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ALM Pip Slope Mk2 Compact Envelope Generator Module
Cat: 792489 Rel: 21 Sep 20 • View all Synth modules
 
envelope generator module
Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
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quote 792489
Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 25 Sep 20 • View all Effects pedals
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$206.53 SAVE 29%
 1 in stock $147.65
Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20 • View all Effects pedals
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$129.08 SAVE 18%
 1 in stock $106.48
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quote 782948
Maxon GE-601 Graphic Equalizer Reissue Series Pedal Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 25 Sep 20 • View all Effects pedals
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783410
Maxon OD-808 Overdrive Reissue Series Pedal Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 25 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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MRP:$148.44 SAVE 28%
 1 in stock $106.21
Maxon PT-999 Phase Tone Phaser Reissue Series Pedal Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20 • View all Effects pedals
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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 1 in stock $116.16
Maxon CP-101 Compressor Reissue Series Pedal Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783403
Maxon SD-9 Sonic Distortion Nine Series Pedal
Cat: 783334 Rel: 25 Sep 20 • View all Effects pedals
 
Distortion pedal
Notes: Maxon's current-production reissue captures all the magic of the original with the added benefit of true bypass switching.

The SD-9 provides a smooth distortion that covers a wide range of Gain levels from mild overdrive through pseudo-fuzz. Regardless of the Gain setting, the SD-9 remains articulate and responsive to note dynamics, providing excellent sustain without crossing over into super-compressed Metal territory.

The SD-9's Tone knob has plenty of top end on tap, yet notes still retain a round, full-bodied tonality with the low end presence usually associated with amp distortion. The pedal's midrange response is smooth and even - present without seeming spiked.

Since its humble origins to its current place in the pedalboards of the stars, the Maxon Sonic Distortion has proven itself to be a timeless classic that has only improved with age.

Since its original release in the early 80's the Sonic Distortion has gained a huge cult following among tone connoisseurs, including the likes of guitar legends Scott Henderson and Mike Landau.

"The Maxon SD-9 is the best distortion pedal EVER made, period. It has the clarity and punch you get from a pedal, while retaining the low bass you get with amp distortion. The SD-9 is one of the rare pedals which sound equally great on both the neck and bridge pickups, whether they're humbucking or single coil. It's been a very important part of my tone for many years." - Scott Henderson

TECH TALK:
Input signal goes through a simple High-Pass filter into a transistor that's set up as an emitter/follower (high input impedance - low output impedance). After this it's into an Op Amp stage designed to give a gain range of 67 to 567and a Low-Pass Filter with a corner frequency of approximately 1540 Hz.

From here it's on to a set of opposing-direction diodes to ground and a tone control that is reminiscent of the Boss DS-1 (kind of a Big Muff dual High and Low cut - ending up with a mid scoop that has a high frequency limiting resistor with corner frequencies of 867Hz and 234Hz respectively).

The SD-9's dual diodes to ground give a crunchier, chewier distortion than the popular 808-style "diodes in feedback loop" configuration. Likewise, the SD-9's mid scoop is practically the antithesis of the 808's infamous mid hump.

After the tone control section it's through to a volume control and into another E/F transistor to provide a low impedance output and then on to the true bypass switch.

The SD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +42 dB (at 2.0 KHz)

Controls: Distortion, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Warranty Card: x 1

User's Manual: x 1
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MRP:$161.35 SAVE 17%
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quote 783334
Sennheiser HD25 Headphones With 1.5m Straight Cable Sennheiser HD25 Headphones With 1.5m Straight Cable Sennheiser HD25 Headphones With 1.5m Straight Cable
Cat: 601625 Rel: 19 Feb 16 • View all DJ headphones
 
Professional closed, dynamic headphones with 1.5m steel cable
Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.

Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.

With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
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quote 601625
Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay
Cat: 624099 Rel: 19 Dec 16 • View all Audio patchbays
 
Fully balanced 48-point patchbay with 1/4" TRS connectors
Notes: The Samson S Patch Plus features high quality miniature toggle switches allowing each channel to be configured for either Normalled, Half-Normalled or Thru operation. The S-Patch Plus will provide reliable operation while maintaining a clean signal path with it's solid construction, 48 1/4" phone plugs on the front and 48 1/4" phone plugs on the rear.

You can instantly change any channels configuration without the need to remove the unit from the rack as the mini-toggle switches are conveniently located on the front panel. S-Patch Plus is one of the best entry level patch bays on the market. It helps you work cleaner and faster allowing you to focus on making a better production - a great value for money product for the small home studio owner.

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FORTHCOMING
Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal
Notes: The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the "Boost" channel in Fulltone's FD3 pedal.

Why does a guitarist need a "Boost" pedal?

A boost pedal is not only used to kick up your volume when it's time for your solo! A good booster can also solve a lot of problems in the modern guitarist's rig, because today's pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It's a wonder there's any signal left after all the stuff we put our signal through. Ever played through a 10' guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the "touch" is back.

What happens when the 2B is turned OFF?

That's the problem with other boosters...once they're OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to "unity gain" and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF...and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!

Why is the 2B a great booster?

The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o'clock. It's subtle, you may not hear it, but you WON'T hear that shrill top end that other boosters can impart!

What's the DYNAMICS knob?

The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp's input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B's DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an "ok" amp feel responsive and juicy, and will keep you from distorting the amp's input, a problem plaguing most booster pedals.

Specs:

Input Impedance: ultra-high 1.65mega ohms...Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
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Arturia KeyStep Portable USB MIDI Keyboard Controller & Sequencer Arturia KeyStep Portable USB MIDI Keyboard Controller & Sequencer
Cat: 598836 Rel: 26 Jul 16 • View all MIDI keyboards
 
Slimkey controller keyboard & sequencer with velocity and aftertouch
Notes: KeyStep is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favourite modern and vintage gear? If only a single piece of gear could do all of this...

It's the touch...
The KeyStep controller does all this and more.
We started by designing our own "slim key" keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.

We also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. We also included the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.

Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.

...and the possibilities
These features alone would make KeyStep the best portable keyboard controller on the market. But we take it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.

Keystep is the perfect performance controller in a compact package.

Adapts to your setup!
KeyStep was imagined and designed to become the modern musician's trump-card.
Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!
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MRP:$140.70 SAVE 29%
 More than 10 in stock $100.02
Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables)
Cat: 519789 Rel: 10 Feb 14 • View all Studio headphones
 
Professional monitoring headphones with 45mm large aperture drivers and fully detachable cables
Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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Native Instruments Komplete Audio 2 USB Audio Interface Native Instruments Komplete Audio 2 USB Audio Interface Native Instruments Komplete Audio 2 USB Audio Interface Native Instruments Komplete Audio 2 USB Audio Interface Native Instruments Komplete Audio 2 USB Audio Interface
Cat: 718727 Rel: 19 Mar 19 • View all Audio & MIDI interfaces
 
Intuitive 2-channel audio interface with 2 x combi-XLR/jack inputs
Notes: NI's two-in, two-out audio interface is a classy little unit. Two mic/line/instrument inputs, stereo outs plus headphone socket, a handy volume control and a decent software bundle. Includes free Guitar Rig 5 Pro software until May 4th.

Supplier's notes:
Spark your creativity. The Native Instruments Komplete Audio 2 gives you an intuitive USB audio interface combined with a plethora of powerful software. Simple to use with sleek aesthetics and a robust design, the Komplete Audio 2 boasts two inputs with dedicated gain controls. The XLR-1/4'' jack combo inputs feature +48V phantom power for the XLR, so you can make use of both dynamic and condenser microphones, whilst the 1/4'' jack inputs are ideal for guitars and other line instruments.


A vibrant LED VU meter makes it easy to set your levels. Its location on the top of the interface means no more contorting your body to get a good view of the front panel. Plus, with the large volume knob, getting the output level right is a breeze, giving you easy control over the volume for the stereo jack outputs on the rear panel.


Capable of providing incredibly audio quality at 24-bit/192kHz, the Komplete Audio 2 is the ideal choice for creating high-fidelity recordings. Whether you're a musician, producer, or a performer and creator looking for a high-performance audio solution, this compact interface is an ideal choice for home, stage, and studio use. Combined with zero-latency monitoring from the high-output headphone socket and its dedicated level control, as well as the versatile selection of included software, the Native Instruments Komplete Audio 2 is an invaluable addition to any recording arsenal.
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Presonus Eris E3.5 BT Active Media Reference Studio Monitor Speakers With Bluetooth (pair) Presonus Eris E3.5 BT Active Media Reference Studio Monitor Speakers With Bluetooth (pair)
Cat: 746019 Rel: 09 Dec 19 • View all Studio monitors
 
3.5" powered studio monitors with Bluetooth
Notes: Cracking value for money from the baby PreSonus model. Similar technology to the more expensive Eris monitors but refined into a compact, affordable package

Suppliers notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E3.5 BT's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E3.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content, with no wires except power cables. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E3.5 BT has you covered with rear-panel, left and right 14-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E3.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E3.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.
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Presonus Eris E5 Studio Monitor (single) Presonus Eris E5 Studio Monitor (single)
Presonus Eris E5 Studio Monitor (single) (studio monitor (single))
Cat: 480960 Rel: 10 Jul 13 • View all Studio monitors
 
Front ported studio monitor with 5.25" driver and 1" tweeter
Notes: Incredible value for money from one of the baby options in Presonus's excellent Eris monitor range. Classic two-way design offering sound bigger than you might expect from a 5.25-inch woofer.

Supplier's notes:
The Eris E5 2 way active 5.25" studio monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.

The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, the Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.

The Eris E5 provides a balanced XLR, a balanced 14" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the input gain and you're ready to go.

The Eris provides 3-EQ controls in its acoustic tuning section: high, mid, and low cutoff. These controls enable you to fine-tune the monitors to your space. The low control also is useful when using the E5 with a subwoofer.

The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The low cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.

A 3-position acoustic space switch controls a second-order, low shelving filter that cuts frequencies below 800Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.

The RF shielding protects against radio frequencies that could be introduced to the signal and become audible. The Eris monitors also provide overheat protection, current-output limiting and subsonic protection. The Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
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Boredbrain Patchulator 8000 8 Channel Mini Pedalboard Patchbay Boredbrain Patchulator 8000 8 Channel Mini Pedalboard Patchbay Boredbrain Patchulator 8000 8 Channel Mini Pedalboard Patchbay Boredbrain Patchulator 8000 8 Channel Mini Pedalboard Patchbay
Cat: 686107 Rel: 16 May 18 • View all Audio patchbays
 
8-channel mini patchbay
Notes: Is your pedalboard brain-dead? The Patchulator 8000 pedalboard patchbay provides a tangle-free way to change the order of your effects to create new tones using little to no brainpower! With the provided mini cables, just patch signal from your guitar or bass into (and out of) each effect, then back out to your amp or mixer. Invent new and interesting sounds while your synapses are firing, simply by rearranging the sequence of effects! All your gear and cabling stays put. Oh, and any effect not patched is "truly" bypassed... Genius!

In the world of electronic music, the Patchulator 8000 desktop patchbay becomes a powerful nerve centre for your instruments, allowing you to share and swap effects all around your setup, without needing to solve a brainteaser. Just connect your keyboards, synthesizers, samplers, drum machines (or any sound source) to a few channels, then fill the other channels with your effects' ins and outs. Using the mini patch cables, you can then route any of the effects into and out of the signal path of any instrument, just like a real patch bay! Hmmm... what will you mastermind?

In the world of modular synthesizers, the Patchulator 8000 is the brainstem between your modules and outboard gear, since it uses both standard and mini phono plugs. So if your brain tissue needs some electro-stimulation, simply inject control voltages and audio signals directly from your modular into effects units and chains. Better yet, use two Patchulator 8000s and seriously expand your cranial capacity! Whatever it is that you can brainstorm - guitar pedals and studio effects, synths and samplers, grooveboxes and drum machines, modulars and modulation signals, mixers and recording interfaces - the Patchulator 8000 allows it all to interconnect.

Package contents:

- Patchulator 8000 unit
- Set of 8 mini patch cables
- Set of 4 rubber stick-on feet
- User guide
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ALM MCO Digital Wavetable Oscillator Module
Cat: 688774 Rel: 31 Jan 19 • View all Synth modules
 
Compact digital oscillator with a resolution of 16Bit/48kHz
Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.
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Befaco Stmix 4 Channel Stereo Mixer Module
Cat: 716763 Rel: 14 Feb 19 • View all Synth modules
 
Stereo mixer - 6HP
Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with our Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.
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FORTHCOMING
Sign O' The Times (Super Deluxe Edition) (remastered)
Sign O' The Times (Super Deluxe Edition) (remastered) (8xCD box + DVD in 120 page hard-back book sleeve)
Cat: 060349 7847563.
 
Funk
coming soon $149.51
FORTHCOMING
Bologna
Bologna (marbled vinyl LP+CD box limited to 100 copies)
Cat: NORBOX 1.
 
Industrial/Noise
coming soon $104.34
Goats Head Soup (Super Deluxe Edition)
Goats Head Soup (Super Deluxe Edition) (gatefold 180 gram vinyl 4xLP box set)
Cat: 893981. Rel: 04 Sep 20
Rock
  1. Dancing With Mr D (4:43)
  2. 100 Years Ago (3:52)
  3. Coming Down Again (5:45)
  4. Doo Doo Doo Doo Doo (Heartbreaker) (3:22)
  5. Angie (4:27)
  6. Silver Train (4:21)
  7. Hide Your Love (4:05)
  8. Winter (5:24)
  9. Can You Hear The Music (5:13)
  10. Star Star (4:22)
  11. Scarlet (feat Jimmy Page) (3:39)
  12. All The Rage (4:04)
  13. Criss Cross (4:25)
  14. 100 Years Ago (Piano demo) (2:36)
  15. Dancing With Mr D (instrumental) (3:26)
  16. Heartbreaker (instrumental) (3:11)
  17. Hide Your Love (alternative mix) (5:07)
  18. Dancing With Mr D (Glyn Johns 1973 mix) (4:25)
  19. Doo Doo Doo Doo Doo (Heartbreaker) (Glyn Johns 1973 mix) (3:19)
  20. Silver Train (Glyn Johns 1973 mix) (4:22)
  21. Brown Sugar (3:47)
  22. Gimme Shelter (5:20)
  23. Happy (3:22)
  24. Tumbling Dice (4:58)
  25. Star Star (4:28)
  26. Dancing With Mr D (4:34)
  27. Doo Doo Doo Doo Doo (Heartbreaker) (4:56)
  28. Angie (5:23)
  29. You Can’t Always Get What You Want (live) (10:50)
  30. Midnight Rambler (live) (13:07)
  31. Honky Tonk Women (live) (3:12)
  32. All Down The Line (live) (3:56)
  33. Rip This Joint (live) (2:30)
  34. Jumpin' Jack Flash (live) (3:48)
  35. Street Fighting Man (live) (5:10)
Review: 'Goat's Head Soup' succeeds where a lot of Deluxe Edition releases fail - it adds a LOT to an equation most of us thought we had sussed out years (well, decades) ago. It's not necessarily the first Stones record fans would want to see expanded over a massive four discs, but let's face it, it's not the last by a long shot. The record met a wishy washy response when it arrived in 1973, following the benchmark-setting 'Exile On Main St.', yet this package proves it's very much worth revisiting.

Heard in a different light - one not overshadowed by preceding landmark releases - 'Soup' actually does stand up, whether it's the Americana twang of "100 Years Ago", or the proto-funk of "Doo Doo Doo Doo (Heartbreaker)" there's a lot to like. Add to this the fact the previously unreleased stuff here, "Scarlett" being a prime example, really stands up, too, and you've got so much more than a mere collection-completer.
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 in stock $103.25
Korg Volca Drum Digital Percussion Synthesiser Korg Volca Drum Digital Percussion Synthesiser
Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19 • View all Drum machines
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Killer value as usual from Korg's consistently reliable Volca range. Here the focus is on digital drum synthesis, offering a range of conventional percussion instruments plus creative options including basic synth sounds.

Supplier's notes:
Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
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Goats Head Soup (Super Deluxe Edition)
Goats Head Soup (Super Deluxe Edition) (3xCD + blu-ray box set + book + posters in hard-back book sleeve)
Cat: 885032. Rel: 04 Sep 20
Rock
  1. Dancing With Mr D
  2. 100 Years Ago
  3. Coming Down Again
  4. Doo Doo Doo Doo Doo (Heartbreaker)
  5. Angie
  6. Silver Train
  7. Hide Your Love
  8. Winter
  9. Can You Hear The Music
  10. Star Star
  11. Scarlet (feat Jimmy Page)
  12. All The Rage
  13. Criss Cross
  14. 100 Years Ago (Piano demo)
  15. Dancing With Mr D (instrumental)
  16. Heartbreaker (instrumental)
  17. Hide Your Love (alternative mix)
  18. Dancing With Mr D (Glyn Johns 1973 mix)
  19. Doo Doo Doo Doo Doo (Heartbreaker) (Glyn Johns 1973 mix)
  20. Silver Train (Glyn Johns 1973 mix)
  21. Brown Sugar (live)
  22. Gimme Shelter (live)
  23. Happy (live)
  24. Tumbling Dice (live)
  25. Star Star (live)
  26. Dancing With Mr D (live)
  27. Doo Doo Doo Doo Doo (Heartbreaker) (live)
  28. Angie (live)
  29. You Can’t Always Get What You Want (live)
  30. Midnight Rambler (live)
  31. Honky Tonk Women (live)
  32. All Down The Line (live)
  33. Rip This Joint (live)
  34. Jumpin' Jack Flash (live)
  35. Street Fighting Man (live)
  36. Goats Head Soup (Blu-ray)
 in stock $107.56
Sennheiser HD25 Light Headphones (updated 2020 model) Sennheiser HD25 Light Headphones (updated 2020 model) Sennheiser HD25 Light Headphones (updated 2020 model) Sennheiser HD25 Light Headphones (updated 2020 model)
Cat: 760195 Rel: 16 Jan 20 • View all DJ headphones
 
updated 2020 model of HD25 Light headphones
Notes: Updated version of much-loved DJ/studio headphones. This simplified model offers the same sound as the more expensive models at a more affordable price. Check out our full review.

Supplier's notes:
The HD 25 Light are closed, dynamic headphones for monitoring, recording and outdoor applications.

They are extremely comfortable, featuring a minimalistic headband and a unique capsule design, making them an attractive and lower-cost alternative to the HD 25-II. These are also suitable for nightly DJ use.
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Doepfer A-160-5v Voltage Controlled Clock Multiplier & Ratcheting Controller Module (vintage edition) Doepfer A-160-5v Voltage Controlled Clock Multiplier & Ratcheting Controller Module (vintage edition) Doepfer A-160-5v Voltage Controlled Clock Multiplier & Ratcheting Controller Module (vintage edition)
Cat: 745789 Rel: 10 Sep 19 • View all Synth modules
 
Voltage-controlled clock multiplier with CV or manual control - 4HP
Notes: Module A-160-5 is a voltage controlled clock multiplier. The incoming clock signal (socket Clock In) is multiplied by a factor that depends upon the control voltage on socket CV In (0...+5V) and the position of the Mode switch. The multiplied clock signal is available at the socket Clock Out. According to the position of the Mode switch different clock multiplying factors are assigned to the control voltage. With 0V CV no clock output is generated. This state is indicated by "all LEDs off". With increasing CV integer factors (left position of the mode switch), power of two factors (middle position) or a mix of both (right position) are obtained. Nine LEDs are used to show the currently selected multiplying factor. In addition two LEDs are used to display the incoming and outgoing clock signal.

A manual control is used to adjust the clock multiplication factor manually without the need of an external control voltage. The voltage generated by this control ("Manual") is normalled to the CV In socket. As long as no plug is inserted into the CV In socket the clock multiplication factor is adjusted by means of the manual control knob and displayed by the LEDs. For dynamic applications (like the ratcheting function described below) the manually generated CV is overwritten by the external CV which has to be fed into the CV In socket.

The module can be used for all kind of clock multiplying applications. One important example is the generation of so-called ratcheting sequences. The band Tangerine Dream is famous for this kind of sequences. A normal sequencer generates only one gate signal per step. A ratcheting sequence may have also more than one gate pulses per step. This function can be obtained by using the A-160-5: one CV output of the sequencer is used to define the number of gate pulses per step. If the control of the step in question is fully CCW the generated CV is 0V and no gate signal is generated (mute of the step). When the control of the step in question is turned clockwise one, two or more gate pulses are generated depending upon the position of the mode switch and the voltage generated by the CV at this step.

Technical note: Due to the nature of clock multiplying it takes a few input clock pulses until the clock output is stable. One has to average a few input clock pulses to generate the multiplied clock output signal. Even when the input clock frequency changes it will take a few cycles until the output clock signal is correct as the module cannot foresee the future of the clock input signal. The generated clock output signal is derived from the last few cycles of the clock input signal. Consequently the module should be driven only by a clock signal with constant or slowly changing frequency.
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Nagaoka MP-110 Phonograph Cartridge & Stylus
Cat: 567645 Rel: 27 Mar 15 • View all Hi-fi cartridges
 
High quality cartridge & stylus set, with elliptical tip and aluminium alloy cantilever
Notes: Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.

Features:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing

Stylus replacement: Nagaoka JN-P110

The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
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Befaco Output V3 Module (assembled)
Cat: 689670 Rel: 14 Jun 18 • View all Synth modules
 
Output interface & headphone amp - 4HP
Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.
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AKG K702 Headphones
AKG K702 Headphones (headphones)
AKG
Cat: 397325 Rel: 07 Jul 10 • View all Studio headphones
Notes: Hugely popular open-backed studio headphones for use when strict isolation isn't necessary, giving a more realistic impression of sound and making them ideal for critical listening and low-volume mixing.

Supplier's notes:
The K 702 headphones are the new reference for open-back dynamic AKG headphones. They combine an extremely accurate response with yet unseen agility and spaciousness. This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion, 2-layer diaphragm. A totally open design and a high performance cable complete these reference headphones.

Their comfortable, specially shaped 3D-form ear pads and a padded genuine-leather headband ensure a perfect fit. They are individually tested and numbered.

The AKG K 702 let you experience pure perfection.
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 4 in stock $115.77
The End Is Never Really Over (Record Store Day 2020)
The End Is Never Really Over (Record Store Day 2020) (limited gatefold 2xLP box set + t-shirt (size XL) + book + pin + sticker sheet) (1 per customer)
Cat: FERALBX 39. Rel: 16 Sep 20
Indie
  1. My Life Is Starting Over Again (LP1: Artistic Vice) (2:08)
  2. Honey I Sure Miss You (3:20)
  3. I Feel So High (3:18)
  4. A Ghostly Story (2:57)
  5. Tell Me Now (3:30)
  6. Easy Listening (2:06)
  7. I Know Casper (2:03)
  8. The Startling Facta (1:52)
  9. Hoping (0:45)
  10. It's Got To Be Good (2:16)
  11. Happy Soul (3:55)
  12. The Dream Is Over (1:44)
  13. Love Of My Life (2:34)
  14. I Killed The Monster (3:52)
  15. Laurie (2:16)
  16. Fate Will Get Done (5:06)
  17. Devil Town (LP2: 1990) (5:49)
  18. Spirit World Rising (1:20)
  19. Held The Hand (1:54)
  20. Lord Give Me Hope (6:20)
  21. Some Things Last A Long Time (4:55)
  22. Tears Stupid Tears (3:29)
  23. Don't Play Cards With Satan (4:22)
  24. True Love Will Find You In The End (1:49)
  25. Got To Get You Into My Life (4:26)
  26. Careless Soul (2:23)
  27. Funeral Home (3:14)
  28. Softly & Tenderly (4:54)
 in stock $117.24
Doepfer A-140-2 Dual Micro ADSR Module
Cat: 684450 Rel: 18 Jul 18 • View all Synth modules
 
Dual ADSR envelope generator - 8HP
Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.
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Native Instruments Traktor Kontrol Z1 DJ Mixing Interface
Cat: 495856 Rel: 28 Jun 13 • View all DJ controllers
 
2 channel DJ mixing interface for Traktor DJ and Traktor Pro 2 software
Notes: Slimline mix controller and interface for NI's Traktor DJ software. Two-channel cueing, EQ, effects, level controls and crossfader: everything you need for hands-on control of your mix.

Supplier's notes:
Traktor Kontrol Z1 is the ultra compact 2 channel mixer, controller, and soundcard for Traktor DJ and Traktor Pro 2.

Its cue section lets you monitor and mix tracks with pro precision. Dedicated controls for two channels give you intuitive, tactile control over volume, EQ, filters, and effects. And the built in audio interface delivers powerful, club ready sound.

Get total control and professional sound in a go anywhere package - It's pro on the go!

Want to deliver floor shaking DJ sets with Traktor DJ? Connect your iPad or iPhone to the Z1 and get a complete two deck DJ setup with ultimate tactile control. Cue up the next track in your headphones while the current track still plays for the crowd. Mix and EQ with pro grade faders, knobs, and buttons. Apply filters and effects with the ultra intuitive one sweep knob.

The Z1 even charges your iOS device while you play, so you never have to worry about battery life when your set hits its peak.

Traktor Kontrol Z1 works perfectly with Traktor Pro 2 - plug in and instantly start mixing with hands on control and premium, club ready sound. You can also expand your mobile rig with additional creative possibilities: Add Traktor Kontrol X1 to control effects, loops and transport functions like play and sync, and Traktor Kontrol F1 for creative remix deck magic.

Whatever your style, build your setup around Traktor Kontrol Z1 and rock the club or after party with the most compact, portable Traktor system ever.
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MRP:$200.07 SAVE 29%
 4 in stock $142.54
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quote 495856
Magma LP100 DJ 12 Inch Vinyl Record Trolley Bag (black, red) Magma LP100 DJ 12 Inch Vinyl Record Trolley Bag (black, red) Magma LP100 DJ 12 Inch Vinyl Record Trolley Bag (black, red)
Cat: 409288 Rel: 28 Oct 10 • View all Record trolleys
 
Capacity for approximately 90 records
Notes: The 100 LP Bag Trolley is the original favourite, new and improved Magma classic. Now with extra strength thanks to the new improved trolley-board system. The 100 LP Bag Trolley is unbeatable for the DJ who is on the road a lot as it is a proven, practical and convenient transport solution.

The materials used, the design of the new reinforced fivefold glued bottom board and extra strong front stand, are all tested to ensure the highest strength possible and guarantee the best stability and long life.
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 1 in stock $130.07
2hp Pluck Physical Modelling Synthesizer Module (silver faceplate)
2hp
Cat: 684048 Rel: 28 Mar 18 • View all Synth modules
 
Karplus-Strong based physical modelling synth module - 2HP
Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.
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! low stock $136.61
Reloop Tape 2 USB Portable Audio Mixtape Recorder Reloop Tape 2 USB Portable Audio Mixtape Recorder Reloop Tape 2 USB Portable Audio Mixtape Recorder Reloop Tape 2 USB Portable Audio Mixtape Recorder Reloop Tape 2 USB Portable Audio Mixtape Recorder Reloop Tape 2 USB Portable Audio Mixtape Recorder
Cat: 704115 Rel: 19 Oct 18 • View all Handheld recorders
 
Audio recording device for DJs
Notes: The Reloop TAPE 2 is an audio recording device for DJs with integrated lithium-ion battery and retro, cassette tape styling that allows you to record your mix in WAV or MP3 format directly to a microSD card.

Lossless recording and integrated battery:

The built-in A/D converters offer high-grade, 24-bit sound recording to either lossless WAV or MP3 (320 kbps) formats. TAPE 2 is extremely portable thanks to the internal lithium-ion battery with up to 6 hours recording on a full charge. Charging on the go is easily handled using any standard USB power supply.

Recording made simple:

With a new feature, TAPE 2 now offers a lock function which locks/unlocks all control elements. This eliminates the risk of accidentally pressing stop in the middle of a recording session. Thanks to the bi-coloured LED feedback, usage in dark surroundings is possible - various status LEDs, such as Power/Rec, SD Card full, Signal/Peak and Battery give information about the current state of TAPE 2.

Versatile connectivity options:

Line-level or mic sources, such as CD players, DJ mixers or dynamic mics can be directly connected to TAPE 2 via the 3.5 mm jack input. By utilising the THRU output, the audio signal can either be monitored with headphones or it can be looped through to your main speakers. This is recommended for single output audio sources that do not have a dedicated record out (REC).

Media interface with customisable look:

As well as being an audio recording device its recording function, the TAPE 2 can also be connected to a computer and be used as card reader for microSD cards. To keep track of the recorded material, all recordings on TAPE 2 can be tagged with a timestamp with the help of the sync tool. With the included stickers it is also possible to customise the look of your TAPE 2.
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 5 in stock $134.46
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ALM mmMidi MIDI CV & Clock Interface Module
Cat: 757946 Rel: 09 Dec 19 • View all Synth modules
 
Compact & straightforward MIDI interface - 4HP
Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.
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Electro Harmonix Oceans 11 Reverb Pedal
Cat: 691705 Rel: 25 Jun 18 • View all Effects pedals
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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Presonus Studio 24c 2x2 USB-C Audio & MIDI Interface Presonus Studio 24c 2x2 USB-C Audio & MIDI Interface Presonus Studio 24c 2x2 USB-C Audio & MIDI Interface Presonus Studio 24c 2x2 USB-C Audio & MIDI Interface Presonus Studio 24c 2x2 USB-C Audio & MIDI Interface
Cat: 717591 Rel: 05 Feb 19 • View all Audio & MIDI interfaces
 
Portable, ultra-high-definition, USB-C audio interface
Notes: Great for recording studios, mobile musicians, guitarists, podcasters, and live streaming, the bus-powered Studio 24c 2-in, 2-out audio interface features 2 front-panel combo mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps, 2 rear-panel line outputs, MIDI I/O, and onboard direct monitoring control. A complete, all-in-one home recording studio, the Studio 24c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 24c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 2-out Studio 24c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. Its built-in MIDI interface enables connection to a keyboard, sound module, or control surface. A Mixer knob blends analogue input and computer playback for low-latency monitoring.

Superior sound:

The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 24c and included Studio One Artist provide you with a complete, affordable, home and mobile recording solution.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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Noise Engineering Terci Ruina Distortion Module (black faceplate)
Cat: 727394 Rel: 23 May 19 • View all Synth modules
 
Powerful distortion module - 4HP
Notes: Terci Ruina combines three classic distortions in 4 hp. Distortions are reinterpreted in classic NE style and routed through each other for complete sonic annihilation of any sound. Patch in and out anywhere in the signal chain to pick the best sound for your purpose (because modular). Looking for a pretty distortion? This is probably not your module. Unapologetically gross and dirty.
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MRP:$158.77 SAVE 14%
 1 in stock $136.61
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Every Move You Make: The Studio Recordings (half speed remastered)
Every Move You Make: The Studio Recordings (half speed remastered) (limited 180 gram vinyl 6xLP box + booklet) (1 per customer)
UMC
Cat: 676325 0. Rel: 16 Nov 18
Rock
  1. Next To You (Outlandos D'Amour 1978) (2:51)
  2. So Lonely (4:48)
  3. Roxanne (3:07)
  4. Hole In My Life (4:50)
  5. Peanuts (3:56)
  6. Can't Stand Losing You (3:00)
  7. Truth Hits Everybody (2:55)
  8. Born In The '50s (3:38)
  9. Be My Girl Sally (3:18)
  10. Masoko Tanga (5:36)
  11. Message In A Bottle (Reggatta De Blanc 1979) (4:50)
  12. Reggatta De Blanc (3:00)
  13. It's Alright For You (3:13)
  14. Bring On The Night (4:13)
  15. Deathwish (4:12)
  16. Walking On The Moon (4:53)
  17. On Any Other Day (2:57)
  18. The Bed's Too Big Without You (4:18)
  19. Contact (2:36)
  20. Does Everyone Stare (3:34)
  21. No Time This Time (3:18)
  22. Don't Stand So Close To Me (Zenyatta Mondatta 1980) (4:02)
  23. Driven To Tears (3:21)
  24. When The World Is Running Down, You Make The Best Of What's Still Around (3:34)
  25. Canary In A Coalmine (2:26)
  26. Voices Inside My Head (3:51)
  27. Bombs Away (3:12)
  28. De Do Do Do, De Da Da Da (4:08)
  29. Behind My Camel (2:53)
  30. Man In A Suitcase (2:20)
  31. Shadows In The Rain (5:06)
  32. The Other Way Of Stopping (3:21)
  33. Spirits In The Material World (Ghost In The Machine 1981) (2:59)
  34. Every Little Thing She Does Is Magic (4:20)
  35. Invisible Sun (3:43)
  36. Hungry For You (J'aurais Toujours Faim De Toi) (2:53)
  37. Demolition Man (5:57)
  38. Too Much Information (3:43)
  39. Rehumanize Yourself (3:10)
  40. One World (Not Three) (4:43)
  41. Omegaman (2:48)
  42. Secret Journey (3:34)
  43. Darkness (3:06)
  44. Synchronicity I (Synchronicity 1983) (3:22)
  45. Walking In Your Footsteps (3:36)
  46. O My God (4:02)
  47. Mother (3:06)
  48. Miss Gradenko (2:00)
  49. Synchronicity II (5:01)
  50. Every Breath You Take (4:09)
  51. King Of Pain (4:57)
  52. Wrapped Around Your Finger (5:10)
  53. Tea In The Sahara (3:57)
  54. Dead End Job (Flexible Strategies) (3:33)
  55. Landlord (3:08)
  56. Visions Of The Night (3:06)
  57. Friends (3:36)
  58. A Sermon (2:31)
  59. Shambelle (5:03)
  60. Flexible Strategies (3:42)
  61. Low Life (3:42)
  62. Murder By Numbers (4:35)
  63. Truth Hits Everybody (remix) (3:40)
  64. Someone To Talk To (2:59)
  65. Once Upon A Daydream (3:29)
 in stock $107.56
The Essential (Record Store Day 2020)
The Essential (Record Store Day 2020) (limited numbered 180 gram vinyl 4xLP box set + booklet + insert) (1 per customer)
Cat: MOVCL 049. Rel: 07 Sep 20
Experimental/Electronic
  1. Lightning (6:48)
  2. Facades (7:26)
  3. A Gentleman's Honor (3:11)
  4. Primacy Of Number (6:58)
  5. Metamorphosis IV (7:02)
  6. Open The Kingdom (7:03)
  7. Dance II (5:45)
  8. Dance VIII (5:01)
  9. Glasspiece 1 (6:05)
  10. Changing Opinion (10:00)
  11. Opening (6:27)
  12. Floe (6:09)
  13. Funeral Of Amenhotep III (9:01)
  14. Point Blank (11:16)
  15. Wichita Vortex Sutra (6:52)
  16. Forgetting (8:10)
  17. Dance IX (8:10)
  18. The Dam (5:08)
  19. Definition (6:40)
  20. Protest (7:10)
  21. Evening Song (4:09)
  22. Hymn To The Sun (6:16)
  23. Trial - Prison (2:41)
  24. Akhnaten & Nefertiti (4:17)
  25. Kuru Field Of Justice (6:08)
  26. Knee Play 1 (3:35)
  27. Tolstoy Farm (4:56)
  28. Window Of Appearances (4:14)
  29. Bed (3:39)
  30. Epilougue (4:21)
  31. Knee Play 5 (5:12)
 in stock $107.56
Doepfer A199v Federhall Spring Reverb Module (Vintage Edition) Doepfer A199v Federhall Spring Reverb Module (Vintage Edition) Doepfer A199v Federhall Spring Reverb Module (Vintage Edition) Doepfer A199v Federhall Spring Reverb Module (Vintage Edition)
Cat: 698465 Rel: 15 Aug 18 • View all Synth modules
 
Reverb effects module with spring reverb tank - 8HP
Notes: Module A-199 is a spring reverb module. The reverb effect is electronically simulated by means of 3 spiral springs. Spring reverb systems have a very characteristic sound that is based on the (insufficient) mechanical properties of the springs like signal delays, audio resonances, limited frequency range, acoustic feedback behaviour, sensitivity to mechanical shocks and others.

The 3-spring system used in the A-199 ensures a "dense" reverb because of the different properties of the three springs.

The A-199 implies some special features that are not self-evident for spring reverb units:

The reverb signal can be fed back to the input using the Feedback control. Even self-oscillation of the springs similar to the self-oscillation of filters is available. The feedback loop can lead even via external modules like VCA, VCF, phaser, frequency shifter, vocoder, distortion/waveshaper, ring modulator and others. In this case the reverb output of the A-199 is connected to the input of the external module(s) and the output of the external module(s) is fed back to the Ext. Feedback In socket of the A-199. This socket contains a switch that interrupts the internal feedback loop as soon as a plug is inserted.

Another feature is the Emphasis control. This enables the adjustment of the accentuation of middle frequencies (around ~ 2kHz).

With the Mix control the relation between original and reverb signal appearing at the mix output is adjusted.

Using all these features very extreme and unusual effects can be generated with the A-199.
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Doepfer A-135-2 Quad VCA & VC Mixer Module Doepfer A-135-2 Quad VCA & VC Mixer Module Doepfer A-135-2 Quad VCA & VC Mixer Module
Cat: 714704 Rel: 22 Jan 19 • View all Synth modules
 
Compact voltage-controlled four-channel audio mixer - 8HP
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).
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Doepfer A156v Dual Quantizer Module (vintage edition) Doepfer A156v Dual Quantizer Module (vintage edition) Doepfer A156v Dual Quantizer Module (vintage edition)
Cat: 745785 Rel: 10 Sep 19 • View all Synth modules
 
Dual quantizer for CV's, converting a continuous positive input voltage into a stepped output voltage - 8HP
Notes: Module A-156 is a Dual Control Voltage Quantizer. A quantizer converts a continuous control voltage in the range 0...+10V into a stepped output voltage in the same voltage range (i.e. only certain voltages occur). Normally 1/12 V steps are used to obtain semitone steps. Quantizer 2 of the A-156 allows has more sophisticated quantizing modes like major scale (i.e. only voltages corresponding to the major scale), minor scale, major chord, minor chord, fundamental + fifth and addition of seventh or sixth when chords are selected. Only those voltages appear at the CV output which comply with the selection rule (e.g. minor chord with seventh). The mode setting of quantizer 2 is done with 3 switches (1-0-1 type with middle position). From the factory quantizer 1 is working in the semitone mode. But there is a jumper on the pc board that can be changed so that even quantizer 1 uses the same scale as quantizer 2.

For each quantizer the following in/outputs are available:

- Control voltage input (CV In): The input for the continuous voltage to be quantized
- Control voltage output (CV Out): The output of the quantized voltage
- Trigger input (Trig.In): If this jack is left open the quantizer is working permanently. If a rectangle voltage is applied quantisation happens only at the rising edge of the signal (e.g. from an LFO or MIDI-to-Sync interface). Thus the quantizing can be synchronized with other events
- Trigger output (Trig.Out): Whenever a quantisation happens (i.e. a new voltage is generated at the CV Out) a positive pulse occurs at this output. It may be used to trigger an envelope generator (ADSR) or for triggering other modules (sequential switch A-151, trigger divider/sequencer A-160/161, trigger delay A-162, ...). If none of these functions are used the jack is left open

On top of that the A-156 is provided with a common transpose CV input having an additive effect on both quantizers. This input is quantized in semitone steps. A typical application is the transposition of a sequence generated by the A-155 by a second control voltage (e.g. coming from the MIDI-CV interface A-190).

Typical applications:

- Quantizing the CV sequence generated by an A-155 (semitone, only major scale, only minor scale and so on)
- Quantizing the voltage coming from the Trautonium Manual / Ribbon Controller A-198, Theremin A-178 or Light-to-CV module A-179 to get accurate semitones or major/minor scale tones
- Arpeggio-like effects with LFO, random, noise, envelope generators as CV sources (for negative or symmetrical voltages an offset must be added, e.g. with the offset/attenuator module A-129-3, to obtain positive voltages for the A-156 input)
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2hp Tune Multi Scale Pitch Quantizer Module (black faceplate)
2hp
Cat: 686043 Rel: 04 May 18 • View all Synth modules
 
Multi-scale pitch quantizer
Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.
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Reloop RMX10 BT 2 Channel DJ Mixer With Bluetooth Connectivity Reloop RMX10 BT 2 Channel DJ Mixer With Bluetooth Connectivity Reloop RMX10 BT 2 Channel DJ Mixer With Bluetooth Connectivity Reloop RMX10 BT 2 Channel DJ Mixer With Bluetooth Connectivity Reloop RMX10 BT 2 Channel DJ Mixer With Bluetooth Connectivity
Cat: 755491 Rel: 28 Jan 20 • View all DJ mixers
 
DJ mixer with Bluetooth connectivity
Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.

Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.

This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.

The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.
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 8 in stock $102.19
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Cat: 560349 Rel: 04 Feb 15 • View all Effects pedals
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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 3 in stock $138.66
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quote 560349
Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal
NUX
Cat: 778748 Rel: 10 Sep 20 • View all Effects pedals
 
Acoustic guitar simulator/IR loader pedal
Notes: Excellent value from this uniquely versatile pedal. Load or record acoustic guitar impulse responses and apply them to your electric guitar, transforming the tone and sound.

Supplier's Notes:

The Optima Air pedal is a programmable digital modelling acoustic guitar simulator for electric players. Plug in your electric guitar and morph it into any of 15 internal acoustic guitar models at will. An Impulse Response (IR) loader enables you to capture the tone profile of your favourite acoustic guitar and store it as a model that can be played from your electric guitar. To enhance the acoustic tone, the Optima Air is furnished with a foot-switchable studio quality preamp with 3-band EQ and a digital reverb section to generate ambience. The Optima Air also has an audio streaming USB interface providing, which can be used as a recording device and the USB can be used for remote editing via software which is downloadable for PC or Mac computer. Inputs and outputs include standard jack in and out, a D.I. XLR output, send/return effects loop, headphone output and aux line input for a myriad of connection possibilities. Optima Air is the acoustic guitar in a pedal for electric players either on stage or in the studio.

Power supply: 9Vdc, 500mA, negative centre (not supplied)
Sampling format: 24-bit, 48-kHz
Internal programmes: 15 models, 9 preset patches
DI output: XLR
USB computer interface: Micro USB port

The box for this item contains :

Optima Air pedal
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MRP:$205.24 SAVE 35%
 4 in stock $133.38
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quote 778748
Soma Laboratory Ether V2 Anti Radio Soma Laboratory Ether V2 Anti Radio Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 08 Jul 20 • View all Synthesisers
 
Radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$166.51 SAVE 20%
 3 in stock $133.38
Pulse (remastered)
Pulse (remastered) (180 gram vinyl 4xLP + 52 page hardback photo book in slip-case)
Cat: PFRLP 17. Rel: 18 May 18
Progressive Rock
  1. Shine On You Crazy Diamond (part 1-5, 7) (13:39)
  2. Astronomy Domine (4:12)
  3. What Do You Want From Me (4:29)
  4. Learning To Fly (5:39)
  5. Keep Talking (6:51)
  6. Coming Back To Life (6:48)
  7. Hey You (4:55)
  8. A Great Day For Freedom (4:32)
  9. Sorrow (10:58)
  10. High Hopes (8:10)
  11. Another Brick In The Wall (part 2) (7:06)
  12. One Of These Days (6:43)
  13. Speak To Me (2:23)
  14. Breathe (2:45)
  15. On The Run (4:01)
  16. Time (6:37)
  17. The Great Gig In The Sky (6:09)
  18. Money (9:02)
  19. Us & Them (7:11)
  20. Any Colour You Like (3:39)
  21. Brain Damage (3:41)
  22. Eclipse (2:35)
  23. Wish You Were Here (6:40)
  24. Comfortably Numb (10:26)
  25. Run Like Hell (7:42)
 in stock $102.18
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