Alice Schwarzer, Is It True That You're A Person Of Great Tenacity? (2:10)
John Cage, I've Been Told To Ask You The Following Question: Where Are You Going? (2:58)
Hubert Fichte, Your Journey Through Life Has Been Full Of Twists & Turns. Please Tell Us When & Where This Journey Began! (2:18)
Slavoj Zizek, What Signs Were There Of The Imminent Dissolution Of Yugoslavia? (1:52)
Joseph Beuys, It Was You Who Said: Democracy Is So Big One Can Only Sing About It: You Recently Made Your Debut As A Singer: Which Democracy Are You Singing About? (3:05)
Lady Gaga, You Once Said In An Interview That You Write Music For The Fashion Industry: Is Fashion As Important To You As Music? (2:13)
Ernst Jandl, What Are Your Plans For Language: Revolution, Reform, Revolt? (1:57)
Karlheinz Stockhausen, Which Difficulties Are Involved In Conserving Electronic Music On Magnetic Tape? (2:23)
Marcel Duchamp, Would You Like Or Expect People To Spin The Wheel On Your Kinetic Object Roue De Bicyclette? (2:19)
Friederike Mayrocker, When You Write, Do You Feel Like The Creator Of The Work Or More Like A Medium? (3:12)
Yoko Ono, You Were Born Into A Rich, Aristocratic Family In Tokyo. Do You See That In Yourself? (2:08)
Max Ernst, This Is The First Time In Twenty-Five Years That You've Returned To Your Old Home Town, To The Cathedral In Cologne, Right? (2:02)
Review: Over the years, Jan Jelinek has been responsible for some fantastically inventive experimental records. His latest is a concept album inspired by a radio play he wrote for German radio, in which every collage-style track was crafted from an interview with a different public figure (these include Yoko Ono, Marcel Duchamp, John Cage and Lady Gaga). These vocal excerpts, which include non-verbal sounds as well as speech, were also used to control a synthesizer. While the nuts and bolts are pretty far-sighted and next level, the results are actually rather enjoyable and easy to listen to. For every dystopian, mind-altering cut-up track, there are four or five others that veer closer to left-of-centre ambient bliss. It's an intriguing and hugely entertaining collection, all told.
Review: Eight years after Teufelswerk, an album in which Hell called up giants like Bryan Ferry and P Diddy for creative adventures, International Deejay Gigolo Hell presents his fifth album Zukunftmusik. A much more personal affair, written and created with Peter Kruder, the album takes a deep dive into Hell's psyche. His inspirations, fears and fascinations all laid bare as we glide and slide from the poignant ballad of "Anywhere Anytime" to sinewy, sinister 6am acid ("Guede") via orchestrated cinematic synthesis ("K House" and "Inferno") to strident slices of evocative and highly narrative house music such as "Wild At Art". Hewn together with shades of experimentation and timeless pop science, Hell's created something incredibly special here.
Review: Whilst it's now impossible to view Leonard Cohen's final album outside the context of his passing, the fact of the matter is that this lugubrious sage had been ruminating on the nature of endings and goodbyes for much of his near half-century of artistry, and it's hard to think of a figure who's been quite so eloquent and wise in this endeavour. 'You Want It Darker' seem may a fitting way to bow out, but moreso it bears testimony to the fact that Cohen's questing spirit remained undimmed right until the last, and his travails in the exploration of faith, romance and the human condition were never to lose their finesse and bite.
Review: Eglo come through with Yellow Memories, the long awaited debut album from Queen bee Fatima! First popping up on the label run by Alex Nut and Floating Points with a vocal contribution to Kleer by FunkinEven, Fatima's been an undeniably soulful presence on Eglo ever since and they've been teasing fans about the idea of a long player from the singer for what seems lie an aeon! Twelve tracks deep, Yellow Memories features button pushing credits from Eglo mainstays Floating Points and fLako along with Sound Signature boss man Theo Parrish, Sa Ra Creative Partners producer Computer Jay, Stones Throw artist (and Madlib's younger brother) Oh No and the wonderfully named Scoop DeVille. Fatima fans will recognise a few of the tracks on the album, with "Techno" and "Circle" issued last summer whilst the Family 12? released earlier this year featured the fLako produced cuts "La Neta" and "Family". Sink in and soak it up!
Review: Ever since their first white labels started to appear a few years back, we've been big, bigs fans of Russia's Gost Zvuk label. That's because, aside from all the gnarly artwork, these guys are doing things on their own agenda: the sounds on these records are recognisable and yet different. Different in their approach, their style, and their message. On this Pavel 'BUTTECHNO' Milyakov debut, a record that sounds like it's been made by a veteran, we here shards of techno, but the genre is only used as a means of expression, one means to an end in terms of tying these alien sonics together under one groove. We won't describe this music in detail because it simply must be heard to be understood. Album of the week from us, don't miss it. Oh, and check the rest of the label out, it's all solid gear.