Review: Some of you may remember Ricardo Vincenzo from his 2015 debut Pororoca Transatlantica, a two-track missive that blended South American production with all the warmth of sun-kissed downtempo electronica. If anything, this belated follow-up for esteemed Finnish label Sahko is even better. Vincenzo begins with the farmyard animal samples, rolling tribal percussion, African chants and rich electronic bass of "Cabras No Elevado Quilombia", before chopping and looping a dusty old tango track on the mid-tempo house pulse of "Onna No Yujo". On the flip you'll find the low-slung, post-dubstep creepiness of "Haru", where exotic vocal samples drift across a sparse but heavy beat pattern, and the aural trip to Morocco that is "Excellent Drom".
Review: For the second salvo on Cornhusker Records, the publicity-shy crew is treating us to a quartet of re-edits starting impressively with "Easily", a floor-focused rearrangement of a slap bass, woodblock and sax-heavy chunk of jazz-funk goodness, before turning a jaunty Mizell Brothers cut into a rolling house groover. The fun continues on side B, where the sweaty percussive Hammond funk of "Launchpad" is followed by head-in-the-clouds delight "Bring It", a subtle scalpel rework of a Clavinet-sporting Blaxploitation era disco-funk workout. Given the variety and quality on show, this has the feel of a record that might stay in your "playing out" box for a while.