Review: Just when you thought all hope was lost along come The Strokes to fulfil the promises they made way, way back with their startling debut 'Is This It'. That was 17 years ago, and while the outfit have made plenty worthy of note in the years between then and now, we'd be surprised if we're the only ones thinking this latest is their best effort since that inaugural outing. Confident but also hungry, rather than bloated and lazy, there's plenty here that you won't be able to get away from in a hurry. 'Brooklyn Bridge To Chorus' might define the package best, delivering some powerful pop energy in an all-round homage to and critique of the 1980s, an era revisited again on 'Bad Decisions', which owes plenty to Billy Idol's Generation X classic, 'Dancing With Myself', with tracks like 'Why Are Sundays So Depressing' diverting to a synthdom route and 'Not The Same Anymore' throwing crooner styles into the mix. Exceptional stuff.
Review: Up until his death in 2003, Hiroshi Yoshimura spent decades offering up immaculate albums that blurred the boundaries between ambient, new age and minimalism. For those not versed in the Japanese ambient pioneer's vast catalogue, 1986's "Green" - which is here reissued by Light In The Attic - remains one of his most impressive works. Created using a minimal number of instruments (mostly synthesizers and electric pianos), the set is as quietly jazzy as it is relaxing. Highlights include the meditative, Terry Riley influenced bliss of "Feel", the pulsing organ stabs and blissful electronics of "Sheep", the garden-ready musical hug that is "Green" and the swelling opener "Creek".
Review: 'Geneva Loops' encompass five loops that were given to each artist for the 'Geneva Remixes' where in turn they reworked, manipulated and expanded upon this source material resulting in each artists' own unique creation.