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Review: Leapfrogging conventional rock sounds and hop-scotching conformity, these unassuming young gentlemen yell "Up your pigeon-hole!" to an industry obsessed with format and repeated musical templates. In the humble surroundings of a quaint English seaside village, the members of Odd Shaped Head reside in chaotic harmony: Paul (bass/vocals), Ricky (guitar/vocals), Rob (drums) and Andrew (guitar); from childhood chums to grown up geeky misfits. The quirky quartet release their new single "Egomatic Annie". Their eclectic brand of energetic, rhythmic, funk-punk, jerky bass popping, powerful scatterbrained drumming and stabbing guitars bursting into vibrant melodies draws more fans along to venues already packed with a collage of characters. This is not to be missed.
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Review: Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of
a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
… Read morea creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
Played by: DAVIS [BR], Juno Recommends Experimental
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Review: Hailing from the London rat race, MUX step forward with the first release on Teenage Father and lay their distinctive style out for all to witness. Their broad-reaching indie rock sound has undertones of electronica, grunge and a very British swagger that deserves to get them onto radio playlists and festival line ups aplenty. "MDMA" rumbles along somewhere between Soulwax, Kasabian and Queens Of The Stone Age, while "Teenage Father" ups the intensity with a punky thrum behind the raucous guitars and grinding synths, and then "Stray" finds the band mixing up the time signatures for the most adventurous cut on the record.
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The Killing Moon: The Singles 1980-1990 (low-price CD)
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Cat: ASP 029. Rel: 12 Mar 21
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Review: Boy Pablo continues his mission to make us all nostalgic for our younger years with a track taken from this year's bubblegum album, Wachito Rico. 'Leave Me Alone' is enough to tell newcomers what they can expect from the full length release. Uptempo, melodic and polished to a fault, it's a timeless, chart-friendly, indie pop sound that has won over a huge following with its unabashed positivity, albeit the sentiments are apparently tied to the feeling disappointment when his parents suddenly making him leave a birthday party early.
Flip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
… Read moreFlip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
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