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Cat: 589495 Rel: 10 Dec 15 • View all Synth modules
 
Dual envelope generator synthesiser module - 20HP wide
Notes: The Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or "pings".

The PEG has full CV control of envelope shape, skew, and ping (clock) division/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.

Scaling/shifting:
- Scale knob is an attenuating inverter for main envelope output (Maximum 0V to +10V non-inverted, and Minimum -10V to 0V inverted).
- Bi-polar button centers main envelope output around 0V (-5V to +5V output)
- "+5V ENV" jack is a non-scaling output that always produces a 0V to +5V envelope, regardless of Scale and Bi-polar settings
- "OR" jack outputs an analog OR of the two scaled envelope curves. This outputs the highest value from either envelope at any given moment, taking into account the Scale and Bi-polar controls.

Gate outputs:
- End-of-Rise (EOR) gate output goes high when envelope finishes a rise portion, and goes low when envelope begins a rise portion
- End-of-Fall (EOF) gate output goes high when envelope finishes a fall portion, and goes low when envelope begins a fall portion
- Jumper for each channel changes EOR output to a Half-Rise gate output. The Half-Rise jack goes high when 50% of the time of the rise portion has elapsed, and goes low after 50% of the time of the fall portion. Using the Skew parameter, this jack provides a variable phase gate output useful for quadrature effects and clock phase shifting and trigger delay effects. Factory setting is EOR for red channel, Half-Rise for blue channel.

Triggering/cycling:
- Cycle button for each channel forces envelope to self-cycle in sync with the ping clock (LFO mode). Button lights up when in cycle mode.
- "T" jack toggles the state of both channels' Cycle button when a gate is applied
- "QNT" jack for each channel triggers an envelope to start at the next quantized beat, with respect to the divided/multiplied ping clock. Holding a gate high on this jack causes the envelope to repeat.
- "Async" jack for each channel causes an envelope to output immediately (asynchronously). Holding a gate high results in an AR envelope (rise-sustain-fall). If cycle mode is enabled, the envelope will continue to cycle at this new phase with respect to the ping clock. Phase can be reset to being in sync with the ping clock by pressing the cycle button or applying a pulse to the QNT jack.

CV input jacks:
- CV control of Ping Div/Mult, Skew, and Curve using the CV jacks. Respective knobs set the center offset for the applied CV
- CV of 0-10V will modulate the parameter's full range However, a 0-5V CV will modulate the parameter within a very useful range.
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 1 in stock $279.84
Cat: 698542 Rel: 14 Aug 18 • View all Synth modules
 
Sound source deriving four subharmonics from an incoming square wave signal - 26HP
Notes: Module A-113 is a new sound source that derives four so-called subharmonics (German: Subharmonische) from an incoming pulse signal. The term subharmonics was introduced by Oskar Sala in connection with his so-called Mixtur-Trautonium. A subharmonic means in this context a sawtooth wave (German: Kippschwinger) whose frequency is derived from a master frequency and the master frequency is an integer multiple in the range of 1...24 of the subharmonic - in other words: the master frequency is divided by an integer 1...24 to obtain the subharmonic.

The output waveform of a subharmonic is sawtooth (as also used in the original Trautonium) and not sine. The term subharmonics is somewhat misleading. The master frequency comes e.g. from an A-110 or A-111 to the frequency input of the A-113. The frequency dividers of the 4 subharmonics is adjusted with up/down buttons as displayed with two character LED displays. The subharmonics are available as single outputs and as mix output with adjustable levels for the subharmonics.

Two gate type control inputs enable to select between 4 different mixtures, i.e. 4 different settings of the frequency dividers. In the original Trautonium these are controlled by foot switches to switch between 3 mixtures while playing (the original Trautonium has only 3 mixtures available but with the 2 gate inputs of the A-113 four different settings can be addressed).

Additionally, the A-113 features a mixture memory with 50 presets. Each preset consists of 4 mixtures that can be selected with the gate inputs, each mixture contains the values of the 4 frequency dividers.
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 1 in stock $224.68
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quote 698542
Cat: 727650 Rel: 16 Jul 14 • View all Theremins
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog's first love - the theremin. Its design fuses the experience of performing with an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.

A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.

The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.

For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.
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 1 in stock $236.51
Cat: 676518 Rel: 15 Feb 18 • View all Synth modules
 
Multi-function Eurorack module - 10HP
Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.
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 2 in stock $215.49
Cat: 682321 Rel: 30 Apr 18 • View all Synth modules
 
Complex 12-stage phase shifter with separate in- and outputs for all phaser stages
Notes: Module A-101-3 is a 12-stage phase shifter with vactrols as phase shifting elements. Vactrols are known for their smooth sound behaviour. In contrast to other phaser designs, the A-101-3 is much more flexible and offering a lot of new features not available from other phasers on the market. The main difference is that the Doepfer design offers access to each of the 12 input and output stages leading to a lot of new filters that cannot be obtained in other ways. Especially the free patchable feedback loops (yes, not only one feedback loop is possible) between each of the 12 stages, the separate phase shift control for the stages 1-6 and 7-12, and the 2 polarizers intended to control the feedback loops lead to completely new filter types (a polarizer is a circuit that is able to generate positive and negative amplifications in the range -1...0...+1 with -1 = inversion, 0 = full attenuation, +1 = unchanged signal, for details concerning the polarizer function please look at the A-133 VC Polarizer or A-138c Polarizing Mixer module).

Internally, the module is made of 2 independent 6 stage phase shifters (1-6 reps. 7-12) with separate audio inputs (with attenuators), audio outputs (with mix control), and phase shift control units. The phase shift control units feature both manual and voltage-controlled phase shifting (e.g. from a LFO, ADSR, Random Voltage, Theremin CV, Foot Controller CV ...). For each sub-module a phase shift display (LED) is available. The LED shows the illumination state of the 6 vactrols of the sub-module in question as it is connected in series with the internal vactrol LEDs.

Each of the 12 phase shift states is equipped with an audio output socket and feedback input socket to obtain full flexibility to create a multitude of different filters. The audio input signal and the output signals of stage 6 resp. stage 12 are mixed with 2 manual controls to obtain effects at two audio outputs (for normal phase shifting effect this is 50% input signal and 50% phase shifted signal). The two submodules are internally connected via normalized sockets so that two 6 stage phase shifters can be obtained without external patches. Audio output of stage 6 is normalized to audio input of stage 7 and CV input 1-6 is normalized to CV input 7-12. But due to the open structure of the module even other stages than stage 6 and stage 12 can be used as outputs to generate different sounds (simply patch the desired stage output to the normalized mix input socket).
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 2 in stock $253.28
4ms Wav Recorder Module (synth module)
Cat: 648950 Rel: 29 Jun 18 • View all Synth modules
 
6HP Eurorack module for recording high-fidelity, low-noise stereo WAV files
Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.
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 1 in stock $224.68
Cat: 718919 Rel: 23 Apr 19 • View all Synth modules
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $225.70
Cat: 676695 Rel: 20 Dec 18 • View all Synth modules
 
Four-channel MIDI-CV interface for playing polyphonic patches - 16HP
Notes: Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

- Four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
- Four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating/non-rotating)
- Two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
- Unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.
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 2 in stock $259.41
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quote 676695
Yamaha MG12 Mixer (mixing desk)
Cat: 519643 Rel: 28 Mar 14 • View all Studio mixers
 
12 channel mixing console: Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) / 2 GROUP Buses + 1 Stereo Bus / 2 AUX (incl. FX)
Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps): This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp: The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch: With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.
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 2 in stock $230.82
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quote 519643
Cat: 580977 Rel: 04 Sep 15 • View all Synthesisers
 
Analog synthesiser: Simple control, Colorful sounds, Massive dynamics - 37 high quality mini-keys
Notes: Analog Physical Modeling Engine with multiple synthesis and oscillator types.

- Each oscillator type has flexible LFO and ADSR routing plus unique TEXTURE and MOD controls

Onboard effects processor with five types add depth to your sound.

- The effect types are: OFF (effect bypass,) Delay, VCM Phaser, VCM Chorus/Flanger and Distortion.

8-note polyphony:
Allows complex chords and pads or switch to mono Mode for fat synth bass or solo leads.

Control:
Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing.

Looper:
Integrated Phrase Looper: capture song ideas or just jam.

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

- Controller

Continuous controller pedal input for volume control.

Battery powered:
Uses six "AA" batteries with five hours of life.

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.
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 2 in stock $251.25
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quote 580977
Cat: 519624 Rel: 15 Apr 14 • View all Studio monitors
 
Two-way active studio monitor with powerful 8" woofer and 1" tweeter, 120 watts total power
Notes: The Yamaha HS8 Active Studio Monitor White is an affordable two-way powered speaker designed to deliver accurate and detailed sound production for recording, mixing and production.

The Yamaha HS8 follows in the footsteps of the legendary Yamaha NS10 which, can be found in most studios all around the world, and provides a pristine sound, critical to recording studio applications. The 120W bi-amplified speaker features an 8" woofer powered by a 75W amplifier and a 1" tweeter with 45W amplification delivering an extremely flat and accurate response.

The low resonance, bass reflex enclosure improves the cabinet's rigidity, reducing cabinet resonance and delivering a clear and uncoloured sound crucial for accurate mixing.

In addition, Yamaha have implemented a new technology that helps reduce the audible port noise by 6dB ensuring a tighter restitution of the crucial low-end without sacrificing power. The Yamaha HS8 also features Room Control, High Trim and Low Trim controls reducing room modes and imperfections.
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 5 in stock $217.53
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quote 519624
Cat: 741762 Rel: 28 Mar 14 • View all Studio mixers
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps): This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp: The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch: With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.
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 1 in stock $219.06
Cat: 659930 Rel: 31 Jul 17 • View all Studio monitors
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***

Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS8I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the HS8 speaker features mounting points for wall, ceiling and baton brackets - perfect for installations in studios, public spaces and retail environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 1 in stock $264.53
Cat: 668637 Rel: 09 Nov 17 • View all Synth modules
 
6-channel performance mixer with EQ's & mutes
Notes: Hex mix VCA is a compact six channel VCA with an unique response curve range from logarythmic to linear and to exponential using a pot.

All outputs are routed to output six to act as a mixer, with a normalization of each one to remove each VCA from the Mix.

Hexmix VCA can act as six independent VCAs as well as a Mixer for all the inputs (Selectable via a switch). Featuring an internal connection to interface with our Hexmix system.

Every VCA has a response pot for the incoming CV, being full logarythmic at maximum setup and full exponentiall at minimum setup, having the linear response in the centre position.

The pot provides the full range of responses to adecuante to our prefered application, such as percusive sounds or panning effects.

Level pot of each channel is an attenuator of the signal coming out of each VCA.

Jacks are normalled to 10 volts, so when we have no CV present VCA would be fully open and our Level pot will act as a volume.
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 1 in stock $255.32
Cat: 689669 Rel: 14 Feb 19 • View all Synth modules
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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 5 in stock $215.49
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quote 689669
Cat: 679274 Rel: 24 Apr 18 • View all Studio mixers
 
10-channel mixing console with Cubase AI downloadable software
Notes: For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in their products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Included in the box:

1 x Yamaha MG10XUF Analogue Mixer
1 x AC Adapter
1 x Cubase AI Download Information
1 x Owner's Manual
1 x Technical Specifications Sheet
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 1 in stock $201.20
Cat: 505927 Rel: 06 Nov 13 • View all PA speakers
 
3 channel PA system with 150 watts peak power management
Notes: The SRM150 combines Mackie's proven mixer and SRM Active loudspeaker technologies to create a powerful, great-sounding 3-channel PA system that is ultra-compact, versatile and expandable. The Mackie SRM150 Compact Active PA System is ideal for a wide variety of applications ranging from boardroom A/V to live musical performance in coffee houses, piano bars, or rehearsals, just to name a few.

Don't be fooled by the small size. The SRM150 is big on features and sound quality. The built-in three-channel mixer features two combo XLR/line inputs (with true 48V phantom power), a stereo channel for CD/MP3 players, and Mackie's powerful 3-band Active EQ. The SRM150 can even be mounted on a mic stand, making it the ideal personal monitor.

Put simply, with its tremendous feature set and 150-watts of world-class sound, the Mackie SRM150 is the perfect solution for any application requiring superior sound quality.
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 1 in stock $239.19
Cat: 737591 • View all Studio monitors
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.
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 1 in stock $236.43
Cat: 688313 Rel: 13 Jul 18 • View all PA speakers
 
Stage-ready personal PA with compact & lightweight design
Notes: As a LIVE musician, public presenter, or anyone else who's had to ensure their audience can hear them clearly, you've almost certainly run into the shortcomings of most portable live sound speaker systems. They're either too big and heavy to easily transport and set up, or they're small but don't offer the power, sound quality, and reliability you need for your most confident performances.

Push those concerns aside. Mackie's new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound.

FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.

So get ready to rock that coffeehouse. To host that open jam on the beach. To give that presentation to the sales team, or to lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.
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 3 in stock $298.94
Cat: 633328 Rel: 28 Nov 16 • View all Synth modules
 
Full-featured synth module including saw/square wave oscillator, ladder type low pass filter, decay envelope & VCA
Notes: The Domino is a redesign of its desktop synth bigger brother. Packing a full-featured synthesizer voice into 10HP, the Domino includes a saw/square wave oscillator, ladder type low pass filter, decay envelope and VCA. A plethora of patching possibilities makes this module a keen choice for portable systems, and those looking for deep sonic crafting within a tight HP space. Pair with a sequencer for instant basslines and acid lead lines, add some modulation to unlock the full sound design potential

Controls:
- Cutoff - filter frequency
- Res - filter resonance
- Switch - switches between gate>VCA to envelope>VCA
- Pitch - pitch tuning
- Mix - blend saw and square waves
- P Mod - pitch modulation attenuator
- Decay - envelope decay
- Filter Envelope - modulation amount, pre-patched from envelope to filter
- F Mod - filter cutoff modulation attenuator

In:
- CV
- VCA
- PWM (square wave)
- Mix 1 in - input for external oscillator/sound source to replace saw wave
- Gate - gate in
- P Mod - pitch modulation, pre-patched to envelope
- F Mod - frequency modulation for filter cutoff, pre-patched to CV in
- Mix 2 in - input for external oscillator/sound source to replace square wave

Out:
- Saw
- Square
- Env - envelope output
- Out - out from VCA
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 2 in stock $250.22
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Cat: 633410 Rel: 05 Jan 17 • View all Audio & MIDI interfaces
 
Studio recording bundle including audio interface, XLR microphone & monitoring headphones
Notes: All you need to create and record music in GarageBand and other DAWs.

Everything you need to record guitars, vocals and other instruments is here, including a professional-grade audio interface, a studio-quality microphone, monitoring headphones, and all the cables and accessories you need. Totally plug-and-play on Mac/PC, iOS and Android, everything works seamlessly with GarageBand and other popular recording applications. Plus, the bundle also includes all the GarageBand-compatible Mac/PC software plug-ins to take your recordings to the next level; from guitar amplifier and effects and microphone modelling to virtual instruments and high-end studio processors for mixing and mastering.

Included hardware:

iRIG PRO DUO:

2 channel audio/MIDI interface for Mac, PC, iOS and Android.

iRig Pro Duo is the smallest full-featured dual-channel audio/MIDI interface on the market. iRig Pro Duo delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has its own input gain control so you can dial in the perfect amount of input signal for your recording. With iRig Pro Duo, you don't just have a superb portable interface for audio; you can also hook up your favourite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity.

iRIG MIC STUDIO XLR:

Large-diaphragm analogue studio condenser microphone.

iRig Mic Studio XLR is a large-diaphragm analogue condenser microphone for vocal and instrument recording. It features 1" large-diaphragm condenser capsule, 20 Hz - 20 kHz frequency response and cardioid polar pattern. It also includes a mic clamp, a tripod table-top stand and a 2m/6' XLR mic cable.

iRIG HEADPHONES:

Professional closed-back studio monitor headphones.
- Closed back design for monitoring while recoding without mic bleed.
- High output drivers for accurate, transparent and powerful sound.
- Extended frequency response for rich bass and crisp highs.
- Adjustable headband for great fit maximum comfort for extended listening periods.

Included Mac/PC Software for GarageBand and other recording applications:

AmpliTube 4 (for guitar and bass)
- Hyper realistic guitar amp and FX software

Mic Room (for vocals)
- Microphone modelling processor for T-RackS

T-RackS Deluxe (for mix and mastering)
- High-end mixing & mastering collection

SampleTank 3 SE (for Virtual Instruments)
- The ultimate sound and groove workstation

Miroslav Philharmonik 2 CE
- The new orchestra with legendary soul
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 2 in stock $203.25
Cat: 638395 Rel: 08 Feb 18 • View all Audio & MIDI interfaces
 
Monitor controller & USB audio interface with 2 mic preamps, 4 selectable stereo inputs & 3 selectable stereo outputs
Notes: The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.
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 2 in stock $244.10
Cat: 660806 Rel: 25 Sep 17 • View all VST instruments & samplers
 
Synthesiser software instrument with 17 synth models & 38 effects - Mac/PC
Notes: Syntronik is a cutting-edge virtual synthesizer that raises the bar in sound quality and flexibility thanks to the most advanced sampling techniques combined with a new hybrid sample and modelling synthesis engine. Syntronik includes 17 amazing instruments, available as a collection or separately, with over 2,000 preset sounds covering a wide selection from 38 of the most iconic to ultra-rare and painstakingly multi-sampled vintage synthesizers. Syntronik's synthesis engine goes well beyond traditional sampling thanks to a brand new analog modelled filter section created with the utmost expertise from IK, the pioneer in virtual circuit modelling. This is coupled with exclusive DRIFT technology to accurately reproduce the behaviour of oscillators from real hardware synths. All of this combined with an effects section that is unrivalled in the world of virtual instruments along with advanced features like 4-part layers, splits and arpeggiators make Syntronik the ultimate source of inspiration with the widest palette of synthesizer sounds ranging from exact reproductions of the originals to sounds never heard before that will stand out from the crowd in productions covering any genre and style.

Capturing Synthesizer DNA:
When it comes to accurately reproducing the sound of timeless machines like Moog, Oberheim, Sequential Circuits, ARP, Roland and Yamaha vintage synthesizers, sampling their sound-generating oscillators is the only way to ensure truly authentic sounds. IK selected some of the most sought-after synthesizers, sourced only the best instruments from private collections, and painstakingly sampled them. Sound designers worked hand in hand with software developers to take full advantage of this 'synthesizer DNA', with the goal of offering a highly flexible instrument that would maintain the exact sonic character of the originals while extending their creative potential even further. IK have captured multiple round robins of single oscillators, oscillator combinations (including sync and FM sweeps) and after more than 70,000 samples and 50GB later, Syntronik is ready to set a new standard in the world of virtual instruments.

Hybrid Synthesis Architecture:
In order to achieve highly flexible sound manipulation while maintaining the same exact sound of the original hardware, IK evolved their synth engine to include circuit-level filter models of 4 of the best sounding machines of all time: Moog transistor ladder, (found in the Minimoog and Modular Moog), Roland's IR3109 chip (found in the Jupiter-8 and Juno-60), the famous Curtis CEM3320 chip (found in the Prophet-5 and Oberheim OB-Xa) and the Oberheim SEM state variable filter.

This hybrid architecture allows for a pristine reproduction of the most critical section of every synthesizer. Plus, every filter is selectable within each included synthesizer, enabling users to create their own combinations by mixing or matching at will, like using a Moog filter on an Oberheim oscillator to produce entirely new original sounds that stand out from the crowd! Syntronik also provides powerful digital filters like Formant and Phase filters that can take the analog source oscillators into new sonic dimensions.

DRIFT Technology:
Syntronik also includes all new DRIFT technology that breathes more life into the sampled oscillators themselves. Typically sample-based synthesizers have the limitation of having always the same exact sample attack, something that does not happen in their true hardware counterparts. IK's DRIFT technology varies the phase, colour and pitch of the sampled oscillators to keep them moving just like the real analog oscillators do. Much more than simple detuning or even multiple-source modulation, DRIFT emulates the way real analog circuits behave over time. The result is the unmistakable sound of analog that is the origin of any classic synthesizer sound.

Instant inspiration:
In order to get the most out of Syntronik, you don't need to be an expert in synth programming. In fact, all models share consistent easy-to-use controls that will make custom sound tailoring and editing a breeze, even for 'non-geeks'. IK have also designed 17 dedicated interfaces which look and feel like the original panels to make your sound tweaking experience even more inspirational.

When it comes to high-quality effects, IK's expertise is simply indisputable. Syntronik comes with 38 mind-blowing effects which are derived from our best-selling T-RackS mix and mastering suite and AmpliTube guitar workstation. They have also designed some new ones like the famous Ensemble Chorus, for a total number of effects that you won't find in any other vintage synth collection of its kind. 5 effects can be simultaneously inserted on every instrument via a new attractive 'lunchbox-style' interface that allows for an immediate visualization and editing of every parameter from within a single, convenient interface.
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 1 in stock $254.31
Cat: 661187 Rel: 23 Aug 17 • View all Hi-fi cartridges
 
High quality record cartridge with Vital PH diamond stylus
Notes: The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.
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 2 in stock $235.92
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Cat: 654051 Rel: 18 Dec 17 • View all MIDI keyboards
 
All-in-one, fully portable, ultra-compact 49 key MIDI controller with audio interface for iPhone, iPad, Mac & PC
Notes: A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.
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 2 in stock $248.71
Cat: 676902 Rel: 31 May 18 • View all Effects pedals
 
USB pedalboard controller & audio interface
Notes: iRig Stomp I/O is a brand new type of USB pedalboard controller that integrates a professional, high-resolution, MFi certified audio interface with MIDI input/output for iPhone, iPad, Mac, and PC. It comes bundled with state-of-the-art guitar, vocal processing, and recording software for flexibility and usability, both live and in the studio.

Sturdy and robust, yet easily transportable, iRig Stomp I/O features four onboard metal stomp switches plus an expression pedal with a switch, all with LED indicators. To further extend its control possibilities, you can connect up to 2 additional switches or pedals. The MIDI IN/OUT ports make it possible to seamlessly control external processors when iRig Stomp I/O is used as a stand-alone MIDI foot controller, without any device or computer connected to it.

The Neutrik 1/4" XLR combo jack accepts instruments and microphones including condenser mics with switchable 48V phantom power. The balanced stereo output connects to an external amp, mixer or PA, and a 1/4" stereo headphone output is available for silent monitoring. The input gain and volume output knobs are easily accessible on the front panel, each with its dedicated LED VU-Meter indicator, for the quick-and-easy setting of levels.

Ready to rock, ready to record:

iRig Stomp I/O boasts an elegant all-in-one design that perfectly highlights its flexibility and versatility. In a single piece of equipment, you now have everything you need to record in the studio, rehearse, or go out on stage and gig, without having to assemble a bulky and costly hardware setup.

With its high-quality 96kHz/24-bit audio interface, iRig Stomp I/O lets you easily record your guitar, bass or microphone - including studio condensers requiring 48VDC phantom power with true studio quality on iPhone/iPad, Mac and PC. The seamless integration with AmpliTube and VocaLive makes it as easy as plug-and-play to record on multiple devices using IK's powerful, state of the art, 64-bit software. iRig Stomp I/O features a Class A preamp that can rival, if not surpass, the sound quality of floor processors costing up to three times as much.

The integrated headphone output allows you to monitor the signal during tracking or when practicing, while the balanced stereo outputs can be used to send the signal to an amplifier, a mixer, a PA or powered speakers.

As a floor controller, iRig Stomp I/O features an onboard expression pedal and four foot switches, allowing you to seamlessly flip through your favourite presets for natural, hands-free performance. The two optional control inputs let you connect up to two additional external pedals/switches. To further extend your control possibilities, you can exploit its MIDI functionality to send MIDI control messages via its MIDI OUT to your external gear and processors, using iRig Stomp I/O as a MIDI interface or as a stand-alone controller (even without a device).

Ideal for guitar, bass, vocals and synths:

iRig Stomp I/O is designed to give guitarists, both electric and acoustic, bass players, vocalists, and songwriters a new way to have full control over their tone, in any situation.

Seamless software integration:

iRig Stomp I/O is designed to seamlessly integrate with AmpliTube for Mac/PC and iOS as well as with VocaLive for iOS, for full-blown performance in the studio and live.

While using AmpliTube or VocaLive with iPhone, iPad, Mac, PC and PC tablets like Microsoftr Surface, you can easily browse your tone presets, preset banks, control wah processors in real time using the integrated expression pedal, as well as quickly access useful functions like the Looper, the Tuner, and more.

With your device or stand-alone:

A unique advantage of iRig Stomp I/O is its plug-and-play ease of use. As an MFi certified audio interface, it is designed to work right out of the box with your iPhone and iPad using the included lightning cable as well as with Mac and PC via USB.

It is the only floor controller to feature a convenient device bay, where you can safely position your iOS device - charging it during use - for an immediate and clear view of the interface. Used with PC tablets like Microsoftr Surface, you can take advantage of the touchscreen interface for enhanced speed and flexibility in creating and tweaking your tones.
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 2 in stock $248.71
Cat: 674410 Rel: 28 Jun 18 • View all Vocal microphones
 
Low mass, 2.5-micron aluminium ribbon microphone with bidirectional pickup pattern
Notes: Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums.

The VR88 features a low mass, 2.5-micron aluminium ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic preamplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars.

The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case.

With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson's commitment to bringing you the very best microphones.
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$305.38 SAVE 20%
 1 in stock $244.30
Cat: 739108 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 1 in stock $212.07
Cat: 690942 Rel: 19 Sep 18 • View all Synth modules
 
Dual drive & distortion module with two independent distortion circuits 10 HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavours of overdrive.
CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Furthermore, the output of the first section is normaled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit.
The module can be used in the stereo applications as well and it's not limited for drums only - it will turn any sound source into roaring monster.
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 3 in stock $219.58
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Cat: 703010 Rel: 01 Oct 18 • View all Synth modules
 
5U format digital synthesiser voice module
Notes: Manis Iteritas Magnus is a voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.

Size: 2 MU
Depth: 1.5 Inches
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 More than 10 in stock $203.45
Cat: 703012 Rel: 01 Oct 18 • View all Synth modules
 
Analogue-inspired parameterised digital percussion
Notes: Basimilus Iteritas Magnus is a digital drum synthesiser with its roots in the analogue world. At its heart is a six-oscillator additive synthesiser with adjustable waveform, harmonic spread, attack, decay and noise. These get fed into a built-in wave folder for extra crunch.

Size: 2 MU
Depth: 1.5 Inches
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 8 in stock $280.86
Cat: 690939 Rel: 25 Oct 18 • View all Synth modules
 
Synth module for creating punchy tom sounds - 16HP
Notes: Toms is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.
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 1 in stock $280.86
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Cat: 741570 Rel: 29 Jul 19 • View all Synth modules
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 4 in stock $227.75
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quote 741570
Cat: 690937 Rel: 25 Oct 18 • View all Synth modules
 
Synth module for creating bass drum sounds - 14HP
Notes: Bass Drum is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue bass drum circuits adapted for modular systems. Massive, punchy sound, Accent & CV control over key parameters of the module make it distinctively expressive in live performances.
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 2 in stock $244.09
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Cat: 641954 Rel: 28 Feb 17 • View all Synth modules
 
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 2 in stock $298.22
Cat: 717577 Rel: 31 Jan 19 • View all Synth modules
 
Stereo mixer featuring 3 mono channel strips with level potentiometers - 14HP
Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.
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 1 in stock $254.30
Cat: 641950 Rel: 28 Feb 17 • View all Synth modules
 
Probabilistic beat crossfader module
Notes: Confundo Funkitus crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behaviour of the crossfader. Per-part switch mutes are included with live performance in mind.

Connect up to four rhythm outputs to each of the two sets of inputs. Connect the outputs to modules that take triggers. Drums that take triggers are perhaps the easiest.

Toggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Centre light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.

Between these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.

Size: 12HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 1 in stock $214.47
Cat: 712706 Rel: 10 Jan 19 • View all Synth modules
 
Drum modulator featuring two independent modulation/pitched noise sources
Notes: Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.
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 3 in stock $202.21
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Cat: 743810 Rel: 08 Nov 18 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $297.13
Cat: 742231 Rel: 21 Aug 19 • View all Synth modules
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $228.78
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Cat: 572805 Rel: 14 May 15 • View all Effects units
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 3 in stock $241.02
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quote 572805
Cat: 580285 Rel: 03 Aug 15 • View all Synth modules
 
4 input / 4 output routing synth module - 16HP wide
Notes: Introducing the WMD Sequential Switch Matrix: Our take on an essential module.

Four inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.
Inputs 1 - 4: These inputs accept bipolar +-10V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.

Outputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.

Comparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10V gate) for that channel. The blue LED will also be illuminated.

DAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25V). 4-2 is the least significant bit (0.020V). The two columns provide an 8 bit voltage output that is always present.
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 1 in stock $268.61
Cat: 553428 Rel: 30 Jun 16 • View all Synth modules
 
Transformer isolatoed audio interface synth module
Notes: The TAI-4 not only makes it easy to get balanced signals out of or into a modular system, it also does that job with superior audio quality. Above, it galvanically separates the inputs from the outputs by using a total of four high-end audio transformers and thus prevents unwanted noise interferences.

We decided to uses switches instead of potentiometers for adjusting the gain levels. This ensures accurate and equal leveling of stereo signals.

The TAI-4 is an extremely useful module when it comes to integrate external studio processors, or the opposite, connecting the modular system to outboard equipment or DAWs.
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 1 in stock $245.11
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quote 553428
Cat: 698452 Rel: 21 Aug 18 • View all Effects pedals
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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 2 in stock $273.71
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quote 698452
Cat: 737960 Rel: 21 Aug 19 • View all Synth modules
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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 4 in stock $228.78
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quote 737960
Cat: 606407 Rel: 30 Mar 16 • View all Synth modules
 
Variable-width bandpass filter synth module with 8-pole filter core
Notes: The Aperture is a variable-width bandpass filter with fast and tactile controls. It is capable of simple filtering, self oscillation FM timbres, nasty acidic squelches, and capturing images of UFOs descending from the heavens on a cold winter's night. The concept is a bandpass that ranges from transparent to gnarly, with precision controls that behave under stress, all while being joyful to wreak havoc with.
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 1 in stock $252.26
Cat: 640972 Rel: 27 Feb 17 • View all Synth modules
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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 4 in stock $228.78
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quote 640972
Cat: 617815 Rel: 30 Jun 16 • View all Synth modules
 
Quad MIDI interface synth module
Notes: Format conversion the flexible way:
Our quad MIDI Interface picks up the flexible voice assignment of VERMONA's PERfourMER MKII to provide a fourfold MIDI-to-CV/Gate converter for Eurorack-compatible modular systems. This way, you can play your modular synthesizer in different monophonic modes or even polyphonically using MIDI.

More than just pitch:
Each of the four "output channels" offers a CV-output with 1V/octave-characteristic, a gate-output plus two additional control voltage outputs. These can be easily addressed by MIDI-controllers such as the modulation-wheel or pitch bender. The output channels can freely be combined or be used with independent MIDI-channels. Combined output channels can be used in unison, monophonically with rotating voice assignment or even to create polyphony. qMI 2 also offers four clock-divider-outputs. These convert incoming MIDI-clock signals into analogue gate-voltages. A reset-output allows sequencers with corresponding input to run in sync by MIDI-start/stop commands. A new feature of qMI 2 is the option to switch between both monophonic voice assignment modes using a gate signal.

Easy access to functionality:
An important part of the modular concept is the easy access to every parameter, without using displays or complicated menu structures. qMI 2 will help you to integrate your modular-system into your MIDI-setup straight-forwardly!
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 1 in stock $246.13
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quote 617815
Cat: 677526 Rel: 13 Feb 18 • View all Synth modules
 
Random-based trigger sequencer - 24 HP
Notes: RandomRHYTHM is a random-based dual-channel trigger sequencer with a very unique concept. What you cannot do with it is manually setting steps or tapping-in a rhythm. Instead you have four sliders per rhythm-section to set the probability for the appearance of quarters, eighths, sixteenths and triplets to form sequences.

Realtime or Dice:

Each of the rhythm-section can work in realtime or dice mode.

Realtime means, that the module is continuously generating new random values for each note value whereas in dice-mode it generates them for a complete 3/4- or 4/4-bar. In both modes, even if a bar has been diced, the sliders still influence the resulting sequence.

Clock central and multiple outputs:

Beside the sequence output of each rhythm-section there are individual outs for the quarters, eighths, sixteenths and triplets. You can use them with or without random. The latter makes RandomRHYTHM a precise tool to generate or multiply clocks.

Apropos clocks, the module can create its own or work with external clocks (per rhythm-section if you like).

Additional fun is guaranteed by the flexible RESET input that lets you mute the outputs or restart your diced bar. As with all parameters, the functionality can be set individually per rhythm-section.

Endless creativeness:

RandomRHYTHM is a creativeness booster. It is easy to create complex rhythms or straight four-to-the-floor beats. Its fool proof user interface lets you play it without thinking about randomness and probabilities, although that's the fundamental concept of the module. You don't need to be a stochastic genius!

It doesn't matter if you use it as sole rhythm-base or as valuable addition to other sequencers. RandomRHYTHM gives you a different view to rhythms and the way to generate them.
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 1 in stock $234.90
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quote 677526
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