Review: The fifth release from Wilson Phoenix on his own self-titled label continues the impressive pace set by this breakout techno artist. "Analogical" opens up the A side with a heavy-hearted, emotionally charged strain of techno tough and tender in equal measure. Things get spicier on the flip as Phoenix plays around with rhythmic structures to make a deadly, bass-charged broken techno belter under the name "Gamma Meld". "Automatic Africa" finishes the EP off with a tightly wound percussive work out - just the kind of interesting DJ tool track you want to spice your sets up with.
Review: Shahr Farang continues to blossom as a label, primarily as a vessel for the work of Sohrab Karimi and Rasul Gafarov, better known as Ahu and Lenta respectively. On this occasion, Ahu and Lenta have teamed up to present some intriguing clippings from two separate improvised studio jams. As is customary with the label, the primary mode of expression is minimal techno shrouded in hazy textures and atmospheric matter, but it veers more towards the kind of clicks and cuts you'd expect from a classic Scape record than anything geared towards the dancefloor. The steady tick of a 4/4 kick means this music isn't necessarily consigned to the headphones though - the right kind of warm up slot or backroom could be just the place to melt into these delicate productions.
Review: Unstoppable electro machine Carl Finlow (aka Silicon Scally) lands on Orson with more of that impeccable robo-funk he's so revered for. "Elastic Collisions" leads the charge with a tough and teasing workout that works around a heavy low end and plenty of sparkling sound design up top. "Octodecillion" keeps things on a dystopian tip, where a bleak future sounds as funky as it does ominous. "Probabilities" heads into a less floor-focused space where thick layers of buffed and polished synth wriggles collide in high-definition. "Mechanomics" completes the set with another taut belter geared towards the heads down section of the party.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Review: The Well Street family continue to bloom with this assured grip of adventurous steppers from Significant Other. You know you're onto something serious as soon as "Postdrome" fires up in a tangle of break slices, percussive rattles and poised kicks. The sparse drum-focused style continues in a quicker fashion with the tense and twitchy "Delos", while "Brain Fingers" amps up the bass flex to make for a dance-wrecking-ball of a track. "Memory Drum" completes the set with interlocking patterns balanced between organic and electronic and draped in tones of icy dread.
Review: Amato brings the kind of nasty electro business that fits right in on Helena Hauff's mighty Return To Disorder stable, and you know it's serious from the opening strains of the VHS noir monster "Escape From Grenoble 2018". "Hydraulic Funk" takes things slower, coming on like a freaky Frak flipside and sounding excellent for it. "Machine Outil" takes things in a more muscular direction that sounds built for bench presses and body jerks - the consummate peak time sledgehammer. Umwelt takes this sturdy starting point and demolishes it into a hailstorm of acid malevolence that'll melt your face clean off.
Review: Mick Harris is a master of bludgeoning sound, whether wringing out apocalyptic steppers in his Scorn guise or wrestling D&B into contorted shapes as Quoit. Monrella is one of his aliases that reaches back to the mid 90s and Regis' ZET label. These four new tracks capture the same mood of granite heavy Brummie techno as the original run, wholly compatible with the tougher end of the Downwards oeuvre, sculpted with the masterful ear for sound design that Harris has displayed throughout his accomplished career. Following on from the retrospective compilation on Berceuse Heroique last year, it's a real treat to have some fresh Monrella to chew on for the hardest of techno sessions.
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Since signing with Ransom Note Records in 2016, Bawrut has been on a fine run of form. Remarkably, this is the Madrid-based Italian's fifth EP for the imprint and it's every bit as memorable as its four predecessors. Like much of his work, title track "Pronto Arpeggio" is rich in razor-sharp analogue electronics, with high register arpeggio synthesizer lines rising above punchy beats, manic drum fills and mind-altering acid motifs. It's successfully toughened up by KiNK before Bawrut returns with "Shooreee", another boldly percussive and constantly building exercise in analogue electronics manipulation. Ruf Dug's brilliant remix takes the track to another level entirely via even denser drums, rougher acid riffs and more glistening lead lines, while "Atchu" is a chugging chunk of late night acid sleaze.
Review: The Advent made for a perfect addition to the formidable Thema catalogue, and now he's back with the second volume of his "Dorian Blue" series. There are plentiful loops to get creative with, but the fully-formed tracks have their own cyclical qualities to inspire technically-minded DJs. "Structures" is an urgent, tightly wound piledriver, while "Interactive Loop" and "Digitize" cuts both take a sprightly, Motor City-styled approach to electro. With loops derived from these classy tracks and more besides, there's a lot to get the creative juices flowing as well as bodies popping.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: James Ruskin's Blueprint label might be more than 50 releases deep, but it is still turning out vital techno. Famous beer lover Truncate is behind this latest no nonsense three tracker and first up he races out of the blocks with the wall rattling kicks and brilliantly linear grooves of "The Bell" which indeed has some eerie bell sounds bringing mystery to proceedings. "Initials" is for the messier late night hours, with loose synths unfolding in unpredictable patterns and melting your mind. "Timbre" is then the atmospheric closer that takes you inwards. Timeless stuff.
Review: The likes of Steve O'Sullivan, Baby Ford and Norm Talley have appeared on the somewhat overlooked Sushitech sub-label Pariter since 2006. Its latest release comes from Romanian trio Lisiere Collectif, who bring the techno sound of Bucharest to you on the first installment of Unknown Credentials. Member Andu Simion is well known for his rolling and glacial grooves, and in conjunction with Bogdan Ardeleanu and Dan Gheorghe they serve up two emotive and soulful excursions. The untitled A side offering is a driving, hypnotic and overall evocative journey with an undeniable nod to the Motor City sound that you could imagine Delano Smith pumping out in the AM hours. On the B side it is a more parochial affair, yet well worthy - a bumping and funky groove that's right in line with their hometown's renowned sound.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: REPRESS ALERT: relik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: REPRESS ALERT: Thule are back on the Icelandic techno reissue trip, this time returning to a serious classic from Sanasol (Yagya & Thor) that originally came out in 1997. This particular, highly sought after, gem leads in with the majorly heady house throb of "Seveneleven (Original Mix)" which piles the dubby processing and lush melodics on heavy while still retaining a sense of airiness to uplift the soul. By contrast, the "Closedonsundays Mix" focuses on a tough but crooked beat and that undulating bassline for a completely different flavour. On the flip, the "Sanaramalonger Mix" returns to the mellower flow of the original but with a more submerged finish and some pronounced dub stabs. Then the "Ozzy Mix" finishes the package with a minimal take that prefigures the upsurge of dubby clicks n' cuts laptop beats that would explode in the years to come. Essential tackle for all deep techno explorers.
Review: Perpetual Rhythms continue to offer up fresh variations on the deep house formula with this classy new drop from Taelue. Crooked electro experiment "The 4th Dimension" opens the record up to any number of possibilities, before the forthright pump of "Twin Flame" locks things into a haunting workout. "Rage Against Oppression" takes things in an angrier direction, all ragged and snarling production values with an acid-techno leaning. "A Bleak Moment" provides more space for exploration away from the floor, and then "The Sunken Place" sinks into sinister soundwaves driven by a nervy arpeggio. "Reflections" finishes the EP off with a trip into slow, spaced-out, acidic ambience.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: FunkinEven's Apron label rarely, if ever, puts a foot wrong, whether putting out ragged techno, raw hip hop or whatever in between. It is Molinaro who steps up now after first landing on the label back in December 2017. The NTS host has long been a firm part of the London underground and has a lo-fi, frazzled sound that blurs the lines between a number of different genres. Here he offers spaced out and grizzled drum tracks, unsettling machine-made ambience and rough and ready beatdown that Theo Parrish would admire. It's been a long wait since his last release, but this EP was well worth it.
Review: Mark Ambrose brings his years of expertise in the deeper end of the techno spectrum to bear on this latest joint for Crayon, the label he founded way back in the mid 90s. "Destiny Angel" is a stomping, expansive cut with a cinematic lilt to its sound design and melodic progression - one for people to truly travel on. "Bleeps & Bits" is a more rugged workout that digs deep into intricate rhythm programming and FX processing to create a unique future-tribal flavour. "Just Tonight" keeps the beats dynamic and broken, but with a much hookier punch and some choice vocal snippets that should find favour with all kinds of DJs.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: Given that acid revivalists Paranoid London have yet to put a foot wrong, it's no surprise to find that "(Vi-Vi) Vicious Games" is another absolute belter. It's taken from the duo's forthcoming album and features sometime Posthuman collaborator Josh Caffe channeling his inner Robert Owens and Jamie Principle over a retro-futurist backing track. In its full length, the track brilliantly combines Paranoid London's jacking drums and thrusting acid bass with dreamy chords and just the right amount of glassy-eyed melodic flourishes. It sounds like a classic TRAX release given the Paranoid London treatment, which I'm sure we all agree is a very good thing indeed. If you're in the mood for something even sleazier and more driving, the Bam Bam-inspired Dub has it covered.
Manuk & Oli Silva - "Nevermind The Crispies" (5:55)
Eliaz - "Verdico" (7:06)
Meta 4 - "Urnammu" (7:45)
Jorge Gamarra - "Dypac" (5:42)
Review: There's a certain air of buy-on-sight mystique around EYA Records, somewhere between the low-key presentation of the music and the cult artists they're calling on to realise their particular vision of deviant dancefloor business. This is unabashed freaky party tackle, from Manuk & Oli Silva's delirious B-movie jack track "Nevermind The Crispies" to the uneasy electro snarl of "Verdico". Meta 4 has equally nightmarish moods to share on the graveyard acid of "Urnammu" and Jorge Gamarra seals the deal with the schlocky braindance horror of "Dypac". It's the kind of record that you'll be reaching for come Halloween, trust.
Review: In what is surely an unexpected collaboration in the field of house and techno, Mosaic mastermind Steve O'Sullivan teams up with Ricardo Villalobos for a hypnotic trip through minimal landscapes that plays to both of their strengths. The rock-solid rhythm of "Sullric" surely belongs to O'Sullivan while the rich, subtle layers of samples, tones and other such sonic decorations come straight from the Villalobos school of production. The two mixes on this 12" only have minor differences - whichever side you drop things will get considerably deeper than they were previously. Of such ingredients are classy, immersive techno joints made.
Review: Congestion EP is Frak's killer collab with the unconventional Go! Finger music platform. The Swedish trio shows off athletic skills producing fresh modern techno bangers, on the heels of a three decade trajectory, filled with countless highly appreciated releases. Some kind of "glorious habit", captured this time by the catchy Madrid label on vinyl. Bizarre 4/4 analogue-treated techno madness at its best! A brilliant vinyl slice of yesterday and today's nastiest Scandinavian floor-destroyer-dance-punk weirdo science.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.