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Cat: 589490 Rel: 10 Dec 15 • View all Synth modules
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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 1 in stock $213.71
Cat: 589494 Rel: 10 Dec 15 • View all Synth modules
 
Compact, playable four-channel tap-tempo, clock-syncable LFO synthesiser module with variable skew and reset - 12HP wide
Notes: The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.

The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.

Controls and jacks:
- Tap tempo button ("Ping") for manually setting the tempo
- Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
- On/mute button enables or mutes the output (latching button)
- Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
- At 0% Skew (0V of CV), the shape is a "plucky" near-expo curve
- At 1% Skew (just over 0V of CV), the shape is ramp-down
- At 50% Skew (about 5V of CV), the shape is a triangle
- At 100% Skew (about 10V of CV), the shape is ramp-up
- Skew knob provides offset to the incoming CV signal, so any range of CV is acceptable
- Reset jack restarts the LFO without changing the tempo (rising edge triggered)
- OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
- LED flashes and dims to the signal on the OUT jack
- Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
- On/Mute button lights up when channel is On

Advanced:
- Ping and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!)
- Trim-pot on PCB allows for adjustment of comparator threshold value

- "Fire-on-unmute" jumper per channel:
- When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.
- If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)

- Bipolar/Unipolar jumper:
- Setting jumper to Bipolar makes the outputs -5V to +5V
- Setting jumper to Unipolar makes the outputs 0V to +10V
- One jumper controls all four channels

- One-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion

- Floating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate

- Connects to other modules using ribbon cables:
- Outputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer
- Normalization of ping jacks can connect to the 4ms Quad Clock Distributor
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 1 in stock $243.94
4ms Wav Recorder Module (synth module)
Cat: 648950 Rel: 29 Jun 18 • View all Synth modules
 
6HP Eurorack module for recording high-fidelity, low-noise stereo WAV files
Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.
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 2 in stock $234.22
Cat: 601494 Rel: 28 Mar 18 • View all Synth modules
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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 2 in stock $200.76
Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $292.51
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Cat: 698445 Rel: 09 Aug 18 • View all Synth modules
 
Analogue multi-tap phaser - silver faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 1 in stock $286.05
Cat: 637047 Rel: 22 Mar 17 • View all Synth modules
 
Model D-based complex envelope generator - dark edition
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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 1 in stock $225.60
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Cat: 637044 Rel: 22 Mar 17 • View all Synth modules
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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 1 in stock $225.60
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Cat: 708087 Rel: 23 Jan 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $223.44
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Cat: 708090 Rel: 18 Apr 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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 1 in stock $210.48
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Cat: 625060 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 1 in stock $209.41
Cat: 625059 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 2 in stock $208.33
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Cat: 625058 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 2 in stock $267.68
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Cat: 625054 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 1 in stock $253.66
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Cat: 625079 Rel: 22 Sep 16 • View all Synth modules
 
Ring SM Ring Mod Sub Bass Mixer Module
 1 in stock $263.37
Cat: 625077 Rel: 23 Sep 16 • View all Synth modules
 
AJH synth ring sm ring mod sub bass mixer module
 1 in stock $257.97
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Cat: 688825 Rel: 01 Aug 18 • View all Synth modules
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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 1 in stock $224.52
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Cat: 688824 Rel: 01 Aug 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 2 in stock $270.92
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Cat: 737861 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 1 in stock $242.87
Cat: 525143 Rel: 15 Aug 14 • View all MIDI controllers
 
Akai Pro's new flagship Ableton Live controller designed for Ableton Live, with included production software package
Notes: In 2009, Akai Professional collaborated with the creators of Ableton Live, a powerful music performance and production software environment, and introduced the original Ableton Performance Controller-APC40. The instrument raised the standards of controller design, revolutionized hardware and software integration, and proved to be an essential performance tool for Ableton Live users everywhere. Building upon this original partnership, Akai Professional now introduces an all-new, reimagined Ableton Live controller-APC40 mkII.

The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.

APC40 mkII features a 5x8 RGB clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses-loaded, playing, and recording-so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.

APC40 mkII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 mkII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.

APC40 mkII comes pre-mapped to Live for an instant performance and production setup. When APC40 mkII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface-no additional configuring is required. In addition, all of APC40 mkII's controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 mkII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 mkII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.

APC40 mkII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today's electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more.
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 1 in stock $287.73
Cat: 742630 Rel: 14 Mar 14 • View all Studio monitors
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Engineered for meticulous reproduction of even the most complex modern music, Akai Professional's RPM800 studio monitors easily handle layer after layer of sound, providing critical detail and the tools needed to mix with confidence. The fast Kevlar cone provides lucid low-end agility, reproducing intricate bass patterns with ease. It's authoritative sound for the craft of music production, only from Akai Professional.

RPM800 offers pure and accurate frequency response from 38Hz to 30kHz. The 120-Watt distributed Class A/B provides the woofer and tweeter dedicated amplification - 80 Watts to the woofer, 40 Watts to the tweeter - meaning you get ultra-efficient power and minimal distortion. The flared rear-firing bass port delivers low-frequency depth and definition

Dedicated proximity and EQ-tailoring controls give you the ability to fine-tune the speaker in diverse mixing environments. RPM800 also features HF Trim, MF Boost, and LF Cutoff controls, which allow you to find the right balance in any environment. The included monitor isolation pad dramatically decreases structure-borne resonances, and the integrated radio frequency protection preserves signal purity. RPM800 includes XLR, balanced 1/4" TRS, and RCA inputs.

RPM800's cabinet is painstakingly reinforced to minimize flex, combating unwanted coloration while blocking anomalies and sound artifacts from polluting your mix. The no-compromise build quality is reflected even in components you'll never see such as the recess-mounted amp, on/off transient protection, and 14 gauge wiring to transducers. RPM800 also features a built-in output current limiter, over-temperature limiter, and subsonic filter - a full array of top-notch components that make all the difference in the purity that you hear.
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 1 in stock $201.00
AKG K712 Pro Studio Headphones (studio headphones)
AKG
Cat: 492017 Rel: 05 Jun 13 • View all Studio headphones
 
Studio headphones with wide 10Hz-39.8KHz frequency response
Notes: For precision listening, mixing and mastering.

The K712 Pro's are reference, open, over ear headphones for precise listening, mixing and mastering. The over ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without compromise. Their precise powerful sound results from improved low end performance by 3dB. Being hand crafted in Austria, the K712 Pro's represent the high quality and legendary design AKG is internationally known for.

These headphones have a genuine soft leather headband for a lightweight and comfortable fit, and the carefully selected transducers ensure consistency and accurate localization.

The K712 Pro's come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
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 More than 10 in stock $206.17
Cat: 519838 Rel: 19 Feb 15 • View all Electronic drums
 
Percussion pad with on-board sound storage and 8 dual zone isolated rubber pads
Notes: SamplePad Pro is the all-in-one percussion instrument that knows no bounds. Isolated and responsive dual-zone pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computerieven a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you're looking for in a pad-based instrument - and more.

SamplePad Pro is streamlined and sleek. The backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.

Want more? No problem. SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer. A convenient module mounting kit is available.

With SamplePad Pro, there's no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds - each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next "must-have" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.

Equipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1/4" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input - with level control - so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.
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 2 in stock $287.73
Cat: 628650 Rel: 17 Oct 16 • View all Synth modules
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: 'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 4 in stock $263.37
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Cat: 584252 Rel: 15 Apr 16 • View all Synth modules
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 1 in stock $202.92
Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $235.30
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Cat: 688775 Rel: 31 Jan 19 • View all Synth modules
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $230.98
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Cat: 607837 Rel: 18 May 16 • View all Synth modules
 
Eurorack SID voice synth module - 19HP wide
Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)
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 1 in stock $278.48
Cat: 717404 Rel: 17 Nov 17 • View all Effects units
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

Designed, engineered, and hand built in England.
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 1 in stock $201.38
Cat: 676907 Rel: 28 Feb 18 • View all Synth modules
 
Crossfold modulation processor - 6HP
Notes: The Crossfold is a new concept wavefolder: A high quality, compact, 8-stage, dual voltage-controlled crossfader, analog wavefolder/waveshaper from Antimatter Audio capable of producing subtle to extreme distortion, folding, and experimental synthesis.

Voltage controlled balance of two audio sources before processing through the high fidelity 8 stage wavefolder creates "crossfolds", unexpected and complex interactions of sound that can resemble through-zero FM synthesis, bizarre distortion, and even more mysterious results.

As lovers of wave shapers, we refined the Crossfold to produce timbres and patches that we were always seeking, patches that were either not possible, or required many more modules to accomplish before the Crossfold.

The Crossfold utilizes high quality op amps, multiple high quality VCA chips, and a small army of resistors and diodes to create a unique, hi fidelity wavefolder capable of producing sounds yet unheard of!

The fold and range controls with voltage control provide the main intensity level, with the range control setting the scope of the fold control, traveling from single folds, up to eight, further into clipping, which compresses and offsets the folds both into the positive and negative range. A built-in output limiter allows you to explore clipping effects without large volume spikes, while still allowing for a musical dynamic range.

The output stage has 3 modes selectable by a switch on the front panel: a voltage-controlled dry/wet of the input crossfader (great for balancing fundamental tones Vs added harmonics), wet vs. input 1 (great for mixing signals for the wet signal while maintaining a single dry signal), or as a final VCA to complete a voice or provide amplitude modulation of the output.

The Crossfold is capable of combining sources to produce low punchy basses, glassy marimbas, screaming synced leads, morphing alien drones, and much more. It even sounds amazing on bass guitar, thanks to its smooth distortion capabilities!

Antimatter Audio modules are proudly designed and assembled in Portland, OR, USA.
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 1 in stock $205.08
Cat: 561278 Rel: 16 Jul 15 • View all MIDI controllers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 2 in stock $212.72
Cat: 751684 Rel: 16 Jul 15 • View all MIDI controllers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 1 in stock $207.05
Cat: 697102 Rel: 06 Aug 18 • View all Drum machines
 
Drum machine featuring bold, hard-hitting pure analogue sounds
Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.
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 4 in stock $257.98
Cat: 686576 Rel: 30 Apr 18 • View all MIDI keyboards
 
Professional-grade 61 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: ***Limited 'Art Of Keys' Promo! Simply register your KeyLab Essential on the Arturia website. As soon as you've done this you will see MINI V and STAGE-73 V software in your account, available for download. Install it, and get set to create musical magic. Offer ends 30th September 2019***

With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

KeyLab Essential helps you keep your eye on the target. Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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 1 in stock $218.54
Cat: 511234 Rel: 28 Nov 13 • View all Synthesisers
 
Compact synthesiser with pure analogue signal path
Notes: MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesizer that takes your sound to a new level.

A synthesizer is a musical instrument that is meant to be played. However, playing a synthesizer is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.
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 1 in stock $249.49
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 More than 10 in stock $252.35
Cat: 681320 Rel: 15 Mar 18 • View all Studio headphones
 
Closed-back circumaural headphones featuring unique Vari-Voice design with three selectable modes
Notes: The MixPhones MP1 Triple Play Personal Monitor with Vari-Voice is the first ever multiple use headphone, suitable for use in the live sound, DJ, studio recording, mixing playback and listening applications. The unique design allows the user to move between normal neutrally voiced stereo field, monaural (mono), and a specially contoured "mix" mode that focuses the midrange frequencies to simulate the sound of our Mixcubes and allow better articulation of critical mix frequencies.

The MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. This elegant piece of industrial audio jewellery is made to sound as good as it looks. From the choice of materials to create a physical enclosure to meet audio needs and visual aesthetics, to the generous ear cups designed comfortably isolate and enclose any ear lobe, these are professionally designed for serious users. The generous padding and pivot design ensure a comfortable fit for all day and use in the most demanding environments.
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 1 in stock $202.92
Cat: 668637 Rel: 09 Nov 17 • View all Synth modules
 
6-channel performance mixer with EQ's & mutes
Notes: Hex mix VCA is a compact six channel VCA with an unique response curve range from logarythmic to linear and to exponential using a pot.

All outputs are routed to output six to act as a mixer, with a normalization of each one to remove each VCA from the Mix.

Hexmix VCA can act as six independent VCAs as well as a Mixer for all the inputs (Selectable via a switch). Featuring an internal connection to interface with our Hexmix system.

Every VCA has a response pot for the incoming CV, being full logarythmic at maximum setup and full exponentiall at minimum setup, having the linear response in the centre position.

The pot provides the full range of responses to adecuante to our prefered application, such as percusive sounds or panning effects.

Level pot of each channel is an attenuator of the signal coming out of each VCA.

Jacks are normalled to 10 volts, so when we have no CV present VCA would be fully open and our Level pot will act as a volume.
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MRP:$369.16 SAVE 33%
 1 in stock $246.11
FORTHCOMING
Befaco i4 Instrument Interface Preamp Module (assembled)
MRP:$283.67 SAVE 17%
coming soon $236.39
Cat: 689669 Rel: 14 Feb 19 • View all Synth modules
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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MRP:$278.49 SAVE 18%
 3 in stock $227.76
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Cat: 689665 Rel: 14 Jun 18 • View all Synth modules
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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MRP:$278.49 SAVE 20%
 2 in stock $223.44
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Cat: 679069 Rel: 20 May 16 • View all MIDI keyboards
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The MOTOR 49 master keyboard controller allows you to take total command over your virtual instruments and DAW (Digital Audio Workstation). Featuring amazingly-smooth action, motorized faders and touch-sensitive pads, the MOTOR 49 provides an unparalleled level of control for the ultimate creative expression. The 49 semi-weighted full-sized keys, 60 mm faders and backlit drums give you hands-on control over all the parameters of your favorite DAW. An incredible hardware-based arpeggiator enables you to instantly add arpeggios to software and hardware synths and create complex arrangements on the fly.

MOTOR 49's endless rotary encoders provide immediate feedback about your software, plus the convenient, backlit transport section puts all playback and record functions right at your fingertips. You get fast, easy-to-read information at-a-glance, thanks to MOTOR 49's spacious, backlit LCD screen. We've also loaded this amazing controller with a variety of extremely-useful presets (and even more are on the way), so you can start creating quickly, without mapping or instant recall. Ready to go right out of the box, just connect to your computer and download the free audio recording, editing and podcasting software at www.behringer.com, which comes with 150 instruments and effects plug-ins. MOTOR 49 is the fast and easy way to get you back "in-touch" with every element of your creativity.
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 1 in stock $250.86
Cat: 584397 Rel: 22 Dec 15 • View all MIDI controllers
 
Universal USB/MIDI controller with 9 touch sensitive motor faders & "Mackie Control" emulation mode for seamless integration with compatible music production software
Notes: The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully-automated motorized faders, 16 rotary encoders with LED collars - and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets - or customize your own configurations to master the art of on-the-fly adjustments as ever before!

Today's DAWs, instruments, effects and lighting applications are designed to interface with controllers that enable users to make high-precision changes with minimal effort. Built-in Mackie Control* emulation allows your X-TOUCH COMPACT to work with virtually any professional audio production software imaginable - as soon as you take it from the box - no setup required!

Your music is the embodiment of your imagination and creativity. Your controller should be equally inspired and dynamic in its response to your creation. That's why the X-TOUCH COMPACT features 9 fully automated and touch-sensitive 100 mm motorized faders. Every move or automation you write can be seen in the movements of each fader in real time, perfectly synced with your DAW.

Dual-Layer Mode provides lightning-fast switching between DAW and instrument control. Preconfigured control elements let you connect the X-TOUCH COMPACT for instant operation right out of the box, or download our user-friendly editor application for in-depth configuration, free of charge from www.behringer.com.

16 beautifully equipped rotary controls featuring LED-collars that provide an amber-hued visual read out couple with 39 illuminated buttons to make the X-TOUCH COMPACT a feast for the eyes as well as the hands. They provide direct access to preconfigured or user-mapped key functions. Know in brilliant color if a channel is muted or soloed and see how hot the level is pumping as you make changes during recording or mixing. Arm multiple tracks or adjust panning at the same time and marvel at how you ever relied on a mouse to do a controller's job. The built-in USB interface allows you to connect the COMPACT directly to your Mac or PC for easy right out-of-the-box installation - no drivers required.

Complete USB and 5-pin MIDI integration means you'll be able to interface with more of your favorite devices. Easily connect to a computer via the primary USB port, while simultaneously connecting an external MIDI device.

The dedicated footswitch connector and one foot controller input provide external remote control. The powered multi-TT USB hub provides connectivity for 2 more controllers so it can grow with your career. A "Planet Earth" switching power supply gives you maximum flexibility and efficiency for energy savings. Best of all - the X-TOUCH COMPACT will work flawlessly wherever and whenever you plug it in.

X-TOUCH COMPACT's 9 fully-automated and touch-sensitive 100 mm motorized faders, 16 rotary encoders and 39 illuminated buttons support the most popular communications protocols, giving you tactile control of your favorite DAW, instruments, effects and lighting systems. Visit your local dealer or online reseller to get your hands on the X-TOUCH COMPACT - and get your hands back into the mix!
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 2 in stock $242.86
Cat: 638941 Rel: 12 Apr 17 • View all Music production software
 
Music production & performance system for Windows, MacOS & Linux
Notes: Released back in 2014, Bitwig Studio 1 was the first music production software to combine linear and non-linear sequencing on Windows, macOS and Linux. With cutting edge technologies like plug-in crash protection and a highly flexible user interface, alongside a lightning fast workflow experience for keyboard, mouse and touch screens, Bitwig Studio has attracted a large and steadily growing user base all over the world.

Now discover Bitwig Studio 2, the innovative music creation and performance software for all major platforms. Experience seamless integration of linear timeline sequencing together with non-linear, performance-oriented clip launching and an intuitive user interface that adapts to each step of your workflow. Bitwig Studio is the single solution for realizing any musical idea across every stage of production.

Includes over 70 devices, such as Bitwig's suite of instruments and audio effects, as well as container devices and note effects.

Enjoy a sound content library consisting of over 2,000 presets and 9GB of sound content: drum machines, acoustic drums, multi-sampled instruments, loops, sound effects and much more.

Includes 12 months of free upgrades: perpetual license with 12 months of free updates and upgrades upon registration.

Bitwig Studio 2 comes fully loaded with powerful new features and updates, here's a quick overview:

- A re-conceptualized modulation system with 25 brand new Modulators
- Numerous device updates, including remote controls, dynamic displays and spectrum analyzers
- 17 entirely new devices
- Better hardware integration, with improved MIDI handling and several dedicated MIDI and CV devices
- Fades and crossfades
- VST3 support
...and much more!

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 2 in stock $247.19
Cat: 640527 Rel: 01 Mar 17 • View all Effects units
 
Speaker emulation for electric guitar, with 16 speaker cabinet models
Notes: Guitarists are a strange breed. They love modifications just as long as nothing actually changes. Never change a winning team is their approach: the favourite guitar, the good old amp and that particular speaker cabinet. The final link in the chain is the defining resonating body to capture the magical sound.

Electric guitarists looking for the perfect way to mike up for live or for recording now have one of the simplest and most workable solutions available - which also sets new standards in sound quality. Brought together in a compact, lightweight metal box are 16 legendary speaker cabinets. Recorded with the best microphones and digitally converted using today's cutting-edge Convolution Technologie, every detail is locked down. But why conserve the sounds digitally? Simply because analogue equipment cannot capture all the acoustic complexities and nuances the speakers produce. Convolution Technologie on the other hand is able to reproduce the complete array of tones and the uniqueness of each cabinet down to the last detail.

Virtual Speaker-Cabinet Collection:
Just pick your favourite cab, fine-tune the sound with the Mic-Position controller and away you go! 16 classic, world-renowned cabs are available in the BluBox: 5 legendary Marshall cabs with vintages from 1965 and 1980 but also the glorious, cult cabinets from Vox, Mesa-Boogie and Fender. Of course, Also included are the BluGuitar NANOCAB and FATCAB which have been rapturously received in music world for their huge sound.

BluBOX is the ideal partner for all eventualities. Whether on stage or in the studio - wherever you need striking sounds of the highest quality miked up or recorded. All this works with the BluBOX directly and even without a speaker cabinet!

BluBOX - The new Speaker Emulation with the most legendary cabinet / microphone combinations of the past 50 years music history, captured for the discerning professional. Great sounds, simple use, small package! The Sound of Tone Innovation.

Cabinets:

NANOCAB - BluGuitar 1x12"
FATCAB - BluGuitar 1x12"
STACK 1965 - Original Marshall 4x12" Celestion (Alnico 15Watts)
STACK 1967 - Original Park 4x12" Celestion (Greenback 25 watts)
STACK 1970 - Original Marshall 4x12" Celestion (Greenback 25 Watts 55 Hz)
STACK 1971 - Original Marshall 4x12" Celestion (G12h30)
STACK 1980 - Original Marshall 4x12" Celestion" (G12h75)
METAL V30 - Mesa/Boogie Rectifer Standard 4x12" Celestion V30
METAL CL80 - Celestion Classic Lead 80 in custom built 4x12" cabinet
JAZZ 120 - Roland Jazz Chorus 120
TWEED 1x12 - Vintage '57 Fender Tweed Deluxe
SILVER 1x12 - Fender Princeton Silverface 1x12"
BLACK 2x10 - Fender '64 Vibroverb 2x10"
BLACK 2x12 - Vintage Fender Twin Reverb 2x12" orange JBL mixed with Jensen C12K
BLACK 4x10 - Vintage 60s Fender Super Reverb 4x10"
BLUE 2x12 - Original Vox AC30 JMI 2x12" Celestion Blue Bulldog
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 1 in stock $213.71
Cat: 736449 Rel: 15 Jul 19 • View all Synth modules
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $204.01
CME
Cat: 605857 Rel: 18 Mar 16 • View all MIDI keyboards
 
Ultra slim 37-key Bluetooth 4 MIDI keyboard, with robust aluminium body
Notes: Ultra Slim. Great Design.

Lighter than an iPad!
Xkey Air is made from rugged, brushed aluminium. The same material that is used in Macs.
It only weighs 610g (1.34 lbs) so you won't even know it's there. Pop it in your backpack, or use the optional Xkey carry case.

Mac. iPhone / iPad.
(PC and Android can be connected with the WIDI BUD accessory)

Slip Xkey Air into your backpack or carry case and you're good to go.
Connect it to your favorite device, launch your favorite app - and your recording studio is open for business. Xkey Air is pro standard. But even if you're still learning to play the keyboard, you'll love the quality and features.
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 1 in stock $242.18
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Cat: 682321 Rel: 30 Apr 18 • View all Synth modules
 
Complex 12-stage phase shifter with separate in- and outputs for all phaser stages
Notes: Module A-101-3 is a 12-stage phase shifter with vactrols as phase shifting elements. Vactrols are known for their smooth sound behaviour. In contrast to other phaser designs, the A-101-3 is much more flexible and offering a lot of new features not available from other phasers on the market. The main difference is that the Doepfer design offers access to each of the 12 input and output stages leading to a lot of new filters that cannot be obtained in other ways. Especially the free patchable feedback loops (yes, not only one feedback loop is possible) between each of the 12 stages, the separate phase shift control for the stages 1-6 and 7-12, and the 2 polarizers intended to control the feedback loops lead to completely new filter types (a polarizer is a circuit that is able to generate positive and negative amplifications in the range -1...0...+1 with -1 = inversion, 0 = full attenuation, +1 = unchanged signal, for details concerning the polarizer function please look at the A-133 VC Polarizer or A-138c Polarizing Mixer module).

Internally, the module is made of 2 independent 6 stage phase shifters (1-6 reps. 7-12) with separate audio inputs (with attenuators), audio outputs (with mix control), and phase shift control units. The phase shift control units feature both manual and voltage-controlled phase shifting (e.g. from a LFO, ADSR, Random Voltage, Theremin CV, Foot Controller CV ...). For each sub-module a phase shift display (LED) is available. The LED shows the illumination state of the 6 vactrols of the sub-module in question as it is connected in series with the internal vactrol LEDs.

Each of the 12 phase shift states is equipped with an audio output socket and feedback input socket to obtain full flexibility to create a multitude of different filters. The audio input signal and the output signals of stage 6 resp. stage 12 are mixed with 2 manual controls to obtain effects at two audio outputs (for normal phase shifting effect this is 50% input signal and 50% phase shifted signal). The two submodules are internally connected via normalized sockets so that two 6 stage phase shifters can be obtained without external patches. Audio output of stage 6 is normalized to audio input of stage 7 and CV input 1-6 is normalized to CV input 7-12. But due to the open structure of the module even other stages than stage 6 and stage 12 can be used as outputs to generate different sounds (simply patch the desired stage output to the normalized mix input socket).
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 2 in stock $267.68
Cat: 698542 Rel: 14 Aug 18 • View all Synth modules
 
Sound source deriving four subharmonics from an incoming square wave signal - 26HP
Notes: Module A-113 is a new sound source that derives four so-called subharmonics (German: Subharmonische) from an incoming pulse signal. The term subharmonics was introduced by Oskar Sala in connection with his so-called Mixtur-Trautonium. A subharmonic means in this context a sawtooth wave (German: Kippschwinger) whose frequency is derived from a master frequency and the master frequency is an integer multiple in the range of 1...24 of the subharmonic - in other words: the master frequency is divided by an integer 1...24 to obtain the subharmonic.

The output waveform of a subharmonic is sawtooth (as also used in the original Trautonium) and not sine. The term subharmonics is somewhat misleading. The master frequency comes e.g. from an A-110 or A-111 to the frequency input of the A-113. The frequency dividers of the 4 subharmonics is adjusted with up/down buttons as displayed with two character LED displays. The subharmonics are available as single outputs and as mix output with adjustable levels for the subharmonics.

Two gate type control inputs enable to select between 4 different mixtures, i.e. 4 different settings of the frequency dividers. In the original Trautonium these are controlled by foot switches to switch between 3 mixtures while playing (the original Trautonium has only 3 mixtures available but with the 2 gate inputs of the A-113 four different settings can be addressed).

Additionally, the A-113 features a mixture memory with 50 presets. Each preset consists of 4 mixtures that can be selected with the gate inputs, each mixture contains the values of the 4 frequency dividers.
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 1 in stock $237.46
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Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $209.40
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