Review: Something of a deity to many, Paul Weller has undergone more than his fair share of metamorphoses in a storied forty year career, but the quality control of his output post-2007's '22 Dreams' has surprised even some of most ardent devotees, and 'A Kind Revolution' is ample evidence that even as he approaches 60 his creative energy and questing spirit are undimmed. He's still searching for new modes of expression that belie his reputation as a soul-style traditionalist, and in a fractious and hostile era, the messages of hope are as much a balm as his increasingly mellifluous voice.
Review: The UK's Mica Levi is back on our charts and much like last time, we expect these five glorious slices of drone-laden experimentation to fly out of here in record time. The supremely off-kilter waves of this new EP land on Demdike Stare's DDS imprint, now something of an institution for the odder side of electronica, and they couldn't be better placed anywhere else. That said, the noisy ambient glows of "Delete Beach (Japanese)", and the sparse, aqueous drum machine loops of "Interlude 1" are perhaps a step further out into the ether compared to the label's usual bag of tricks. On the B-side, the instrumental cut of "Delete Beach" morphs and develops beautifully for the entirety of the waxplate while, stretching to disc 2, "Interlude 2" catapults us into a world made up of sporadic pianos and Vengelian synths, leaving the English version of "Delete Beach" to unravel what was said on the A1.
Review: 2013's Das Heise Experiment album was one of Robert Witschakwoski's wilder efforts under the storied Exaltics alias. This belated second volume is perhaps not quite as intense - there are less acid-fired workouts, for starters - but it is just as impressively mind-altering in tone. Although rooted in machine electro, the 12 obliquely-titled tracks draw on a myriad of influences, resulting in a largely dark, moody and clandestine mixture of dark and paranoid ambience, panicked IDM, punchy, Drexciya-style missives, end-of-days mid-tempo techno and fuzzy, L.I.E.S/Vatican Shadow style lo-fi murk. As you'd expect, the whole thing hangs together brilliantly, sounding not unlike the soundtrack to an imaginary sci-fi horror set on a haunted spaceship.