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Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in

Review: Two towering labels, Alternative Tentacles and Crispin Glover, break the mould for a momentary merger on this artistic collision of rogue planets: a new split reissued 7" housing that infamous syncretic, Patrick Fitzgerald, Motorpsycho and Jello Biafra, and their twin versions of Fitzgerald's original song 'Punch'. Fitzgerald is best known as a pioneer of folk punk, famously channelling his sardonic wit into a fleeting, light but somehow also epical sound. 'Punch' first surfaced in 2009 as a one-off single released under Crispin Glover's remit; it's now heard once more in both versions, tracking incendiary denunciations of politics on Fitzgerald's part, amid a suicidal, guitar-driven ascension into the air.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Tel Aviv's Elado has put out a fine run of eight releases in just two years on the likes of GAMM, Barefoot Beats and Bonfido Disques, but for his next move, he branches out with his own reissue label. its aim is to "focus on uncovering lost gems" with the original paired with his own remixes. The first one is a 1983 private press from the Canadian pair OUI. 'Circle Of Love' is a big disco banger with flashy synth work and rugged arps, with a pair of Elado's mixes making it even more dancefloor ready. 'You Make Me High' is a more sentimental 80s pop sound.The release has recieved support from a lot of artist, such as Gerd Jansen and Hunee. A fine start to life for this new label.

Review: Big Crown does it again here with another magical 7" this time from Dave Guy, who has contributed to plenty of this label but only now makes his solo debut. It finds him working with label regulars Homer Steinweiss & Nick Movshon, who take care of production and play on the recordings. 'Footwork' is a vibrant fusion of soul, funk, and jazz that, as a trumpeter for the renowned band The Dap-Kings, brings his distinctive style to the forefront and infuses each track with infectious energy and groove. Dynamic horn arrangements, tight rhythms, and soulful melodies all make this one special and show just how skilled a musician Guy is, and apparently, there is plenty more to come.

Review: Thee Heart Tones, Big Crown Records' newest addition, showcase their youthful exuberance and musical prowess on their debut single. Recorded at Diamond West Studio with producers Leon Michels and Tommy Brenneck, the band delivers a captivating performance on both tracks. 'Forever & Ever' is an infectious, feelgood anthem with lead singer Jazmine Alvarado's captivating vocals soaring over the band's lively groove. The song's catchy chorus is bound to linger in listeners' minds long after the music stops. On the B-side, their rendition of the classic 'Sabor A Mi' demonstrates their versatility and skill, with Jazmine's vocals shining once again. Thee Heart Tones have made a promising entrance into the music scene, leaving audiences eagerly anticipating their forthcoming debut album.

Review: A triumphant return for modern synth-pop chart-toppers Everything Everything, Mountainhead is an album-length analogy for our present condition, and an oozing forth of slick, joyous music at that. "Making a mountain out of a molehill" is certainly lent a positive spin when considered in light of "starting from nothing", i.e. music career-making; Everything Everything did just that in the mid 2010s when they charmed their burgeoning audience with their sophisti-synth prowess, and this is a sophistication that can only be continually reinforced hereon. For their latest concept album Mountainhead, all of society is imagined as working towards the creation of a manmade mountain; at the top is rumoured to be a huge mirror that reflects endlessly recurring images of the self, and at the bottom of the pit is a giant golden snake; the primal fear of all believers. Everything Everything make joyous work of the dreaded maxim, "the taller the mountain, the deeper the hole", delivering glitzing, falsetto'ing gems in the form of 'Cold Reactor' and 'R U Happy?', both of which transcend their initial synthpop reveries to become more than their constituent sum.

Review: Colemine Records has devoted itself to releasing top notch soul music for close to 20 years now. Those who follow the label closely trust the purveyor of the label (Terry Cole) enough to blindly pick up each and almost every release. The label's knack for finding and sharing some of the best versions of soul music is clearly evident from the latest by a group called The Splendids. Originally recorded in 1961, these two songs were destined to launch this talented ensemble. Two things' happened in 1962 though. Beatles music made Doo-Wop almost irrelevant overnight. In addition, members of the group got called into Vietnam. 63 years later after originally forming, the surviving three of the five members recording once again. The result is phenomenal and makes us feel like we are back in the 1950s. Only 500 copies in total have been pressed.

Review: Mumford & Sons drop a surprise single release alongside Pharrell Williams, 'Good People', delivering on a long-awaited promise to hop in the studio together after years of knowing each other. Finally falling back on their immediate instincts, 'Good People' hears the band and the solo wunderkind sing of tiredness and revelation, making adept use of a dry, driving, sportsmanlike instrumental palette (think hand claps, stomps, gospel harmonies). Though cryptic in theme, the mood on this one-off is one of triumph and impending miracle works to come.

Review: Pale Jay's latest LP Bewilderment spawns two more treasure here on this new and essential 7" from Karma Chief Records. Up first is an Afro-beat tinged cut, 'In Your Corner' with a subtly uplifting rhythm although listen deeper and you'll get locked in to the lyrics which detail an internal struggle for self-acceptance. On the flip is the album title cut which showcase Jay's signature sounds - silky falsetto over soulful harmonies and dusty hip-hop beats. This one also tell a story, this time about the breakdown of a family and the journey into self that ensues.

Review: Well on from his startling 2021 debut 'The Celestial Suite', Los Angeles' neo soul production maestro Pale Jay has since gone on to proffer many a 7" record, of which 'In Your Corner' is the latest treat to feast your ears. Both shorn ahead of time from his latest LP, Bewilderment, 'In Your Corner' and 'Bewilderment' are pensive retro soul falsettoers, both of which feature Jay's own, longing vocals, and evince a mood of being caught in between two difficult paths in life. The A uplifts with its surrounded Hammonds and righteous get-through-it lyrics, concerning self-discovery amid self-judgment. The B-side, by contrast, tells the story of the disintegration of a family, and skews more lo-fi, vintage hip-hop.

Review: Tape Reworks Vol. 2 is the new 12" remix edition of the 2021 album Tape Works Vol. 1 (2021), by the UK's leading musique concrete ensemble Langham Research Centre. With the latter album following up the introductory Tape Works Vol. 1 (2017), which recollected the group's earliest experiments, the second album focused entirely on more recent, original splicings, cuttings and respoolings of the former modernist statement. Now, in turn, come two new remixes of the project by Kara Lis Coverdale and Beatriz Ferreyra, the former of 'Movable Fields' and the latter of 'Nachholbedurfnis'. Coverdale's version is an arresting, looming abstraction, capturing a sense of cosmic loneliness through exoplanetary whistles and deep subs gleaned from the original album's pickups of brutalist buildings; Ferreyra's is jerkier and stranger in palate, utilising glassy transitional sound effects and rapid, sped-up-slowed-down warbles.

Review: Say She She is the psychedelic soul group from Brooklyn that's exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and the pleasure of touring Europe and North America, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Authentic and organic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 attempt at foraying into disco 'Wrap Myself Up in Your Love' wasn't received amazingly at the time, but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is zany and expressive against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This 7" contains both Spencer's original track and the interpretation by the trio, pressed on white vinyl.

Review: Brooklyn-based psychedelic soul group Say She She have exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and multiple TV performances, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Organic and authentic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 track 'Wrap Myself Up in Your Love' didn't get much attention at the time - his attempt at doing disco wasn't well received - but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is expressive and powerful against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This single has both Say She She's cover - as well as the original - on a 7" disc.

Review: US dub crew Park Heights has got a real gem on their hands here with this latest 7". It is a killer jam from the mid-1980s that was made at Aquarius Studio. The 'live digital' tune has never before been released which is a wrong that is rightly corrected here and is even more special as it has Errol Dunkley on the rhythm even though it is not his usual style. It is a heavy stepper with loopy drums and hits that echo off to infinity as he drops his loved-up vocals over the. It of course comes with a superb dub on the flip.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


On its digital release earlier in the year, Celeste's debut album rocketed to the top of the album charts, thus making her the first British female artist to see her first set get to number one for over five years. Finally available on vinyl in a "deluxe edition" that boasts a couple of bonus tracks and an accompanying booklet, Not Your Muse remains a classy and inspired debut, with Celeste's smoky, timeless vocals fitting producer Jamie Hartman's accompanying backing tracks - a mixture of pared-back folk sounds, lavishly orchestrated easy listening, synth-laden power-pop and fuzzy, retro soul-influenced numbers - like a particularly comfortable glove.

Review: Pratt & Moody's latest single, 'Creeping Around,' delves into the depths of dark soul with haunting melodies. The duo, comprising Pratt and Moody, showcases their collective prowess in crafting a narrative of infidelity that transcends boundaries. Pratt's velvety vocals intertwine seamlessly with Moody's evocative guitar, creating a timeless soundscape dripping with raw emotion. Supported by the masterful artistry of Cold Diamond & Mink, 'Creeping Around' transports listeners to a realm of late-night introspection, evoking the atmospheric ambiance of a David Lynch film. With its haunting melodies and immersive instrumentation, this track captivates with its exploration of longing, desire, and the complexities of human emotion.

Review: Dive into the haunting depths of Pratt & Moody's latest single, 'Creeping Around and you will find this enigmatic duo showcasing their expertise in merging dark soul with haunting melodies. Building on the success of their previous hits (including the wonderful 'Lost Lost Lost' and 'Wheels Turning') they explore themes of infidelity with raw emotion. Pratt's velvety vocals intertwine seamlessly with Moody's evocative guitar on 'Creeping Around' which has a late-night introspection to it where melancholy and passion converge in a David Lynch-esque world. Each note resonates with longing and desire that stays with you after the music finishes.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The UDG Ultimate Phone/ Tablet Stand is a height and angle adjustable phone/ tablet holder that is designed to provide you with the most comfortable viewing angle at ergonomic eye-level height. It's a well-made and durable phone/ tablet stand with rubber grips on the holding portion to ensure that the phone/ tablet does not easily slip or fall.

In terms of convenience, this stand is perfect for watching videos, viewing photos, reading, typing, video recording, and so on.

Specifications:

Colour: Black
Outer Dimensions (W x H x D) Folded: 11.0 x 2.5 x 6.7 cm | 4.3 x 0.9 x 2.6 inch
Inner Dimensions (W x H x D) Not Applicable
Material: Aluminum + Plastic
Protection: Durable aluminum body, smooth edge, surface polishing process
Fully rubber grips on the holding portion protect your devices from slip or fall
Bottom & support surface can be extended
Multi-angle & height adjustable

Extras

Rich adjustment function, can match the use of multiple scenes
Fully foldable, easily picked up with one hand, very handy & light in weight
Reserved space for charging cord to ensure that your device is always available & help reduce desktop clutter

Fits

Works perfectly with tablets, iPad & phones

Review: Ghetts is undoubtedly amongst the top tier of British MCs - a grime legend famed for being a genuinely dextrous lyricist. As On Purpose, With Purpose proves, he's also an artist whose output has evolved considerably since he emerged in the late 2000s. While his raps and rhymes are as sharp as ever, the beats he's working with are far more diverse, polished and - whisper it quietly - deeper than many may expect. For proof, check the r&b and hip-hop-soul influenced of 'Double Standards (featuring Sampha)', the sub-heavy punchiness of 'Laps (featuring Moonchild Sanelly), and the jazzy, head-nodding hip-hop warmth of 'Twin Sisters (featuring Skrapz)'. Throw in nods to Afrobeats and Amapiano, and you've got a set that will surely feature in many 'best of 2024' lists later in the year.