Review: Barefoot Beats is a series of EPs released on Mareh Music, a record label based in Sao Paulo whose people are also the curators of the Mareh music festival in Boipeba - a remote island in Bahia. For their label's ninth edition, Rio de Janeiro's Joutro Mundo (Midnight Riot/Outra) delivers an edit of a lovely neon-lit boogie down number on "Revele", while on the flip the man from New York City Jkriv (Razor-N-Tape) gets a deep, soulful and life-affirming number into the mix with "Povo De Zambi".
Review: Fernando Zapico AKA Z@p is one of those producers whose work is always worth a listen, primarily because his quality threshold is very high. This two-track missive on My Own Jupiter picks up where his recent EP for Japanese imprint Cabaret left off, delivering faintly foreboding futurist techno whose sci-fi inspirations are clear to hear. A-side "Brutalismo" sets the tone, with paranoia-inducing analogue bass, creepy synth stabs and swirling electronic textures rising above a punchy drum machine-driven groove. "We Control The Sound" is notably denser and a little darker, with sturdier beats, moodier chord sequences and a bone-chilling breakdown.
Review: Transhumanism is a collective of Dutch producers who first met on the dance-floor at Dave Clarke's Whip It party at Melkweg in Amsterdam, so that will give you a reliable indicator of their sound: it's brash, serrated electro that fires your synapses and awakens your every sense. Juan Atkins and Helena Hauff have been dropping it all summer and it's easy to see why. There is strobe lit action from Slaves Of Sinus, walls of high intensity sound from RXmode, rave tinged stuff from W1b0 and a more throwback jam from TFHats to round out a high impact EP.
Review: Dropping a searing double pack of 10" badness ahead of the forthcoming Angels & Devils album, The Bug is back in business with some apocalyptic gutter bass of the highest order. "Freakshow" matches the leering delivery of Danny Brown with the sinister croon of King Midas Sound's Kiki Hitomi over a horn-laden trap swagger to devastating effect. "Louder" pits Flowdan in the depths of a nauseating half-step march, while "Dirty" takes the London MC into a barrage of equally nerve-jangling drum rattles and alarm-clanging stabs. Long-time Bug collaborator Daddy Freddy rolls up his sleeves for "Kill Them", anchoring the dread stomp with a fearsome growl as anthemic as it is nihilistic.
Review: Moscow's Arsenii is up next on New York City edits imprint Razor N Tape. Following up the great Allegria on Basic Fingers last year, he's back with some more obscure oddities spliced to perfection once again. He takes the razor to "Son of the Sun," which the label themselves describe as "the Shaft-in-outer-space drama" (and we agree completely) to the 'proto-balearic lilt' of "Jungle Melody" by Pierre Dalmon and of course the big band funk of "Fool Like A Child"; more commonly known to some as Christian Gaubert's "Sweet And Fool Like A Child" from 1979.
Review: Brooklyn label Razor-N-Tape get in on the Record Store Day action with this 10" edition of Beatin Tha Breaks from Nashville-based Magic In Threes. It's the remixes that come first, with Dutch artist Fouk going into similar house territory to Kenny Dope with plenty of live instrumental touches blessing the bristling percussion. It's a totally different vibe on the Freddie Joachem remix, with the Californian opting for some midtempo funk breaks that stay closer to the sound of Magic In Threes' original version . This closes out the RSD release on the B-side and is an easy-breezy affair dripping with soulful guitars and harmonies.
Review: A special release from Minimal Wave here as the uber rare Irene & Mavis EP from UK synth poppers Blancmange is granted a reissue! Those with a pub quiz winning level of knowledge of UK synth pop will no doubt be familiar with the 80s hits of Blancmange duo Neil Arthur & Stephen Luscombe, yet this debut EP dating back to 1980 will still sound revelatory. The self released Irene & Mavis EP marked Arthur and Luscombe to be fully willing to experiment with DIY electronics, impressing Mute founder Daniel Miller sufficiently to proclaim them "maiden aunts of electronic music," and thus more than suited as a subject of focus from the Minimal Wave label. There are definite similarities between this nascent stage of Blancmange and the output of Cabaret Voltaire from the same era, particularly in the masked and disembodied nature of the vocals, whilst "Holiday Camp" and "Just Another Spectre" are wonderful examples of instrumental synth music. Despite originally being released in 7" format, the six newly remastered tracks are presented here in 10" format by Minimal Wave with the distinctive artwork retained!
Review: Bruno E has plenty of history in the field of future jazz and downtempo, and now he's been snapped up by D3 to deliver some of that cold-chilling lounge business with some interesting remixers on board. Pat Van Dyke is up first, creating a blissful version of "Ventos De Outono" that feels as cosy as a warm fire and a glass of whisky on an autumn evening. The original version of the track is actually a peppier affair with a broken beat lilt that wouldn't sound out of place alongside the Dego and Kaidi Tatham crew. Kirk Degiorgio is a natural fit for another remix given his jazzy roots, and his swirling techno treatment is the perfection lotion to pour over Bruno E's excellent original ingredients.
Review: Russian enfant terrible Pavel Milyakov aka Buttechno appears next on Gost Zvuk: an imprint dedicated exclusively to the Russian and ex-USSR scene and only releasing music of producers from these regions. The label's seventh release (known elsewhere as 'Swamp Tracks') showcases the diverse array of Milyakov's sonic repertoire, that has seen his release on labels as diverse as Cititrax, Incienso and Zodiac 44. The fierce sonar transmission of "Project Loop 1" or "Subsonic II" will no doubt bear comparisons to Berlin legend Sleeparchive, but still hold their own. Milyakov is really in his element when delving deep into electro mutations as heard on "Industrial Acid" or the tripped-out minimal techno cut (and our favorite) "2x Clouds".
Review: Owen Jay & Melchior Sultana's track Contrasts featuring singer Mykle Anthony which was originally released on BBR07 on Kiss The Sun EP receives the remix treatment from the Spanish Brothers, Dubbyman & Above Smoke. Both tracks have the distinct Deep Explorer Sound of real depth and warm grooves. This is the first vinyl from a forthcoming series of 10".
Review: After succes releases on labels such as Tsuba, Slow Down, Sleazy Beats, Rose Records, and much more, German Luvless is ready with a strong release on Danish label Deso Records - You should is a strong Deep House track, with a beautiful hookline, that will make troubles everywhere is will be played. On the remix, we got the Mannequins back on Deso - this remix is supported by Jimpster to name one, Deep House when it is best. Limited solid white vinyl.
This EP is supported by names like: Mike W (Kolour Recordings) Lo Shea (Phonica) Nacjtbraker (Dirt Crew) Jimpster (Freerange) Onsulada (Yoruba) and much more! Get your deep head on!
Review: AKO welcome long-timer Madcap. Oxford-based and on the scene for a good 20 years, he's been slowly building up a powerful arsenal on the likes of Good Looking, Soul Deep, Fokuz and many more for the last 10+ years. With the backing of Stretch, on his fast-developing 10" label AKO 10, this is one of the biggest moves yet. "Out Of Reach" is big and breezy deep jungle, loaded with space for the pianos to smoulder and the echoed vocals to waft majestically in and out of the mix. Flip for "Sunshine Dub" where you'll feel you've heard it all before... In the best possible way. Don't sleep on this one, it's a cheeky one.
Review: "Is the Cornuta Sound's return after a long resting time. This new 10" contains one of the most saved songs by Above Smoke (Deep Explorer) that runs into the jazz world and an outro take for djs. The flipside brings a great rework by the label boss (W&P Hgg)."
Review: It's now been two decades since Gallic producer Joan-Mael Peneau first donned the Maelstrom alias for the very first time. He's been in particularly fine form of late, offering up essential EPs on Cultivated Electronics, Central Processing Unit and Private Persons. Here he makes his debut on Craigie Knowes' hard-wired techno and electro offshoot C-Know-Evil with a formidably tough two-track offering. A-side "Spasm" is a riotous fusion of metallic percussion hits, high-octane electro drums, doom-laden acid lines and bass so raw and intense it was probably made in Scotland from girders. He opts for an even more doom-laden techno sound on fizzing flipside "Turbulence", wrapping increasingly intense electronic motifs around a surging rhythm track.
Review: Prepare to fire! Skeppy's got a brand new cut and he's and everyone's allowed a cheeky buzz on it. Yes it's finally time to get your grubby paws on the long-awaited "Musket". One of the Exit Records artists' most divisive of tunes, unlike his darker deeper tackle it's a jaunty, spiky jump-up tune. Addictive, fun to mix and guaranteed to get the crowd all wound up, this has all the hallmarks of a festival D&B anthem this summer. Grab it while you can.
Review: Longstanding Innamind representative Mikael sparks up our inner freaks once more with two system-primed sub smashers. "Wildfire" see-saws on a pivot-like atonal riff over a lolloping sub/kick flow and big splash rimshots while "Lintumies" is a spacier jam where stretched outer-space aesthetics play games with your head and the bass keeps kicking you out of orbit.
Review: Hot on the heels of "Mission" earlier this year, Shuya Okino's Kyoto Jazz Sextet troupe present another gem from last year's Unity album complete with a remix of the highest calibre. This time the cascading, Latin rhythm and frenetic horn leads of "Rising" are given the midas dancefloor touch by none other than Ron Trent. Maintaining the wily spirit of the original while coating in warm organ blasts and subtly bumping kicks, it's a precision translation that brings the original into a whole new context.
Review: A limited yellow vinyl funk odyssey from Record Store Day, "I Get Lifted" is taken from KC & The Sunshine Band's second album (1975) Still sounding shiny and floor-minded, the original stands the test of time incredibly well. Todd Terje's edit, however, takes it to another level; upping the tempo (and, possibly, the key), he's extended the right places, added a little more emphasis on the kicks and made sure we can't miss the breakdowns and instrumental sections.
Review: Martin Jenkins dons the Pye Corner Audio alias once more, transferring to Death Waltz in order to deliver the soundtrack to an imaginary horror film. It's naturally an all-analogue affair, with Jenkins making the most of his impressive collection of vintage synths, analogue drum machines and effects units. There's much to enjoy from start to finish. Check, for example, the ghostly chords, foreboding bassline and spacey electronics of "Do You Hear Then", the creepy, Carpenter-ish horror-ambience of "It May Not Be Real", the evocative late night paranoia of "Descent" - which is similar in tone to some of Jonny Jewel's soundtrack work - and the clattering dancefloor throb of "The Spiral", whose bassline, beats and darting melodies are just begging to be played over a booming club soundsystem.