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Items 1 to 50 of 513 on page 1 of 11
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UDG Slingbag DJ Vinyl Record & CD Trolley & Shoulder Bag Set Deluxe (black, orange) UDG Slingbag DJ Vinyl Record & CD Trolley & Shoulder Bag Set Deluxe (black, orange)
 
Trolley Deluxe holds approximately 65 vinyl records + 48 CDs, and the SlingBag approximately 45 vinyl records
Notes: Incorporating a hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The UDG Slingbag Trolley Set Deluxe will hold approximately 65 vinyl records and the Slingbag approximately 45 vinyl records.
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MRP:$294.77 SAVE 20%
 1 in stock $235.81
Vermona Kick Lancet Analogue Kick Drum Generator
Cat: 420715 Rel: 30 Mar 11 • View all Drum machines
 
Analogue kick drum generator.
Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

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MRP:$273.72 SAVE 11%
 3 in stock $242.74
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quote 420715
Allen & Heath Xone K2 4-Channel DJ MIDI Controller Allen & Heath Xone K2 4-Channel DJ MIDI Controller Allen & Heath Xone K2 4-Channel DJ MIDI Controller Allen & Heath Xone K2 4-Channel DJ MIDI Controller
Cat: 437059 Rel: 17 May 12 • View all DJ controllers
 
MIDI controller and audio interface with a 4-channel internal soundcard
Notes: Neatly designed slimline DJ MIDI controller from A&H. 52 controls and built-in audio interface. Compatible with any DJ software.

Supplier's notes:
Xone:K2 is a compact, slim line universal MIDI controller - incorporating a 4 channel soundcard, for use with any DJ software.

With no fewer than 52 hardware controls providing up to 171 MIDI commands across 3 layers - plus the ability to link multiple units using X:LINK, saving USB ports on your computer - Xone:K2 has the power and flexibility to put you in touch with the functions and features of your chosen software.

Quick and simple mapping lets you create a unique layout that mirrors your style and puts the functions that matter at your fingertips, whilst 3 colour illuminating switches give at-a-glance feedback - allowing you to work however you decide.

The high quality internal soundcard provides flexible user setup options using the Xone:K2 with headphones, headphones and a mix system or with an external mixer. Xone:K2 comes packed in a black padded case as standard. The case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.

Xone:K2 is a compact designed MIDI Controller for use with any DJ software such as Ableton, Virtual DJ, MixVibes, Mixx and Traktor Pro. Xone:K2 can even be used to control lights or VJ software - if it can receive MIDI data it can take commands from K2. What each control does is entirely up to you - you can create a completely customised layout that perfectly fits the way you want to work. Xone:K2 has 52 physical controls - including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 backlit performance switches - providing up to 171 MIDI control commands across 3 layers. We also provide example maps to get you started out the box and information on how to set up your own.

A Latching Layers system lets you assign controls to multiple layers, so a single physical control can be given up to 3 functions. You can configure all, some or none of K2's controls to be linked to the Latching Layers system. As a quick visual reminder, when toggling through layers all switches assigned to a particular layer will illuminate in the appropriate colour.

Xone:K2 has a high quality internal, four channel (2 stereo) 48kHz soundcard. Setup options include using the K2 with a pair of headphones, feeding a pair of headphones and a PA system, or connecting to an external DJ mixer.

Its slim line chassis, soft touch controls and minimal looks set K2 apart from the pack. There's plenty of substance too - Xone:K2 is built to Allen & Heath's renowned touring grade audio and build quality standards, including the use of steel nuts on all rotary controls to protect the circuitry from impact damage.

Xone:K2 comes packed in a black padded case as standard. As well as keeping it safe on the road, the case doubles as a stand, elevating the K2 up to the same height as most pro DJ mixers.

Two or more K2s can be linked via our X:LINK protocol, expanding the control capability. X:LINK uses a standard RJ45 connector and distributes power and data, allowing connection to X:LINK compatible devices, including Xone:DB4 and DB2, to expand MIDI data without using additional USB ports.


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MRP:$305.30 SAVE 12%
 1 in stock $268.45
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Allen & Heath ZED-10 6-Channel Multipurpose Studio Mixer Allen & Heath ZED-10 6-Channel Multipurpose Studio Mixer Allen & Heath ZED-10 6-Channel Multipurpose Studio Mixer Allen & Heath ZED-10 6-Channel Multipurpose Studio Mixer
Cat: 431966 Rel: 17 May 12 • View all Studio mixers
 
Multipurpose studio mixer for live sound & recording
Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

SEND OPTIONS
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character
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ESI uniK 08+ 8" Active Reference Studio Monitor (single) ESI uniK 08+ 8" Active Reference Studio Monitor (single)
Cat: 459148 Rel: 15 Jun 12 • View all Studio monitors
 
Active reference 8" studio monitor
Notes: The uniK 08+ is the result of extensive development work performed in Germany, to provide a professional active reference monitor that defines a new level of quality in its class. With its new 8" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 08+ offers many improvements over our successful uniK 08 and provides unique sound characteristics that allow this monitor to satisfy the highest demands in a professional studio environment.

What makes uniK 08+ unique?

The uniK 08+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound.

A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 08+ studio monitor features a real precision gain attenuator, instead of a simple volume control.

The new design of the crossover ensures an excellent phase response and safe power limitation, to drive the woofer and tweeter efficiently. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction.

Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

And with it's copper color woofer cone and high quality matte cabinet finish, it looks quite uniK, too!

ROOM ADJUSTMENTS

SIDE - TILT UP

SIDE - TILT DOWN


Features
Biamp 2-Way Powered Speaker System
Active Studio Monitor Speaker
HF Driver: extremely low mass magnetostactic tweeter F49 x 26 mm
LF Driver: 8" kevlar curved cone (magnetic shielding type)
Output Power: 140W (HF: 70W, LF: 70W), 160W AC consumption power
Frequency Response: 37Hz - 25kHz
Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced)
Crossover Point: 3.2kHz
SPL: 105dB, Peak 108dB
Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced
Gain Control: -14 .. 0dB .. +14
Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5
Rear Bass-Reflex ventilation, optimized for near field application
Ground lift switch
Standby function: can be turned on and off
Indicator: multi color LED on front panel, power on orange, standby red
Feet: 4 pieces rubberized, adjustable height separately
Working Voltage: AC100-240V 50/60Hz
Dimensions (W x H x D): 252 x 352 x 319mm
Weight: 8.1 kg
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 2 in stock $226.33
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DBX PB48 48-Point Patchbay
 
48-point patch bay
Notes: Well, it's not very glamorous, but everybody needs a patchbay. And as for the PB-48, it is a patchbay that just works, all the time, every time. It comes in 2 flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear.

The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great.

The specifications:

Chassis dimensions (H x W x D): 44mm x 482mm x 68mm
Module dimensions (H x W x D): 40mm x 18mm x 68mm
Shipping weight: 1.06kg
Jacks: 1/4" phone, balanced or unbalanced.
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 1 in stock $219.65
Jomox T-Resonator MkII Analogue Stereo Filter & Delay Effects Unit
Cat: 458808 Rel: 25 Jul 12 • View all Filters
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

NB: Comes with EU plug power supply

www.youtube.com/watch?v=P6FHbqRb9S4
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MRP:$325.30 SAVE 23%
 2 in stock $250.55
Yamaha HS7 6.5" Powered Nearfield Studio Monitor (black, single) Yamaha HS7 6.5" Powered Nearfield Studio Monitor (black, single) Yamaha HS7 6.5" Powered Nearfield Studio Monitor (black, single)
Cat: 492001 Rel: 17 Jun 13 • View all Studio monitors
 
Active nearfield monitor with 6.5" cone woofer and 1" dome tweeter
Notes: Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE
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MRP:$256.87 SAVE 18%
 2 in stock $211.40
Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer
Cat: 502922 Rel: 24 Sep 13 • View all Studio mixers
 
8-channel mic/line mixer with Onyx preamplifiers
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
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 1 in stock $205.22
Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer
Cat: 502923 Rel: 24 Sep 13 • View all Studio mixers
 
12 channel studio mixer with boutique quality Onyx preamps
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.
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MRP:$309.51 SAVE 10%
 1 in stock $279.83
Genelec 8010A Biamplified Active Studio Monitor (single, dark grey) Genelec 8010A Biamplified Active Studio Monitor (single, dark grey) Genelec 8010A Biamplified Active Studio Monitor (single, dark grey)
Cat: 518633 Rel: 12 Mar 14 • View all Studio monitors
 
Biamplified active studio monitor with 3" woofer and 3/4" tweeter
Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
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MRP:$342.14 SAVE 21%
 2 in stock $271.60
Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console
Yamaha MG10XU 10-Channel Mixing Console (10-channel studio mixer)
Cat: 519642 Rel: 19 Mar 14 • View all Studio mixers
 
10-channel mixing console: max. 4 mic, 10 line inputs (4 mono + 3 stereo), 1 stereo bus and 1 AUX (incl. FX).
Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

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MRP:$322.14 SAVE 11%
 1 in stock $288.18
Genelec 8010A Biamplified Active Studio Monitor (single, white) Genelec 8010A Biamplified Active Studio Monitor (single, white)
Cat: 528079 Rel: 09 May 14 • View all Studio monitors
 
Single active studio monitor with 3" woofer and 3/4" tweeter unit
Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
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MRP:$342.14 SAVE 15%
 2 in stock $290.55
Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black)
Cat: 526899 Rel: 11 Jun 14 • View all Keyboard Stands
 
The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians.
Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest-looking keyboard stand on the market, and shines the spotlight on keyboard players, while securely supporting their prized instruments.

Technical Specifications

Part Number
17476
Colour: Black
Height: 46" (1168mm)
Weight: 19 lbs. (8.6 kg)
Folded Length: 52" (1321mm)
Load Capacity: Up to 125 lbs. per tier (56.8 kg) or 250 lbs. total (113.6 kg)
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 1 in stock $209.49
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Waldorf Streichfett Polyphonic String Desktop Synthesiser Waldorf Streichfett Polyphonic String Desktop Synthesiser Waldorf Streichfett Polyphonic String Desktop Synthesiser Waldorf Streichfett Polyphonic String Desktop Synthesiser
Cat: 526565 Rel: 11 Aug 14 • View all Synthesisers
 
String synthesiser unit with fully polyphonic string sections and monophonic solo sections
Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.
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MRP:$310.56 SAVE 11%
 1 in stock $276.71
Digitech Whammy DT Classic Pitch Shifting Effects Pedal Digitech Whammy DT Classic Pitch Shifting Effects Pedal Digitech Whammy DT Classic Pitch Shifting Effects Pedal Digitech Whammy DT Classic Pitch Shifting Effects Pedal
Digitech Whammy DT Classic Pitch Shifting Effects Pedal (pitch/frequency/modulation effects pedal)
Cat: 548183 Rel: 16 Sep 14 • View all Effects pedals
 
Classic pitch shifting with drop and raised tuning.
Notes: Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

General Specifications
D/A Conversion24 bit
Pitch Bend Range+2/-3 Octaves
Detune Range-4 to -30 cents
Drop Tune Range1-7 Semitones, Octave, Octave + Dry
Power Consumption2.6 Watts (< 288 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Dimensions
Height2.36"
Width8.2"
Depth7.73"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
Footswitch Input1/4" TRS - for use with optional FS3X Footpedal

What's in the box?
1 x Whammy DT Pedal
1 x Power Supply
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 2 in stock $262.13
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quote 548183
Make Noise Richter Wogglebug Random Voltage Generator Module
Make Noise Richter Wogglebug Random Voltage Generator Module (random/clock generator/oscillator/ring modulator/sample & hold/slew limiter module)
Cat: 557451 Rel: 19 Dec 14 • View all Synth modules
 
Random voltage generator module - 10HP
Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!

Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO

Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V
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MRP:$257.92 SAVE 11%
 1 in stock $230.55
Make Noise Pressure Points Analogue Touch Controller/Manual Sequencer Module
Cat: 557510 Rel: 19 Dec 14 • View all Synth modules
 
Controller/analog sequencer module that is played by hand
Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.
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 1 in stock $205.29
Electro-Harmonix B9 Digital Organ Machine Effects Pedal
Cat: 560196 Rel: 03 Feb 15 • View all Effects pedals
 
Digital organ machine effects pedal
Notes: Transform your guitar into a classic organ from the '60s and beyond!

With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the EHX B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
Control over percussive attack level, modulation speed, organ and dry volume
Rugged and easy to use
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 100mA
Year Released: 2014
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quote 560196
Electro-Harmonix Epitome Digital Reverb/Flanger/Octave Multi-Effects Pedal
Cat: 560416 Rel: 03 Feb 15 • View all Effects pedals
 
Classic octave, flanger, chorus, reverb & delay effects pedal
Notes: The EHX Epitome is the quintessence of guitar effects! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress. Creamy stereo flanging and chorus weave and undulate for the richest modulations. Finally, the Holy Grail Plus wraps you in a silken shroud of luxurious reverb. Shimmer mode reroutes the effects chain for heavenly modulated ambience!

The polyphonic Micro POG provides glitch-free octaves above and below your actual pitch
Stereo Electric Mistress adds EHX's signature stereo flanging and chorus
Holy Grail Plus lets you choose from Spring, Hall and Room reverbs, plus Flerb
Shimmer Mode re-routes the effects' chain and opens the door to a world of amazing sonic discovery
Individual footswitches plus dedicated controls for all three effects
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 185mA
Year Released: 2013
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MRP:$421.10 SAVE 39%
 1 in stock $258.96
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quote 560416
Electro-Harmonix Ravish Digital Sitar Emulator Pedal
Cat: 560446 Rel: 03 Feb 15 • View all Effects pedals
 
Digital sitar emulator pedal
Notes: Transform your electric guitar into a sitar!

Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tuneable sympathetic string drones that dynamically react to your playing. With the EHX Ravish Sitar Emulator, you can create your own custom scales for the sympathetic strings while you set the decay time for the lead voice.

Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself.

The Ravish is a truly new design with the flexibility to be a crossover tonal wonder.

Download free Ravish settings

Transform your electric guitar into a sitar
Lead sitar voice tracks your notes polyphonically with a wide range of tonal possibilities
Selectable decay speed for the Lead voice
Sympathetic string drone simulation with a wide tonal range
Selectable keys and scales including major, minor and exotic provided for the Sympathetic strings
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 160mA
Year Released: 2011
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MRP:$262.13 SAVE 16%
 2 in stock $221.06
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quote 560446
Intellijel TPS80W PSU Type A Triple Power Supply PCB (does not include an AC-DC adapter)
Cat: 563729 Rel: 10 Mar 15 • View all Synth Module Accessories
 
triple power supply PCB for Intellijel eurorack synth modules
Notes: TPS80W Triple Power Supply - TYPE A

The TPS80W is a high power, super efficient and low noise studio grade power system for your Eurorack Modular. We carefully designed this power supply to perform optimally with even the most demanding, noisy and power hungry modules in your rig.
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 1 in stock $258.96
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quote 563729
Electro Harmonix Super Pulsar Stereo Tap Tremolo Effects Pedal
Cat: 565165 Rel: 16 Mar 15 • View all Effects pedals
 
Analog tap tremolo guitar effects pedal with stereo in/out, mono in/stereo out, stereo in/mono out, mono in/mono out & true bypass
Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

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MRP:$273.72 SAVE 24%
 1 in stock $207.09
Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit
Cat: 572805 Rel: 14 May 15 • View all Effects units
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 1 in stock $298.97
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quote 572805
Arturia BeatStep Pro Pad Controller & Performance Sequencer (white) Arturia BeatStep Pro Pad Controller & Performance Sequencer (white) Arturia BeatStep Pro Pad Controller & Performance Sequencer (white)
Cat: 561278 Rel: 16 Jul 15 • View all Sequencers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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MRP:$293.72 SAVE 17%
 2 in stock $245.03
Akai Professional MPD232 Pad Controller Akai Professional MPD232 Pad Controller Akai Professional MPD232 Pad Controller
Cat: 580158 Rel: 17 Jul 15 • View all MIDI controllers
 
Feature-packed, highly playable pad controller - 64-part, 32-step sequencer to control pad events, Ableton included
Notes: Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software.

The MPD2 Series is a product of over six years of detailed customer research and user feedback. Akai turned it into the most capable and user-friendly line of pad controllers they've developed to date.

The MPD232 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

New, ultra sensitive Thick Fat MPC pads have been added, creating an amazingly responsive user experience. The MPD232 has an expanded control set featuring eight knobs, eight faders, eight buttons arranged in three banks for 72 total controls. This will enable you to maximize your sound and give you increased control over effects.

The MPD232 also boasts an all-new 64-channel, 32-step performance sequencer, which the MPD32 did not have. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Along with the improved functionality we've added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset Editor.

The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD232.

The MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers Akai have ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.
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 1 in stock $241.08
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quote 580158
Electro-Harmonix 22500 Digital Dual Stereo Looper Effects Pedal Electro-Harmonix 22500 Digital Dual Stereo Looper Effects Pedal
Cat: 569658 Rel: 14 Sep 15 • View all Effects pedals
 
Digital dual stereo looper effects pedal
Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015
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MRP:$316.88 SAVE 27%
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quote 569658
Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor
Cat: 593467 Rel: 21 Dec 15 • View all Synth Module Accessories
 
3U 104hp modular synthesiser enclosure case with built-in power
Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.
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 1 in stock $245.28
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Electro Harmonix Lester G Deluxe Stereo Rotary Speaker Emulator Effects Pedal
Cat: 597493 Rel: 02 Feb 16 • View all Effects pedals
 
Rotary speaker emulation pedal with a fully featured built-in compressor
Notes: The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar.

Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard!

*UK 3-pin power supply included
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MRP:$276.87 SAVE 26%
 1 in stock $205.11
Make Noise Tempi Polyphonic Time-Shifting Clock Module
Make Noise Tempi Polyphonic Time-Shifting Clock Module (clock generator/clock modulator/controller/dual/stereo synth module)
Cat: 598833 Rel: 25 Feb 16 • View all Synth modules
 
Time shifting clock synth module with 6 simultaneously programmable and patchable clocks - 10HP wide
Notes: ***NEW revision TEMPI firmware tempi11 improves External SYNC and RUN/ STOP behaviors. Download here today - http://www.makenoisemusic.com/content/patchsheets/tempi11_firmware_update.zip***

TEMPI is a 6 Channel, polyphonic time-shifting clock module. It provides an intuitive method for creation and recall of complex clocking arrangements within a modular synthesizer system. Using HUMAN and/ or MACHINE programming you could re-create most classic Clock Divider and Multiplier arrangements and then continue on to create new ones. Store up to 64 for later recall and Select them using control signals from within your system or the Select Bus.
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MRP:$278.98 SAVE 12%
 2 in stock $246.09
Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal Digitech Trio+ Band Creator & Looper Effects Pedal
Cat: 599334 Rel: 04 Mar 16 • View all Effects pedals
 
Band creator & looper pedal with 12 selectable music genres & 12 styles per genre.
Notes: The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the Band footswitch to teach the TRIO+ your chords and rhythm, then press the Band footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the TRIO+'s Bass and Drums knobs. The TRIO+ also features a Simple Bass button lets you select between 3 bass line modes for busy or simple bass lines. Pushing the Band Creator™ paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks. The TRIO+ provides 12 music genres to choose from including Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-colored LEDs around the TRIO+'s Style encoder indicate which styles best match your song. The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from. Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windowsr and Macr. The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs; Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.

General Specifications
ControlsTempo, Genre, Style, Loop, Bass, Drums, Headphone Volume
Backlit ButtonsGuitar FX, Seq, Part 1-5, Alt Time, Song, Simple Bass
FootswitchesLooper, Band
LEDsGenre types, Style 1-12, Audiolastic, Looper, Band
JacksPower, Control In, Guitar In, FX Return, FX Send, Amp Out, Mixer Out, Headphone
OtherMini USB port, microSD card slot
Bit Depth24-bit
Sample Rate44.1 kHz
Signal-To-Noise Ratio110dB, A-weighted
Maximum Recording Time230 seconds per song part i based on a minimum 50 BPM and 48 bars per part
USB TypeMini-B
SD Card TypemicroSDHC, Class 10
SD Min/Max Storage Size8 GB/32 GB
Power Requirements9 VDC external power adapter
Power Consumption7.2 W
Current Draw800 mA
Dimensions
Length5.4"
Width4.25"
Height2.5"
Weight1.46 lbs.
Audio Output
Amp Output TypeUnbalanced, 1/4" TS
Amp Output Impedance1 kO
Mixer Output TypeUnbalanced, 1/4" TS
Mixer Output Impedance1 kO
FX Send Output TypeUnbalanced, 1/4" TS
FX Send Impedance1 kO
Headphone Output Type1/8" (3.5 mm) Stereo Mini Jack
Headphone Output Impedance120 O
Audio Input
Guitar Input TypeUnbalanced, 1/4" TS
Guitar Input Impedance1 MO
FX Return Input TypeUnbalanced, 1/4" TS
FX Return Impedance1 MO
Control Input Type1/4" TRS (compatible with DigiTech FS3X)
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MRP:$293.72 SAVE 15%
 2 in stock $249.50
CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller CME Xkey Air 37 Bluetooth 37-Key USB MIDI Keyboard Controller
Cat: 605857 Rel: 18 Mar 16 • View all MIDI keyboards
 
Bluetooth 37-key USB MIDI keyboard controller with polyphonic aftertouch
Notes: Ultra Slim. Great Design.

Lighter than an iPad!

Xkey Air is made from rugged, brushed aluminium. The same material that is used in Macs.

It only weighs 610g (1.34 lbs) so you won't even know it's there. Pop it in your backpack, or use the optional Xkey carry case.

Mac. iPhone / iPad.

(PC and Android can be connected with the WIDI BUD accessory)

Slip Xkey Air into your backpack or carry case and you're good to go.

Connect it to your favorite device, launch your favorite app - and your recording studio is open for business. Xkey Air is pro standard. But even if you're still learning to play the keyboard, you'll love the quality and features.

Wireless & Low Latency

Bluetooth 4 MIDI controller. Low latency!

Long Battery Life- Powered by a lithium battery for hours of music creation

Real Size Keys- 37 full size keys

Aluminum Body- Robust, high quality construction. Looks great. Same finish as a MacBook.

Customizable- Download the free Xkey Plus application. Configure your keyboard how you like it.

100% MIDI- Use Xkey with your favorite music apps on your favorite devices. Works out of the box.

Mobile Native- For iPhone or iPad. Compatible with hundreds of free and pro apps.

Polyphonic Aftertouch- Your pressure on the keys controls the effect individually. Professional studio standard feature.

Portable- Made for travelers and mobile users. Fit in any bag & case!

Regular Updates- Benefit from upcoming new features. Upgrade your Xkey online!

Smart Buttons- Octave Change, Pitch Bend, Modulation, and Sustain function buttons

Velocity Sensitive- Play loud with one hand, soft with the other. There's 128 levels of sensitivity.

Controls

37 full-size keys (3 octaves).
100% MIDI compliant.
Velocity sensitive.
Polyphonic aftertouch.
Pressure sensitive Pitch bend and Modulation buttons, with continuous MIDI control data.
Octave +/- push buttons.
Sustain button.
Rechargeable Lithium Battery
Firmware upgradable via USB.
Configurable via Xkey Plus free app for iOS, Mac OSX, and Windows.
Connectors
MIDI: USB and Bluetooth.
Indicator LEDs: Activity, Connection state, Battery.

Dimensions
Width: 553 mm (21.77 in)
Height: 135 mm (5.31 in)
Depth: 16 mm (0.62 in)
Weight: only 890 g (1.96 lb) - 20% lighter than a 11-inch MacBook Air!

Power consumption
~ 125mW / 25mA

Included in packages
Xkey Air (37 keys)
CME Xkey Air 37 (Bluetooth) Quickstart Guide.
Micro USB cable.
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 3 in stock $210.54
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Electro-Harmonix MEL9 Digital Tape Replay Machine Effects Pedal
Cat: 605739 Rel: 23 May 16 • View all Effects pedals
 
Digital tape replay machine effects pedal
Notes: Transform your axe and resurrect the sound of vintage tape-based keyboards!

Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotronr sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.

The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it!

Pays homage to nine of the coolest Mellotronr sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir
Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
Dry Output jack outputs your input signal at unity gain
Attack control sets the volume swell speed. As it's turned clockwise the notes fade in more gradually
Sustain control adjusts the release time after a sound is stopped. As it's turned clockwise, the fade out time increase
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2016
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MRP:$253.71 SAVE 15%
 1 in stock $214.76
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quote 605739
Eowave 3U 104HP Synth Module Black Enclosure Case With Power
Cat: 614713 Rel: 20 Jun 16 • View all Synth Module Accessories
 
Eurorack synth module case, with built-in power supply - 104HP wide
Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
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 1 in stock $210.54
Vermona twinOUT Dual Output Module
Vermona twinOUT Dual Output Module (dual/stereo/utility/external synth module)
Cat: 617817 Rel: 30 Jun 16 • View all Synth modules
 
Twin output synth module with 2 adjustabe electronically balanced XLR outputs
Notes: Eurorack-outputs deluxe:
Besides spectacular sound engines and -shapers, usual and unconventional sources and manipulators of control voltages, every modular system also needs a choice of modules for the "daily" business. twinOUT is such a module: the perfect connection to the outer world.

This DI-box in a module offer two adjustable electronically balanced XLR-outputs. twinOut is designed for full stereophonic or dual mono use. To complete its functional range, a headphone output was added - being also suitable to transport line levels.

Like every VERMONA module, each twinOUT is hand-assembled in our electroacoustic manufactory in Germany. If you want to get the most of your modular synthesizer, you cannot pass by the twinOUT!
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Intellijel Dixie II+ Triangle Core VCO & LFO Module (silver)
Cat: 602195 Rel: 10 Aug 16 • View all Synth modules
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 1 in stock $215.81
Intellijel Polaris Versatile Multimode VCF & Phaser Module
Cat: 620700 Rel: 10 Aug 16 • View all Synth modules
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE Allen & Heath ZEDi-10 Hybrid Studio Mixer With 4x4 USB Audio Interface & Cubase LE
Cat: 608889 Rel: 19 Sep 16 • View all Studio mixers
 
4 in, 4 out USB audio interface (24-bit/96kHz) with Cubase LE software included & "FX out" for connecting external effects units
Notes: Hybrid compact mixer / 4x4 USB interface:
ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.

The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

Mixer + USB interface:
ZEDi-10 offers the best of both worlds, incorporating a studio quality 4 in / 4 out, 24-bit/96kHz USB audio interface for hassle-free multitrack recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow.

Cubase LE Music production software included:
ZEDi-10 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

Cubasis LE mobile music production app:
The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multi-touch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

Exceptional audio quality:
ZEDi-10 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

Road tough:
All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

Made for guitars:
ZEDi-10 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

It's an Allen & Heath:
Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.
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AJH Synth MiniMod Vintage Transistor Core VCO Module (black)
Cat: 625058 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
Tags: VCO module
MRP:$300.03 SAVE 13%
 1 in stock $261.07
AJH Synth MiniMod Transistor Ladder Filter Minimoog VCF Module (black)
Cat: 625060 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 1 in stock $220.02
AJH Synth MiniMod Dual Contour Generators Module (black)
AJH Synth MiniMod Dual Contour Generators Module (black) (dual/stereo/envelope generator synth module)
Cat: 625067 Rel: 22 Sep 16 • View all Synth modules
 
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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ALM Akemie's Taiko FM Synthesis Drum Voice Module
Cat: 628650 Rel: 17 Oct 16 • View all Synth modules
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 4 in stock $295.81
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Xaoc Devices Belgrad Dual Peak Multimode State Variable Filter Module
Cat: 633368 Rel: 28 Nov 16 • View all Synth modules
 
All-analogue voltage controlled filter module - Eurorack compatible
Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection
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 2 in stock $292.66
Xaoc Devices Kamieniec Analogue Resonant Phase Rotator Module
Cat: 633369 Rel: 05 Dec 16 • View all Synth modules
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 1 in stock $232.65
Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver) Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver) Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver) Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver) Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver) Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (silver)
Cat: 636543 Rel: 10 Jan 17 • View all Synthesisers
 
Intelligent analogue monophonic synthesiser featuring 21st century transistor technology
Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter
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MRP:$356.88 SAVE 17%
 2 in stock $296.86
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Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (silver) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (silver) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (silver) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (silver) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (silver)
Cat: 631797 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - silver
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $265.86
WMD MSCL Stereo Compressor Module
WMD MSCL Stereo Compressor Module (dual/stereo/dynamics/effect synth module)
Cat: 640972 Rel: 27 Feb 17 • View all Synth modules
 
Stereo compressor module - 4 HP.
Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4
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 1 in stock $266.34
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Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (black) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (black) Korg Monologue 25-Key Programmable Monophonic Analogue Synthesiser (black)
Cat: 631792 Rel: 13 Apr 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - black
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 3 in stock $251.40
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TouellSkouarn Strakal Brulu Germanium Dual Fuzz/Overdrive Module With Morphing
Cat: 642592 Rel: 24 Apr 17 • View all Synth modules
 
Handmade distortion & fuzz module - 8HP
Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.
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Intellijel/Applied Acoustics Systems Plonk Physical Modeling Percussion Synthesiser Module (silver)
Cat: 643387 Rel: 21 Aug 17 • View all Synth modules
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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MRP:$333.72 SAVE 10%
 2 in stock $299.02
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