Review: Ali Wells's Perc Trax has done incredibly well over the years, and in fact, this latest EP (the third in the series) marks the label's ten year anniversary! Patrick Sottrop aka Kareem drops "Just When You Thought It Was Over" on the A-side, unleashing a militant and subtly dubbed-out warhead for the peak time hours, while Wells himself touches down as Perc with the stormy, wide-eyed sound sculpture that is "Volley". Surprisingly, the kick drum - a menacing pound to the head - only pops up well into the track, leaving space for all other sorts of atmospherics and distortion to surface. Excellent, as per usual.
Review: Something of a deity to many, Paul Weller has undergone more than his fair share of metamorphoses in a storied forty year career, but the quality control of his output post-2007's '22 Dreams' has surprised even some of most ardent devotees, and 'A Kind Revolution' is ample evidence that even as he approaches 60 his creative energy and questing spirit are undimmed. He's still searching for new modes of expression that belie his reputation as a soul-style traditionalist, and in a fractious and hostile era, the messages of hope are as much a balm as his increasingly mellifluous voice.
Review: Speak to anyone who lived through them about the glory days of IDM and German producer Arovane (aka Uwe Zahn) is probably one of the first names they will happily reel off. Between the late '90s and his apparent retirement in 2004, Zahn was responsible for birthing a clutch of classic IDM longplayers like Tides and Lillies, the 2004 LP for City Centre Offices that seemed to signal his withdrawl from music. However, the production bug bit him again in 2013 and there has been a steady stream of Arovane output leading up to this Aarlenpeers EP. Issued on the Touchin' Bass label operated by self professed Arovan fan Andrea Parker, these two cuts bristle and pulse with abstracted electronic life in a manner one expects from Zahn. "Il_Eth" is quite epic.
Review: Rising 140 sculptor Samba proudly presents his own label 26.RAIN. Following a whole string of heavily supported releases on the likes of System Music, Deep, Dark & Dangerous and Encrypted, the label is a new outlet for a fresh synth-led fusion style he's been developing gradually. Deep, musical, not shy of an 808 or a two-step or two, there's a touch of UKG, wave and trap deep across both sides. "Acecloud" is the big neon dreamer of the duo while "Cookies" crumbles a little more delicately and introspectively. An excellent launch release, we're saving our rainy day money for 002.
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: It's the release that recently moved Skream to tweet he'll make 140 music again, Rarefied dig deep back over the vaults for their first remix release. First up is the Skream co-signed remix of T. A. R.'s "Amplivagant" in which Navy Cut captain J.Sparrow flips the bassline into a steamroller of a mix where the groove has a technoid mind of its own and the demolished results speak for themselves. Flip for Crypticz twist on Primer's "Signals". Switching out the skittering two-steps for ghostly amen echoes while keeping the tone and vibe just as eerie and haunted, it's another remarkable remix. Absolute solid gold.
Review: Seven years later... Jay Kay and his band of merry soulmen return with bonafide grooves. Raw, to the point and covering a huge amount of ground, "Automaton" is an electrified hair-raiser that's designed to lift floors while "Nights Out In The Jungle" tickles the backbone from Daptone with its slinky, JB-style bass/drum groove and light rap/spoken word. Pure funk in both its original and most futuristic style... and on limited clear vinyl, too.