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Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: Desktop enclosure case for the Empress Zoia Euroboro- 12v power supply included. Euroboro not included- picture shown for demonstration purposes only.

Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.

Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.

Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.

Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

This Pod requires a power brick (not included).

Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod typically will house one or two modules, but three or more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:
34HP Pod, black anodized aluminum
Extra deep (2.16"/55mm) fits virtually every Eurorack module
Built-in power supply with four Eurorack power headers
M3 x 8mm pan-head screws, stainless steel (10)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:
Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.65A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: Pico Drum2 is compact yet versatile percussion synthesizer in a 3 HP eurorack module. It features 8 drum synthesis algorithms created to deliver distinct sounds to your modular system. Each algorithm offers a lot of flexibility therefore a big sounding bass drum and a squelchy snare can be dialled in within the same algorithm. It also tracks 1V/Oct and all parameters can be mapped to the CV1 input.

Technical specifications:
Output level: 10Vptp
CV level (full span): -5V - +5V
Power consumption: +28mA, -5mA
Module width: 3HP
Module depth: 35mm

Notes: Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.

Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: Analogue delay with extensive controls and tap tempo all in an affordable package!

The EHX Deluxe Memory Boy Analog Delay's Quality ICs deliver warm and organic analog tones while "tap tempo" allows you to always be in sync with the groove. Choose five note divisions for metronomic variances. Sweet modulations can add lush ambience while the expression pedal input gives you external control. The Deluxe Memory Boy is the most flexible, affordable analog delay ever designed.

Tap Tempo
Tap Divide timing subdivisions
Expression pedal input for flexible control
Triangle and square wave modulation with adjustable rate and depth for superior chorus, vibratos and sweeps
Total analogue bucket brigade design
Built in EFX loop
Total Analog bucket brigade design
Power adapter included

Specifications

Circuit
Analogue: Analogue w/ Digital Control
Bypass: True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2010

Notes: Each of the two sections of the module is capable of performing the analog multiplication of two signals (A and B) and add an offset (C). It can also act as a dual voltage controlled attenuverter, dual ring modulator, dual VCA or four channel mixer (see block diagram below).

The B inputs are routed to an attenuverter that multiplies the signal between -2 to 2, while the offset inputs (C) route through a unity gain attenuverter (multiplies the signal between -1 and 1).

The output of first section is routed to the output of the second (when the first's output is unused), so the second output can act as master to achieve (A1*B1+C1) + (A2*B2+C2) or (A1 + C1) + (A2 + C2) - a 4 channel mixer.

The through-zero (four-quadrant) multipliers in the A*B+C allow for true Ring Modulation. To achieve this, simply connect two waveforms to the A and B inputs.

Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.

Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

Notes: Third-generation version of Akai's compact keyboard is a portable instrument in its own right. Battery operation and built-in sounds and speaker let you make music anywhere. Keys and MPC pads offer full control.

Supplier's Notes:
Play Music Anywhere

Musical inspiration can happen anywhere and MPK mini Play mk3 is the perfect portable companion to capture those melodies and harmonies, anytime and anywhere. With battery-operated performance at 14+ hours, MPK mini Play mk3 users don't have to worry about power adapters, chargers, or cables when it's time to play music. The upgraded built-in speaker delivers increased output and added low-end response, making for more enjoyable playing and jamming. With an improved listening experience, users can dive into the 128+ onboard instruments and drum kits including acoustic and electric pianos, synth leads and pads, and more. MPK mini Play mk3 also houses a 1/8-inch headphone output jack for quiet practicing or songwriting without disturbing others.

Professional Performance

At the heart of the MPK mini Play mk3 is the new Gen 2 keybed. This new keybed delivers dynamic performances and accurate velocity response with a feel that players will certainly appreciate. While it maintains its sleek, compact footprint, MPK mini Play mk3 is more playable and comfortable than ever and ready for hours of playing. The 8 pads have been upgraded to real, velocity-sensitive MPC drum pads, offering optimal feel and response for even the most percussive drum parts. With Class Compliant, plug-and-play capability, MPK mini Play mk3 doubles as a powerful MIDI controller and instantly connects to your favourite DAW for immediate music production duties. 4 assignable rotary encoder knobs offer versatile control of MIDI parameters like pan or automation for super-precise editing. With its sturdy construction and build, MPK mini Play mk3 is ready to travel securely alongside any favourite music production items in backpacks or bags.

Limitless Creativity with MPC Beats Software DAW - Effects and Instruments Included

The MPK mini Play mk3 comes bundled with MPC Beats, the powerful music-making and recording desktop software DAW for Mac and PC, based on the iconic MPC hardware. This DAW features a full array of musical instrument plugins, effect plugins, and audio and drum samples ready for your next hit production. In addition to MPC Beats, MPK mini Play mk3 also includes multiple world-class plugin instruments from award-winning sound design company AIR Music Technology. Available in both AU and VST are Hybrid 3 - a powerful polyphonic analogue synth, Mini Grand - an acoustic piano instrument, and Velvet - a vintage electric piano instrument.

Educational Software Included

MPK mini Play mk3 comes with a Melodics educational package. Available as both a desktop and iPad app, Melodics features instruction for MIDI keyboards, pad controllers, and e-drums, offering tailored cross-genre lessons and realtime feedback designed to help refine necessary music creation skills. The free Melodics download includes 60 lessons to get started and with plug and play support, no extensive set-up is required. Sign-up for Melodics with your new MPK mini Play mk3 and discover fun, engaging music performance training and education.

Technical Specifications

Power: Via USB or 4 AA alkaline batteries
Dimensions (diameter x length):12.5" x 7.0" x 2.3" / 317 x 178 x 58 mm
Weight 1.9 lbs./0.86 kg

Notes: FONT is a massive sounding liquid filter- designed to bring you powerful basslines, tons of FM modulation and a clean resonance over your audio path.

It features two simultaneous outputs:
2-pole Low Pass
2-pole Band Pass

It can also work as a sine oscillator, tracking 1V/OCT when the resonance is at its maximum level.

FONT can be used to make basslines, acid patterns thanks to its organic and musically sounding resonance.

Ping it to produce percussion sounds such as, bongos, congas or toms.

Applying a pitch envelope, it really shines as a kick-drum machine!

22 mA +12V
25 mA -12V
0 mA 5V
15 mm deep
O 4.60 (10 Votes) Average Rating

Notes: Excellent quality at an affordable price courtesy of Arturia's MiniFuse range. Two-in, two-out design with front panel volume control and MIDI in/out to help control hardware synths and drum machines.

Supplier's Notes:
Arturia MiniFuse 2 is an easy-to-use audio & MIDI interface that gives you pro-grade sound quality, smart connectivity, and a curated selection of the industry's best creative software. From guitar tracking to podcast recording, this is your solution for every type of audio creation.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

Creativity connected

MiniFuse 2's inputs and outputs bridge the gap between your ideas and the finished product. Record 2 instrument or mic sources simultaneously with dual combo inputs, sync and record your MIDI devices with 5-pin DIN connections, and connect extra devices with the additional USB hub socket - all via universal USB-C computer connectivity.

Simply the best sound

On paper, MiniFuse 2 gives you a 110db dynamic range and a top-tier equivalent input noise of -129dB. Put more simply, that means unbelievably great sound that can compete with even the finest studios. Enjoy responsive dynamics, a clear noise-free signal, and quality that you can really feel. Tough, portable design MiniFuse 2 is designed to accompany you for those last-minute sessions, quick deadlines, and spontaneous musical moments. It's not only compact and lightweight; its rugged aluminium ca-ing can handle the mobile producer's lifestyle. Take your sound with you, wherever you go. Fully operational Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place. Inspiration on the house Keep your creativity fresh and your inspiration flowing with step-by-step music production tutorials, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. Arturia FX Color your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus. Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse. Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds. Auto-Tune Unlimited 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favourite voice tuning plugin.

GUITAR RIG LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Notes: Arturia serve up a stylish black look for the KeyStep as part of the limited edition Black Range. One of the best value controller/sequencers on the market, whichever colour you prefer.

Supplier's Notes:
The Arturia KeyStep Black Edition is an essential tool for the modern musician, and ideal for performance as well as studio experimentation. Create polyphonic sequences on a virtual instrument in your DAW, sync with a modular drum machine using its CV connectivity, and play a melody at the same time through an outboard analog synth.

EXCLUSIVE! This limited edition version includes 3 CV patch cables, Analog Lab Intro, and Ableton Live Lite.

The perfect small-format sequencer

Featuring a great-feeling 32-key keyboard, Arturia's own small format "Slim keys" give you more range than regular small MIDI controllers do, and have a nice professional feel that's often missing in budget MIDI keyboards. KeyStep has two switchable modes: arpeggiator and sequencer. As an arpeggiator, KeyStep lets you play arpeggios in multiple modes and time subdivisions, and in perfect sync with your DAW or other gear. As a sequencer, it totally redefines what's possible with a small-format MIDI controller. Create and tweak huge patterns of up to 64 steps, and up to 8 notes of polyphony deep, all with the same controls as the arpeggiator.

Get your vintage gear and modern tech working together KeyStep features multiple outputs, including 3 CV outs, sync in & out, MIDI in & out, as well as MIDI over USB, letting you synchronize practically any music tech gear whether vintage or modern, and have everything performing in harmony.

The professional's choice

Whether it's the sleek, contemporary look, the massive functionality, or even the fact it can be used with an iPad via the camera connection kit, the Arturia KeyStep is seen in studios everywhere. Massively affordable, yet hugely versatile. No simple MIDI keyboard; KeyStep is a controller that truly puts you in control.

Included Software:

Arturia Analog Lab Intro
Ableton Live Lite
Arturia MIDI Control Center

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: The WHITELABEL is SHURE's Flagship DJ Phono Cartridge that has redefined and set a new standard in the DJ Industry.

With the N-WHLB NUDE, JICO provides a replacement stylus manufactured for the legendary SHURE WHITELABEL Cartridge.

Additional information

Manufacturer: SHURE
Cantilever: Aluminium
Cartridge number: WHITELABEL
Colour: DK / BLUE
Tip: NUDE Conical Stylus
Tracking Force: 1.5 - 3.0 g
Type: Moving Magnet

Review: After 31 years, the Serious Beats compilation serious comes to an end. The very last edition, Serious Beats 100, arrives as a five LP set. The compilation series underlines the progression of commercial house music from a distinctly Belgian perspective, canonizing an incredible number of tracks that have been thoroughly publicly digested and surely will be for years to come. This edition sees appearances from Fatima Yamaha, Fake Blood, Avicii, Dele Sosimi and Parachute Youth.

Review: The Strokes The Singles - Volume 01 is a 7" vinyl boxset comprised of the ten original vinyl singles released from the band's first three studio albums. Utilising the original singles artwork, the boxset will include standard black 7" vinyl of 'The Modern Age', 'Hard To Explain', 'Last Nite', and 'Someday' taken from Is This It (2001), while '12:51', 'Reptilia', and 'The End Has No End' comes from Room on Fire (2003), and 'Juicebox', 'Heart In A Cage', and 'You Only Live Once' are culled from First Impressions of Earth (2006), all with their accompanying B-sides.

Notes: Loci Tripl3

A Tripl3 is a combination of a Classic and Doubl2 stands allowing 3 angled tiers
Can be used as separates, flipper over for other options or combined with additional stands.
Assembled in seconds
Super strong
Precision laser cut from 6mm oak veneer
Non-slip bands
Packs flat to slide in your case.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The original, patented, portable acoustic treatment device: the Reflexion Filter PRO.

Beautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult.

What if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment?

Since sE invented the Reflexion Filter in 2006, over 120,000 units have made their way into studios and homes worldwide - and it remains the indisputable industry standard for portable, effective acoustic treatment.

How does it work?

When you put a microphone in front of you, it doesn't just hear you - it hears the room around you.

Even if it's a cardioid mic and is listening mostly to just you, it's still picking up reflections from your voice or instrument that are bouncing off the walls and coming back to the mic. The goal of acoustic treatment is to minimize the pickup of such reflections so your primary sound source comes through as pure as possible.

So why not just put some cardboard or foam behind the mic?

Some materials are good at absorbing or reflecting particular frequencies - for example, foam absorbs highs really well, but does nothing for lows.

Unlike cheap foam RF imitations, sE's patented multi-layer technology works evenly across the whole frequency spectrum to ensure a balanced, even sound with no coloration at all.

This is what makes the Reflexion Filter unique, and makes it the choice of the biggest recording artists in the world - whether they're working in untreated rooms, or working in a professionally-designed studio and just need a little more isolation.

Ultra stable hardware:

In 2016, sE completely redesigned their RF Pro's mounting hardware to increase stability, simplify ease of use, and provide an updated level of performance, durability, and aesthetics.

It allows panning and tilting for maximum flexibility, and all moving parts are chromatized to ensure low wear. The extra stability means that your RF Pro can be positioned solidly at any angle to help provide a "dry" sound when recording any source - vocals, acoustic and electric guitars, amplifiers, drums, room mics, strings, and countless other instruments.

In the box:

- Reflexion Filter Pro
- Mounting bracket
- Screw wrench
- Mic stand thread adapter

Notes: The Zomo RS-250 XT LP case satisfies by its modern design and compact construction. By the 30/70 divide the recordcase can be comfortably splitted and the content can be separated in 3 halves. The 2 lockable snap locks can be closed by the including keys to safe the content.


Sheer genius and totally cool! It's ZOMO!

Review: The vast array of Depeche Mode originals cover plenty of ground and many years of hard and critically acclaimed work. As such they're a gold mine for artists looking to add their own spin and plenty of the most ear-grabbing of those radio, dub and club mixes are collected together here on a rather epic seven slabs of wax in one bumper box set with a poster and digital download. Works by contemporary artists like Trentemoller and Justus Kohncke sit next to techno titans like Ben Klock, trance mainstays such as Sander Van Doorn and even EDM stars like Laidback Luke. A varied mix with something for everyone.

Notes: A simple noise generator and 4 band fixed filter bank.

The noise is normalled to the Filterbank input. The cutoff frequencies are matched to the Bark Filter, so that four bands of the Bark Filter correspond to a band on the Noise & Filter.

It is a small and quick noise source and pairs well with Scan & Pan and Amp & Tone.

HP : 4

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Pairing an adjustable carrier signal with a revamped distortion circuit, the DOD Gonkulator essentially brings two effects into one chassis with controls for ring, frequency, gain and distortion. Capable of all the weird modulation goodness of the '90s original with the added ability to cover distorted experimental ground, this pedal pushes boundaries and makes statements with modulating effects limited only by imagination. From bell-like clangs to spastic robotic breakdowns, the Gonk demands attention.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

0.62 lbs. (0.281 kg.)

Notes: The Glorious Record Rack 330 is a vinyl storage solution that allows you to store up to 330 vinyl records and features a highly-robust design alongside a sleek, professional finish.

Notes: DT 990 PRO Black Edition

For decades now, professional users all around the world have placed their trust in Beyerdynamic's classic range: DT 770/880/990 PRO. These benchmark-setting studio headphones, available in three different models, boast extremely detailed resolution and very transparent sound.

The DT 990 PRO Black Edition is a technically identical design variation of DT 990 PRO headphones. It is the range's open-back model offering impressive spaciousness.

Benchmark for studio sound

These open-back studio headphones are a reliable tool for any sound enthusiast. The wide stereo image and three-dimensional sound reproduction make the beyerdynamic DT 990 PRO headphones a loyal companion for producers. Outstanding tonal depth ensures that even small changes in the positioning of the acoustic source can be perceived while mixing.

Incredible spaciousness

The circumaural headphones with their open-back design provide exceptional spaciousness and detailed tonal depth. Their mild bass and treble boost ensures a pleasant sound. The bass is not overstated but rather precise and the treble boost is powerfully present without sounding sharp.

Extreme comfort

The single-sided cable allows the headphones to be put on and taken off frequently without cables getting tangled, and soft, adjustable ear cups provide for added comfort. The robust spring steel headband design ensures that the over-ear headphones also offer a secure fit.

Difference compared to the DT 990 PRO

Soundwise, both models are identical as they feature identically designed acoustic transducers. First of all, they are distinguished by the black design elements and secondly, the Black Edition model is equipped with a straight 3m cable and the standard version with a spiral cable.

Professional devices

With an impedance of 250 ohm, the DT 990 PRO headphones are perfect for mixing in the studio.

Durability

One aspect that sets these products apart from the rest is that they are handmade in Germany. The durability of Beyerdynamic's products is worth noting because all the components used are replaceable if necessary.

Made in Germany

The DT 990 PRO headphones are and always have been handcrafted in Germany. With their high-quality materials and meticulous workmanship, these studio headphones are a sound, long-term investment.

High-end studio quality

Thanks to the Tesla technology developed in Heilbronn, the DT 1990 PRO offers even finer resolution with precise and powerful bass. The PRO flagship also sets new standards in terms of wearing comfort and workmanship.

Technical specifications

Transmission type: Wired
Weight headphones without cable: 250 g
Transducer type: Dynamic
Operating principle: Open
Nominal frequency response: 5 - 35,000 Hz
Nominal impedance: 250 ? / system
Nominal SPL: 96 dB
Nominal T.H.D: < 0.2%
Power handling capacity: 100 mW
Sound coupling to ear: Circumaural
Nominal headband pressure: approx. 3.5 N
Weight: 340 g
Length and type of cable: 3 m / straight cable
Connection: Gold plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)

Notes: 'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: HN VCF is a state variable filter having 12 db Low Pass, 12 dB High Pass, 6 dB Band Pass plus 18 db Low Pass marked as "LP!", because it has extra drive. All three parameters: "Freq", "Resonance" and "Drive" have dual knobs with outer knobs controlling bipolar CV amount. These affected CVs are then shown by the relative green/blue LEDs.

The possibility to have CV over "Resonance" and "Drives" makes it a very capable 6 HP filter.

"LP!" output has 6 dB steeper slope (18 dB) compared to ordinary 12 dB "LP" output. Plus it has much more drive.

Dimensions
6 HP
35 mm deep

Current Draw
55 mA +12V
65 mA -12V

Notes: WarpEx is an expander module that adds polyphony and MIDI to Warp.

- 4-Voice polyphony
- MIDI input and MIDI Thru
- MPE compatibility (MIDI polyphonic expression)
- Dedicated trigger and V/Oct inputs for each voice
- Illuminated pushbutton to quickly toggle between the MIDI voice modes: Mono, Poly and MPE.

Inputs:

- +/- 8 Volts (V/OCT)
- 0.0 Volts to +5.0 Volts (TRIG and MIDI)
- Overvoltage protection on all jacks.
- 4 TRIG Inputs: Gate inputs for Voices 1-4
- 4 V/Oct Inputs: CV input for pitch of voices 1-4 (i 8V, up to low audio rate ~100Hz)
- 1 MIDI In: Input Type-A for Midi signals. Use provided MIDI-to-DIN adapters.
- Button Toggles between MIDI voice modes: Red = Mono, Blue = Poly, Purple = MPE (Poly)

Outputs:

- Midi-Thru, 5v signal

WarpEx is fully managed by the Warp master

Scope of delivery:

Module, 3mm screws, ribbon cable for connection to Warp, 2 Midi-to-Din adapters Type A

Power consumption: Warp powers this expander via the included grey bus cable
Depth: 30mm
HP : 4

Review: Sonic Transmutations is an extended compilation album celebrating over three decades of Clone Records. Marking the 31 years - which is coincidentally the national Dutch telephone code - the 8x12" inch box set draws together veteran talent and emerging iconoclasts, transmitting a frequency rooted the imprint's signature blend of essential dance music while journeying off into territories unknown. In a constant state of unfolding, morphing across phases of matter, Sonic Transmutations purveys an elemental energy that stands in testament to Clone's enduring legacy and explorations of sounds and structures.

Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023