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Review: Recorded live at the Rainbow Theatre in London on November 5, 1973 as part of Young's tour with the Santa Monica Flyers, this key show in Young's career finally gets pressed to vinyl thanks to Warner. The band - comprised of Young on vocals and guitar, Nils Lofgren (lead and rhythm guitar, piano, accordion, vocals), Ben Keith (pedal steel guitar, vocals), Billy Talbot (bass, vocals) and Ralph Molina (drums, vocals) - performed a series of standout shows following the release of their seminal album Tonight's the Night. Featuring too many classics to count, including 'Helpless', 'Don't Be Denied' and 'Cowgirl In The Sand', this show is regularly celebrated for its "completely spontaneous and high-revved performance".

Review: They're the biggest but most hated band on the planet, but that will never stop Coldplay. The band has long been at the top of the pop-rock world and once again Music of the Spheres is likely to keep them there. It is an album rather less wrought with emotional tension than they are known for but still has one eye firmly on the cosmos, like much of their material. In fact, there is a loose concept here that revolves around a distant solar system. The lead single, 'My Universe,' features K-pop kings BTS and is already a number one, and the rest of the tunes are so unashamedly big they will likely follow.

Review: The Afghan Wings serve up their ninth album here and it is one that finds them in top form throughout. The sounds here are brilliantly thrilling and high octane across a first record in five years. 26 years after this group formed they still find new heights and fresh sounds as they reference greats like Warren Zevon, Prince, and Zeppelin while also adding their own love of soul and R&B. Frontman Greg Dulli is in typical swaggering and dynamic form on the mic as he leads this one from the front.

Review: Ah Liam Gallagher - a man who never seems to grow old or fully out of touch. Well, depending on your opinions on absolutely everything, of course. The Manchester icon and former-Oasis enfant terrible has spoken from his heart on a range of subjects, from "dance music can fuck right off" to "I am not an entertainer", and understandably his off-the-cuff honesty resonates with both the die hard disciples and sceptics alike. Simply put, nobody can accuse him of not wearing heart on sleeve.

In many ways, that approach guides his latest solo offering, C'Mon You Know. Back in February 2022, three months before this record's release, he told NME "I'm quite happy with the formula... I look cool. I sound good. I talk from the heart." If that's not evidence we're not ranting rubbish we don't know what is. As for the record's sound, think timeless British indie that has one foot in a 1990s glory era of British rock 'n' roll, and another in li-fi contemporary noise, all delivered with operatic drama.