracks, or run mono from output B for a more dramatic chorus effect.

TECH TALK:
The ASC10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: RATE, DEPTH

Switch: Bypass/Effect

Indicator: Bypass/Effect LED, RATE LED

Maximum Input Level: 4dB (400Hz)

Equivalent Input Noise: -100dBu or less (Input shorted, IHF-A weighted)

Delay Time: 4.6mSec to 7.6mSec

Rate Frequency: 0.33Hz to 8Hz

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 20mA max. / 9VDC

Battery Life:
9VDC manganese battery 15 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 30 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 56(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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Maxon PT-999 Phase Tone Phaser Reissue Series Pedal Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20 • View all Effects pedals
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon CP-101 Compressor Reissue Series Pedal Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783403
Jensen JTA230R USB Turntable With Built In Speakers
Jensen JTA230R USB Turntable With Built In Speakers (belt drive turntable with built-in speakers)
Cat: 790479 Rel: 23 Sep 20 • View all DJ turntables
 
USB record turntable with built-in speakers
Notes: Introducing the JENSENr JTA-230R 3-speed belt drive turntable with brushed metal accent trim that offers a sleek, modern look for playing your vinyl music collection. The unit features two built-in stereo speakers and includes an auxiliary input jack for playing music from other devices, like a portable MP3 player right through the speakers. Also featured is a front mounted pitch control to fine tune the record speed, a tone control for adjusting the sound quality, a headphone jack and RCA line-out jacks in case you want to attach the turntable to your home music system.

Take your favorite albums and convert them to digital files in just seconds. Simply install the included software onto your home computer, plug the JTA-230R into your computer using the supplied cable and start playing your record. The music automatically converts into digital format right on your computer and then allows you to save it for playback on a digital device.

You can even attach this unit to your home music system using the 2 rear mounted RCA line-out jacks. Also included are a dust cover, stereo headphone jack, and auto stop switch. The unit operates on 120V AC power.

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quote 790479
Maxon DB-10  Dual Booster Ten Series Pedal
Cat: 783269 Rel: 21 Sep 20 • View all Effects pedals
 
Booster pedal
Notes: A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing.

The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response.

The Vintage (Right) channel is Maxon's take on the classic Treble Booster circuit. It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum.

Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order. Place an overdrive or distortion in-between the channels for additional tonal options - super-saturated overdrive that can then be level-boosted for solos, etc.

One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously.

Independent status LED's indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options.

Compare to "booster" pedals out there such as Suhr Koko Boost, Exotic Rc Booster, Ac Booster, Ep Booster, Pigtronics Class A boost, Fulltone Fat Boost, Tc Boost etc...

TECH TALK:
The DB10 features mechanical true bypass switching on both channels via two x Fujisoku 3PDT switches.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: Vintage LEVEL, Clean LEVEL

Switch:
Vintage Bypass/Effect (3PDT True Bypass)
Clean Bypass/Effect (3PDT True Bypass)

Indicator: Vintage Bypass/Effect LED, Clean Bypass/Effect LED

Gain:
Vintage 6 to 19dB at 400Hz
Clean 0 to 21dB at 400Hz

Equivalent Input Noise:
Vintage -95dBu or less (Input shorted, IHF-A weighted)
Clean -105dBu or less (Input shorted, IHF-A weighted)

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Power Consumption: 11mA / 9VDC

Battery Life:
9VDC manganese battery 41 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 67 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 54(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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quote 783269
Maxon AF-9 Auto Filter Nine Series FX Pedal Maxon AF-9 Auto Filter Nine Series FX Pedal
Cat: 783308 Rel: 25 Sep 20 • View all Effects pedals
 
Filter pedal
Notes: You may have noticed that the Maxon AF-9 Auto Filter has undergone a facelift.

Specifically, the Sensitivity & Peak faders have been replaced by rotary pots and the slider switches are now toggles.

This change was made out of necessity due to the discontinuation of the fader pots that had been used on this model for nearly 40 years (original release date was 1981).

While these changes may have been necessary, Maxon saw no reason to update the AF-9's classic, watery, 3-dimensional filtering that so many players have to come to count on over the years. So, you can expect the latest version of this classic quacker to stand up to the original.

While change may be inevitable, if it ain't broke, then don't fix it.

The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Threshold and Peak sliders control the degree of effect; while Range and Drive switches determine range and direction of the filter sweep. Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz - 4 kHz allow the AF9 to function with virtually any instrument or input signal.

"The Maxon Auto Filter is one of my favorite "go-to" pedals. This really helps you give your playing a human voice without sounding like you just stepped on an effects pedal. It is really special and you can hear it on tons of my recordings." - Marty Friedman (Solo Artist, ex-Megadeth, Cacophany)

TECH TALK:
The AF-9 is Maxon's version of the venerable Mu-Tron III envelope filter circuit (original version, not HAZ reissue). The biggest difference between the two circuits is that the AF-9 runs on a single 9V supply while the Mu-Tron ran at 18V.

In addition, the III had a Gain pot which controlled the output level of the pedal as well as the Threshold of the Filter - this was an awkward design, as it prevented increasing the filter sensitivity without raising the output volume of the pedal.

These items aside, the basic structures of the two circuits are very similar. The AF9 starts with a unity gain buffer Op Amp and then splits the signal into control and effected circuits. The control circuit is shaped by the Sensitivity pot and amplified by an Op Amp. This control signal then travels to a series of two photocouplers.

The effected portion of the circuit split goes into a three Op Amp filter network that is almost identical to the Mu-Tron's, right down to the Low Pass, Band Pass, and High Pass switch that selects which portion of the filter network is used. These filters are triggered by the CdS cell side of the previously mentioned photocouplers.

The AF-9's Range is selected by changing the gain structure of the filters. After the filter network the signal is run through a unity gain buffer to provide a low impedance output.

The AF-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Residual Noise: -95 dB or less (input shorted IHF-A weighted)

Filter Frequency: 100 Hz 2 KHz (Low) / 200 Hz 4 KHz (High)

Controls: Sensitivity, Peak

Switch: Normal/Effect (true bypass configuration), Filter LP/BP/HP, Drive Up/Down, Range High/Low

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 17 mA (9 V) / 19 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783308
Maxon OD-9 PRO+ 	Overdrive Nine Series Pedal
Cat: 783326 Rel: 21 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: In 9-volt setting the Pro+ sounds and functions like the standard OD-9 with the added option of a healthy +3 dB of midrange boost at approximately 800 Hz (actual frequency is dependent on Control settings) - great for cutting through a band during solos.

When set to 18-volts the OD-9 Pro+ becomes an 800-pound Gorilla, offering up beefier lows, tighter saturation, improved dynamics and a chunky, aggressive pick attack that will make your amp sound and feel like it just took a Viagra. Switch on the Mid Boost in this mode and let your solos breathe fire.

Don't just play like the pros - play with the Pro Plus.

The Nine Series Overdrive Pro+ takes Maxon's classic OD-9 circuit and serves it up with two side orders of Whoop-Ass in the form of 9/18 volt operation and a Mid Boost switch.

TECH TALK:

The OD-9 Pro+ starts with a jFET buffer which simultaneously offers high input impedance and low impedance into the rest of the pedal - this helps to preserve high-end clarity in the signal.

The first tone stage is the Mid Boost feature: A switchable Op Amp with clipping diodes in the feedback loop. When this stage is not in the signal path the pedal behaves like a standard OD9. With this stage in the path it adds subtle gain and definition to the sound, similar to a cascading gain stage.

From here it's on to the standard OD-9 circuitry: A clipping Op Amp with diodes in the feedback loop that clip the signal gradually as well as a high pass filter that keep the low frequencies from being distorted as much as high. Next there comes a passive LP filter and then an active tone stage. After the tone stage it's through the Volume pot, an Op Amp boost stage which bumps the signal 3X and then sends it to the output.

The Pro+ also utilizes an NJM2374A voltage conversion chip that changes the 9V power input into 9V+ and 9V-, increasing the headroom of the Op Amps (9V to 18V swing) and giving a bigger, chunkier sound to the overdrive.

The OD-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

NOTE ON POWERING THE OD-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible

If it is not possible to connect to a high current jack, you can power the OD-9 Pro+ by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -116 dB or less (input shorted IHF-A weighted)

Maximum Gain: Normal 43 dB (at 1.5 KHz), Boost 46 dB (1 KHz)

Controls: Drive, Tone, Level, Boost/Normal switch, 9/18 volt operation switch

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption:

35 mA (9 V) / 32 mA (10 V) at 18 volts
27 mA (9 V) / 27 mA (10 V) at 9 volts

Battery Life:
Manganese Dry Battery approx. 3 hours
Alkaline Dry Battery approx. 8 hours

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$224.84 SAVE 19%
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quote 783326
Maxon PAC-9 Pure Analog Chorus Nine Series Pedal
Cat: 783332 Rel: 25 Sep 20 • View all Effects pedals
 
Analog chorus pedal
Notes: The PAC-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop to place the chorus effect post-gain.

"The Maxon PAC-9 provides a large range of great chorus sounds with completely silent operation. I had never used choruses before this one, as they often resulted in tones that sounded overly processed for my personal taste. This one allows for lovely subtlety, and is rugged and straight-forward to use." - Gretchen Menn

A new spin on an old classic, the PAC-9 brings classic 80's chorusing into the 21st century with modern features and improved sound quality.

The first thing you'll notice when you step on the PAC-9 is a beefy, full-bodied chorusing that punches you directly in the chest - gone are the thin, hissy, sissified chorus tones of yesteryear, replaced instead by a full-frequency effect that simply sounds massive.

TECH TALK:
NOTE ON POWERING THE PAC-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the PAC-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Level: +9 dB (400 Hz)

Delay Time: 4.6 msec - 7.68 msec

Speed Frequency: .33 Hz - 8 Hz

Controls: SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)
PURE, BRIGHT

In/Out: INPUT, OUTPUT, INVERSE OUTPUT

Residual Noise: -95 dB (IHF-A)

Indicator: BYPASS/EFFECT LED

Internal Circuit Voltage: 9 VDC (DC-DC Converter)

Current Consumption: 21 mA / 9 VDC

Power Supply: 6F22 9V battery or Maxon AC Adaptor

Battery Life:
Manganese battery 8.5 hours @ 25deg C
Alkaline battery 20 hours @ 25deg C

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 580 g (including battery) / 20.46 oz.

Option: Maxon AC Adaptor (AC210N or AC2009)
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MRP:$294.22 SAVE 16%
 1 in stock $247.31
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quote 783332
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