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FORTHCOMING
Yamaha Padded Carry Bag For MX61 Synthesiser
 
Official bag in black colour
Notes: The official soft-bag for the brilliant Yamaha MX61 features the MX61 logo and straps for wearing as a backpack.
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coming soon $55.21
FORTHCOMING
Yamaha Strap Kit For Reface Synthesiser
 
Guitar strap mounting adapter
Notes: With buttons to attach a guitar strap in order to use the Yamaha Reface as a keytar.
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coming soon $40.62
Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $226.07
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quote 648928
Cat: 416484 Rel: 26 Jan 11 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.
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 More than 10 in stock $1.25
Cat: 681276 Rel: 09 Mar 18 • View all Drum machines
 
Next generation drum sequencer & sampler - updated design of the AIRA TR-8
Notes: Born of the most famous and influential drum machines ever made, the TR-8S combines the best of its Roland heritage with modern production techniques and professional sound design. The result? A forward-thinking, performance-tuned instrument unlike any other. Build your dream kit from the most iconic drum sounds of all time, plus the finest selection of samples from our vast library - or import your own custom samples. Tap, tune, and tweak with hands-on controls and production tools that make your patterns move and groove. And why keep this kind of percussive power confined to the studio? The TR-8S was literally made to play live.

Design Kits with Authentic TR Drums, Sampled Sounds, and Effects:
The TR-8S comes loaded with the largest, most authentic collection of TR drum machines available. The powerful new processor gives our next-generation ACB models a whole new level of detail and nuance, giving you that classic Roland boom, snap, and sizzle. And now you can incorporate preset and custom samples, creating unique hybrid and layered kits, and enhance them with specialized effects that inject professional sound design into the TR formula.

Transistor Rhythms:
The TR-8S has every sound from the most sought-after TR drum machines, with detailed circuit-models of the 808, 606, 909, 707, 727, and even several modified versions. These are not sound-alike sample-packs or mere recordings of TR drum sounds. Each machine is a detailed, down-to-the-circuit-model that sounds and behaves exactly like the original hardware. All these sounds are yours, at your fingertips, and ready to use in your own productions and performances.

ACB Meets Samples:
Today's rhythm tracks require a diverse set of sounds and production techniques, and it's harder than ever to sound truly unique. While authentic TR sounds are vital for producing drum tracks, mixing and layering sounds opens a world of modern styles and the exciting potential to craft your own signature sound. Pull from the extensive collection of preset samples, or import your own mono or stereo sounds using the SD card slot. Like the TR sounds, you can deeply manipulate samples with immediate hands-on control. Adjust decay and tuning and alter sample start points, speed, and direction. You can create a kit entirely from samples or mix and match with TR sounds for genre-defying drum tracks that demand attention.

Drumatic Effects:
The right effects can make a drum part stand out by creating depth and space. Whether it's delay on a rim-shot, overdrive on a kick, filters on toms and cymbals, or just the right amount of reverb on select instruments, the TR-8S has percussion-tuned effects that simply sound great. In addition to the Master FX knob, each channel has a customizable CTRL knob, placing all this sound-shaping power within easy reach. The attack of the kick, the snap of the snare, phaser depth, distortion amount-whatever parameter you need direct and immediate access to-can be assigned to the CTRL knob or Master FX knob and saved with the kit. Both Instrument and Master Effects, along with their precise settings, are also saved with each kit, making your productions always performance-ready.

Fast, Fluid, and Fun:
You can program on the 16 TR-REC buttons or use the velocity-sensitive performance pad to play live, or record into the sequencer. And you can move seamlessly between either, playing and editing - reshaping your drum parts without ever interrupting your flow. Create intricate grooves and detailed fills using velocity, accents, flams, and adjustable sub-steps for modern rolls and ratcheting. Get experimental with unusual polyrhythms and complex meters by adjusting the length or "last step" of each drum part.

Variations on a Theme:
Keep things fresh and exciting, even during extended live sets. The TR-8S can store 128 patterns-each with eight variations and three kinds of fills-and patterns or variations can be triggered individually or chained together for evolving sequences. In performance situations, you can copy patterns on the fly and even stay ahead of the beat and work on patterns that aren't currently playing. Each pattern can include the tempo and the kit, along with its knob positions and effect settings. This gives you instant recall and enough storage and flexibility to play an entire set without ever repeating a measure in the same way.

Filling In:
Well-placed fills can create thrilling moments in a track or a live set. Each pattern in the TR-8S can contain two fills which you can customize or create from scratch. There's also an adjustable "Scatter" fill which will slice and dice a measure into short bursts of cool and controlled chaos. But at times, your hands may be too busy to trigger every fill manually. That's where Auto-Fill comes in. Automating fills every 2, 4, 8, 16, or 32 measures keeps your hands free, but also adds interesting dynamics to your performances.
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 More than 10 in stock $534.46
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quote 681276
Cat: 677050 Rel: 06 Feb 18 • View all Samplers
 
Micro sampler with 40 second sample memory & built-in recording microphone
Notes: Micro sampler offering 40 seconds of sample time, and a built-in microphone for sampling foley sounds and your own voice on-the-go. Sample any sound source using line in or the built in microphone. Melodic mode lets you play chromatic melodies and drum mode lets you play drums. Sequence it all and add effects on top.
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 More than 10 in stock $87.50
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quote 677050
Cat: 563722 Rel: 09 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 12"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 12" (30cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 More than 10 in stock $10.41
Cat: 681306 Rel: 24 Jul 18 • View all Synth modules
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $183.35
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quote 681306
Cat: 524237 Rel: 13 Mar 14 • View all MIDI converters & accessories
 
Compact 1 in 4 out MIDI thru box
Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
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 5 in stock $48.45
Cat: 411425 Rel: 25 Nov 10 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: High quality MIDI cables for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180- 5-pin DIN plug.
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 More than 10 in stock $1.03
Cat: 595788 Rel: 19 Jan 16 • View all Audio cables
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $6.24
Cat: 685134 Rel: 24 Jul 18 • View all Synth modules
 
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 More than 10 in stock $237.53
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quote 685134
Cat: 386769 Rel: 16 Jul 14 • View all Studio headphones
 
Professional acoustically open headphones for monitoring and studio applications
Notes: The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
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 More than 10 in stock $100.01
Cat: 446810 Rel: 15 Feb 12 • View all Audio cables
 
Female to male microphone lead
Notes: Balanced microphone/audio lead terminated at one end with an XLR socket and at the other end with an XLR plug.

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 8 in stock $3.70
Cat: 592164 Rel: 02 Nov 15 • View all MIDI controllers
 
New version of Ableton's hardware instrument for hands-on playability with Ableton Live 9.5 - play or step sequence beats, notes, chords and automation
Notes: ***Register Live 9 Intro and get a Live 10 Intro license delivered to your user account. This is an automated process; no further action is required.

There will be a grace period of one month starting at release of Live 10 Intro, during which registered versions of Live 9 Intro will still trigger a free upgrade to Live 10 Intro.

A grace period of 4 weeks also applies to customers who registered Live 9 Intro up to 4 weeks before November 2nd 2017.

For further information please contact support@ableton.com***

What is Push?
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.

Make beats:
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.

You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.

Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.

Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.

Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.

Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.

Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.

Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.

Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
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 3 in stock $514.76
Cat: 598836 Rel: 26 Jul 16 • View all MIDI keyboards
 
Slimkey controller keyboard & sequencer with velocity and aftertouch
Notes: KeyStep is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favourite modern and vintage gear? If only a single piece of gear could do all of this...

It's the touch...
The KeyStep controller does all this and more.
We started by designing our own "slim key" keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.

We also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. We also included the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.

Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.

...and the possibilities
These features alone would make KeyStep the best portable keyboard controller on the market. But we take it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.

Keystep is the perfect performance controller in a compact package.

Adapts to your setup!
KeyStep was imagined and designed to become the modern musician's trump-card.
Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!
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 9 in stock $98.96
Cat: 648210 Rel: 08 May 17 • View all MIDI controllers
 
Sequencer/controller with 16 velocity & pressure sensitive pads - black edition
Notes: The world's favourite small-format, versatile step sequencer just got a makeover. Control analog gear, virtual instruments, and more with the black limited edition BeatStep.

The perfect combination of space-saving, flexible control and an easy-to-master sequencer, BeatStep Black Edition gives both musicians and producers access to their DAW and exciting news ways of creating sequenced beats and melodies.

The perfect precision weapon when it comes to finger drumming and sample triggering, BeatStep lets you unite your hardware and software instruments with its built-in step-sequencer. A streamlined, yet versatile hybrid controller, BeatStep Black Edition features a rack of pads for programming and performance, transport buttons for playback control in your DAW, and rotary knobs to tweak your sequence. Thanks to its great connections, you can get your outboard synths and drum machines playing perfectly with your DAW, all while being sequenced or synchronized by the BeatStep.

Small enough to work in any setup, but powerful enough to bring a new dimension to your sound. Let BeatStep Black Edition unleash the potential of your setup.

Deceptively versatile, the new limited edition black version of our iconic small controller is the perfect companion for producers on the move or musicians with limited space.

BeatStep Black Edition's pads are both velocity and pressure sensitive, letting you punch in dynamic rhythms in your DAW. Once you're happy with your performance, you can tweak the sounds and parameters of your software instruments with its control mode, letting you freely assign the knobs, buttons and pads within your DAW. In sequencer mode, you can create 16-step monophonic sequences using the pads to punch in notes and the knobs to edit the pitch. To streamline your workflow, BeatStep also lets you choose from a selection of scales and sequence modes.

Analog Lab Lite:

Imagine conveniently having all the keyboard and synth sounds you need for a gig or session all in one place on your computer. No racks. No stacks.

Analog Lab Lite gives you streamlined, tag-based access to hundreds of the hottest presets from our award-winning V Collection. You'll be spoilt for choice with 17 faithfully modelled legendary analog synths, digital workstations, organs, string machines and pianos. Each preset automatically maps the most important sound parameters to Arturia controllers for intuitive tweaking and performance control, and you can easily custom map to any other controller via the MIDI Learn feature.

Ableton Live Lite:

An introduction to one of the most the most intuitive, popular production platforms around.

New users and seasoned pros alike love working with Ableton Live Lite. Featuring an innovative twin workflow, time stretching and pitch shifting functions, as well as numerous studio quality effects, you'll be releasing professional quality tracks in no time.

Step Sequencer:

In SEQ mode the pads become toggles for each step in your sequence. The 16 encoders will adjust pitch for the associated step. 16 memories allow for instant recall of your favourite patterns while the pad scale modes, sequence playback modes and time division functions allow for real-time performance changes.

On top of all that it has MIDI, USB and CV/GATE connectivity, giving you a sequencer that will work with all types of gear, including analog synths, software instruments, and MIDI hardware.

Percussion Controller:

With 16 velocity- and pressure-sensitive pads, BeatStep is the perfect compact percussion instrument. The ultra-sensitive pads allow for great dynamic performances. The 16 encoders can be assigned to adjust various parameters for further real-time control over your drum sounds.

General purpose control surface:

The BeatStep pads can be configured to send MIDI note on/off messages, MMC commands, Program and Bank changes, or serve as MIDI CC buttons.

With 16 encoders, 16 pads/buttons and 16 presets, there are as many ways to use BeatStep as there are live gigs and studio environments. You can trigger clips in Ableton Live or use the encoders to adjust the effects in your favourite DJ app. The transport buttons can be MMC controls or send MIDI CCs to start and stop your DAW. It can be the MIDI Clock master or slave to an external clock.

Using an iPad and a camera connection kit, you can turn BeatStep into one of the most flexible iPad app controllers ever.
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 2 in stock $218.79
Samson R10S Dynamic Microphone (vocal microphone)
Cat: 503057 Rel: 16 Aug 13 • View all Vocal microphones
 
Handheld dynamic microphone with on/off switch
Notes: Belt out your favorite ballads on this dynamic microphone that features a feedback-reduction design and a 16.5" cord for flexible movement.

Ideal for use with home recording, portable recording and karaoke systems

Dynamic feedback-reduction design delivers crisp, clear sound performance

Durable 16.5" cable with 1/8" stereo mini jack; 1/4" plug adapter for easy connection to devices with a 1/4" audio jack

Frequency response: 80Hz - 12kHz
Sensitivity: -59dBi3dB
Impedance: 500 ohms
Includes desktop stand
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 7 in stock $12.76
Cat: 600910 Rel: 16 Feb 16 • View all Studio equipment covers
 
Protective polycarbonate cover specifically designed to fit Ableton Push 2 controller
Notes: Engineered specifically for the Ableton Push 2 controller. Tough but lightweight polycarbonate shell protects from damaging elements such as smoke, dust, liquid and accidental impact.

Precision moulded for an exact fit whilst accommodating cables, your Push 2 can sit ready for operation. Slides straight into a flight case or controller bag ready for transportation. Shields delicate controls from damage in the studio, in transit and on stage.
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 7 in stock $34.71
Cat: 557527 Rel: 19 Dec 14 • View all Audio cables
 
Pack of 5 x 6" patch cables for modular synths and synth modules
Notes: Pack of 5 x 6" patch cables for modular synths and synth modules
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 7 in stock $9.64
Cat: 563720 Rel: 10 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 6"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 6" (15cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 More than 10 in stock $11.98
Cat: 358433 Rel: 18 Jun 09 • View all MIDI converters & accessories
 
Thru box with 1 MIDI input to 5 MIDI thru. mains adaptor included
Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

PLEASE NOTE: Comes with UK 3-pin power supply
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 8 in stock $60.42
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quote 358433
Cat: 725942 Rel: 21 Mar 19 • View all Studio equipment covers
 
Roll up bag with compact & extended two-in-one design
Notes: OP-Z is perfect to bring along when travelling. So much that Teenage Engineering felt the need to create a range of travel-cases to protect your OP-Z.

Ideal for when you head down to the park, take a road trip or go on tour. The softer PVC tarpaulin roll up protective case comes in asphalt grey and signal yellow.
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 3 in stock $24.16
Cat: 728383 Rel: 09 May 19 • View all Synth modules
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 3 in stock $264.62
Cat: 563728 Rel: 10 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 24"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 24" (60cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 More than 10 in stock $15.37
Cat: 643380 Rel: 27 Mar 17 • View all Synth modules
 
Buffered multiple module in 1U
Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.
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 9 in stock $40.11
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quote 643380
Cat: 686269 Rel: 27 Apr 18 • View all Synth modules
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $206.27
Cat: 370618 Rel: 20 Oct 09 • View all Audio cables
 
Serviceable XLR female to XLR male cable
Notes: This cable is designed to connect gear with XLR outputs to gear with XLR inputs. It is ideal for use in touring and other live-sound applications.

Hosa cables are built with the hard-working, hard-touring musician or audio professional in mind. Hosa cables are exceedingly popular, due in part to their reputation as being one of the most affordable and high-quality cable lines in the business. Hosa cables have also received praise for their durability and excellent performance. When it comes to audio cable design, Hosa keeps a steady eye on the basics, and you can hear this attention to detail in their sound. To make your next music experience extraordinary, pick up a Hosa cable today.
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 More than 10 in stock $6.77
Cat: 633762 Rel: 05 Jan 17 • View all Synth modules
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 3 in stock $292.74
Cat: 739089 Rel: 12 Jul 19 • View all Synth accessories
 
Teenage Engineering 3.5mm to 3.5mm audio cable
Notes: Stereo audio cable designed and shaped to fit the OP-Z. The cable is 75cm long, and has straight 3.5mm stereo jack plugs on both sides.
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 1 in stock $19.01
Cat: 734880 Rel: 10 Jul 19 • View all Synth modules
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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 5 in stock $121.88
Cat: 738771 Rel: 11 Jul 19 • View all Keyboard stands
 
Ultra-lightweight aluminium two tier keyboard stand
Notes: The STAY Slim 2 tier keyboard stand is a lightweight (just 2.9kg) aluminium keyboard stand ideal for practice, studio and performance use. The stand is quick to put up and packs away quickly into the neat zip carry case that is included. Despite being so lightweight the keyboard can carry a 61 note keyboard of up to 10kg on each pair of arms. The tripod foot design raises the stand off the ground and provides a very stable base plus gives room to places sustain and other effects pedals exactly where you want them. In addition, the stand keyboard arms are height adjustable (top level max height is 1100mm) and the top deck arms are set at a 10 degree angle for ease of playing. Cables can be neatly run down the stand using the sketch clips.

- Maximum load capacity: 20 kg (10kg per tier)
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 2.8 kg
- Tote Bag included
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 1 in stock $129.19
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Cat: 738772 Rel: 11 Jul 19 • View all Keyboard stands
 
Ultra-lightweight aluminium two tier keyboard stand featuring additional curved arms designed for laptops, mixers, small synths etc
Notes: The STAY Slim 2 tier keyboard stand is a lightweight (just 2.9kg) aluminium keyboard stand ideal for practice, studio and performance use. This model with curved arms on the top tier enables a peripheral such as smaller synth, laptop or mixer to be placed safely above the main keyboard. The stand is quick to put up and packs away quickly into the neat zip carry case that is included. Despite being so lightweight the keyboard can carry a 61 note keyboard of up to 10kg on each pair of arms. The tripod foot design raises the stand off the ground and provides a very stable plus gives room for sustain and other effects pedals to be placed exactly where you want them. In addition, the stands keyboard arms are height adjustable (top level max height is 1100mm) and the top deck arms are set at a 10 degree angle for ease of playing. Cables can be neatly run down the stand using the proved stretch clips.

- Maximum load capacity: 20 kg (10kg per tier)
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 2.8 kg
- Tote bag included
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 1 in stock $130.22
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Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.
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 More than 10 in stock $2.50
Cat: 444521 Rel: 05 Jan 12 • View all Audio cables
 
1/4" TRS jack audio cable, male to male
Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

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 More than 10 in stock $3.07
Cat: 732328 Rel: 10 Jun 19 • View all Audio & MIDI interfaces
 
Premium 6-channel audio interface featuring high resolution audio recording
Notes: Connect, create, and collaborate with our six-in, six-out audio interface. Featuring high-definition recording, ultra-low latency, and flexible connectivity, AUDIO 6 brings your whole setup together. You can plug in mics, guitars, and synths, create send and return loops with effects, and control synths and drum machines. Plus, you get all the software you need to capture performances, build songs, and polish recordings - bring any idea to life.

Whether recording your next album or gigging your latest release, your focus should be on creating at your best. With pro-grade sound, gig-ready portability, and plug-and-play simplicity, AUDIO 6 lets you do just that.

AUDIO 6 works with all your mics, instruments, and headphones. You've got a choice of connections and features: 48V phantom power, MIDI in/out, and four analogue outputs with additional CV/gate control for your analogue gear. Plus, easy-to-see top panel LED VU-meters for all four analogue inputs and the main stereo output.

Whether you're a solo performer, duo, or a full band, the AUDIO 6's pristine audio quality lets you sound as good on stage as in the studio. Turn your laptop into a live rig or vocal processor, with flexible connections to fit any performance. USB bus-power means fewer cables and power supplies, plus a big volume knob on top lets you make easy level adjustments while on stage.

Two high-power headphone outputs, with individual level controls, make it easy to collaborate. Hear exactly what you're recording, in real-time, with latency-free direct monitoring that lets you blend playback and monitored audio to your liking. We've also doubled their output power - great for stage use or high-impedance headphones.

Whether at a small band session or a freewheeling modular synth jam, having a flexible set of connections lets you bring your ideas together and capture music in the moment. XLR, TRS, S/PDIF, and MIDI aren't just letters, they're ways to make music happen - and we've put these connections right where you need them.
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 8 in stock $186.49
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Cat: 450823 Rel: 22 Mar 12 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: The white 1.2m heavy duty 4 core screened 5-pin MIDI plug to 5 pin MIDI plug is designed to use with most MIDI products such as keyboards, lighting controllers etc..
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 9 in stock $1.03
Cat: 386767 Rel: 14 Jun 12 • View all Studio headphones
 
Closed, diffuse-field studio headphone
Notes: The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
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 More than 10 in stock $103.14
Cat: 689804 Rel: 03 Sep 18 • View all Synth modules
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 9 in stock $279.20
Cat: 641949 Rel: 18 Apr 17 • View all Synth modules
 
Analog-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 2 in stock $312.54
Cat: 600727 Rel: 12 Feb 16 • View all MIDI converters & accessories
 
Professional conversion box for syncing multiple hardware devices
Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.
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 7 in stock $453.19
Cat: 739084 Rel: 12 Jul 19 • View all Synth accessories
 
Teenage Engineering USB cable
Notes: Teenage Engineering present the OP-Z USB Cable Type C to Type C, which has been specifically designed for use with their OP-Z synthesiser. 0.75 metre length.
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 2 in stock $31.24
Cat: 739082 Rel: 12 Jul 19 • View all Synth accessories
 
Teenage Engineering USB type C to type A cable
Notes: USB Type C to A, designed for the OPZ. 0.75m length.
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 2 in stock $31.24
Notes: Sync Cable Kit for OP-Z synthesiser, contains five 1/8" TRS minijack cables.
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 2 in stock $41.66
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Cat: 739087 Rel: 12 Jul 19 • View all Synth accessories
 
Straight 3.5mm to right angle 3.5mm
Notes: The 1.5 metre Teenage Engineering audio cable provides a straight 3.5mm to a right-angle 3.5mm connection for any compatible audio device.
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 2 in stock $31.24
Cat: 739088 Rel: 12 Jul 19 • View all Synth accessories
 
Teenage Engineering cable
Notes: The 1.2 metre Teenage Engineering spiral audio cable features a coiled cable with straight 3.5mm connections for any compatible audio device.
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 2 in stock $31.24
Cat: 738649 Rel: 10 Jul 19 • View all Synth modules
 
Multi-function module with LFO, switchable VCA, & VC delay - 8HP
Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V. The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.
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 1 in stock $123.97
Cat: 734878 Rel: 09 Jul 19 • View all Synth modules
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 5 in stock $379.22
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Cat: 738640 Rel: 09 Jul 19 • View all Synth modules
 
Voltage controlled sine-LFO with four separate, phase shifted outputs - 8HP
Notes: Module A-143-9 is a derivative of our planned thru-zero quadrature VCO. It is a voltage controlled sine LFO with 4 outputs. The phase shift between the outputs is 90 degrees. The sine shifted by 90 degrees is also called cosine, the sine shifted by 180 degrees is nothing but the inverted sine, and the sine by 90 degrees is nothing but the inverted cosine.

The frequency range is from some minutes to frequencies beyond audio with three ranges selected by a toggle switch:

- Switch position H: about 30 Hz ... 3.5 kHz with the manual frequency control ("Frq."), beyond 20 kHz with additional external CV
- Switch position M: about 1 Hz ... 150 Hz with the manual frequency control ("Frq.")
- Switch position L: about 0,1 Hz ... 10 Hz with the manual frequency control ("Frq."), down to several minutes with additional external CV

Two exponential frequency control inputs are available: CV1 without attenuator and CV2 with polarizer. Consequently the module can be used even as an experimental sine VCO but does not feature an exact 1V/oct CV input! The precision CV input will be left to the thru-zero quadrature VCO.

Two LEDs display the positive and negative share of the sine output.

The core of the module is a so-called quadrature circuit that generates a sine a cosine signal with very low distortion. The quality of the sine/cosine signals are much better than those generated by a waveform converter with a sawtooth or triangle signal as starting point.

The output levels are about 5 Vss (+/-2.5V) but can be adjusted internally by a trimming potentiometer (P5 "Shape").

Typical applications:

- External sine/cosine oscillator for the frequency shifter A-126
- Modulations with pure sine/cosine waveforms
- Quadrature/barberpole effects (e.g. with the voltage controlled mixer A-135)
- Experimental sine/cosine VCO (e.g. for FM sounds)

Many users suggested to add a common output level control, i.e. four VCAs with one common control (manual + CV without attenuator + CV with polarizer) for the output levels. This is why we also designed the Quad VCA module A-132-2 with the possibility of an internal default connection to the four outputs of the A-143-9 (no soldering required, short 10 pin flat cable with removable connectors on both ends).

The A-143-9 is also a meaningful addition for the Frequency Shifter module A-126. It enables frequency shifting even below 50 Hz generating e.g. these mellow beat sounds with a few Hz frequency shifting only. The following document describes how to connect the A-126 and the A-143-9: A126_A143_connection.pdf.

The thru zero version of the A-143-9 with temperature compensation is the module A-110-4.
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 1 in stock $76.04
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Cat: 577763 Rel: 10 Jul 19 • View all Synth modules
 
8HP Eurorack module featuring two identical VCA's
Notes: Module A-132-3 is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently, the VCA's can be used to process both audio and control voltages. The input has no attenuator available but is capable to process up to 16Vss signals (i.e. -8V...+8V) without distortion.
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 1 in stock $95.84
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