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RME ADI2 DAC 2 Channel DA Converter & Audio Interface (DA converter/headphone amplifier)
RME
Cat: 673824 Rel: 05 Mar 18
 
High-quality USB DA converter & headphone amplifier
Notes: In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.

As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

Improving DA:

With the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.

Super Low Noise for IEM lovers:

The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.

Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background...). Even when used with IEMs.

Lights Out:

A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off/on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!

SteadyClock FS:

The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behaviour didn't change in the DAC.

Final Chord:

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback.
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 6 in stock $860.42
Cat: 732328 Rel: 10 Jun 19
 
Premium 6-channel audio interface featuring high resolution audio recording
Notes: Connect, create, and collaborate with our six-in, six-out audio interface. Featuring high-definition recording, ultra-low latency, and flexible connectivity, AUDIO 6 brings your whole setup together. You can plug in mics, guitars, and synths, create send and return loops with effects, and control synths and drum machines. Plus, you get all the software you need to capture performances, build songs, and polish recordings - bring any idea to life.

Whether recording your next album or gigging your latest release, your focus should be on creating at your best. With pro-grade sound, gig-ready portability, and plug-and-play simplicity, AUDIO 6 lets you do just that.

AUDIO 6 works with all your mics, instruments, and headphones. You've got a choice of connections and features: 48V phantom power, MIDI in/out, and four analogue outputs with additional CV/gate control for your analogue gear. Plus, easy-to-see top panel LED VU-meters for all four analogue inputs and the main stereo output.

Whether you're a solo performer, duo, or a full band, the AUDIO 6's pristine audio quality lets you sound as good on stage as in the studio. Turn your laptop into a live rig or vocal processor, with flexible connections to fit any performance. USB bus-power means fewer cables and power supplies, plus a big volume knob on top lets you make easy level adjustments while on stage.

Two high-power headphone outputs, with individual level controls, make it easy to collaborate. Hear exactly what you're recording, in real-time, with latency-free direct monitoring that lets you blend playback and monitored audio to your liking. We've also doubled their output power - great for stage use or high-impedance headphones.

Whether at a small band session or a freewheeling modular synth jam, having a flexible set of connections lets you bring your ideas together and capture music in the moment. XLR, TRS, S/PDIF, and MIDI aren't just letters, they're ways to make music happen - and we've put these connections right where you need them.
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 4 in stock $186.58
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quote 732328
Cat: 718727 Rel: 19 Mar 19
 
Intuitive 2-channel audio interface with 2 x combi-XLR/jack inputs
Notes: Komplete Audio 1 is a simple, great-sounding audio interface with all the software you need to put ideas into action. From recording songs, to mixing down and playing out - it helps you go from a spark of inspiration, to finished results you can be proud of.

For the songwriters:
Easily record vocals, guitar, or any other instruments straight into your DAW in high quality. With Ableton Live 10 Lite, synths, and effects included, you've got everything you need to create songs.

For your story:
Whether it's a beatmaking vlog or a podcast you're creating, the interface give you everything you need. Record speech in high quality, then give it a pro touch of mastering with the included plugins.

For the performers:
Take your music to the bar, club, or anywhere else. Bag-friendly sized - it's a simple way to incorporate a laptop into your performance. Make quick, on-stage level adjustments using the big volume dial.

For the producers:
Break out of the box - bring synths, effects, and other gear into your productions. Flip samples from stereo sources. And polish your productions with studio-grade instruments and effects included.

Komplete Audio 1 - flexible connectivity:
The Audio 2 makes capturing stereo sounds a breeze. It's the same fantastic sound quality as the Audio 1, with a bit more flexibility. Plug in a pair of mics together using the two combi-XLR/jack inputs. Connect to studio monitors, or plug in on stage with dual jack outputs.
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 2 in stock $113.61
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quote 718727
Cat: 632727 Rel: 14 Nov 16
 
2-in/4-out high performance USB audio interface
Notes: iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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 3 in stock $186.58
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quote 632727
Cat: 638394 Rel: 09 Jan 18
 
Monitor controller & USB audio interface with 2 mic preamps, 3 selectable stereo inputs & 2 selectable stereo outputs
Notes: The Mackie Big Knob Studio Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio Interface features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio offers high-resolution USB interfacing with resolutions up to 96kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.
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 1 in stock $173.26
RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 31 Mar 17
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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 3 in stock $345.01
Cat: 688483 Rel: 09 May 18
 
Compact DJ recording interface
Notes: New and improved MK2 version of DJ-Tech REC, the portable DJ recording solution with real-time audio to MP3 direct encoder and decoder.

The DJ-Tech REC MK2 includes adjustable recording level control and MP3 playback control, with an LED track number display and signal indicator.

On the front of the unit is a Stereo RCA input for your input audio source and a Stereo RCA output for speaker connectivity.

The DJ-Tech REC MK2 is the perfect solution for anyone needing a device that records high-quality mixes and will integrate perfectly with any DJ setup.
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 2 in stock $74.00
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quote 688483
Cat: 627984 Rel: 12 Oct 16
 
18x22 USB audio interface with DSP, mixing & effects
Notes: The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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 2 in stock $534.87
Cat: 676104 Rel: 28 Jun 18
 
20in/24out audio interface featuring 4 class A mic preamplifiers
Notes: Inspired by our 20 years of expertise in analogue hardware design, iD44 is Audient's most powerful audio interface yet. Featuring four Audient console mic pres, class-leading converters, ADAT expandability and more, iD44 delivers the audio performance of an Audient console on your desktop, giving you the professional sound you deserve.

iD44 features four Class-A console mic pres, the same discrete circuit design found in Audient's renowned recording console the ASP8024-HE and throughout their product range. Designed to deliver ultra- low noise and low distortion, the Audient mic pre will provide an accurate reproduction of your source, along with enough analogue warmth to add a bit of character, making it the go to mic pre for any project.

Hear your audio more accurately than ever with iD44's all new high performance AD/DA converter technology. Next generation converters have been designed to deliver optimised dynamic range, ensuring you hear the most honest and natural translation of your recording. Hear subtle detail, make better mix decisions and experience remarkable clarity from the moment you press play.

As well as offering you 4 channels of mic pre, iD44 has two harmonically rich JFET D.I inputs designed to replicate the input stage of a classic valve amplifier. Simply plug in your guitar, bass or synth whenever inspiration strikes and start recording instantly.

Two fully balanced insert points enable you to integrate your outboard gear prior to conversion, letting you quickly insert your favourite compressors, vintage mic pres or EQs. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard analogue line level sources. Whether you're creating vocal chains or processing stems iD44 gives you the flexibility you need.

Comfort, clarity, confidence - Two Independent Headphone Outputs:

Get the most out of your headphones and your artist with iD44's advanced headphone amp technology. Whether you're tracking an artist or working on a mix, iD44's two stereo headphone amps have been designed to provide enough power for your headphones to perform to their highest potential. Set up two separate cue mixes through iD44s independent stereo outputs, each driven by their own DAC - giving you incredible depth and accuracy at all times.

Console Style Monitor Control - The Power of Simplicity:

Taking inspiration from our heritage in analogue console design, iD44 features a range of flexible monitor control functions including dedicated talkback, cut and dim buttons along with polarity, mono, speaker select and cue mix monitoring.

All monitoring functions can be assigned to three programmable function buttons. No more time spent searching for software controlled features or scrolling through menus, just assign the monitoring functions you need and quickly take control of your session. Real hardware control at your fingertips.

Software you can rely on:

iD44's all new mix focused software the iD Mixer has been designed with simplicity and elegance in mind. Create up to four stereo artist cue mixes, name and customise channels, save layout presets, assign hardware function buttons, quickly setup advanced routing, use presets in standalone mode and more. Tightly integrating hardware and software, the iD Mixer makes the recording process easy giving you total control and reliability where you need it most.

Communication is key:

iD44's new dedicated talkback technology enables you to utilize any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are.

Hardware for your software:

With a touch of a button iD44's volume encoder becomes a virtual scroll wheel, enabling you to take control of your DAW, plug-in parameters and more - just like you're adjusting a piece of hardware. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at a screen.

USB connection:

iD44 comes with both a standard USB cable and a USB Type-C cable enabling you to connect to any USB compatible Mac or PC supporting USB 2.0 or above.

Quality deserves protection:

Unlike many interfaces on the market iD44 has an all-metal construction, meaning it will stand up to those countless late nights in the studio and days on the road. From its hand finished aluminium knobs to its high grade component selection, iD44 matches professional sound with precision engineering and the end result is stunning.
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 4 in stock $472.18
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quote 676104
Cat: 637361 Rel: 23 Aug 17
 
2-in/2-out, high-resolution interface for MAC, PC & iPad
Notes: Rubix22 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix22 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.

Studio-grade sound you can take anywhere:
Nothing is more important than sound quality when it comes to audio interfaces. And you shouldn't have to sacrifice sound quality to have an affordable interface that you can take with you. Rubix sounds clean and detailed with transparent, low noise mic preamps and supports audio resolutions up 24-bit/192kHz. It's made of durable metal, and a lot went into its compact, low-noise design. With all the places Rubix22 can go, you'll appreciate its extensive shielding and ground lifts, making sure you get good clean audio just about anywhere.

2 high quality mic preamps:
Rubix22's dual microphone preamps are designed for low noise and high definition. They sound clean and transparent with plenty of headroom for capturing all the impact and detail of whatever you're recording. And the flexible combo jacks mean you can easily connect a wide variety of sources without the need for adapters or special cables.

Built for Mac, PC and iPad:
Rubix22 is ultra-portable and ultra-flexible. It has low latency class compliant drivers for Mac and PC, so it's simple to get up and running with smooth, reliable audio performance. And it also supports iPad giving you an extremely compact system for on-location recording, on-the-go production, or live performance. It even includes Ableton Live Lite, powerful studio production and live performance software that works perfectly with Rubix22, right out of the box.
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 1 in stock $114.39
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quote 637361
Cat: 698450 Rel: 09 Aug 18
 
1 MIDI in to 12 MIDI thru
Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
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 1 in stock $115.69
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quote 698450
Tascam Series 102i USB Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718909 Rel: 27 Jun 19
 
10-in/2-out portable USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

iZotope award-winning plug-in included:

Tascam SERIES 102i/208i - iZotope Neutron Plug-inNeutron Elements provides an easy, fast way to a professional mix - and it is included with every purchase of a Tascam SERIES interface. Neutron brings mix workflows to the 21st century with four modern mixing tools in one mothership plug-in, featuring mix assistance powered by machine-learning with unrivalled quality and speed.
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 3 in stock $267.88
Cat: 714259 Rel: 17 Jan 19
 
Premium audio interface with advanced guitar tone shaping
Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 3 in stock $307.54
Cat: 637341 Rel: 31 Jan 17
 
Advanced digital microphone system for acoustic guitar
Notes: iRig Acoustic Stage is the new hi-tech solution for accurately reproducing the full sound of acoustic guitars and other instruments with studio-quality sound live on stage and in the studio. The combination of its advanced MEMS microphone and hi-quality preamp and DSP processing unit provides - for the first time ever - a break-through solution that offers hi-quality natural sound, advanced features, ease of installation and a convenience never seen before.

Until now, getting your acoustic to sound like it does in the studio when playing on stage has been a difficult, if not impossible, task. Playing an acoustic on stage typically falls into two scenarios: using the on-board piezo or magnetic pickup system to project a fractional representation of your acoustic's natural warm tone, or sitting stationary on stage with microphones in "the sweet spot" on your acoustic, dramatically limiting your ability to move.

It's a compact acoustic microphone and advanced digital preamplifier and processing unit that recreates a studio microphone set-up providing you with all the true character and tonal nuance of your acoustic in live playing situations. Simply clip the iRig Acoustic Stage's microphone to the sound hole, attach it to the iRig Acoustic Stage pre-amplifier processor, then connect the preamp to your amplifier or mixer. iRig Acoustic Stage also features a "Cancel Feedback" button that gets rids of annoying frequency feedback during performance.

Once installed and active, you'll immediately hear what you've been missing with your traditional live setup as your acoustic tone comes alive with vibrance, warmth, depth and earthy, woody tone. If you currently perform with an acoustic-electric, iRig Acoustic Stage can greatly enhance your guitar's live tone. iRig Acoustic Stage features an AUX input with a blend control that lets you blend your guitar's current pickup system with iRig Acoustic Stage giving you even greater tonal flexibility and a roundness to your sound like you've never heard before.

Built for the Stage and Project/Home Studio:
iRig Acoustic Stage provides an enhanced acoustic sound that's perfect for live performance and recording. Getting that "studio" sound in project or home studios with your acoustic is now easier than ever. If you have an audio interface, simply plug iRig Acoustic Stage into the analog input. No interface? No problem! iRig Acoustic Stage also features an integrated class-compliant USB audio output for direct connection to your computer or compatible device. Not only will you get that fantastic sound, but you can also move around freely allowing you to get into the groove and capture your best acoustic performance in your studio.

How does it work:
iRig Acoustic Stage uses a patented system composed by an hi-tech MEMS microphone and a preamplifier / processor that includes an advanced digital signal processing component performing multiple functions, from instrument calibration to EQ, to feedback cancel. The microphone that clips on to the soundhole of the guitar and captures all of the "air", harmonics and sonic nuances of your instrument and playing style that is simply missed with traditional piezo and magnetic pickups. The synergy between the microphone and the 32-bit DSP-based preamp system provides amazingly rich, full-spectrum acoustic sound on stage like never before.

MEMS Microphone:
iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.

Acoustic Preamp/Built-in DSP:
The magic of iRig Acoustic Stage comes from the combination between the microphone, the preamp and the signal processing unit. iRig Acoustic Stage analyzes the incoming signal from your guitar i both the overall sound and nuance of the instrument AND the playing technique i and builds the optimum tone profile for the instrument that delivers a warm, round and balanced acoustic sound. The tone profile can then be enhanced through the use of 6 selectable tone presets, depending upon the playing situation. iRig Acoustic Stage gives you 3 presets for steel string instruments i natural, warm, bright i and the same 3 optimized for nylon string instruments.

Custom Calibration:
Out of the box, iRig Acoustic Stage is factory calibrated to sound great with most guitars. You can also customize the setup and calibrate iRig Acoustic Stage to optimize the overall response of the DSP specifically for your instrument, making the tone even more authentic and perfect for your guitar. The Custom Calibration feature takes just a few minutes and further refines your tone and responds more accurately to your playing style.
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 1 in stock $83.34
Cat: 542614 Rel: 23 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
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 1 in stock $71.92
Cat: 542615 Rel: 23 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers and MIDI compatibility
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
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 2 in stock $98.18
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quote 542615
Presonus AudioBox USB 96 Recording System (audio recording interface)
Cat: 650545 Rel: 11 Jul 17
 
2-channel 24-bit/96kHz USB 2.0 audio recording interface
Notes: Simple, reliable, and portable:
Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB 96 is for you! This simple, handy little recording interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

Just the right size:
The AudioBox USB 96's two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favourite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Roadworthy and ready to travel:
Here is a mobile interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it's USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

World-class recording software included:
While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus' Studio Oner Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

Built for the studio and the road:
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the AudioBox USB 96 will give you great sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the AudioBox USB 96 comes equipped with Studio One Artist to provide you with a complete recording solution right out of the box.

Now includes Studio Magic plug-in suite:
This suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll find yourself relying on for countless mixes.
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 4 in stock $75.05
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RME
Cat: 716969 Rel: 09 Jan 19
 
Reference class 2-channel AD/4-channel DA converter with two Extreme Power headphone amplifiers
Notes: RME's anniversary reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs.

As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).

The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.

Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.

There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar.
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 1 in stock $1,373.40
RME
Cat: 420693 Rel: 29 Mar 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 2 in stock $785.91
RME
Cat: 571284 Rel: 22 Aug 15
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 1 in stock $623.30
RME
Cat: 637503 Rel: 02 Mar 17
 
30-in/30-out USB audio interface featuring RME's unique direct USB recording & range of analog inputs
Notes: The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.

The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.

RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.

Improved DURec (Direct USB Recording):
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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 1 in stock $1,665.65
Cat: 712750 Rel: 13 Dec 18
 
Compact & versatile unit for converting monophonic guitar notes into MIDI data
Notes: The G2M is a simple-to-use, highly effective, guitar-to-MIDI converter. It is Universal because it doesn't need a special pick-up mounted on your guitar, but instead simply connects to your guitar like any other effects pedal or tuner.

V3 of the G2M replaces both the G2M V2 and the B2M. The selection of guitar, 4-string bass, 5-string bass or voice is via switches inside the G2M V3 that are located beside the battery. This means that you can set the G2M V3 to suit whichever instrument you want to play with, giving you more options with the one MIDI converter.

More new features in Version 3:

- MIDI input (via breakout cable) for live control (hold, sustain and volume)
- 20dB more headroom
- MIDI channel selection
- 9V DC power connector for pedal board integration

Designed to give accurate triggering, with very low-latency, it is a true plug-and-play solution for monophonic MIDI guitar. It can be used to sequence bass lines and guitar solos add an edge to your live performances i it opens up many creative possibilities.

No modifications are required to your guitar; no special pickups to install; and nothing needs to be 'stuck' onto your instrument. It works with all electric guitars.

The G2M universally appeals to all guitarists from novices to seasoned professionals. Keenly priced to fit any budget, with the robust reliable performance expected by the finest stagemen.

Incredibly simple to use:

- Plug your guitar into GUITAR to power-up the G2M
- Connect your MIDI device (or computer) to the MIDI OUT
- Play notes on your guitar and MIDI will be sent out!

The G2M is powered from a single AA battery or a standard 9V DC supply, and its long battery life combined with small size makes the G2M the ideal accessory to keep with your guitar. Not only does it provide fast and precise tuning, but it also gives you instant MIDI capability for any electric guitar!

Research has shown us that the most important aspect for pitch-to-MIDI conversion is reliable and reproducible triggering of notes. While low-latency is important, robust triggering is the key to usability - you can easily adapt to some latency, but you cannot adapt to random, spurious notes. The G2M gives you both!

Featuring a high-impedance input circuit, the G2M won't sap your tone when using it "in-line" before your amp, or other effects pedals. You can then easily combine MIDI sounds with your normal guitar sound for some exciting musical possibilities.

For optimal MIDI conversion, your guitar playing needs to be clean and accurate. Accidental notes, resonating open strings and other sounds can often be converted into undesired MIDI notes. Often you don't hear these when playing guitar yourself, but can detect them easily when listening live to the generated MIDI.

Striving to improve MIDI note accuracy, encourages clean picking and accurate fingering, with good control over non-sounding strings by damping them.

Not only will your MIDI output be more accurate, your normal guitar playing will sound clearer and more professional. It's like having a tutor sitting beside you giving you advice. It's also great fun!
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 2 in stock $71.91
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quote 712750
Cat: 472837 Rel: 28 Feb 13
 
1 input/1 output MIDI interface with FPT processing
Notes: Compact, convenient, and fast, the affordable UM-One mk2 boasts high-performance FPT processing for low latency and tight timing. The bus-powered MIDI interface is compatible with Macs and PCs, and now with the iPad as well via the Apple Camera Connection Kit.
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 1 in stock $35.74
Cat: 747774 Rel: 19 Mar 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Komplete Audio 1 is a simple, great-sounding audio interface with all the software you need to put ideas into action. From recording songs, to mixing down and playing out - it helps you go from a spark of inspiration, to finished results you can be proud of.

For the songwriters:
Easily record vocals, guitar, or any other instruments straight into your DAW in high quality. With Ableton Live 10 Lite, synths, and effects included, you've got everything you need to create songs.

For your story:
Whether it's a beatmaking vlog or a podcast you're creating, the interface give you everything you need. Record speech in high quality, then give it a pro touch of mastering with the included plugins.

For the performers:
Take your music to the bar, club, or anywhere else. Bag-friendly sized - it's a simple way to incorporate a laptop into your performance. Make quick, on-stage level adjustments using the big volume dial.

For the producers:
Break out of the box - bring synths, effects, and other gear into your productions. Flip samples from stereo sources. And polish your productions with studio-grade instruments and effects included.

Komplete Audio 1 - recording made simple:
Perfect for recording mono sounds like vocals and guitar at the same time. It gives you two different inputs - XLR for vocals, and jack for guitars or other line-in sounds. Plus, stereo RCA outputs let you connect directly to hi-fi speakers and play everything out loud.
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 1 in stock $76.51
Cat: 430178 Rel: 04 Jul 11
 
Portable USB 2.0 interface with 10 inputs & 10 outputs
Notes: With 10 inputs & 10 outputs, 8 VS preamps and superb 24 bit/192 kHz audio quality, the Roland UA-1010 Octa-Capture interface sets a new standard in portable USB 2.0 audio interfaces.

Designed for high-level audio production, the Roland UA-1010 combines premium components, Roland-quality engineering and proprietary preamp and streaming technology. With its compact design and pristine audio quality, the Octa-Capture interface is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the input/output capability of the V-Studio 700 and V-Studio 100.

Brimming with quality and performance that punches above its size and price, the Roland Octa-Capture interface is the next-generation audio interface.
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 1 in stock $391.30
Cat: 637364 Rel: 10 Oct 17
 
4-in/4-out, high-resolution interface for MAC, PC & iPad
Notes: Rubix44 offers a perfect balance of high-fidelity sound, solid build quality, compact size, affordable price, and crucial features for today's musicians and producers. With support for high-resolution audio up to 24-bit/192kHz, Rubix44 sounds clear and defined and is carefully engineered to have extremely low noise from input to output. Its near universal USB support means it works seamlessly with Mac and PC computers, and even supports iPads, for the ultimate in portable music production and performance.

Studio-grade sound you can take anywhere:
Nothing is more important than sound quality when it comes to audio interfaces. And you shouldn't have to sacrifice sound quality to have an affordable interface that you can take with you. Rubix44 sounds clean and detailed with transparent, low noise mic preamps and supports audio resolutions up 24-bit/192kHz. It's made of durable metal, and a lot went into its compact, low-noise design. With all the places Rubix44 can go, you'll appreciate its extensive shielding and ground lifts, making sure you get good clean audio just about anywhere.

4 high-quality mic preamps and 4 separate outputs:
Rubix44's four microphone preamps are designed for low noise and high definition. They sound clean and transparent with plenty of headroom for capturing all the impact and detail of whatever you're recording. And the flexible combo jacks mean you can easily connect a wide variety of sources without the need for adapters or special cables. Four individual outputs mean you can create more sophisticated routing and monitoring setups. This is useful for sending a click track to a performer, setting up a stage monitor, or routing audio to external gear.

Hardware compressor/limiter:
Highly dynamic sources like vocalists and percussion instruments often need taming, especially when recording on location. Dynamics processors help ensure a good hot signal without clipping and causing unwanted distortion. Rubix44's built-on compressor/limiter provides peace of mind in the heat of a recording session.

Big, clear level indicators:
Studios and stages can be dark places, and getting proper levels is critical. You want to focus on the performance, not on small, hard-to-see clip and level indicators from across the room. Rubix44 has highly visible indicators that are an integral part of its design. They clearly show if a channel has incoming signal, or if you're going to overload, even from a distance.

Built for Mac, PC and iPad:
Rubix44 is compact and ultra-flexible. It has low latency class compliant drivers for Mac and PC, so it's simple to get up and running with smooth, reliable audio performance. It's got plenty of inputs and outputs for growing studio setups, and it also supports iPad giving you a compact system for on-location recording, on-the-go production, or live performance. It even includes Ableton Live Lite, powerful studio production and live performance software that works perfectly with Rubix44, right out of the box.
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 1 in stock $182.41
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quote 637364
Cat: 718641 Rel: 02 Sep 19
 
High-spec 8 channel dual mode interface/ADAT expander in studio-friendly rack format
Notes: The rackmount incarnation of Arturia's audio interface range is a monster, with a total of 8 pre-amps, 16 inputs and 20 outs. A lot of recording power in a small package. Ideal for hardware setups.

Supplier notes:
The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate
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 2 in stock $648.33
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quote 718641
Cat: 711947 Rel: 26 Nov 18
 
High specification single synth MIDI to CV converter
Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.
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 3 in stock $164.68
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quote 711947
Cat: 437520 Rel: 03 Feb 12
 
Mic & guitar interface for iPad/iPhone/iPod Touch
Notes: The Tascam iXZ iPhone Audio Interface turns your iPhone, iPad or iPod Touch into a recording studio.

To turn an iPhone into a portable practice, songwriting or live recording rig, it's tough to beat the Tascam iXZ. Plug in a microphone, guitar or bass to interact with the latest guitar amp, sampling, recording and DJ apps.

The Tascam iXZ provides phantom power for condenser microphones. An input setting sets the gain and there's a headphone output to monitor from your iOS device.

You can also use the Tascam iXZ for guitar practice, songwriting, rehearsal recording, Sound Effects collecting and many more.
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MRP:$61.29 SAVE 23%
 1 in stock $47.43
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quote 437520
Cat: 554444 Rel: 05 Feb 15
 
Rackmountable USB audio/MIDI interface with ultra-HDDA (High Definition Discrete Architecture) mic preamps
Notes: The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.

Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.

Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application.

TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic - dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record.

TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.

The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. (Guitar effect plug-ins sold separately.)

The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks.

Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown.

The eight XLR mic inputs have switchable +48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and +4dB. All of the jacks support balanced or unbalanced 1/4" signals.

When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface.

Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems.

The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best.

The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer.

Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output.
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 2 in stock $236.85
Tascam Series 208i Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718908 Rel: 03 Jul 19
 
20-in/8-out USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.
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 1 in stock $360.65
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quote 718908
Cat: 587378 Rel: 27 Oct 15
 
Highly portable, Universal, 2-channel mobile audio/MIDI interface for iOS, Android & Mac/PC
Notes: "Hey, I've got an idea!" So you're hiking out in the middle of the woods. Maybe mountain climbing in the Himalayas with a Sherpa. Or you're on the tour bus at 3 am and can't sleep. And then...BOOM, an idea hits you. You stop everything, grab your guitar and your mic, plug them into your iRig Pro DUO, and then you plug it into your iPad. Or your Android. Or your computer.

You hit "Record," and that idea that was once just floating around in your head is a song that you can upload for all your fans and followers to hear.

iRig Pro DUO is made for this. It's made for you. Now you can truly go out and play and record anywhere, any time on any device with the smallest fully-featured dual-channel interface on the market.

To us, "truly mobile" means completely self contained... unhooked from the grid and free to create anytime and anywhere inspiration strikes you on any device.

iRig Pro DUO delivers true mobility in grand fashion. It packs a ton of useful recording features into an extremely compact enclosure that you can take with you anywhere.

First, it lets you go off the grid and record great audio anywhere thanks to its comprehensive powering options - for true mobility iRig Pro DUO can be powered with two AA batteries and does not draw any power from a connected iPhone or iPad. When using the included USB or Micro USB to OTG cable connected to a laptop or Android device, iRig Pro DUO can be powered by the attached device or onboard batteries. Back in the studio? iRig Pro DUO can be powered with an additional DC power supply for powering extended recording sessions.

Second, it has to sound great and accept every possible instrument and recording situation. iRig Pro DUO delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end condenser microphones to guitars, basses, keyboards and more. Its crystal-clear ultra-low noise high-headroom preamps ensure that you get professional grade sound everywhere you go.

Fully universal "all-platform" portable recording is finally here thanks to iRig Pro DUO. It comes with every cable you need to connect to your iPhone, iPad, Android device or Mac/PC -you get a Lightning, USB-OTG and USB cables so no matter where you are or what device you happen to have with you, capturing brilliance is always enabled. And, iRig Pro DUO comes bundled with tons of software and apps every platform to get you going.

iRig Pro DUO is the smallest full-featured dual-channel interface on the market. Its elegantly designed lightweight thermoplastic housing is designed to take the rigors of life on the road, session after session. We've designed it so that it's the perfect size - it fits easily into the palm of your hand and can fit in any backpack, gig bag or even your pocket.

But don't take iRig Pro DUO's size for granted. This is one seriously powerful and connectible interface. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has it's own input gain control so you can dial in the perfect amount of input signal for your recording.

Each of iRig Pro DUO's two channels passes through an ultra-low noise high-headroom pro-quality preamp that then runs through a 24bit AD-DA converter, giving you amazing clarity and pristine studio-quality sound.

With iRig Pro DUO, you don't just have a superb portable interface for audio; you can also hook up your favorite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity. It just works.

High-quality studio condenser microphones require 48V of external power to function. It's part of what makes them sound so good, crisp and accurate. With iRig Pro DUO, you'll have that 48V of phantom power at your fingertips. Just plug in your high-quality condenser mic, flip iRig Pro DUO's phantom power switch and record until your heart's content.

Monitoring your mixes and input is a breeze. iRig Pro DUO comes with two 1/4" TRS balanced analog audio outputs that let you send a zero-latency signal to your studio monitors or portable speakers.

There's also a Direct Monitor switch that lets you monitor either the direct incoming dry signals, or the processed signal returning from your device or computer.
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 1 in stock $141.76
Cat: 727411 Rel: 01 Nov 17
 
B-STOCK: Box opened, product in perfect working order
Notes: Grab your favourite microphone, plug it into your iRig Pre HD and record straight to your device with true studio-quality sound anytime and anywhere. Simple as that.

As pioneers of the mobile music revolution, we know very well what it takes to produce great content on a portable device. Whether you are a musician, podcaster, journalist, videographer or vlogger, you instinctively know how important it is for your content to be the highest quality possible to be well received and how audio plays a critical role in the process.

Being a certified Apple MFi interface ("Made for iPhone and iPad,") iRig Pre HD is guaranteed to work out of the box with all iOS devices using a Lightning connector including those that do not have headphone jack. The included Lighting cable allows for plug-and-play with Apple iOS devices while the USB cable connects Mac and PC computers offering the ability to record anytime and anywhere using your favourite dynamic, ribbon or condenser microphone models with phantom power (using batteries).

Delivering exceptional, best-in-category sound quality with up to 96kHz/24-bit resolution and full, flat frequency response from 20Hz to 20kHz (+/- 1.5dB), iRig Pre HD is the bridge between the world of portable devices and the one of professional microphones for recording instruments, sound for media, video, speech, interviews, documentaries and more.

iRig Pre HD features a high quality Class A mic preamp with an adjustable gain range of 48 dB, a +48V phantom power selector, a multicolour LED indicator and an integrated headphone output for real-time monitoring or for listening to high-resolution music (making it ideal for use with the latest iPhone). It also comes with all necessary accessories and cables right out of the box to let you hook it up in a matter of seconds.

Your best mic's best friend:
iRig Pre HD allows you to record with astounding quality using your favorite XLR microphones on the go. This means you can easily achieve authentic studio sound with your portable device regardless of where you are.

As a superb, flexible, high-resolution microphone interface for studio recording, film, radio, television and broadcast applications, iRig Pre HD packs an incredible amount of punch in an ultra-compact enclosure that you can easily carry with you and delivers outstanding results with even the most gain-hungry microphones.

Its integrated, high quality Class A preamp ensures that you can easily record the full dynamics of the sound being captured by your microphone down to the finest details and with crystal-clear quality.

The elegant multicolour LEDs will help you visually set the right amount of gain needed for your applications and will tell you whether phantom power is in use.

A versatile performer, in the studio and on the go:
iRig Pre HD is a versatile performer in virtually every professional context.

If you are a musician or a singer, you can use it with a dynamic microphone to mic up a guitar amp or to record amazing vocal takes with your trusted large condenser mic, (just engage the +48V phantom power and you are set). You can even use it with ribbon microphones to faithfully capture their gently rolled-off character.

If you are a journalist or a correspondent, you now have a tool that allows you to capture ready-to-stream hi-res digital audio on your device during interviews, on-the-ground news reports and much more.

If you are a video-maker you can take advantage of iRig Pre HD's ultra-compact portability (without adding significant weight to your bulky video equipment) to capture ready-to-use audio during a location shoot.

Integrated headphone out with level control:
iRig Pre HD features an onboard headphone output with dedicated volume control that can serve a variety of useful purposes.

It can be used as an auxiliary output to send out the recorded sound to external devices like an amplifier, a PA, a compact mixer or a radio system.

You can use it to drive your favourite set of headphones and enjoy high-resolution music playback on your device (even the latest iPhone), taking advantage of the high-quality internal D/A converters.

Direct monitoring:
The direct monitor switch allows you to listen to the sound being recorded in real time. This means you can easily monitor yourself while recording a vocal take with a backing track or listen to your interview guest in a noisy environment without any latency. With the simple flick of the switch you can change back to regular monitoring and check the playback or listen to other audio files.

All the accessories you need:
iRig Pre HD comes with a Lightning cable and USB cable for immediate connection to your iPhone, iPad, Mac or PC, 2 AA batteries and an adhesive strip so you can secure it to a mic stand, your belt or other supports while in use.

Package includes:
- iRig Pre HD
- Lightning to micro-USB cable
- USB to micro-USB cable
- 2 x 1.5V AA battery
- Adhesive strip
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 1 in stock $71.67
Cat: 633410 Rel: 05 Jan 17
 
Studio recording bundle including audio interface, XLR microphone & monitoring headphones
Notes: All you need to create and record music in GarageBand and other DAWs.

Everything you need to record guitars, vocals and other instruments is here, including a professional-grade audio interface, a studio-quality microphone, monitoring headphones, and all the cables and accessories you need. Totally plug-and-play on Mac/PC, iOS and Android, everything works seamlessly with GarageBand and other popular recording applications. Plus, the bundle also includes all the GarageBand-compatible Mac/PC software plug-ins to take your recordings to the next level; from guitar amplifier and effects and microphone modelling to virtual instruments and high-end studio processors for mixing and mastering.

Included hardware:

iRIG PRO DUO:

2 channel audio/MIDI interface for Mac, PC, iOS and Android.

iRig Pro Duo is the smallest full-featured dual-channel audio/MIDI interface on the market. iRig Pro Duo delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has its own input gain control so you can dial in the perfect amount of input signal for your recording. With iRig Pro Duo, you don't just have a superb portable interface for audio; you can also hook up your favourite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity.

iRIG MIC STUDIO XLR:

Large-diaphragm analogue studio condenser microphone.

iRig Mic Studio XLR is a large-diaphragm analogue condenser microphone for vocal and instrument recording. It features 1" large-diaphragm condenser capsule, 20 Hz - 20 kHz frequency response and cardioid polar pattern. It also includes a mic clamp, a tripod table-top stand and a 2m/6' XLR mic cable.

iRIG HEADPHONES:

Professional closed-back studio monitor headphones.
- Closed back design for monitoring while recoding without mic bleed.
- High output drivers for accurate, transparent and powerful sound.
- Extended frequency response for rich bass and crisp highs.
- Adjustable headband for great fit maximum comfort for extended listening periods.

Included Mac/PC Software for GarageBand and other recording applications:

AmpliTube 4 (for guitar and bass)
- Hyper realistic guitar amp and FX software

Mic Room (for vocals)
- Microphone modelling processor for T-RackS

T-RackS Deluxe (for mix and mastering)
- High-end mixing & mastering collection

SampleTank 3 SE (for Virtual Instruments)
- The ultimate sound and groove workstation

Miroslav Philharmonik 2 CE
- The new orchestra with legendary soul
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 2 in stock $207.42
Cat: 540592 Rel: 16 Jul 14
 
Universal MIDI interface for iPhone, iPod touch, iPad and Mac/PC (lightning & USB cables included)
Notes: Introducing iRig MIDI 2, the first Lightning/USB compatible mobile MIDI interface that works with all generations of iOS devices as well as Mac and PC. It features everything you loved about iRig MIDI but with even greater pocketability, connectivity and control. Simply put, it's the perfect MIDI solution for the musician on the move.

As we've said, iRig MIDI 2 is the first portable MIDI interface that's compatible with Apple's Lightning cable. This, however, does not come at the expense of universal support. At the center of iRig MIDI 2 is its detachable Mini-DIN connector, which lets you attach a Lightning (included), USB (included) or 30-pin cable (sold separately) depending on the mobile device or computer that you'd like to use. Now you have the flexibility to use MIDI with whatever device you want, anytime, and anywhere.

iRig MIDI 2 is small, but it can be made even smaller when all of its cables are detached. Because of its Mini-DIN connector, you can remove all cables for extreme portability: Now you have something that you can easily carry with you in your pocket to any gig, performance, studio or jam session. In addition, all iRig MIDI 2 cables are bumper friendly, which means you can connect and start jamming without having to remove your mobile device's protective carrying case

Like iRig MIDI before it, iRig MIDI 2 features three MIDI ports: IN, OUT and THRU. But this time around the ports are standard-sized and require no adaptor or special cable to use - in fact, you can use any standard MIDI cable you'd like. These ports give you all the control and connectivity that MIDI allows: Use the IN port to use external keyboards and controllers to play your favorite software sound modules and synthesizers. Use the OUT port to control external hardware or synthesizers from your mobile device or computer. And you can use the THRU port to send MIDI data to multiple instruments at once. Monitoring MIDI data with iRig MIDI 2 is easy, it comes with two LEDs that give you an at-a-glance readout of the note data as it passes through the IN and OUT ports.

With iRig MIDI 2, you get more than just a supremely portable MIDI interface; you also get a full suite of music creation apps. As soon as you open the box you'll be ready to go. iOS users get two of IK's most popular mobile apps: SampleTank FREE is a sound and groove workstation filled with hundreds of high-quality instruments and patterns. iGrand Piano FREE is a concert-quality piano app that puts world-class piano sounds at your fingertips. And Mac and PC users can enjoy the full creative power of SampleTank 3 SE, a free version of IK's next generation SampleTank 3 desktop sound workstation. Beyond all that's included, iRig MIDI 2 works with all MIDI-compatible Mac and PC software as well as the entire spectrum of Core MIDI apps for iOS such as GarageBand, Cubasis, Beat Maker 2, Auria and many more.

iRig MIDI 2 has been designed and manufactured in Modena, Italy - a city famous for high-performance Italian industrial design. Like all IK products, it's been through rigorous quality testing to ensure the utmost in dependability i iRig MIDI 2 is housed in a durable rubberized enclosure designed to last performance after performance and gig after gig. IK Multimedia uses only the best components, materials and processes to create solid, smartly manufactured products at an affordable price.

(Included/free apps: http://www.ikmultimedia.com/products/irigmidi2/index.php?pp=irigmidi2-app)
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 4 in stock $67.33
Cat: 638395 Rel: 08 Feb 18
 
Monitor controller & USB audio interface with 2 mic preamps, 4 selectable stereo inputs & 3 selectable stereo outputs
Notes: The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.
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 2 in stock $249.12
Cat: 717592 Rel: 01 May 19
 
Portable ultra-high-definition USB-C audio interface
Notes: Professional quality in your home recording studio and on the go.

Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows and includes USB-C to USB-C and USB-C to USB-A cables for compatibility with most computers.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 4-out Studio 26c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix. The Studio 26c's built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 26c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 3 in stock $173.03
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quote 717592
Cat: 717594 Rel: 05 Feb 19
 
Versatile USB-C 18x8 audio interface
Notes: Ideal for producers and small bands who want to record audio from a wide range of sources, the Studio 1810c 192 kHz USB-C audio interface records up to 18 simultaneous inputs, including ADAT and S/PDIF, and features PreSonus XMAX mic preamps, DC-coupled line outputs, and MIDI I/O. A complete, all-in-one recording package, the Studio 1810c offers control-room integration with included Studio One Artist music production software and free UC Surface control software and is backward compatible with USB 2.0 and 3.0 connections.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1810c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The 18-in, 8-out Studio 1810c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including 4 microphone inputs with XMAX mic preamps, 4 dedicated line inputs, 8 channels of ADAT Optical input (4 channels at 96 kHz), and S/PDIF inputs. In addition to the main L/R outputs, you get four DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs with A/B switching for monitoring different mix streams. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1810c audio interface operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

The flexible production tool:

With cue mix headphone monitoring, onboard monitor mixing, pristine mic preamps, abundant line inputs, and up to 192 kHz sample rate, the Studio 1810c will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform live. An excellent companion for any recording software, the Studio 1810c's integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 3 in stock $353.35
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quote 717594
Cat: 717596 Rel: 05 Feb 19
 
Full-featured, ultra-high-definition, USB-C audio interface
Notes: The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One Artist music production software and UC Surface control software.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1824c audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for producers who need more:

With ample connectivity, onboard monitor mixing, pristine mic preamps, and up to a 192 kHz sample rate, the Studio 1824c audio interface will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824c's integration with Studio One and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 1 in stock $426.31
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quote 717596
Cat: 705024 Rel: 10 Oct 18
 
All-in-one recording package featuring audio interface, microphone, headphones & software
Notes: Everything you need to record and produce:

Start recording today with this complete, all-PreSonus package! Based on the AudioBox USB 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.

AudioBox USB 96: Simple, reliable, and portable:

The AudioBox USB 96 is the heart of the AudioBox 96 Studio. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze:

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Capture every nuance with the M7 condenser microphone:

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones:

PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 2 in stock $165.73
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quote 705024
Cat: 717593 Rel: 05 Feb 19
 
Versatile, ultra-high-definition USB-C audio interface
Notes: An excellent choice for small bands, producers, and small and mid-sized studios, the Studio 68c 6-in, 6-out, USB-C audio interface records at up to 192 kHz. You get two mic/line/instrument and two mic/line inputs, all with PreSonus XMAX mic preamps, plus DC-coupled line outputs and MIDI I/O. A complete, all-in-one recording studio, the Studio 68c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows and is backward compatible with USB 2.0 and 3.0 connections.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 6-in, 6-out Studio 68c audio interface features USB-C computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four 1/4-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix. The Studio 68c's built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 68c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for the studio. Built for the road:

Whether you need a high-quality audio interface for DJing, are a veteran producer, or both, the Studio 68c will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform them live. While it's a perfect companion for any recording software, the Studio 68c and included Studio One Artist provide you with a complete, affordable, mobile recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 1 in stock $249.12
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quote 717593
Cat: 705027 Rel: 10 Oct 18
 
All-in-one recording package featuring audio interface, monitors, microphone, headphones & software
Notes: Everything you need to record and produce:

Start recording today with this complete, all-PreSonus package! Based on the AudioBox USB 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.

AudioBox USB 96: Simple, reliable, and portable:

The AudioBox USB 96 is the heart of the AudioBox 96 Studio. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze:

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Sound you can trust. Eris 3.5:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They're compact enough to fit almost anywhere, but still offer robust I/O - you can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone:

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones:

PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 4 in stock $254.33
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quote 705027
Cat: 458025 Rel: 02 Jun 12
 
4-channel passive stereo/mono hybrid splitter/mixer
Notes: The SPLITMix4 is a fully passive hybrid mixer that offers a wide variety of configurations. Mix 4 stereo input channels down to 1 stereo output, split a stereo input signal to distribute 4 stereo output channels, or combine the configurations for a wide range of applications. You can even configure the SPLITMix4 as 4 stereo input channels thru 4 independent level attenuators to 4 stereo output channels.

Independent stereo level controls are provided on each channel. All 1/4" connections are stereo TRS (Tip, Ring, Sleeve) and all channel connections have intelligent switching to allow for a wide variety of configurations. Plugging into a mix input channel removes it from the splitter bus, and plugging into a splitter output channel removes it from the mix bus. Stereo or mono operation is determined by the type of 1/4" plug and cabling that you use.

The fully passive design of the SPLITMix4 has no active circuitry to add noise or distortion, and virtually any signal level can be handled. The Level attenuators cover a wide range and offer over 90 dB of attenuation and channel isolation. The SPLITMix4 is designed primarily as a line level device with medium input and output impedances.
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 2 in stock $52.64
Cat: 458041 Rel: 02 Jun 12
 
2-channel level converter, comes with UK version external power supply
Notes: The CLEANBoxPro provides 2 channels of unbalanced to balanced level conversion and 2 channels of balanced to unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.

One section of the CLEANBoxPro converts 2 channels of consumer-level unbalanced input signals into 2 channels of pro line-level balanced output signals. It has 2 RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds 2 XLR male jacks.

The other section of the CLEANBoxPro converts 2 channels of line-level balanced input signals into 2 channels of consumer unbalanced output signals. It has 2 XLR female input jacks. The unbalanced output feeds 2 RCA jacks and a stereo mini-phone jack connected in parallel.

Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.

The CLEANBoxPro can be an invaluable tool in application areas including: home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer Hi-Fi, podcasting and broadcasting. The CLEANBoxPro can be used with: mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors and digital audio workstations.
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 2 in stock $67.75
Cat: 738270
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The CLEANBoxPro provides 2 channels of unbalanced to balanced level conversion and 2 channels of balanced to unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.

One section of the CLEANBoxPro converts 2 channels of consumer-level unbalanced input signals into 2 channels of pro line-level balanced output signals. It has 2 RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds 2 XLR male jacks.

The other section of the CLEANBoxPro converts 2 channels of line-level balanced input signals into 2 channels of consumer unbalanced output signals. It has 2 XLR female input jacks. The unbalanced output feeds 2 RCA jacks and a stereo mini-phone jack connected in parallel.

Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.

The CLEANBoxPro can be an invaluable tool in application areas including: home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer Hi-Fi, podcasting and broadcasting. The CLEANBoxPro can be used with: mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors and digital audio workstations.
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 1 in stock $63.50
M Audio M Track 2X2 Vocal Studio Pro Complete Recording Package (audio interface + microphone + headphones)
Cat: 653280 Rel: 17 Jul 17
 
All-in-one vocal recording package featuring audio interface, condenser microphone & stereo headphones
Notes: Enter the world of studio-based recording with the M-Track 2X2 Vocal Studio Pro - the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed M-Track 2X2 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium C-Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the M-Track 2X2 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.

More Than Just An Interface:
This is the creative centre of your recording setup: simple-to-use, style-infused M-Track 2X2 C-Series audio interface is the perfect tool to record and produce natural-sounding 24-bit/192kHz studio-quality recordings. Combining one XLR+ 1/4" balanced combo input and an all-new dedicated 1/4" instrument input, the M-Track C-Series 2X2 enables you to record two channels simultaneously. The versatility of a combo input accommodates any source audio with a microphone or line-level output while a tailor-made gain and impedance stage on the conveniently located instrument input guarantees a clean, accurate guitar or bass DI signal.

Fusing an elegant pro-grade metal chassis, USB & USC-C connection cables, all-new transparent low-noise Crystal pre-amps and pristine A/D converters that deliver the highest audio performance in their class, the M-Track 2X2 provides all the tools you need to capture that initial idea and transform it into a finished masterpiece with ease. Take your music to the next level and start recording now!

Professional Recording - Done:
Studio-grade recording demands the right tools for the job. M-Audio's Nova Black large-diaphragm condenser microphone is perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more

At the heart of the Nova Black microphone is an 18mm pure aluminium condenser capsule with a directional cardioid polar pattern. This delivers wide range frequency response (20 - 20kHz), high sensitivity (-38dB, 0dB = 1V/Pa @ 1kHz) and accurate transient response, resulting in a microphone that captures even the most subtle nuances with ease, with minimal interference from unwanted ambient noise.

With the Nova Black condenser microphone, complicated setups are a thing of the past. Thanks to an included windscreen, a purpose-designed shock-mount for mounting to a traditional mic stand and an XLR cable, everything you need to get connected and start recording is included.

Hear Every Detail:
Professional recording demands uncompromised accuracy when it comes to monitoring. M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the outstanding acoustic isolation required in professional recording and monitoring environments. Long sessions are no problem! The plush padding reduces fatigue during extended use, and the over-the-ear design ensures that the HDH40 stays secured while you're wearing them. With the HDH40, you can concentrate on what's important - your production!

Included Software:
- AIR Creative FX Collection (20 world-class FX AU/VST plugins as made famous by Pro Tools)
- AIR Strike
- AIR Xpand! 2
- AIR Mini Grand
- Steinberg Cubase LE

***UPDATED SOFTWARE COMPATIBILITY***

Pro Tools First and Eleven Lite software are now included with the current line-up of M-Audio keyboards and interfaces - for all existing and new customers! The industry-standard Pro Tools music software bundle and the Eleven Lite plugin gives artists unprecedented creative options with the most realistic virtual instruments/effects anywhere.

***NOW INCLUDES 2GB SOUND LIBRARY OF IN-DEMAND SOUND CONTENT FROM TOUCH LOOPS***
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 1 in stock $155.31
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quote 653280
RME
Cat: 747759 Rel: 31 Mar 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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 1 in stock $337.39
RME
Cat: 445883 Rel: 26 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $994.07
RME
Cat: 748248 Rel: 05 Mar 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.

As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

Improving DA:

With the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.

Super Low Noise for IEM lovers:

The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.

Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background...). Even when used with IEMs.

Lights Out:

A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off/on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!

SteadyClock FS:

The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behaviour didn't change in the DAC.

Final Chord:

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback.
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 1 in stock $841.88
Cat: 543431 Rel: 04 Aug 14
 
Thunderbolt audio interface with 16 analog inputs and outputs, 48 channel mixing and AVB audio networking
Notes: The 16A is one of several new high-performance audio interfaces from MOTU that combine superb audio quality, large console style mixing, and state-of-the-art features

Sixteen balanced/unbalanced TRS analog inputs and outputs, plus 2 x 8-channel ADAT optical ports, deliver a total of 32 inputs and 32 outputs. Use the 16A for expanded analog I/O for your computer, or as a flexible, capable patchbay and mixer. Or both!

The 16A employs latest-generation ESS Sabre32 Ultra converters, known for their industry-leading performance, together with expertly engineered analog circuits that reflect more than three decades of pro audio engineering expertise. The result? The 16A achieves actual, measured performance of 123 dB dynamic range (A-weighted, 20 Hz to 20 kHz) on its balanced TRS analog outputs.

Every digital audio workflow has some latency. The only question is, how much? In the case of the 16A, the answer is, not much at all. In the 16A, latency is measured in a handful of samples, from the time an audio signal first goes digital to its arrival somewhere else (to an output, the mixer, or the computer). By keeping latency this low in the hardware, the 16A helps minimize latency introduced by your host software.

Thunderbolt lets you connect displays, hard drives, and other peripherals to your computer, along with the 16A, and the Thunderbolt bus won't even break a sweat. But more importantly, Thunderbolt gives you an astonishing 256 channels of computer I/O (128 in and out). You can use them to route audio to the physical inputs and outputs on the 16A, plus the 48-channel mixer inside the 16A, plus audio network streams. The 16A is the first and only interface to combine Thunderbolt I/O connectivity with AVB audio networking.

Don't have a Thunderbolt-equipped computer yet? Hi-speed USB 2.0 provides across-the-board compatibility with pretty much all laptops and desktops. The 16A is USB audio class compliant, which means you enjoy OS-level USB compatibility and support, including iPad support (with a camera connection kit). Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 16A interface is a future-proof investment in your studio.

The 16A is equipped with a 48-channel digital mixer designed just like a large format mixing console. The 48 inputs can take signal from anywhere: the physical inputs on the 16A interface itself, audio channels from host software on your computer, audio network streams, or even mixer outputs. The mixer provides 7 stereo aux busses, 3 groups, a reverb bus that can alternately serve as a 4th group, a Main Mix bus and separate Monitor bus that can serve as a solo bus. In essence: capable and transparent mixing.

British analog mixing consoles are renowned for their musical EQ profiles. The 16A meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.

With one click on the 16A's routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.

The 16A network port introduces AVB Ethernet, the new industry standard developed by the IEEE for professional audio networking. Add a second MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e or CAT-6 ethernet cable.

The software that you can use to control the 16A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 16A's on-board DSP, mixing, device settings, and network audio routing from the web app software running in your favourite web browser on a laptop tablet or smart phone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shared the same network.

Connect an Apple Airport or other Wi-Fi router directly to the 16A with a standard Ethernet cable and control the 16A's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing!
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 2 in stock $1,345.65
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