Review: When bands hit album four, two things can happen - or three. Some suffer from a crisis of creativity, opting to regurgitate or, worse still, stagnate. Others opt for reinvention, with as many getting it right as going well off-piste, alienating faithful fans in the process. The lucky ones, meanwhile, hit the nail on the head with their most accomplished and complete work to date. Consider Frankie Cosmos among the lucky ones, then, not that luck had much to do with it. Recorded in their New York hometown, everything about the record feels comfortable in that there's nothing forced, and yet it engages and grabs from the off. Lilting, lo-fi rock 'n' roll odes to love, life and the genre itself, anyone who's ever wondered what Cate Le Bon might sound like having a pancake breakfast with The Orielles should grab a seat at this table.
Review: It's business time. Alongside Seinfeld, Curb Your Enthusiasm or The Simpsons, references or refrain for New Zealand comedy act Flight of the Conchords are never far off. And with the pair garnering even more notoriety with their cameo songwriting appearing in shows like Rick and Morty, it's no surprise to hear they've delivered a special. Recorded live in London, and released in deluxe triple vinyl form via legendary Seattle label Sub Pop, if you can survive the raucous laughter between the punchlines across the night's setlist than you'll appreciate classics like "Inner City Pressure", "Mutha'uckas - Hurt Feelings" and "Bowie" that much more, and with live adlib commentary between the scenes too, "The Most Beautiful Girl (In The Room)" curtails this mega release with a most classic closer and encore! Happy Birthday.
Review: Joseph Donald Mascis, well known front man of Dinosaur Jr., provides a third solo instalment for Sub Pop in what you could call a trilogy of LPs for the Seattle label. It follows Tied To A Star (2014) and Several Shades Of Why (2011), and other than keys and occasional guest vocals, this record is proudly his own show. Still wistful and Americana at its finest, the warmth in Mascis vocal are a highlight on this LP and they come through bright yet forlorn on album opener "See You At The Movies", and sombrely so on "Web So Dense" too. And by the time you make your way to "Everything She Said" you may just feel like you've listened to new age Pearl Jam session without the dangerous amounts of whiskey.