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Items 1 to 48 of 48 on page 1 of 1
Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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 4 in stock $171.90
Cat: 602205 Rel: 04 Apr 16
 
Quad attenuator, attenuverter, mixer and DC voltage source - 28HP wide
Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.
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 1 in stock $65.48
Cat: 643380 Rel: 27 Mar 17
 
Buffered multiple module in 1U
Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.
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 3 in stock $39.40
Cat: 643382 Rel: 27 Mar 17
 
Headphone & stereo output module
Notes: High quality headphone amp capable of driving consumer and studio grade headphones with excellent bass response and loud levels.

This module can also be used as a line level stereo output.
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 2 in stock $65.48
Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 More than 10 in stock $90.04
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Cat: 718062 Rel: 18 Feb 19
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 2 in stock $259.90
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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 9 in stock $66.00
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Cat: 739050 Rel: 19 Jul 19
 
Three-channel active/buffered attenuverter & summing mixer
Notes: Triplatt is a three-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch.

Each input is normalled to a built-in precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch. Outputs A and B are also capable of a range of 0-10 / -10 to +10 when using the special function switches.

Each output is normalled to mix into the output of the channel below, making it possible to do sub mixes in groups of two or three.

In addition, each channel has a "special function" switch to alter its input voltage in a specific way. Channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A. Channel B has a +5V switch, allowing you to add 5V to whatever voltage is sent into Channel B. Channel C has a mute switch, allowing you to completely turn off the signal being sent into Channel C.
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 5 in stock $104.37
Cat: 677564 Rel: 24 Aug 18
 
Joystick/vector mixer for CV or Audio - 14HP
Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.
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 5 in stock $316.18
Cat: 677563 Rel: 26 Feb 18
 
Dual multi-mode self-oscillating VCF & crossfader - 20HP
Notes: This is the third generation of Intellijel's much loved Korgasmatron filter designed in collaboration with David G. Dixon. The Morgasmatron features two completely independent six-mode filters (labelled "A" and "B") - each with its own mode-select knob, input, output, cutoff, resonance, Q-drive and gain control. Each filter has a pair of CV inputs (one with a built-in attenuator and the other with a built-in attenuverter) for modulating cut-off, and another CV input for modulating resonance. Both filters self-oscillate at maximum Q, and produce pitched sine waves that track the two separate 1V/OCT inputs.

You can use the two filters independently of one another, or you can use them together (in either a series or parallel connection) and smoothly crossfade between them using either the XFADE knob or the XFADE CV input and built-in attenuverter. You can flip the DRY switches to instantly bypass either or both filters; invert the phase of Filter B; or overdrive Filter A by switching on the new Overdrive circuit. A MIX output provides (as you might suspect) a mixed output of the two filters.
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 1 in stock $341.77
Cat: 677565 Rel: 29 May 18
 
Mark II version of the Rubicon triangle core VCO module
Notes: Intellijel has made the already awesome Thru Zero VCO Rubicon even better! In addition to the seven waveforms plus sub-oscillator of the first version, the second generation offers a new Warp stage, which generates a hybrid of complex pulse and other waves - you can even use external audio material. In order to keep results in the range of 10 Vpp, there is a wave folder called Squish. On top, the FM capabilities were expanded.
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 2 in stock $376.56
Cat: 620692 Rel: 10 Aug 16
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 3 in stock $601.66
Cat: 620699 Rel: 10 Aug 16
 
USB/DIN MIDI voice and clock interface synth module in Eurorack format - 6HP wide
Notes: The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.
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 1 in stock $212.83
Cat: 643387 Rel: 21 Aug 17
 
Physical modelling percussion synthesiser module - 12HP
Notes: Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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 5 in stock $324.36
Cat: 673902 Rel: 12 Jan 18
 
1/4" TS jack interface for the Pedal I/O 1U system - 8HP
Notes: The Pedal I/O JACKS 1U Module allows you to patch standard 1/4? TS cables to and from your guitar/instrument pedals.

This module only works when connected to a Pedal I/O 1U module via ribbon cable.
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 7 in stock $23.28
Intellijel 1U x 2HP Blank Panel (Eurorack blank panel)
Cat: 620719 Rel: 29 May 18
 
1U blank panel space made from brushed aluminium - 2HP wide
Notes: Blank panel for Intellijel 1U spaces. Made from high quality brushed aluminium that matches the 1U modules.

These can also be used for DIY purposes if you drill/mill them to fit your own custom circuits.

Comes with 2 screws.
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 5 in stock $5.11
Cat: 739057 Rel: 19 Jul 19
 
Two channel, +4dBu balanced line level outputs
Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.
It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).
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 3 in stock $75.71
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Cat: 718065 Rel: 18 Feb 19
 
4 track gate & trigger sequencer - 8HP
Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.
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 2 in stock $218.98
Cat: 563544 Rel: 10 Mar 15
 
Dual oscillator subtractive synth voice module, 40HP wide
Notes: The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 1 in stock $628.27
Cat: 563579 Rel: 10 Mar 15
 
Dual slider based ADSR envelope synth module, 14HP wide
Notes: The circuit is based in part on the Roland SH-101 / System100m design with several enhancements.
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 4 in stock $202.59
Cat: 563664 Rel: 10 Mar 15
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 4 in stock $536.17
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Cat: 643381 Rel: 27 Mar 17
 
Lo-fi digital reverb effect unit
Notes: Digiverb is a lo-fi reverb effect unit that uses an Accutronic digital reverb "tank" module. The sound is somewhere between a virtual spring reverb and a dense multi tap delay but the effect is quite musical and interesting.

Use the Digiverb as a simple and fun way to add some extra dimensions to your patches!
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 3 in stock $73.66
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Cat: 643383 Rel: 27 Mar 17
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 6 in stock $96.18
Cat: 643384 Rel: 27 Mar 17
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 2 in stock $178.04
Cat: 602202 Rel: 04 Apr 16
 
Passive multiple synth module
Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing
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 2 in stock $27.37
Cat: 602206 Rel: 04 Apr 16
 
USB/DIN MIDI voice and clock interface in 1U rack size - 22HP wide
Notes: The uMIDI 1U provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI 1U ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI 1U gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.

This module connects via ribbon cable to the uMidi JACKS 1U module or to the MIDI I/O jacks on the back of the 7U performance cases.
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 2 in stock $138.14
Cat: 602207 Rel: 04 Apr 16
 
USB socket for charging/powering peripheral devices - 2HP wide
Notes: USB socket for charging/powering peripheral devices.

This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.

It connects to the bus via supplied two-pin cable.

*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.
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 More than 10 in stock $17.65
Cat: 673867 Rel: 12 Jan 18
 
Effects pedal interface - 16HP
Notes: The Pedal I/O 1U system enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors and pitch shifter pedals available to guitarists. Conversely, it also grants guitarists access to the myriad filters, ring mods, wavefolders and - most importantly - the near infinite CV modulation delights inherent in Eurorack.
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 2 in stock $92.08
Cat: 673911 Rel: 15 Jan 18
 
Balanced TRS 1/4" input path to Eurorack modular signal level
Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.
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 3 in stock $39.40
Cat: 739049 Rel: 19 Jul 19
 
Headphone amp capable of driving high impedance headphones via a 1/4" stereo Neutrik jack
Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.
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 1 in stock $151.43
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Cat: 643391 Rel: 29 May 18
 
Updated version of the Springray module with added parametric EQ
Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.
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 2 in stock $223.06
Cat: 739114
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The uFold is a collaborated design with David G. Dixon.

This is the version II of the original uFold.

We looked very closely at how some of the most loved timbre shaping circuits worked in classic synth modules; Not just in how they were implemented electronically but how they sounded and how efficient they were to get great sounds. it was important that their design was very versatile in range of timbres but still easy to use and with well thought out control ranges.

When combining the Dixie, uVCA, uFade and uFold you can achieve extremely complex palette of sounds with just a few modules!
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 1 in stock $141.21
Cat: 739116
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


USB socket for charging/powering peripheral devices.

This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.

It connects to the bus via supplied two-pin cable.

*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.
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 1 in stock $16.17
Cat: 742334 Rel: 29 May 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Intellijel has made the already awesome Thru Zero VCO Rubicon even better! In addition to the seven waveforms plus sub-oscillator of the first version, the second generation offers a new Warp stage, which generates a hybrid of complex pulse and other waves - you can even use external audio material. In order to keep results in the range of 10 Vpp, there is a wave folder called Squish. On top, the FM capabilities were expanded.
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 1 in stock $355.94
Cat: 563566 Rel: 10 Mar 15
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 3 in stock $499.35
Cat: 563671 Rel: 10 Mar 15
 
Planar vector joystick / quad panner synth module, 14HP wide
Notes: This has to be one of the most fun modules we have ever played with! With just a few audio and CV sources and some inter dependencies (i.e use the Joystick CV to simultaneously modify the signals being processed by the VCAs) you quickly get highly complex sounds that you can easily control and play with.

This input is also very useful when coordinated with a CV recorder. You can record the modulation from the X, Y outputs and then turn the joystick off (see switch at top left) and playback the modulation into the X and Y input.

This will allow you to recreate a complex quad panning or vector mixing jam.

REVERSIBLE! The module will ship with a second faceplate that is designed to mounted upside down (so joystick is at the bottom) and there are jumpers on the back of the module so you can coordinate the reversed orientation of the joystick. This is to facilitate use in a skiff.
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 1 in stock $295.72
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Cat: 563674 Rel: 10 Mar 15
 
Voltage controlled logic & tap clock eurorack synth module with dual 3-input logic block
Notes: The Plog module comprises two programmable logic sections (select one of six different 3 input boolean logic types) as well as a toggle flipflop and data flipflop block. all four sections are linked together via specially planned normals.

This module was primarily designed as an interesting tool to be used with sequencers. you can derive complex rhythmic sequences from basic sparse sources (e.g. from a simple gate sequence or clock). by adding vc control of the logic types via some kind of cv source like a triggered envelope, lfo or sequencer you produce even more complex results.

Plog can also be used in many other creative applications including making interesting timbres and for self generating patches.
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 1 in stock $190.31
Cat: 563679 Rel: 10 Mar 15
 
Quad functon/envelope generator synth module with 4 x function generators and 3 modes: "ad (attack - decay), "ahr (attack - hold - release)", & cycle (ad envelope loops)
Notes: Each function can have a linear or exponential curve.

wide time range for attack/decay controls: <0.5ms to well over 30s

All analog and discrete logic for function generation (totally smooth and continous waveforms)

12hp and skiff friendly
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 2 in stock $246.59
Cat: 563706 Rel: 10 Mar 15
 
Wavefolder/waveshaper synth module with cv input and dedicated attenuator
Notes: The uFold is a collaborated design with David G. Dixon.

This is the version II of the original uFold.

We looked very closely at how some of the most loved timbre shaping circuits worked in classic synth modules; Not just in how they were implemented electronically but how they sounded and how efficient they were to get great sounds. it was important that their design was very versatile in range of timbres but still easy to use and with well thought out control ranges.

When combining the Dixie, uVCA, uFade and uFold you can achieve extremely complex palette of sounds with just a few modules!
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 2 in stock $147.35
Cat: 563709 Rel: 10 Mar 15
 
Dual 3:1/6:1 unity gain mixer (for cv or audio) synth module, 2HP wide
Notes: Dual 3:1 audio and cv mixer (up to three buffered inputs with a single buffered output).

NOTE: Version 2 of the Unity Mixer has two sets of jumpers on the main pcb. These allow the top and bottom sum to be set to -6dB attenuation instead of unity gain. This creates more headroom when summing higher amplitude sources like raw VCO signals.
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 1 in stock $71.12
Cat: 563713 Rel: 10 Mar 15
 
Voltage controlled amplifier Eurorack synth module with continuously adjustable curve response (from linear to exponential)
Notes: This is the version II of the original uVCA.

This module was adapted from a design by David G. Dixon
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 1 in stock $139.16
Cat: 563716 Rel: 10 Mar 15
 
Voltage controlled filter synth module with low pass (LPF) 2-pole, high pass (HPF) 2-pole and bandpass outputs (BPF) 1-pole
Notes: Introducing the uVCF state variable filter.

This is another great David Dixon filter design that has been on the workbench for a while. It is a very clean and precise filter that also doubles as an excellent sine VCO.

It responds very well to FM and the small size should make it a nice choice for smaller systems/lunchboxes.
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 2 in stock $146.31
Cat: 739060 Rel: 29 Jul 19
 
Dedicated jack expansion module for use with the Stereo Out 1U module
Notes: 1/4" TRS jack panel in 1U for the Stereo Line Out 1U module.

If you don't own an Intellijel case with built-in compatible 1/4" jacks, then you need to purchase a Stereo Out Jacks 1U module, which connects via ribbon cable to the Stereo Line Out 1U module to provide 1/4" TRS output jacks for interfacing with other studio or stage gear.
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 2 in stock $23.28
Cat: 733943 Rel: 10 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Each function can have a linear or exponential curve.

wide time range for attack/decay controls: <0.5ms to well over 30s

All analog and discrete logic for function generation (totally smooth and continous waveforms)

12hp and skiff friendly
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 1 in stock $239.07
Cat: 620696 Rel: 10 Aug 16
 
Analog compressor and tone shaper synth module in Eurorack format - 18HP wide
Notes: Analog coloring compressor module:

- 100% analog signal path and sidechain feedforward compressor
- Unique (log based RMS) detector
- Output routed through a specially selected Edcor transformer with highly desirable saturation qualities.
- Three carefully designed analog circuits to impose specific character on the output signal:
- TUBE adds non-linear distortion providing second order harmonics
- TAPE adds symmetrical distortion providing both even and odd harmonics
- XFRM modifies the transformer feedback circuit, giving a boost to low bass content
- All three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain
- Sidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.
- External sidechain input allows triggering of the compressor with external sources.
- Link IN/OUT allows two Jellysquashers to be chained together for stereo operation.
- Full CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.
- Wet/Dry control allows for "New York" style compression where there is a blend of the dry and compressed output signal.
- LED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.
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 2 in stock $306.96
Cat: 607334 Rel: 04 Apr 16
 
TRS jacks for the Audio I/O interface in 1U module - 16HP wide
Notes: TRS jacks for the Audio I/O interface in 1U.

You need this module for the Audio I/O 1U

This module is not needed if you have the 7U performance case that comes with rear mounted audio i/o jacks.
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 1 in stock $23.52
Cat: 703678 Rel: 10 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 1 in stock $511.61
Cat: 643385 Rel: 29 May 18
 
Touch-sensitive control surface for Eurorack - 20HP
Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.
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 2 in stock $272.17
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