Evil Smarty - "The Groove To Make You Dance" (5:52)
Mitiko - "What Have You Done For Me" (6:04)
Loshmi - "Soul Food" (5:55)
Review: When you need the brightest, boldest takes on the disco edit tradition, look no further than Disco Fruit. The label's inexhaustible resources for peak party material continue in style with this sampler 12", which brings together four different artists with their own foolproof recipes for a damn good time. Hotmood takes no prisoners in laying down a delicious disco groove on "I Love To Boogie", while Evil Smarty loops up the funk to perfection on "The Groove To Make You Dance". Mitiko takes on a timeless classic with "What Have You Done For Me", focusing on the heavy new jack swing beat of the source material to create a new club banger. Loshmi rounds the record out with "Soul Food", a mellower offering but still holding down a groove for those more seductive moments.
Review: Since he last appeared on Razor 'N' Tape six years ago via a digital-only debut single, Dino Soccio has built up quite a catalogue of re-edits, not to mention a reputation as one of the scene's more interesting editors. It's for this reason that we're not surprised that his return to Aaron Dae and J Kriv's rework imprint is so good. It sees him offer up a quartet of killer cut-jobs that bounce between sumptuous, string-laden, French language Afro-disco (the superb "Fred's Groove"), sparkling up-tempo disco-boogie brilliance (the awesome "Star Beaming"), languid deep disco warmth (the dubby, spaced-out goodness of "Laid Back") and ultra-sweet, reggae-influenced Afro-boogie heat (sublime closing cut "Forgot").
Double Exposure - "My Love Is Free" (The Reflex Revision) (8:13)
Instant Funk - "I Got My Mind Made Up" (The Reflex Revision) (7:25)
Review: Salsoul is a label as iconic as they come and decades after establishing that reputation it continues to deal in only the most original house and disco heat. The Reflex is a famous king of the remix who here adds his own vital spin to two new revisions for Salsoul Records. The Frenchman first up takes on Double Exposure's "My Love Is Free" to craft a layered remix that builds with a sick guitar riff and warm bass. Then comes a re-edit and remix of "I Got My Mind Made Up" that has chunky percussion and punchy drums. All in all a worthy addition to any collection.
Review: London's longest-running re-edit imprint returns to action, and fittingly it's label co-founder Diesel at the controls (albeit with fellow founder and old pal Dave Jarvis adding input via an "Executive Producer" role). A-side "US Lover" is simply superb: a blue-eyed, turn-of-the-80s AOR disco gem laden with heady horns, squelchy synth bass, swirling strings and heady harmonica solos. The Balearic disco fun continues on the flip, where the bleep-laden bluesy disco number "Hysteric Glamour" comes accompanied by the sunny, synth-laden instrumental disco oddity that is "Marabou". Deep cuts, subtly tweaked for extended dancefloor pressure: what more could any disco lover desire?
Review: Lego Funk are back with more of their big chunks of funk, with DJ Choice reworking a brace of Latin cuts for this fiery 7". The a-side is Pablo Ruiz's reflip of Roberto Roena's 1974 salsa-influenced number "Que Se Sepa" as sampled by Ugly Duckling on "Let It Go". It's extended from front to back, with extra drums and perc beefing things up. The Rebel DJ's monster re-rub of Ray Barretto's already monster Latin boogaloo funk original "Right On" then takes care of the flip, with plenty of Latin heat and big wind sounds all pumping those sunny grooves.
Andrew Kitchen - "Attack Of The Boogie" (TZ & Hersh edit) (6:46)
J Parker Band - "Live Lady" (TZ edit) (5:08)
Mister - "I Wanna Thank You" (4:50)
Henrietta Thomas - "I Want You (Right Now)" (4:45)
Review: We're used to Star Creature offering up authentically synth-heavy nu-boogie gems, but here they change tack with a little help from Chicago's Boogie Munster Crew. "Attack of The Chicago Boogie" sees them gather together some ridiculously rare private press gems originally recorded by Windy City musicians during the boogie and electrofunk era. They first offer up a fresh TJ & Hirsch re-edit of Andrew Kitchen's thrillingly squelchy and spacey "Attack of the Boogie", before TZ goes solo to rearrange J Parker Brown's deeper, warmer and more soulful lo-fi synth boogie treat "Live Lady". Over on the flip, Mister's "I Wanna Thank You" is a glossy, horn-sporting slab of polished boogie brilliance, while Henrietta Brown's "I Want You (Right Now)" is a bustling and up-tempo affair heavily influenced by jazz-funk.
Review: The second release from the newly emerging If It Ain't Jazz label comes from Swedish producer Opolopo. For this one he takes two classics from the jazz-disco world and adds his own distinctive spins. The results soar into the stratosphere on golden chords and humid pads, funky drums and gliding grooves. Both are timeless reworks that will do plenty of damage on a wide range of dance floors. This marks another noteworthy release for this small but well formed label.
Dinosaur L - "Go Bang" (Danny Krivit edit Of Walter Gibbons remix) (8:55)
Hanson & Davis - "I'll Take You On" (Danny Krivit edit Of Larry Levan remix) (5:27)
Review: Dinosaur L's "Go Bang" is an enduring classic from the golden period when house and disco mixed freely. It was hammered at Paradise Garage and has been re-edited many times. Next up to have a go on Arthur Russell's Sleeping Bag is Danny Krivit who edits Walter Gibbons's remix. The drums are snappy, the groove urgent, the funk very real. ON the flip, Krivit tackles an edit of a Larry Levon remix of Hanson & Davis - "I'll Take You On". It is loose, with tumbling drums and tooting arps next to the shiny, soraing vocals. Classic stuff.
Review: There's no secret to the success of Late Nite Tuff Guy's long-running Tuff Cuts series. Buyers have simply responded to the consistency of the Australian producer's approach, and the quality of loopy, house-friendly re-edits. This eighth volume features more party-starting fare, from the glassy-eyed extended breakdown of "Go For That" (yep, a Hall & Oates rework) and soft-touch house take on Marvin Gaye ("Heard It"), to the end-of-night bliss of "Dreams", a decidedly warm and rolling rearrangement of the famous Fleetwood Mac cut of the same name. As if that wasn't enough bangers in one place, he finishes with a triumphant rework of disco-era Michael Jackson ("Starting Something").
Los Conquistadores Chocolates (Moplen Dizco Delight - part 1) (8:46)
Los Conquistadores Chocolates (Moplen Dizco Delight - part 2) (8:02)
Review: Johnny Hammond's "Los Conquistadores Chocolates" is a seminal slice of long form jazz funk from 1975, which has long been coveted by collectors and DJs and flexed over by dancers for decades. Now expert disco archaeologist and multi-track remixer par excellence Moplen has taken this holy grail to task with a respectfully epic two part opus that takes up both sides of this 12" on High Fashion. This is editing as carried out with utmost reverence for the source material and the hands-on ways in which the pioneers first carried out this ritual of extending the groove. If you need a lesson on how an edit should be done, look no further.
Rafael Cameron - "Let's Get It Off" (Dr Packer rework) (6:13)
Ripple - "The Beat Goes On & On" (Dr Packer rework) (7:30)
The Salsoul Orchestra - "You're Just The Right Size" (Dr Packer rework) (6:07)
Review: UK born, Australia based DJ and producer Dr Packer is back with more of his on point edits. He tackles some serious disco heavyweights here on Salsoul and first off, disco diva Loleatta Holloway and her mega-hit "Runaway" gets a fresh 2020 update with some soul uplifting studio skills. A heavy funk remix of Rafael Cameron's "Let's Get It Off" is next, with the original still taking centre stage, then the shimmering and glistening disco gold of Ripple's "The Beat Goes On" follows before in-house collective The Salsoul Orchestra also get treated to some elegant orchestral work and a sultry vocal hook.
Sweet Daddy Floyd - "I Just Can't Help Myself" (4:17)
Review: The popular Breaks & Beats series of light-touch, DJ-friendly re-edits of soul and funk classics has decided to reissue some of its most sought-after seven-inch singles on clear vinyl pressings. Fittingly, the first to get the reissue treatment is the label's first ever release from 2017. On the A-side you'll find a tasty extension of Melvin Bliss's warm, heartfelt, piano-heavy 1983 cut "Synthetic Substitution". While Bliss's brilliant original is largely kept in-tact, the mystery re-editor naturally makes more of the opening breakbeat. Flip for a similarly tasty rearrangement of Sweet Daddy Floyd's 1978 Blaxploitation style disco-funk shuffler "I Just Can't Help Myself", a cut rich in rolling breaks, densely layered percussion, punchy orchestration and "Shaft"-style guitar licks.
Review: Emotional Rescue return to the work of Noel Williams as King Sporty. The Miami-based Jamaican made some seminal, stunning music that presaged the increasing importance of synthesisers in disco and dance music overall. This time the label have decided to give a regal airing to a cut previously only available squeezed onto the Deep Reggae Roots LP. "Safari" is a heady brew that keeps a necessary skank in the groove while channeling the nagging funk of The Meters and heading somewhere exotic. At just under four minutes, it's the kind of jam that warrants an extended treatment, and who better to do a respectful job than Lexx, who more than doubles the run time of the track on the B side.
Review: Pioneering disco outfit First Choice built up a fine arsenal of hits in the 70s and 80s. Amongst them was their epic "Armed and Extremely Dangerous" which now gets two new versions served up by Brookside. Hot Mix 5 and Chicago house legend Ralphi "The Raz" Rosario is the man doing the work and the brings big drums and vocals with some superbly soulful keys next to Craig J Snider. On the flip, the band's most iconic tune "Love & Happiness" gets a rework by Mike Maurro. It is more soulful and warm, laced with big drums and sweeping pads.
I Know You Care (Arranged & Produced By Roy Ayers) (5:18)
It's Your Love (Arranged & Produced By Roy Ayers) (4:01)
Review: In soul connoisseur circles, Ethel Beatty will forever be remembered for her sole single on Roy Ayers' Uno Melodic label, which first slipped out in 1981. This Expansion Records reissue - pressed on white vinyl in a Juno exclusive - proves why it is still so well thought of. A-side "I Know You Care" is super-sweet, with Roy Ayers' immaculate production wisely focusing on Beatty's lovelorn vocal, and a disco era deep soul groove that's effortlessly warm and tactile. Also impressive is flipside "It's Your Love", Beatty's sugary but emotive rendition of a Dee Dee Bridgwater and Ayers composition that features some skittish, jazz-dance friendly drums and all-round soothing and seductive vibe.
Review: The latest must-have missive from Naples' Early Sounds collective comes courtesy of founding member Pellegrino S. Snichelotto and his collaborative studio project Zodyaco. This time round keyboard player and fellow producer Daryo Bass joins him in the studio for a sun-kissed skip through hybrid jazz-funk/disco pastures. The A-side "Damecuta Version" of "Caucciu" is the kind of rich and opulent Balearic disco we dig, with the pair regularly flitting between dancefloor jazz-funk and arpeggio-driven, Italo-disco type sounds. The flipside "Migliera Version" is an altogether looser and more loved-up affair that sounds like a jam session between Tullio Di Piscopo and Pat Metheny.
Review: Having sold out in record time a couple of months back, Phil Mison's latest album as Cantoma - an all-star affair featuring a wealth of guest vocalists and musicians - has been rapidly reissued, this time with a colour insert. Musically, "Into Daylight" is sweet and soft-focused, with the Balearic veteran prioritising seductively shuffling samba beats, dewy-eyed vocals, gentle melodies, dubby basslines and tactile instrumentation (think meandering trumpet solos, acoustic guitars, flutes, twinkling Rhodes solos and Pat Metheny style jazz guitar). It's the kind of album that warms you like a hug, soothing mind and body whilst providing enough slow-motion excitement to reward repeat listens.
Review: Former Paper Recordings artist Sophie Lloyd apparently started working on "Calling Out" whilst gripped by the January blues. Her intention was simply to make "happy music". To that end, she turned to her gospel roots. The results, shared here on 7" single for the first time, are little less than spectacular. With collaborator Dames Brown in tow, Lloyd's vocals - accompanied by a gospel choir, of course - simply soar above a jaunty, piano-heavy track rich in live instrumentation. It sits somewhere between traditional gospel, house and disco, with a flipside instrumental brilliantly showcasing the quality of the instrumentation throughout. The piano solos, in particular, are breathlessly good.
Review: Fabrizio Esposito was born in Naples / Italy into a family of passionate musicians and vinyl collectors. His father played guitar in Tony Esposito's band who was responsible for some classic Italo tracks from the early 80's. He spent his early childhood immersed in his grandparnent's extensive vinyl collection which he has since inherited, this collection heavily influenced Fabrizio and made him a fan of Italian Wave, Italo Disco, Neapolitan Funk, Soul and Disco. After all these years working in clubs and with artists Fabrizio decided it was time to realise his other dream and become a DJ and producer himself fusing together his rich musical heritage combined with his clear vision for the future, creating his own unique sound. Fabrizio explains that since he was 14 he had always been behind the scenes of parties, from a PR to a promoter, always watching the djs and producers working to create the party around them. Since this time he has always been an obsessive vinyl collector, its in his blood, so now it's time for Fabrizio to share his own passion for music with the world.
Fast forward to summer 2019, Fabrizio made his Ibiza debut DJ'ing alongside DJ Harvey and Pete Gooding at La Torre and soon after Fabrizio finished his debut track 'This Way' which was premiered by Harvey at his now 'Mercury Rising' party at Pikes.
Review: "Mothership Connection (Star Child)" by funk legends Parliament was the third and last single released from the group's highly acclaimed 1975 album of the same name. After six years and much fanfare (including some from George Clinton himself), this sought-after KON remix is finally on 7" with a new EQ on the A side and a handy instrumental dub on the flip titled "Mothership Konnection" (see what he did there?). According to the man himself, "another sure shot rework from the stems ... recognizing the pure genius of George Clinton and crew, P-FUNK. So many layers in this session, it's amazing how much is really going on musically".
Review: Long time disco diva Gwen McCrae is an eternally in demand artist whose music reconnects with each new generation. "All This Love That I'm Givin'" is one of her biggest hits and for good reason. Now it gets a special 7" release on stunning yellow vinyl. The soaring vocals do most of the work but the tentative stabs help bring the funk. It's a totally different vibe on the flip with "Maybe I'll Find Somebody New", a much slower and more sensuous tune with luxurious strings and wind instruments complimenting her smooth and seductive vocal work.
Review: More from the mysterious Ron's Reworks series, which appears (though it has never been confirmed) to have been launched in tribute to late, great Chicago DJ Ron Hardy. The shadowy scalpel fiend (or fiends) behind the series begins volume three with "Revelation", a sparkling rearrangement of a life-affirming, piano-laden number that sits somewhere between jazz-funk, Latin jazz, spiritual jazz and disco. It is, beyond a shadow of doubt, one of the most positive tracks you'll hear all month. Elsewhere, "Games You Playing" is a synth-sporting slab of disco-funk heaviness, and "Bada Bongo" a percussive, break-driven, bongo-laden workout guaranteed to get limbs moving on the dancefloor.
It All Began In The East (The Sacred Rhythm version) (11:48)
It All Began In The East (The Cosmic Arts Koto version) (3:39)
A Dance For Gratitude (Joaquin's Congo Arts Drum version) (7:15)
It All Began In The East (The Cosmic Arts Meditational mix) (3:18)
Review: Two years ago, Joaquin "Joe" Clausell donned his occasional Mental Remedy alias and offered up "A Journey To Noi", a decidedly spiritual album that mixed Japanese instrumentation with his usual ambient and deep house sounds. On this 12", Clausell offers up some heady new interpretations that - like much of his work over the last decade - are built around the percussive power of African rhythms. The opening "Sacred Rhythm Version" of "It All Began In The East" is particularly potent, with Clausell cloaking a warm, organic and percussive Afro-house beat in distinctive Japanese Koto melodies and jazzy piano flourishes. We'd also recommend the formidably heavy, drum-laden rework of "Dance For Gratitude", whose Latin American bassline and simmering synth-strings are almost as addictive as the weighty groove they sit upon.
Akabu - "Ride The Storm" (feat Linda Clifford - Saison remix) (7:21)
The Love Symphony Orchestra - "Let Me Be Your Fantasy" (Dr Packer remix) (7:31)
Joey Negro Presents The Sunburst Band - "Everyday" (JN Disco Re-Bump remix) (7:28)
Art Of Tones - "Flower Child" (feat Anduze) (7:01)
Review: Like its numerous predecessors, 16th edition of Z Records' long running "Attack The Dancefloor" series is packed to the rafters with tried and tested dancefloor treats, most of which have never appeared on vinyl before. First up, Saison tackles Akabu's 2001 classic "Ride The Storm", turning it into a deep, bouncy and rubbery chunk of lilting, string-drenched house goodness, before Dr Packer delivers a subtly tooled-up take on The Love Symphony Orchestra's grandiose and sexually-charged 1978 disco classic "Let Me Be Your Fantasy". Label head honcho Joey Negro provides a superb deep disco rework of one of his own productions, the Sunburst Band's 2004 summer sing-along "Everyday", while Art of Tones' "Flower Child" is a flash-fried, disco-funk romp laden with superb lead vocals from Anduze.
Review: Soul Brother Records is doing the world a great service by reissuing Sisters of Love's 1973 proto-disco anthem "Give Me Your Love", which is here presented in a Juno exckusive white vinyl edition. The song has been re-edited, bootlegged and reworked countless times over the years, and newcomers should be able to tell why straight away: the combination of brilliant group vocals, Blaxploitation style gyutars, fluttering flutes and powerful horns is simply superb. This time round it's accompanied by a lesser-known gem, "Try It, You'll Like It", which first featured on the B-side of a 1973 single. It's a powerful chunk of conscious funk/soul fusion of the sort that was incredibly popular during the period it was recorded.
Fun Kool - "Jam Now" (feat Eruptia & Anna Dee Tee) (5:29)
Brothers In Arts - "What's Wrong" (6:56)
Review: When sourcing material, the prolific Tropical Disco edits and rework series has largely relied on a small handful of reliable producers, most notably Sartorial and Moodena. Significantly, neither are present on this action-packed four-tracker, with the imprint instead showcasing the work of some genuine rising stars. Javi Frias kicks things off in fine style via the gently beefed-up, low-down disco-funk sleaze of "Push Me", before Hurlee adds a humid South American twist via the carnival-friendly hedonism of "Brasilia". Over on the flip, Fun Kool aims for arms-aloft peak-time disco perfection on EP highlight "Jam Now", while Brothers In Arts' "What's Wrong" is a filter-sporting slab of weighty disco-house goodness.
Review: German nu-disco don Purple Disco Machine has been phenomenally successful in recent years, and there's every chance that this single - a collaboration with little-known British indie band Sophie & The Giants - will raise his profile even more. "Hypnotized" certainly sounds like it has serious crossover potential. In its original "Extended Mix Form", the track is an attractive chunk of radio-friendly mid-tempo nu-disco/80s AM radio synth-pop fusion that comes complete with a catchy, sing-along chorus. Roosevelt smartly gives the track a little more organic disco warmth whilst retaining the prettiness of Purple Disco Machine's original synths, while Loods aims for hands-in-the-air peak-time bliss on a cheery retro-futurist big room house take.
Review: Floridian modern soul band Rivage recorded just one single and a sole album during their early '80s heyday, and both are apparently amongst Athens of the North boss Euan Fryer's favourite records of all time. It makes sense then that he has decided to reissue their album, "Sittin' On It" - an ultra-rare affair from 1981 that is here presented for the first time with an alternative photo cover (apparently the band hated the original cover). There's plenty to get the juices flowing across the eight tracks, with our highlights including "Sha Na Na", a punchy call for "soul for the people" blessed with brilliant horn arrangements, the Clavinet-sporting disco-funk cheeriness of "I Need Your Love", the deliciously celebratory title track and sweet, flute-laden closer "Strung Out On Your Love".
Review: To celebrate 30 years of his influential Z Records imprint, Dave Lee AKA Joey Negro has put together an epic, digital-only compilation of label highlights, plus a string of vinyl samplers featuring some suitably sought-after remixes. There's naturally much mouth-watering fare on offer on sampler one, from the classic disco celebration of Lee's string-laden, multi-track rework of Patrice Rushen classic "Haven't You Heard" (a mix as strong as any by Tom Moulton), to the modern deep house-soul flex of Lee's edit of Atjazz's terrific rework of overlooked Sean McCabe classic "Reach Out". Sandwiched in between you'll find a smooth, peak-time ready tweak of Akabu's "Another World" by Andre Lodemann, as well as the squelchy disco-boogie brilliance that is Hot Toddy's P-funk re-make of the Sunbrust Band's "Taste The Groove".
Peter Huntingdale - "Rocking You Eternally" (3:40)
Christine Lewin - "Juicy Fruit" (3:56)
Pure Silk - "Don't Let Love Get You Down" (4:24)
Al Charles - "Outstanding" (5:51)
Karen Dixon - "I Want To Be Free" (6:06)
George Posse - "Touch A Four Leaf Clover" (feat Toyin Adekale) (4:24)
Misses Misty - "Mellow Mellow Ride On" (8:39)
Trevor Hartley - "The Look In Your Eyes" (4:48)
Family Love - "Do Me Baby" (5:20)
Michael Prophet - "Body Fusion" (3:43)
Michael Gordon - "What You Won't Do For Love" (4:52)
Simplicity - "For The Love Of You" (5:35)
Review: Edinburgh's Athens Of The North label is endlessly flawless and this time around they pull together the special lovers rock covers they put out at the end of last year onto a superbly strong 12 track compilation. It arrives just in time for the warmer months and has been curated by Sam Don and overseen by label boss Euan Fryer. Standouts include Christine Lewin's lush take on the heavily sampled "Juicy Fruit" while the lo-fi bliss of Al Charles's "Outstanding" is another one to swell the heart and sooth the soul. For more sentimental moments check Family Love's "Do Me Baby." Overall, though, this is a must buy.
Review: Since launching a few years back, Deep Cover has proved to be one of the most interesting, eccentric and leftfield re-edit imprints). The label's latest essential missive sees Alexis Le Tan don the easy-to-spot Alexis Le Fan alias to deliver two vital re-rubs. On side A, the French producer and editor has his wicked way with a vintage Perfect Zebras track, expertly extending and rearranging the post-punk, new wave synth-pop cut to make greater use of the original's squally horns, bubbly bass and drowsy vocals. Over on the flip he delivers a fine rub of a squelchy, Clarinet-laden number from the early '80s that sounds like it might be Middle Eastern in origin (but, of course, may not be). Either way, it's an eccentric, oddball treat.
Review: By now, we shouldn't need to tell you that the Tone Be Nimble-curated "Soul Is My Salvation" series of gospel soul obscurities is nothing less than essential listening. He's dug out two more little known gems for the sixth volume in the series, and once again they're simply unmissable. The A-side sports the Gospel Miracles' little-known 1985 treat "Building Up Myself", a Leroy Burgess-esque chunk of soulful warmth full of intricate musical flourishes (including a bassline reminiscent of that Burgess's Universal Robot Band used on "Barely Breaking Even"). On the flip you'll find a more driving chunk of gospel soul-funk fusion from 1977 - the equally inspired "Don't You Worry" by Serenity, a pretty much unknown combo whose music was produced by sometime Barry White collaborator Doug Lambert.
Review: The first instalment of the Gallery edits series, which landed in stores at the very end of 2019, was an artful, off-kilter treat, so we're expecting big things from this eagerly awaited follow-up. A-side "Stop" is simply superb: a clattering, delay-laden, dub disco style revision of a poodle perm-sporting bunch of early-to-mid-'80s electronic disco laden with percussion hits, ear-pleasing synthesizers, druggy, arpeggio-style bass and familiar-sounding vocal snippets. It just keeps building throughout, suggesting dancefloor pandemonium is almost guaranteed. Flipside "Remember" is rather good, too, with the mystery audio art lovers re-wiring a deliciously camp, over-the-top electro-disco stomper.
Cage & Aviary - "Lean On Me" (Felix Dickinson Foolish dub)
Posthuman - "Make More Man"
Review: Just as the new football season settles into it's groove, the fourth edition of the highly collectable Rothmans arrives sporting some high profile signings! Leading the way on The Claudio Gentile Release is a Foolish Felix dub of Cage & Aviary's "Lean On Me" whose deranged acid gurglings provide a nice contrast to the thrusting Escape From East London stylings of Posthuman's "Make More Men". On the flip Ali Renault returns for Rothmans duty with the Weatherall worthy "The Black Heart" whilst Iron Blu is loaned from Flight Recorder for the synthy swamp of orchestral drama that is "Oiche Shamhna"
Eminence - "Give It Up" (feat Kathy Brown - Dr Packer extended remix) (6:56)
Aeroplane - "Love On Hold" (feat Tawatha Agee - Dr Packer extended remix) (6:41)
Jean Jacques Smoothie - "2people" (feat Tara Busch - Dr Packer extended remix) (5:40)
ATFC - "Sleep Talk" (feat Lisa Millett - Dr Packer extended remix) (7:33)
Fish Go Deep & Tracey K - "The Cure & The Cause" (Dr Packer extended remix) (6:19)
Horse Meat Disco - "Let's Go Dancing" (feat Amy Douglas - Dr Packer extended remix) (6:39)
Hardsoul - "Back Together" (feat Ron Carroll - Dr Packer extended remix) (7:01)
Reel People - "You Used To Hold Me So Tight" (feat Angela Johnson - Dr Packer remix) (7:04)
Review: Aussie remix king Dr Packer is now Defected offshoot Glitterbox's go-to man when it comes to re-shaping and revising classic cuts. There's a reason for that of course, namely that he understands dancefloor dynamics and is an expert at adding just the right of easy-to-mix house flavour to records old and new. "Different Strokes Volume 2" gathers together 12 previously unreleased reworks from the Perth-based producer. There are some terrific, disco-tinged revisions on show, with our highlights including his interpretations of Jean Jacques Smoothie's early noughties gem "2People", Hardsoul and Ron Carroll's soulful house anthem "Back Together", Reel People's new-boogie cover of Thelma Houston gem "You Used To Hold Me So Tight" and the 21st century disco anthem that is Horse Meat Disco's"Let's Go Dancing".