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Sacrilegious Mass
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Sacrilegious Mass
Burn Your Child
St Barnabas
The Red Pig
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $29.58
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $21.78
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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $12.44
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Weedgrown Rocks (Space Rainbows In 7256 A.D. Ver.)
Switchblade Cars
Black Elk Crying For A Vision
Nubbinz
Now I See (Archetypal Projections)
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $37.89
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Review: Following a series of self released albums over the past three years which saw them expand on hip hop classics with an auspicious level of jazz virtuosity, Canadian jazz trio Badbadnotgood grace the Innovative Leisure imprint with this enlightening collection III. Consisting of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums, it's not hard to see why Badbadnotgood have been getting the usually hushed toned Gilles Peterson all exciting after a few listens of the nine tracks here. If you dug those cover versions you will love this album.
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Review: Gatefold 2LP ediiton: While their 50 Weapons imprint may be winding up, Modeselektor's Monkeytown imprint is still in full swing, releasing all sorts of interesting electronic music lately from producers as diverse as Robot Koch, Omar Souleyman and Howling. This time label head honchos Bronsert and Szary team up with good mate Sascha Ring aka Apparat for another session as well.. Moderat, of course! Highlights include the bittersweet and bass heavy pop inflections of "Bad Kingdom" featuring Ring's powerful vocals, the epically future beats of "Let In The Light" or "Ilona" and the upbeat dusty deep house of "Milk". Superb production on display throughout the album and don't forget to check out the killer remixes by Skee Mask and Benjamin Damage (amongst others) available soon as well.
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Review: "III", by Skallander, is a collection of ten devastating pop-songs guaranteed to appeal to fans of Sufjan Stevens and Jose Gonzalez.
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Review: "III", by Skallander, is a collection of ten devastating pop-songs guaranteed to appeal to fans of Sufjan Stevens and Jose Gonzalez.
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III (gatefold 180 gram vinyl 2xLP + MP3 download code in die-cut sleeve)
Cat: DUAT 95110. Rel: 12 Sep 19
Indie/Alternative
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Review: Moon B's next mini-LP offering to PPU, entitled III, is a varied affair. The a side offers up the older taped track "Realms", a semi-muted yet chuggy number for the dance floor overwrought with moon-roasted synth progressions that coat the ears. "Neither Here Nor Where" is an ode to forgotten spaces and places, wrapped tightly in synth bazz and creamed pads that emanate from Moon's favorite synth, the Alpha Juno 1. Flip the record to find Moon's most "instro-spective" offerings to date. "Art Direction" bottomed out tempo conjures up images of 1984 Prince replacing Appalonia with Inga Copeland as his motorcycle passenger after a neon lit love-making session. "Moonda"'s slow fluctuation and linn drum echoes paired with sorrowful yet hopeful chords attempts to warm you in the coldest of polar vortices. "Polywarp" rounds out the affair with syruppy vacillating instrumentation paired with unforeseen wobbly bits and foreign percussive hits. -
… Read morePlayed by: Fat dog, Patrick Luca (Island Issues), Mukatsuku Records Chart, JimmyTheTwin, JEM/Joe Europe, Replika | Common Mode, Randy "Hotthobo" Ellis, Juno Recommends Disco, Phil Horneman (Wicked Jazz Sounds), Four Walls, I Love Disco!, Kenneth Bager // Musicfordreams, Sccucci Manucci, Harvey Sutherland, Appian, Kixnare, Departures Records, Tommy Finger Jr., Lazare Hoche, Alex Salvador, Ketsba (Rough House Rosie), Titonton Duvante (Residual), Aleqs Notal, Jock Burton, Kasra V
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Review: These Chilean psychonauts have already made a considerable name for themselves on the psych circuit, largely owing to their Dusseldorf-derived love for the three 'R's (repetition, repetition, repetition). On "III", however, they take a sharp left turn into a style that's arguably even more bewitching, and serves to set them apart from their contemporaries. The shortest song here is nine minutes long, and the mesmerising pulses of these extrapolations owe as much to the ruthless geometry of techno as they do krautrock motorik or desert ambience. One for fans of Nissenenmondai and Elektro Guzzi as well as Moon Duo or The Cosmic Dead, "III" is a frontier-walking mantric masterstroke.
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Review: Dusty Kid's particular brand of techno has always been enveloping. While rooted in the dubwise rhythms of dub techno and the sparse pulse of minimal, his tracks tend to be densely layered and expertly textured, resulting in a sound that's rich and intoxicating, with just the right amount of hypnotic, repetitive melodies. This trademark sound is much in evidence on III, his third full-length but first for Isolade. From start to finish, the Italian delivers music to get lost in, from the calming and sweet "Sandalyon" (like Isolee doing deep techno) and dubby "Doom", to the tougher dancefloor styles of acid-techno assault "Flames" and predictably murky "Darkroom".
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Review: Five years after the second life of Death was started with the release of their revelatory 1976 album, "For The Whole World To See", "III" slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, "III" contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. The album serves as a companion piece of sorts to the "A Band Called Death" documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney's visual representation of Death was a triangle, where "spiritual", "mental" and "physical" formed the three angles. With this in mind, "For The Whole World To See" is clearly the physical corner, with its undeniable proto-punk power; "Spiritual-Mental-Physical" explores the mental axis, with Death working through some of their influences including The Beatles, Jimi Hendrix, The Who and even ELO in their practice space. "III" is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.
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Review: Five years after the second life of Death was started with the release of their revelatory 1976 album, "For The Whole World To See", "III" slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, "III" contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. The album serves as a companion piece of sorts to the "A Band Called Death" documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney's visual representation of Death was a triangle, where "spiritual", "mental" and "physical" formed the three angles. With this in mind, "For The Whole World To See" is clearly the physical corner, with its undeniable proto-punk power; "Spiritual-Mental-Physical" explores the mental axis, with Death working through some of their influences including The Beatles, Jimi Hendrix, The Who and even ELO in their practice space. "III" is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.
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Review: Like much of his previous work, Gui Boratto's simply-titled third album is an album of glaring contrasts. On one hand, there's the slow, pulsating, Krautrock-influenced atmosphere of opener "Galuchat", muffled electronica of "Trap", unfeasibly gorgeous "Flying Trap" and string-laden Balearic blast that is "Third". On the other, there's the twisted techno darkness of "Stems From Hell", minimal funk of "Destination Education" and grumpy paranoia of "The Drill". That these disparate strains not only work together but also make perfect sonic sense is testament to the Brazilian's immense skill as a producer. For this reason alone, III is his most accomplished work to date.
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