Flying Fantasy (exclusive instrumental version) (4:35)
Rhodes E Serenidade (3:37)
Review: Small repress of the Modern Sun Records founder and experienced jazz-wise producer Marc Friedli AKA Skymark. A-side "Flying Fantasy" originally appeared on the Spanish producer's 2016 album "Resistance Sonore", but is here featured in instrumental form for the first time. If anything, it's better than the original version, largely because we get to revel in Friedli's mazy Fender Rhodes solos, rubbery jazz-funk synth bass and loose-limbed, West London style broken beats. You'll find plenty more jaunty jazz-funk vibes and liquid electric piano solos on B-side cut "Rhodes E Serenidade", which first slipped out way back in 2015. DJ Support so far from Dom Servini, Emanative,Red Greg,Kevin Beadle, Mike Chadwick,Dynamite Cuts & Rocafort Records so far
Review: If you're a talented soul vocalist who wants an authentically fuzzy late 1960s sound, you could do worse than join forces with Timmion Records' in-house backing band, Cold Diamond & Mink. They're in fine form here providing admirable backing to rising star Carlton Jumel Smith. "Love Our Love Affair" is undeniably attractive, with Smith's confident and emotion-rich vocal rising above the band's hazy horns, languid trumpet solos, sun-bright guitar licks and lolloping, hip-hop style funk-soul beats. As is customary, the band's tidy instrumental version can be found - and enjoyed - on the flip.
Review: For the first volume in their brand new Toxic Funk 45s series, the Breakbeat Paradise crew has turned to two stalwarts of the breaks scene, Easy Now Recordings co-founder Tom Showtime and long-serving DJ/producer Badboe. They hit the ground running with A-side "We Funk Tings", a cut-and-paste workout that peppers a head-nodding, bass-heavy hip-hop groove with funk licks, hazy horns and sneaky vocal samples from a variety of ragga and rap records. They continue in a similar vein over on side B, where the horn and piano-heavy hip-hop-funk of "We Have It Hot" is followed by the boom-bap booty business of "The Time Has Come".
Review: Given that acid revivalists Paranoid London have yet to put a foot wrong, it's no surprise to find that "(Vi-Vi) Vicious Games" is another absolute belter. It's taken from the duo's forthcoming album and features sometime Posthuman collaborator Josh Caffe channeling his inner Robert Owens and Jamie Principle over a retro-futurist backing track. In its full length, the track brilliantly combines Paranoid London's jacking drums and thrusting acid bass with dreamy chords and just the right amount of glassy-eyed melodic flourishes. It sounds like a classic TRAX release given the Paranoid London treatment, which I'm sure we all agree is a very good thing indeed. If you're in the mood for something even sleazier and more driving, the Bam Bam-inspired Dub has it covered.
Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Review: It's been six years since Lewis Fautzi debuted on Soma, and since then he's become a real techno powerhouse. His latest shows yet more evolution in his sound across four streamlined and hypnotic "Extinction" cuts. "F01" is alluringly low key as drums roll over a frosty and frozen tundra, then "F02" ups the ante with steel plated kicks and sonar-like pulses that burrow deep. After the warped synths of "F03" comes closer "F04", the most heady of the lot thanks to its MIllsian minimalism and infinite melodic loops.
Review: It's been a while since we heard from the Cobblestone Jazz boys and given their massive influence over contemporary house and techno, it's always a pleasure to listen to their truly singular take on dance music. The Matthew Jonson-led outfit return with an EP for the Itiswhatitis label, the original birthplace of Jonson's beats. "Northern Lights" is classic Cobblestone, where an ultra compressed kick meanders amidst calculated drips of sound pouring mathematically from every angle. "Drawn From The Side Of Crime" is a little more chirpy, its sounds bleeping away with greater intensity and freedom. It's a must have for fans of the group, recommended!
Review: Originally active around the turn of the century, Difusion are back in action with a mission to champion real songwriting in the deep house scene. "Playin' With Fire" rides a funky disco groove and works around some seriously catchy vocals, while Daniel Maunick dubs the track out and rides the filter to deadly effect. "Shining" rounds the EP off with a sweet, sensitive jam that strikes the kind of melancholic tone that wistful dancefloor memories are made of. Once again the vocals lift to the track to another stratosphere of heartfelt expression - this is sure to go down a storm with the late summer crowd.
Review: Dinky-Di is a modern disco ensemble conducted by Waq Takahashi with just a few key releases spread out across the past 15 years. Now Million Dollar Disco main man Al Kent has cherry picked one of the hottest jams from their oeuvre and given it a special rub down - the kind of treatment that warrants a single-sided 12" no less. In Al's hands, 2005 track "Gold Wave" becomes a sizzling party monster that romps along for more than 10 minutes. With scintillating peaks, heavyweight drum breakdowns and sumptuous musicianship throughout, this is how an epic disco bomb should sound in 2019.
Review: Active for the past couple of years, Burnski's Instinct alter ego has been a revealing window into the ruder side of this seasoned producer's repertoire, and so it continues on round seven of this self-titled label series. The A-side jam "Operation" finds the Leeds stalwart in UK Garage mode, riding a mean bassline flex and amping up the 2-Step shuffle. Jack Michael takes up the B-side mission with a razor-sharp electro workout that matches bleepy electronica with badass breaks and nasty bass to get bodies freaking all over the joint. This is a record precision primed for basement sessions - if you're looking for some sounds to do real damage in the dance, look no further.
Review: Distant Worlds is a label going from strength to strength as it carries the work of underground deep techno producers celebrating that hopelessly romantic strain of UK machine music that emanated out of labels like B12 and Pure Plastic. Mihail P makes a return to the label after last year's "Multiverse EP", channeling all the right moves for a blissful trip into imagined sci-fi vistas fuelled by the box jam funk of electro and the synapse-tickling soundscapes of Tangerine Dream et al. From the dreamy delights of "Kessel Run" to the downtempo groove of "Sons Of October", this is beautifully executed music that champions electronic music with real heart and soul.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: We're always keen to hear from Berlin label Vortex Traks. This 11th offering sees them eschew their recent run of Various Artists EPs to instead focus on five cuts from Datawave. The Belgian artist's sound operates in some distant galaxy, watched over by his forebearers such as Dopplereffekt and Drexciya. Crashing hits open "Implant" before a serrated lead signals ready for takeoff. The intensity only ramps up through the warp speed synths of "Immune Compound" and corrugated bass rumbles of "Hybrid Structure". "Proceed" is the most alien of the lot, and "Thin Line" closes out on a mysterious vibe that will keep you coming back for more.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: Joe Corti has had a breakthrough 12 months, with releases landing on Better Listen and his own China White. Bringing more of that sweet, disco tinged house music to the second volume on his label, Corti strikes a heady mood on "Move Your Seat" with a mixture of swirling Philly string samples and looped up elements that should set the dancefloor alight in that most tender of ways. "Think Twice" is on a similar tip, albeit with a choice run of dreamy trumpet coursing through the track. "Just You" has a slightly techier edge, but it's embellished with the kind of keys that will appeal to fans of Glenn Underground. Classy stuff from a rising talent.
Review: Pascal Benjamin is next up on Constant Black, following strong prior bouts from Michael James and Daniel Akbar. The Dutch producer has been dropping bombs on SlapFunk, Botanic Minds and many more in recent years, and he's sounding taut and toned on this slab of after-hours goodness. "Rascale" is one of those snaking tech house joints where the devil is in the details, crying out for a crisp soundsystem to bring the subtleties of sound design to life. "5th Snooze" is a more tightly wound affair with a subtle jazziness rubbed into its joints, while "Full Colour" brings the kind of funky bump and trippy mood you used to find on the Trapez label. "Liez" completes the set with a sharp approach that wriggles its way under the skin.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: Ben Sims' Hardgroove label presents a new 12" from emergent Brighton producer Charles Green. Hold on tight for a serious throwdown on opener "Rave No Name", which pits darkside hardcore piano chops against an insistent techno thump. This one aims squarely at the peak time for maximum devastation. "Musikbox" has a bold set of sizzling drums and some head-spinning synth stabs, while "Strange Leader" gets back into that noirish early 90s mood. "Routes" completes the package with a broader, space-minded outlook that hits just as hard as the preceding tracks. Classy stuff indeed.
Review: This is proving to be a big breakthrough year for Kosh, a producer hailing from Casablanca in Morocco. After making a first appearance last year on Casa Voyager, he's returned to that label a second time before dropping the "Endless Quest" 12" on eudemonia. But now he's made a marked leap forward with this transmission on 20:20 Vision, where his incredibly well-read take on vintage electro sounds right at home. There is quality pouring from every corner of this record, but we recommend you make a beeline for the sumptuous "Vicious Love," an acid-laced burner with soul to match its snarl.
Review: Over the course of his short career to date, Forest Drive West producer Joe Baker has developed a trademark sound that gleefully mixes and mangles elements of techno, post-dubstep bass music and vintage jungle. That trademark sound is naturally at the heart of the producer's first outing on Neighbourhood, from the smooth, spacey and slightly creepy hypnotism of opener "Un", to the deep space electronics and jazzy, off-kilter rhythms of EP highlight "Reshape". It can be heard, too, on the locked-in peak-time techno of 12" closer "Functional" and within the delay-laden blacksmith's percussion hits, moody bass and body-jacking kick-drum beat of the mind-altering "Wait". Supported by Etapp Kyle, Sigha, Ben Sims, JP Enfant - this will go fast, don't wait!
Review: The peeps behind the People Of Earth label claim that Rick Wade is on top form on their latest release. While that's undoubtedly true, the Detroiter has incredibly high standards and rarely puts out anything mediocre. The four tracks here are all deliciously deep and fluid, with the Fender Rhodes solos, meandering organ lines, warm bass and chunky beats of "Never Give Up" delivering just the right blend of instrumental goodness and dancefloor-ready weightiness. "Seen At Night" is an even deeper and hazier treat, while "Forever Alone" sees Wade wrap bongo-laden beats and eyes-closed electric piano chords around a ludicrously warm and heavy bassline. Solo-laden closing cut "Rooftop" is also superb - a proper sundown selection of the highest calibre.
Review: These days we're accustomed to producers serving up deep, dreamy and life-affirming fusions of breakbeat, deep house and ambient techno. This wasn't so much the case when Ex-Terrestrial released his debut EP, "Paraworld" in 2016. As this surprise reissue proves, it remains one of the best EPs of its kind. There's much to admire throughout, from title track's bongo-laden, new age deep house warmth, to the seductive ambient bliss of "Dreams of Jupiter", which still reminds us of 2015's Slow Riffs 12" on Mood Hut. Arguably best of all, though, is "Blue Smoke", a brilliant fusion of pitched-down rave breakbeats and comforting, Pete Namlook style ambient chords.
Ondigui & Bota Tabansi International - "Wonderful For Ashawo"
Victor Chukwu - "Wonderful For Ashawo"
Review: Over the next couple of years, BBE is going to reissue more than 60 titles from the epic back catalogue of leading Nigerian independent label Tabansi Records. To wet appetites, the label has decided to offer up this deliberately eclectic sampler. It focuses on music recorded and released in the 1970s and 80s, giddily dancing between highlife, Afrobeat, funk, soul, disco, rumba and soukous. There's tons to get excited about, including Ebo Taylor's previously unreleased Afrobeat/highlife fusion jam "Make You No Mind", the synthesizer-driven deep boogie flex of Nkono Teles' "Love Vibration", the highlife/juju flex of Victor Chukwu's "Wonderful For Ashawo" and the horn-tooting cheeriness of Zack And Geebah's "For The Love Of Money".
Review: If you enjoyed Yu Su's brilliant EP on Second Circle earlier in the year - and, let's face it, who didn't? - there's a rather high chance that you'll enjoy her first outing on Ninja Tune offshoot Technicolour. "Watermelon Woman" is a superb chunk of bass-heavy house music positive - an inventive and hugely enjoyable fusion of unfussy drum machine rhythms, sampled tribal drums, toasty bass, dubbed-out effects, stargazing electronics, fluttering flutes and jazzy motifs that have just the right amount of breezy Latin flavour. The original version comes backed with a hazy and laidback Dub rework and a boisterous, off-kilter remix by Francis Inferno Orchestra that layers rubbery sounds and heady vocal samples above a skewed tribal house beat.