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Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: With the Zomo Flightcase D-Live-2 NSE, you expand your DJ gear with a reliable partner that securely houses and stylishly showcases your Denon DJ SC Live 2 DJ controller. This high-quality flight case stands out for its robustness and elegance, and it belongs to the trendy NSE series - Night Style Edition, which is known for its unique aesthetics and durability.

As the ultimate protector for your DJ controller, the D-Live-2 NSE flight case takes on any challenge, whether you're traveling by car or flying. These resilient cases are ready to face any challenge and keep your valuable equipment safe from the harshest stage conditions.

Constructed from 9mm thick laminated plywood, this flight case offers an extra dose of stability. It withstands shocks, scratches, and effortlessly meets the demands of touring life. Sturdy ball corners and particularly robust, black lacquered aluminium profiles complete the durable construction and give the case an attractive and long-lasting aesthetic.

The handling of the D-Live-2 NSE flight case is incredibly easy. Before every performance, you can quickly and effortlessly remove the lid and front panel, even when the DJ controller is still inside the case. You'll always be ready to go and can fully focus on your performance.

The Zomo flight case not only excels in terms of practicality but also boasts an attractive appearance. The elegant NSE edition in black immediately catches the eye and enhances your professionalism. The convenient butterfly latches ensure secure handling by enabling easy opening and closing of the lid.

You can rely on high durability and optimal fit, providing your DJ controller with the space it deserves - safe, protected, and stylish.

Features of Zomo Flightcase D-Live-2 NSE:

Perfect fit: The Zomo Flightcase D-Live-2 NSE is tailor-made for the Denon SC Live 2 to ensure optimal protection and precision fit. Your DJ controller is always safe and well-protected.

High-quality construction: The flight case is made of laminated 9mm plywood, guaranteeing a robust and durable structure. It withstands both shocks and scratches.

Additional protection with interior padding: Interior padding protects your DJ controller from damage and unwanted influences, providing a secure and protected storage space.

Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even when the DJ device is still inside the case. Ideal for quick access before and after performances.

Elegant and eye-catching design: The Zomo flight case captivates with its elegant design in the black NSE edition, drawing all attention and emphasizing your professionalism as a DJ.

Robust butterfly latches: They ensure a secure closure of the flight case while remaining easy to use. They also offer the option to attach an optional lock for additional security.

Transport-friendly: Integrated handles make it easy and comfortable to transport the flight case.

High lifespan: The flight case's sturdy ball corners provide additional protection against shocks and vibrations, contributing to its high lifespan.

Technical Specifications:

Suitable devices: 1x Denon DJ SC Live 2
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 11.3 kg
Exterior dimensions: 716 (width) x 483 (depth) x 206 (height) mm
** The devices shown and/or mentioned in the photos are NOT included!

Suitable devices: Denon DJ SC Live 2
Suitable brands: Denon
Laptop shelf included: No

Notes: With the Zomo Flightcase D-Live-4 NSE, you can expand your DJ gear with a reliable partner that securely accommodates and stylishly showcases your Denon DJ SC Live 4 DJ controller. This high-quality flight case stands out for its robustness and elegance and belongs to the trendy NSE Series - Night Style Edition, which is renowned for its unique aesthetics and durability.

The Flightcase D-Live-4 NSE is the perfect shield for your DJ controller, whether you're traveling by car or air. These resilient cases are ready to face any challenge and protect your valuable equipment from the toughest stage conditions.

The flight case is made from 9mm thick laminated plywood, providing extra stability. This material safeguards against impacts and scratches, effortlessly withstanding the demands of touring. The sturdy construction is further enhanced by robust ball corners and specially reinforced, black lacquered aluminum profiles that ensure long-lasting durability while adding an attractive appearance to the case.

The Zomo Flightcase D-Live-4 NSE is incredibly user-friendly. The lid and front panel can be quickly and easily removed before each gig, even with the DJ controller still inside the case. This allows you to be ready for action at any time and focus entirely on your performance.

Not only does the Zomo Flightcase excel in practicality, but it also boasts an impressive visual appeal. Its elegant NSE Edition in black is a true eye-catcher that commands attention and emphasizes your professionalism. The case features convenient butterfly latches for secure handling, allowing for easy opening and closing of the lid.

You can rely on its high durability and optimal fit, ensuring your DJ controller receives the placement it deserves-secure, protected, and stylish.

Zomo Flightcase D-Live-4 NSE Features

Perfect fit: Custom-made for the Denon SC Live 4, the Zomo Flightcase D-Live-4 NSE provides optimal protection and a snug fit, keeping your DJ controller safe and well-protected.
Premium construction: Crafted from laminated 9mm plywood, the flight case offers a robust and durable structure that withstands both impacts and scratches.
Additional protection through interior padding: Soft interior padding safeguards your DJ controller from damage and unwanted influences, providing a secure and protected storage space.
Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even with the DJ device still inside the case. This is ideal for fast access before and after performances.
Elegant and eye-catching design: With its sleek design in the black NSE Edition, the Zomo Flightcase captures attention and highlights your professionalism as a DJ.
Sturdy butterfly latches: These ensure a secure closure of the flight case while remaining easy to use. They also provide the option to attach an optional lock for additional security.
Transport-friendly: Integrated handles make the flight case easy and comfortable to transport.
Long lifespan: The flight case's sturdy ball corners offer additional protection against impacts and vibrations, contributing to its extended lifespan.

Technical Specifications

Compatible devices: 1x Denon DJ SC Live 4
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 13.7 kg
Exterior dimensions: 716 (width) x 501 (depth) x 206 (height) mm

Notes: With the Zomo Flightcase PM-A9 NSE, Zomo present you with a tailor-made flight case for your Pioneer DJ DJM-A9 DJ Mixer. This special Night Style Edition (NSE) brings an elegant, dark look and gives your DJ setup an impressive aura. This advanced equipment flight case combines extreme durability with the highest functionality and excels in any tour routine.

The robust, black-painted aluminium profiles and extra sturdy ball corners of the Flightcase PM-A9 NSE ensure unparalleled durability. Additionally, they create an appealing, classy design that stands out in any environment. Another protective factor is the high-quality interior padding, which keeps your Pioneer DJ mixer safe from damage, scratches, or other external influences.

The modern, stylish design of the Night Style Edition skilfully showcases your equipment and perfectly complements the overall concept of the Zomo Flightcase in terms of professionalism and design. The butterfly clasps are not only easy to handle but also ensure a secure fit of the lid. For additional security, all NSE equipment cases can be locked with an optional padlock.

The Flightcase PM-A9 NSE is made of high-quality laminated 9mm plywood, making it particularly scratch and impact resistant. This demonstrates that Zomo Flightcases are guaranteed to be tour-ready and effortlessly withstand even the most demanding tour routines.

A special feature of the Zomo Flightcase PM-A9 NSE is the removable front panel, which allows easy access to the inputs of your DJ mixer during your performance without having to remove the DJ gear from the case.

With the Zomo Flightcase PM-A9 NSE you have the perfect solution for the safe transport and the professional use of your DJ mixer.

Features of Zomo Flightcase PM-A9 NSE

Provides secure protection against shocks, scratches, or external damages
High-quality construction and craftsmanship for the highest standards
Extra sturdy design
Modern design
Sturdily constructed interior padding
Convenient ball corners provide optimal shock protection
Quick-lock butterfly latches
Integrated handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 14.4 kg
Exterior dimensions: 461 (Width) x 563 (Depth) x 209 (Height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: No

Notes: With the Zomo Flightcase Rane Four, you get a custom-made flight case for the Rane FOUR. The Zomo Flightcase Rane Four is part of the exclusive NSE (Night Style Edition) collection, known for its aesthetic appeal and exceptional durability. It's not just a case; it's a statement - a statement of quality, design, and function.

Made of robust, laminated 9mm plywood, this case is designed to withstand the tough everyday life on and off the stage. It's reinforced with wide, black-painted aluminum profiles and extra sturdy ball corners, giving it high resilience. Whether you're on the road or in the air, the Zomo Flightcase Rane Four is ready to protect your valuable equipment.

The interior of the case is lined with high-quality padding to protect your controller from scratches, defects, or other damages. This way, you'll always be on the safe side, regardless of spilled drinks or unexpected drops.

But the Zomo Flightcase Rane Four is not just practical - it also looks fantastic. With its sleek, advanced design in the deep black NSE edition, this case is a real eye-catcher. The front panel can be easily and quickly removed, allowing you to access your controller's inputs even when the case is closed.

The Zomo Flightcase Rane Four is more than just a case - it's an investment in protecting your equipment. With its elegant design and robust construction, it's the perfect addition for any DJ who doesn't want to compromise on quality and style.

Features

Zomo Flightcase Rane Four
Protects devices from scratches, defects, or other damages
High-quality construction and craftsmanship
Extra sturdy design
Elegant design in deep black NSE edition
High-quality interior padding
Ball corners provide effective protection against shocks and impacts
High-quality butterfly latches for quick locking
Convenient carrying handles
Removable lid
Front panel is detachable for easy access to the device
Technical Specifications
Compatible devices: 1x Rane FOUR
Exterior material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 15.2 kg
External dimensions: 837 (width) x 532 (depth) x 207 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: No

Notes: The Zomo Flightcase PM-A9 Plus NSE is the ideal case for your Pioneer DJ DJM-A9 mixer. The unique Night Style Edition (NSE) gives this flight case an impressive, jet-black appearance that convinces not only with its robust quality but also with its stylish look.

As a renowned manufacturer of DJ cases, Zomo ensures that its products are suitable for both road and air transport. Therefore, the DJM-A9 equipment flight case is well-equipped to handle all DJ gigs effortlessly. Excellent internal padding reliably protects your equipment from damage, scratches, or external harm and also prevents the mixer from slipping.

The PM-A9 Plus NSE flight case is made of solid, laminated 9mm plywood, giving it high shock and scratch resistance. The extra-wide, black lacquered aluminum profiles and the sturdy ball corners ensure high durability, which is essential for professional use.

In case you need access to the mixer's inputs during your performance, the front panel can be quickly and easily removed even when the DJ gear is still inside the DJ case. A special feature of the PLUS version of this flight case is the integrated, pull-out laptop shelf. It provides a secure hold for your notebook during the performance, enhancing the case's practicality.

The Pioneer DJ equipment case in the dark NSE edition not only offers professional quality but also captivates with a classic appearance that is guaranteed to catch everyone's attention. The butterfly latches ensure a secure hold of the lid and allow for easy opening and closing. For additional protection, all NSE flight cases can be secured with an optional padlock.

With the Zomo Flightcase PM-A9 Plus NSE, you'll get a professional DJ case that leaves nothing to be desired in terms of quality, design, and functionality.

Features of Zomo Flightcase PM-A9 Plus NSE

Protects your equipment from negative influences
Premium quality and craftsmanship
Most stable construction
Contemporary design
Brilliant shelf for laptops
Well-crafted internal padding
Genius ball corners for optimal shock protection
High-quality butterfly latches
Convenient carrying handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Integrated pull-out shelf for 1x notebook up to 17 inches
Outer material: 9mm plywood
Color: Black (NSE)
Weight: 15.2 kg
External dimensions: 497 (Width) x 563 (Depth) x 220 (Height) mm
** The devices depicted and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: Yes

Notes: The Zomo Flightcase P-SL-A9 NSE is a set case suitable for the Pioneer DJ DJM-A9 mixer and 2x Pioneer DJ PLX-1000 turntables and convinces with a lot of details. The P-SL-A9 NSE flight case adds a new equipment case to the popular NSE series. This modern flightcase is incredibly robust to survive the hard tour everyday life without problems.

Abrasion, as well as cigarette burns, cannot harm the Flightcase P-SL-A9 NSE, thanks to the solidly processed, laminated 9mm plywood. Developed for the strenuous tour use, the Zomo Equipment flight cases are definitely tour-ready and protect your more expensive DJ equipment from damage, moisture or falls.

Thanks to the extra wide and black painted profiles made of aluminum and the massive ball corners, the Zomo DJ Case offers a very high durability. To exclude slipping of the DJ mixer, the DJM-A9 Equipment Flightcase is equipped with an excellent inner padding, which reliably protects the equipment from damage and scratches.

Even while your gear is still in the case, the front panel can be easily and quickly removed at the gig. The Zomo EA-1 angle adapter is recommended as a seperate accessory to connect the headphones even easier to the mixer.

The Pioneer DJ Equipment Case in the black NSE (= Night Style Edition) offers not only professional quality, but also convinces with a classic look - definitely an eye-catcher! For an incredibly secure fit of the lid and easy unlocking and locking provide the helpful butterfly snap locks. Additionally all NSE equipment cases are lockable with an optional padlock for higher protection against theft.

Features Zomo Flightcase P-SL-A9 NSE

Provides effective protection against shocks and scratches
High quality and workmanship for hardest use
Extra solid construction
classic design
High quality inner padding for best hold
Practical ball corners
High-quality butterfly fasteners
Integrated carrying handles for easy transport
Removable lid

Technical data

Suitable equipment: 1x Pioneer DJ DJM-A9 and 2x Pioneer DJ PLX-1000
Outer material: 9mm plywood
Color: Black (NSE)
Weight: tba
Outer dimensions: 1449 (width) x 563 (depth) x 209 (height) mm
** The devices shown and/or mentioned on the photos are NOT included!

Suitable devices:
Pioneer DJ DJM-A9
Pioneer DJ PLX-1000

Suitable brands: Pioneer DJ

Laptop shelf included: No

Notes: The Zomo Flightcase Rane Four Plus NSE Flightcase is custom-made for the Rane FOUR controller. Zomo expands its selection with the stylish NSE (= Night Style Edition) Flightcase, adding a new equipment flightcase to the lineup. In addition to its stylish appearance, the equipment case also impresses with its robust construction.

Thanks to the extra strong, black-painted aluminum profiles and the extra solid ball corners, the Zomo DJ Case offers exceptional durability. The practical internal padding of the Flightcase Rane Four Plus NSE guarantees secure protection for the Rane DJ controller against scratches, defects, or other damage.

The stylish, advanced design in the black NSE (= Night Style Edition) complements the concept of the Zomo Flightcase, not only with incredible professional quality but also in terms of design. The helpful butterfly latches allow for easy opening and locking, ensuring a highly secure hold of the lid. All NSE equipment cases can also be locked with an optional lock.

Cigarette embers, heat, and abrasion cannot harm the Flightcase Rane Four Plus NSE, thanks to the high-quality, laminated 9mm plywood. Designed for the rough stage environment, Zomo equipment flightcases are naturally suitable for road and air travel.

The front strip can be quickly and easily removed, even while your DJ gear remains in the case.

Features Zomo Flightcase Rane Four Plus NSE

High-quality flightcase suitable for the Rane FOUR controller
Provides high protection against shocks, scratches, or external damage
Professional craftsmanship for rugged touring use
Extra stable construction
Classic design in dark black NSE optics
Removable front strip - controller can remain in the flightcase
Useful storage for notebooks
Sturdily crafted interior padding for optimal grip
Convenient ball corners offer reliable protection against shocks and vibrations
Premium butterfly latches for quick closure
Practical handles for easy transport
Detachable lid
Technical Specifications
Compatible devices: 1x Rane FOUR
Retractable shelf for 1x 17-inch notebook integrated
Outer material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 19.3 kg
External dimensions: 873 (width) x 522 (depth) x 218 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: Yes

Notes: Right angle cable length is not including the connectors (plugs).

12"= 30 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira

Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Paperback; 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Paperback has bookplate signed by M Gira.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 70 Hz - 22 kHz
Frequency response (-3dB): 85 Hz - 20 kHz
Crossover: 3.2 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 100 dB SPL
Components: HF: 0.75" Dome, LF: 3.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 132 mm (5.2"), R Side: 132 mm (5.2")
Height: L Side: 223 mm (8.8"), R Side: 223 mm (8.8")
Depth: Side: 189 mm (7.4"), R Side: 177 mm (7.0")

Net weight: L Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Tiny but powerful studio monitors from Yamaha's hugely popular HS range. Impressive bass response all the way down to 60 Hz despite their compact dimensions. Here in their white colourway.

Supplier's Notes:
High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Yamaha's all-in-one portable production tool offers an exciting new take on music making. Synth and sampler engines combine with a built-in sequencer, allowing you to create tracks from scratch.

Supplier's Notes:
Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: ***B-STOCK: Box opened/damaged, but product is in excellent condition and in perfect working order***


Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: Entry-level model in the FGDP range, billed as the ultimate finger drum pads. The portable, rechargeable FGDP-30 features a built-in tone generator and speaker, all controlled by outstandingly responsive pads arranged in an ergonomic format.

Supplier's Notes:
The ultimate finger drum pad

With ultra-sensitive Pads in an ergonomic layout perfect for finger drumming, the FGDP features a Tone Generator, internal speaker, and rechargeable battery that make it a true all-in-one instrument that you can play anywhere. Let your fingers make the rhythm!

Made for finger drumming

Thoughtfully designed layout and Pads for the ultimate finger drumming performance. From sampled acoustic drums that sound like they're right in front of you to powerful electronic sounds, beloved and curated by top professional artists, covering a wide range of genres. Yamaha promises uncompromising performance.

Optimised layout

Introducing a distinctive Pad layout meticulously designed for optimal finger drumming by prioritizing ergonomic comfort.

With the FGDP, you have the freedom to assign Voices to Pads according to your creative vision, but at Yamaha, we recommend the 3-finger style. Harness the power of your thumb for the kick drum, rely on the enduring middle finger for precise hi-hat control, and let your dexterous index finger bring to life the delicate nuances and intricate phrases of the snare.

The home position enables you to effortlessly execute fundamental rhythms, like 8th notes using just one hand. You can use your other hand to play on the other symmetrically laid out pads to unleash captivating back beats in 16th note or double kick styles.

Equipped with an ample number of Pads perfectly suited for finger drumming, the FGDP empowers you to deliver your finest performances, setting itself apart from conventional Samplers and MIDI Pads.

Expressive precision

Featuring cutting-edge Pads designed to capture every subtle nuance, the FGDP ensures that no detail goes unnoticed. With the powerful combination of the internal Tone Generator, you can deliver delicate performances encompassing ghost notes, impactful accents, flams, and lightning-fast rolls. Moreover, the Pads support Aftertouch, enabling unique drumming techniques such as cymbal choking by applying pressure to a Pad while holding it pressed. With the FGDP, your drumming possibilities are limitless.

Specifications

Size/Weight

Dimensions
Width: 223 mm (8-3/4 in)
Height: 49 mm (1-15/16 in)
Depth: 195 mm (7-11/16 in)
Weight: 1.0 kg (2 lbs. 3 oz)

Packing Box
Width: 282 mm (11-1/16 in)
Height: 108 mm (4-1/4 in)
Depth: 244 mm (9-5/8 in)

Pad section

Drum Pads: 18 pads
Number of Trigger Settings: Preset 12
User: Preset overwrite
After Touch: Polyphonic, Channel

Control Interface
Voice Guide: English

Tone generator
Tone Generator AWM2

Maximum Polyphony: 64 notes
Drum kits: Preset: 39 Kits, User: Preset overwrite
Voices: 1,212
Kit Edit: Yes (only some parameter)
Effects Reverb: 11, Chorus: 10, Variation: 23, Speaker EQ: 5

Click
Tempo: 30 to 300 BPM, Tap Tempo supported.
Beat: 1 - 16
Others: Patterns (1/4, 1/4T, 1/8, 1/8T, 1/16, 1/16T, Clave)

Functions

Registration Memory

Number of Buttons: 2
Preset: 1 Bank, User: Preset overwrite

Amplifiers and Speakers
Amplifiers: 2.5 W
Speakers: 4 cm × 1

Other

Connectors
Headphones: Headphones/Output (Stereo mini jack x 1)
AUX IN AUX IN (stereo mini jack × 1)
USB: USB TO HOST (Micro B)

Power Supply
Power Supply: USB power adaptor 5 V/1.5 A or greater USB BC specification compatible products (Sold separately)
Internal Battery: 1,400 mAh, 4.5 Wh 3 hours
Power Consumption: 4 W

Accessories
Included Accessories: Owner's Manual, USB cable

Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: Part of Xaoc's Leibniz binary system, the Rostock is a digital delay line capable of processing triggers, audio, CV and video signals. Another useful module from the unique Leibniz series.

Supplier's Notes:
Rostock is a component of the Leibniz Binary Subsystem. It is a data pipeline, a FIFO (first in - first out) shift register, or a very short digital delay. The module operates similarly to a BBD delay or an ASR (analogue shift register), except that it is digital. It consists of a chain of memory cells that pass bits from one to another at each clock cycle. The delay length is variable from 1 to 64 stages (with optional looping and scrambling). It works by processing data in the Leibniz bus and must be connected to other Leibniz modules using data ribbon cables at the back. Rostock may process data sequences representing rhythms, control voltages, audio-rate signals, and even video signals because the bits can change at extreme rates (up to 2MHz). In addition, its memory may be digitally looped. Delaying and looping is a fundamental building block for sequence automation, pattern and chaos generation, and various cybernetic modular patches. Thus, Rostock is a multi-purpose open-ended device that invites creative thinking.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Current draw: +70mA/-40mA
Reverse power protection

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Part of Xaoc's range of modular mixing tools, the Bohumin 1966 is a commander module for Ostrawa stereo mixer modules, adding a second stereo aux bus, voltage control and manual attenuators with clickless mutes

Supplier's notes:
Bohumin [bo'xumin] is an expander for Xoac Deives' Ostrawa full stereo mixer module. By connecting to Bohumin, Ostrawa gains a second full stereo AUX bus with voltage control over the amount of the effect on each channel. Bohumin features manual attenuators for stereo returns of both AUX A and AUX B, as well as four gate inputs for automated clickless muting of each stereo input channel. Please note that Bohumin is not compatible with Ostrawa's sister module Praga. Similarly, Praga's expander Hrad cannot be connected to Ostrawa. However it is possible to chain any combination of Ostrawas and Pragas, and each of them may have its corresponding expander attached.

Technical details

10hp, skiff friendly
Power drawn from Ostrawa: +50mA/-40mA

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.

Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Features

Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds

Specifications

Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling

Notes: Inside this brand new issue:

Totally Wire-d: A 20 page special unpicking everything you wanted to know about Mark E Smith and The Fall by the totally Wire-d writers' squad: Claire Biddles, Graham Duff, Esi Eshun, Louise Gray, Michael Fenton, Jo Hutton, Leah Kardos, Stewart Lee, Craig Leon, Eugene S Robinson, Bruce Russell, Dave Segal, Richard Thomas, Spenser Tomson, Brian Turner and Kek-W

House Of All: Tessa Norton talks to the new band formed by ex-Fall members about life after Mark E Smith

Invisible Jukebox: No Home: Will The Wire's mystery record
selection raise Fucking Hell for the London DIY artist? Tested by Meg Woof

Nondi_: Pennsylvanian footworker reports from Flood City. By Neil Kulkarni

Kristen Roos: Vancouver synthesist embraces limitations. By Robert Barry

Natalia Beylis: Kyiv born sound artist makes water magic. By Brian Coney

Andy Akiho: Sculpted sounds from the US composer. By Kurt Gottschalk

Unlimited Editions: Edition Telemark. By Peter Margasak
Unofficial Channels: The Deep Ark. By Michaelangelo Matos

Global Ear: Oakland: Anti-gentrification in the East Bay. By Collin Smith

The Inner Sleeve: DJ Scotch Egg on Faust's You Know Faust

Epiphanies: Adele Bertei heeds the siren call of Patti Smith

Print Run: ESG's Come Away With ESG by Cheri Percy; Alien Territory: Radical, Experimental & Irrelevant Music In 1970s San Diego by Bill Perrine; Come My Fanatics: A Journey Into The World Of Electric Wizard by Dan Franklin; Season Of The Witch: The Book Of Goth by Cathi Unsworth; Neil Ardley: Kaleidoscopes And Rainbows by Vivian Ardley with John Coles & Dave Gelly; Empire Roller Disco: Photographs By Patrick D Pagnano by Sara Rosen & Patrick D Pagnano; The Future Of Rock And Roll: 97X WOXY And The Fight For True Independence by Robin James; Ain't But A Few Of Us: Black Music Writers Tell Their Story by Willard Jenkins (Editor)

On Screen: Jordan Albertsen Boom: A Film About The Sonics; Christina Batte WNYU: The World's Best Radio Station In The World

On Location: Bergamo Jazz Festival, Bergamo, Italy; aya x MFO, London, UK; Borealis, Bergen, Norway; Big Ears, Knoxville, US; Birds Of Paradise, Utrecht, Netherlands; Counterflows, Glasgow, UK; Claire Rousay, London, UK; The Philadelphia Orchestra, New York, US; Moin, London, UK; Fred Moten/Brandon Lopes/Gerald Cleaver, London, UK; Sixth Edition: Festival For Other Music, Stockholm, Sweden; Tremor, Sao Miguel, Portugal; Object Collection: HOUSECONCERT + Neil Luck & Mimi Doulton, London, UK; Sonic Protest, Paris, France; Rewire, The Hague, Netherlands

On Site: Season

Soundcheck: Nancy Andrews & Linda Smith, Martyna Basta, Andrea Belfi, DJ Brittle, Gerald Cleaver, Cold Comfort, Paul B Cutler, Mark Dresser, Paul Dunmall Ensemble, Fire! Orchestra, Fourth World Magazine III, Godflesh, Goodiepal & Bananskolen, Gunnar Gunnsteinsson, Heleen Van Haegenborgh, Alexander Hawkins Trio, IzangoMa, Rickie Lee Jones, Zubin Kanga, Marie Kruttli, Lucy Liyou, Dave Lombardo, Mandy, Indiana, Donny McCaslin, Metallica, Me:You, Modern Cosmology, MV & EE, Old Saw, Joaquin Orellana, Aruan Ortiz Trio, Massimo Pupillo/Malcolm McDowell/Gabriele Tinti, Taiko Saito, Marta Salogni & Tom Relleen, Brandon Seabrook, Skull Practitioners, Wadada Leo Smith & Orange Wave Electric, Sparks, Specime, Temps, Henry Threadgill Ensemble, Alan Wilkinson/Alex Ward/Jem Doulton, Venamoris, VHS Head, Jozef Van Wissem & Jim Jarmusch, Wobbly, billy woods & Kenny Segal, MC Yallah, Yetsuby, Various Music Perspective Vol 1

The Boomerang: Enhet For Fri Musik, Milford Graves with Arthur Doyle & Hugh Glover, Anna Homler & Richard Sanderson, Juju, Roland Kayn, Angus MacLise, Toshimaru Nakamura, Julien Ottavi, Joel Stern, Suicide, Lewis Taylor, Uboa, Alan Vega, Various Suburban Annihilation: The California Hardcore Explosion From The City To The Beach 1978-1983

Notes: Inside this issue:

Annea Lockwood: Having explored the outer reaches of sound across a multi-decade career taking in burning pianos, animals and pulsars, the New Zealand composer turns her attention to love and loss. By Louise Gray

Once Upon A Time In Maida Vale: In 1970s London, Spanish exile Miguel JM Garcia Garcia established a space where anarcho punk and industrial music would flourish. By Nick Soulsby

Svitlana Nianio: The Ukrainian vocalist and keyboard player approaches folk song with an experimental ear. By Olena Pohonchenkova

Invisible Jukebox: Gerald Cleaver: Will the US drummer and electronic composer Adjust to The Wire's mystery record selection - or end up In The Wilderness? Tested by Collin Smith

Kramer: From Bongwater and Butthole Surfers to Palace, Low and now Laraaji - the US producer, musician and Shimmy-Disc proprietor continues to produce prosthetic memories. By Emily Pothast

Unlimited Editions: Guruguru Brain

Unofficial Channels: Radio Amnion

Coffin Prick: Moog and monotone from the Los Angeles synthesist. By Abi Bliss

Ellen Zweig: The New York based composer speaks out. By Robert Barry

Goat: Japanese rock gets polyrhythmic. By James Hadfield

Ziur: Digital to physical for the Berlin based producer. By Milos Hroch

Global Ear: Bucharest: DIY electronics vs minimal techno in the Romanian capital. By Steve Rickinson

The Inner Sleeve: Abdullah Miniawy on Fela Kuti's Fear Not For Man

Epiphanies: Sunik Kim and the human nature of Conlon Nancarrow

The Wire Tapper 62: A track-by-track guide to this issue's free CD

Print Run: Twist: An American Girl by Adele Bertei, Living Metal: Scenes Around The World edited by Bryan Bardine & Jerome Stueart, Decolonial Metal Music In Latin America by Nelson Varas-Diaz, Composing While Black: Afrodiasporic New Music Today edited by Harald Kisiedu & George E Lewis, John Wetton: An Extraordinary Life edited by Nick Shilton, The Great Psychic Outdoors: Lo-Fi Music And Escaping Capitalism by Enrico Monacelli, Uncurating Sound: Knowledge With Voice And Hands by Salome Voegelin, Singularity Codex: Matthew Shipp On RogueArt by Clifford Allen, Cosmic Scholar: The Life And Times Of Harry Smith by John Szwed

On Screen: David Cronenberg Naked Lunch; Emil Spoelder The Dream Syndicate: How Did We Find Ourselves Here?

On Location: ZEZ, Zagreb, Croatia; The Silent Eye, London, UK; Why The Mountains Are Black, Konitsa, Greece; 24-Hour Drone, New York, US; Model/Actriz, London, UK; Hawkwind + Voivod, London, UK; Blue Now, London, UK; Impressions Of John Coltrane: Nat Birchall Quintet + David Angol Quartet + Ed Jones/Dominic Lash/Mark Wastell + Alan Skidmore, London, UK; Thing In The Spring 15, Keene, US; Suzanne Ciani + Li Yilei, London, UK; Sonar, Barcelona, Spain; Sophie Agnel, London, UK

On Site: XXL Dreams, The Hague, The Netherlands; Museum Of Portable Sound, Portsmouth, UK/Online

Souncheck: Eve Aboulkheir/Lasse Marhaug, Emil Amos, Steve Beresford & Angharad Davies, Lea Bertucci & Lawrence English, Adam Bohman/Martin Hackett/Sue Lynch, Dominic Coles, Mike Cooper, John Dikeman/Pat Thomas/ John Edwards/Steve Noble, Aaron Dilloway, Aaron Dilloway & AMURTARITI, Kevin Drumm, Baxter Dury, The End, Fabio Frizzi, JB Glazer, Beverly Glenn-Copeland, Mats Gustafsson & Andreas Roysum, Hackedepicciotto, I Paesani featuring Gunter 'Baby' Sommer, Illegal Crowns, Kassel Jaeger, Killer Mike, Sunik Kim, Kœnig, Ana Kravanja & Elisabeth Harnik, Ana Kravanja & Vitja Balsalorsky, Laraaji & Kramer, Damon Locks & Rob Mazurek, The Nonidentical, Oxbow, Lucie Pachova, Sally Potter, Michael Allen Z Prime, Qow, Jer Reid & Tony Bevan, Dean Rodney Jr & The Cowboys, Renata Roman/Paola Ribiero/Laura.aLL, Kristen Roos, Rrose, Sexmob, Ben Scher, JG Thirlwell/Mivos Quartet, Pat Thomas, Pat Thomas & Caroline Kraabel, Pat Thomas/Chris Sharkey/Luke Reddin-Williams, David Toop & Lawrence English, Dafne Vicente-Sandoval/Lars Petter Hagen, Ute Wassermann, Weird Beard, Semay Wu, Ziur, ZULI, Various Disruptive Frequencies

The Boomerang: Air Miami, Dorothy Ashby, Autechre & Hafler Trio, The Black Dog, Black Dog Productions, John Coltrane with Eric Dolphy, Gate, High Rise, Harold Land, The Plastic People Of The Universe, Sandwell District, Saphron, Vivian Stanshall, Frank Zappa, Various Bullshit Detector Vols 1-3

Notes: On the cover: Darius Jones: The New York based composer and saxophonist draws connections between Fluxus and US avant jazz. By John Morrison. Plus: Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith; Clarissa Connelly: The Scottish born, Denmark based multi-instrumentalist meditates on myth, memory and modernity via her singular songcraft. By Leah Kardos; Shovel Dance Collective: The London avant folk ensemble balance the trad and the weird. By Lucy Thraves; Invisible Jukebox: Ka Baird: Will the New York based artist lose their Bearings when faced by The Wire's mystery record selection? Tested by Ryan Meehan. Also inside this issue: The Wire Tapper 64; Arushi Jain; Kulku; Harmony Holiday; Richie Culver; Unlimited Editions Industrial Coast; Unofficial Channels The Rest; Global Ear: Dublin; The Inner Sleeve by Raji Rags; Epiphanies by Aura Satz; many pages of reviews and much more.

Notes: Inside our brand new issue:

Still House Plants: London's post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones's motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire's mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists' Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O'The Clock, Goran Kajfes Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinono, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Duul, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain't It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cardenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: Andre 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: It? Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Brighde Chaimbeul, London, UK

On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

Notes: Inside our brand new issue:

Dave Lombardo: The former Slayer drummer and frequent collaborator unveils his solo drumming debut. By Phil Freeman

Invisible Jukebox: Laura Ortman:The White Mountain Apache violinist passes The Wire's mystery record test. Tested by Laina Dawes

Once Upon A Time In San Diego: At the dawn of the 1990s, an underdog punk scene stirred in southern California. By Tony Rettman

Paul Dunmall: Former hippy and ardent woodworker Paul Dunmall is the wildcard of UK free music. By Clive Bell

Luciano Maggiore: Everyday life provides inspiration for the Italian performance artist. By Edward Henderson

Unlimited Editions: WV Sorcerer Productions

Unofficial Channels: Doom & Gloom From The Tomb

Dwight Trible: US jazz vocalist aims low. By Brian Morton

Alison Cotton: Folk for freedom. By Abi Bliss

PoiL Ueda: Chants are a fine thing for the French-Japanese prog ensemble. By JR Moores

Global Ear: Ho Chi Minh City: Wild weekends in Vietnam's largest city. By Mike Steyels

The Inner Sleeve: Karl O'Connor aka Regis on The Wolfgang Press's Bird Wood Cage

Epiphanies: Verity Susman finds childhood solidarity with Woodcraft Folk's anti- apartheid protest songs

Print Run: Spectral Sounds: Unquiet Tales Of Acoustic Weird edited by Manon Burz-Labrande; Dance Your Way Home: A Journey Through The Dancefloor by Emma Warren; I Thought I Heard You Speak: Women At Factory Records by Audrey Golden; Easily Slip Into Another World: A Life In Music by Henry Threadgill & Brent Hayes Edwards; Ivor Cutler: A Life Outside The Sitting Room by Bruce Lindsay; The Listening Biennial Reader edited by Brandon LaBelle; The Art Of The Straight Line: My Tai Chi by Lou Reed; Linger On: The Velvet Underground by Ignacio Julia; Sonic Meditations by Pauline Oliveros; Sonorous Desert: What Deep Listening Taught Early Christian Monks - And What It Can Teach Us by Kim Haines-Eitzen; Listen: Jeph Jerman In Conversation With Aram Yardumian by Aram Yardumian, Steve Jansen & Jeph Jerman

On Screen: Takashi Makino The New Cosmos: Short Film Works

On Location: Eva-Maria Houben, London, UK; No Home + R.AGGS, London, UK; A Tribute To Derek Bailey, New York, US; Women From Space, Toronto, Canada Cyber Palace 3: New Order, Taipei, Taiwan; Dither Plays Laurie Spiegel's The Expanding Universe, New York, US; URLAND, Rotterdam, Netherlands; Wet Ink Ensemble Presents: Winter Chamber Concert, New York, US; Frequency Festival, Chicago, US; MaerzMusik, Berlin, Germany; John Bence + Tara Clerkin + Don Mandarin/Rastu And Om Shanti, Bristol, UK; Swordman Kitala + Soft-Bodied Humans, Brighton, UK

On Site: Eccentric 80s: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum And Contemporary Accomplices, Berlin, Germany; Massimo Bartolini, Prato, Italy; Not Necessarily In The Right Order, London, UK

Soundcheck: Adjunct Ensemble, Aksak Maboul, Ale Hop & Laura Robles, CEL, Buck Curran, Dez Dare, amby downs & Steve Gunn, Fire-Toolz, Josephine Foster, Steve Gunn & David Moore, Mats Gustafsson & Joachim Nordwall, JPEGMAFIA & Danny Brown, Kaze & Ikue Mori, Brandon Lopez Trio, Annelies Monsere, Jason Moran, Drew Mulholland, Mat Muntz, Pascal Niggenkemper, Nondi_, Nosaj from New Kingdom & Steel Tipped Dove, Alva Noto, The Orb, Oval, Ozmotic | Fennesz, Alex Paxton, Proc Fiskal, The Purge Of Tomorrow, Fatima Al Qadiri, Lana Del Rabies, Nein Rodere, Saint Abdullah & Jason Nazary, Santa Muerte, Scotch Rolex & Shackleton, Colin Andrew Sheffield, Spirit Of Hamlet, The Storm Bugs, Sunburned Hand Of The Man, galen tipton, Penelope Trappes, Xylouris White, Various Solstice: A Tribute To Steffen Basho-Junghans

The Boomerang: Black Eyes, Adam Bohman, Joanna Brouk, Tony Conrad/Arnold Dreyblatt/Jim O'Rourke, Roxy Gordon, The Holy Modal Rounders, Jackie-O Motherfucker, Greg 'Stackhouse' Prevost, Pharoah Sanders Quartet, Robert Schroeder, Louis Stewart, The Stan Tracey Quartet, Various Quartz/Mirliton Cassettes: 1971-1979 Vols 1 & 2

Notes: Inside this brand new issue:

Releases of the Year: Wire asked their contributors to vote for their top ten records, CDs, streams and more, then added up the votes

Critics' Reflections: Wire's writers discuss their memorable cultural experiences of the year

Columnists' Charts: Wire's specialist critics delve deep into their musical niches from noise to modern composition

Archive Releases of the Year: Wire asked their contributors to vote for their top ten archive records, CDs, streams and more, then added up the votes.

Engineered Phantoms: AI for the masses. By Abi Bliss

Back to the Land: Strange as folk. By Louis Pattison

Rival Camps: Crossing the streams. By Britt Brown

Weapons of Mass Distraction: Artists and Gaza. By GAIKA

Invisible Jukebox: Linton Kwesi Johnson: The veteran reggae poet faces down The Wire's mystery record selection. Tested by Gabriel Bristow

Laetitia Sadier: The Stereolab founder promotes community and healing with her new solo work. By Claire Biddles

Fred Frith: The Henry Cow co-founder returns to his groundbreaking 1974 album Guitar Solos with a reissue and a new album. By Clive Bell

Unlimited Editions: Bead Records

Unofficial Channels: Lanner Chronicle

Phil Geraldi: Road head music. By Emily Bick

HUUUM: Viennese whirl. By Ilia Rogatchevski

Lisa Ullen: Piano magic. By Peter Margasak

Thomas Ignatius: Medieval synthpop. By Leah Kardos

Global Ear: Chicago Democracy and improv in the Midwest. By Levi Dayan

The Inner Sleeve: Vince Clarke on The Human League's Travelogue

Epiphanies: Mariam Rezaei on Persian pitch-shifting

Print Run: Dancehall: The Rise Of Jamaican Dance Culture by Beth Lesser; Lost In Room: Mark Perry, Alternative TV And Related, 1977-1981 by Richard Johnson; Deep Blues 1960-1988 by Val Wilmer; Ukrainian Field Notes edited by Gianmarco Del Re; At The Vanguard Of Vinyl by Darren Mueller; Too Much Too Young: Rude Boys, Racism And The Soundtrack Of A Generation - The 2 Tone Records Story by Daniel Rachel; NOTHING IS POSSIBLE NERVOUSNESS, OR IMMORALITY DON'T WAIT TO BE HUNTED TO HIDE/ SPOILT HEALTH by TRS: The Fucking Terrible Receding Shapes, Trading As TRIPLE NEGATIVE

On Screen: Midori Takada: Japan On Film; Robert Fantinatto Subotnick Portrait Of An Electronic Music Pioneer

On Location: Recombinant Festival, San Francisco, US; Sir Richard Bishop, Edinburgh, UK; Week-End Fest, Cologne, Germany; Black Industrial | Noise Event 4: Ain Bailey, London, UK; Out.Fest, Barreiro, Portugal; Gonerfest 20, Memphis, US; Sonica Surge, Glasgow, UK; People Like Us, London, UK; Loraine James, San Francisco, US; Usurper: That's That Then, Edinburgh, UK; Easter Margins Road 2 Redline Tour with OverMyBody Taipei, Taiwan; Donaueschinger Musiktage 2023, Donaueschingen, Germany

On Site: Val Wilmer Blue Moments, Black Sounds, London, UK; Meredith Monk: Calling, Munich, Germany; Barbara Ess Archives, New York, US

Soundcheck: Aesop Rock, Agitation Free, All Men Unto Me, Alternative TV, Chino Amobi, Andre 3000, Erlend Apneseth Trio & Maja SK Ratkje, Anenon, Daniel Bachman, BEAM SPLITTER + Eivind Lonning & Espen Reinertsen, Beans, Lea Bertucci, Better Corners, Galya Bisengalieva, Black To Comm, Andy Blade & Buddies, Danny Brown, Conflux Coldwell, Amelia Cuni/Werner Durand/Uli Hohmann, CZN, Angharad Davies & Phil Julian, Eartheater, Max Eastley/Terry Day/John Butcher, Carlos Ferreira, Peter Gabriel, Gruzja, Holy Tongue, Robert Hood & Femi Kuti, Idea Fire Company, Ed Jones/Dominic Lash/Mark Wastell, KAVARI, Kid Acne, Klein, Anysia Kym & Jadasea, Dominic Lash/Rachel Musson/Phil Durrant/Steve Noble, Joelle Leandre & Rodolphe Loubatiere, George Lewis/ICE, DJ Manny, Trevor Mathison, Myra Melford's Fire & Water Quintet, MHYSA, Moin, Maggie Nicols/Matilda Rolfsson/Mark Wastell, Steve Noble, Aki Onda, Ordeal, Aruan Ortiz, Tony Oxley, Eddie Prevost/NO Moore/James O'Sullivan/Ross Lambert, Janneke van der Putten, Lucy Railton, Maja SK Ratkje & Nordic Affect, Mike Reed, Marc Richter, Raphael Rogi?ski, Patrick Shiroishi, Timelash, David Toop & Tania Caroline Chen, Universal Harmonies & Frequencies, V/Z, Alex Ward Items 6 & 7, Teresa Winter, Various C-01 Compilation, Various Flux Gourmet: Original Motion Picture Soundtrack

The Boomerang:

Barry Bermange/Delia Derbyshire/The BBC Radiophonic Workshop, Earth, Khanate, Meat Puppets, Meshuggah, Het Pandorra Ensemble, Penny Rimbaud/Mikado Koko, Rudimentary Peni, Archie Shepp, Masayuki Takayanagi New Direction Unit, War, Frank Zappa, Various The Complete Obscure Records Collection, Various One Mile From Heaven, Various Spectra Ex Machina: A Sound Anthology Of Occult Phenomena 1920-2017 Vol 2

Notes: Inside the brand new issue:

Don & Moki Cherry: An 18 page special surveying the globe-trotting creative achievements of Don Cherry's organic music family by The Wire's crack writing team: Frances Morgan, David Grundy, Howard Mandel, Neil Kulkarni, Francis Gooding, Magnus Nygren, Gabriel Bristow, Bill Meyer, Marcus J Moore, Pierre Crepon, Matt Krefting, Phil Freeman, Emily Pothast, Clifford Allen, Clive Bell and Jo Hutton.

The Pitch: The Berlin improvising collective connect the sonic with the social. By Peter Margasak

Invisible Jukebox: GAIKA: Will The Wire's mystery record selection reduce the London polymath to "Eternal Tears"? Tested by Ciaran Thapar;

Feng Jiangzhou: Experimental rock gets down and dirty in the hands of the Beijing noise veteran. By Anla Li.
Unlimited Editions: Pakapi Records
Unofficial Channels: Ethio-Pain
Aho Ssan: Networking with the Paris based producer. By Antonio Poscic

Powerplant: UK-Ukraine synth punks touch grass. By Spenser Tomson

Janneke van der Putten: Strange overtones from the Dutch vocalist. By Abi Bliss

Global Ear: Sao Paulo: Tape against tradition in the Brazilian metropolis. By Romulo Moraes
The Inner Sleeve:Suzanne Ciani on Glenn Gould/Johann Sebastian Bach's The Goldberg Variations
Epiphanies: John Butcher goes deeper underground

Print Run: Queer Blues: The Hidden Figures Of Early Blues Music by Darryl W Bullock; Stampfel On Weber And The Complete Boston Broadsides 1964-1967 by Peter Stampfel; Conrad Schnitzler: Manchmal Art Es In Musik Aus (Sometimes It Turns Into Music) edited by Gregor Jansen; Music Farther Outside: Experimental Music During Brexit And The Pandemic by Bill Shoemaker; Acid Detroit: A Psychedelic Story Of Motor City Music by Joe Molloy; Party Lines: Dance Music And The Making Of Modern Britain by Ed Gillett; Radio Art Zone edited by Sarah Washington

On Screen: Amanda Kim Nam June Paik: Moon Is The Oldest TV; Stewart Morgan Hajdukiewicz A Bright Nowhere: Journeying Into Improvisation

On Location: Doon Kanda, London, UK; Heroines Of Sound Festival, Berlin, Germany; Nkisi, London, UK; Disruptive Frequencies, London, UK; Edith Steyer, Berlin, Germany; DJ Sprinkles + Bezier, New York, US; Tomorrow Festival, Shenzhen, China; Ground Music Festival, Brusati, Italy; King Ayisoba + Ayuuna Sale + ZEA, Berlin, Germany; Experiments In Opera: Anthony Braxton Theater Improvisations, New York, US; Causa Efeito: O Novo Jazz Na Nova, Lisbon, Portugal

On Site: Brian Eno & Jir?i? Pr?i?hoda: Nave; Nwando Ebizie: Extreme Unction Vol 2
Soundcheck: DJ 0.000001, Abyss X, Jason Adasiewicz, Aphex Twin, Titi Bakorta, Baldruin, Natasha Barrett, Han Bennink & Terrie Ex, Big Freedia, Blevin Blectum, John Butcher, John Butcher/Dominic Lash/Emil Karlsen, John Butcher/Pat Thomas/ Dominic Lash/Steve Noble, Broken Chip, Kate Carr, The Chap, Ben Chasny & Rick Tomlinson, Coffin Prick, Coral Sea, Alan Courtis & David Grubbs, Darsombra, Angel Bat Dawid, Arnold Dreyblatt, Nick Dunston, DJ Finale, GAIKA, Gerard Grisey/Anders Tveit/NyNorsk Messingkvintett, Laurel Halo, Joshua Hill & Micaela Tobin, Iceboy Violet, Irreversible Entanglements, Mick Jenkins, DJ K, King Kashmere & Alecs DeLarge, Kong, Mary Jane Leach, Ruth Mascelli, Merzbow/Smegma, Million Square, Minaru, MonoLogue & Matt Atkins, MSSV, Normal Nada The Krakmaxter, Nakibembe Embaire Group, Pauline Oliveros, Pauline Oliveros/IONE/Christopher Willes/Public Recordings, Kassa Overall. Pelicanman, Ava Rasti, Seven)Suns, Six Organs Of Admittance, SLW cc Watt, Smegma/Merzbow, DJ Smiley Bobby, Soft-Bodied Humans, Stinking Lizaveta, Ken Vandermark & Hamid Drake, Winkhaus with Steve Beresford, DJ Znobia, Various ?, Various Gespensterland, Various The NID Tapes: Electronic Music From India 1969-1972, Various Red Hot & Ra: Nuclear War, Various Red Hot & Ra: Nuclear War Remixes, Various Smalltown Supersound Remix Anthology 2002-2022 Vol 1-4

The Boomerang: Da Slyme, Dawson, The Dream Syndicate, Mark Fell & Will Guthrie, Lee/Hampel/Waisvisz/Gosseye/Johansson, Max Roach, David Shea, Various Magnetizdat DDR: Magnetbanduntergrund Ost 1979-1990/East German Tape Underground 1979-1990, Various Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958-1971, Various Richard Sen Presents Dream The Dream: UK Techno, House & Breakbeat 1990-1994, Various SSR Records: In Retrospect

Notes: Inside this brand new issue:

The Haxan Cloak: From his bedroom in Wakefield to the City of Angels, the UK born producer, composer and musician talks darkness, light and scoring the unspeakable. By Joseph Stannard

DJ Znobia: The Angolan kuduro innovator relates the invention and evolution of the influential dance style. By April Clare Welsh

Linda Smith: The return of the Baltimore songwriter who amassed a wealth of lo-fi pop in the 1980s and 90s. By Claire Biddles

Ariel Kalma: The electronic music veteran maintains his cosmic trajectory well into his seventies. By Daniel Spicer

Invisible Jukebox Kahil El'Zabar: Will the US bandleader know What It Is! when faced with The Wire's mystery record selection? Tested by Howard Mandel

Unlimited Editions: Thanatosis Produktion

Unofficial Channels: The Blindboy Podcast

The Inner Sleeve: Teresa Winter on Saint Etienne's Foxbase Alpha

Global Ear: Santiago Underground resistance in the Chilean capital. By Juan San Cristobal Lizama

Billy Bultheel: Queer cyberaesthetics from the Belgian composer. By Edward Henderson

Lumpeks: Franco-Polish folk jazz fun. By Gabriel Bristow

Yasuhiro Morinaga: Concrete traditionalism from the Japanese sound recordist. By Clive Bell

John Pope: Geordie improv bassist gets communal. By Abi Bliss

Epiphanies: Edward Ka-Spel makes hay with Faust

Print Run: Eric Dolphy by Guillaume Belhomme; Where We Come From: Rap, Home And Hope In Modern Britain by Aniefiok Ekpoudom; Transfigured New York: Interviews With Experimental Artists And Musicians, 1980-1990 by Brooke Wentz; Tokyo Jazz Joints by Philip Arneill with James Catchpole; Hans Reichel: Daxophonie edited by Klaus Untiet & Peter Klassen; Love, Sex & War: Terry Day Lyrics by Terry Day & Blanca Regina (Editor); Split Friction by Birgit Ulher; Trad, Gras Och Stenar: A Collective History by Hakan Agnsater, Mats Eriksson Duner, Jakob Sjoholm & Jonas Stal

On Screen: Daniel Weintraub Deep Listening: The Story Of Pauline Oliveros

On Location: Jazz Rumours, London, UK; Construction Festival, Dnipro, Ukraine; En Masse, Bristol, UK; Mariam Rezaei + Angharad Davies + Atzi Muramatsu + Semay Wu, London, UK; MAVI + Armand Hammer + Fly Anakin, Manchester, UK; Tashi Dorji & Alex Zhang Hungtai, New York, US; Le Guess Who?, Utrecht, Netherlands; Jazzfest Berlin, Berlin, Germany; Other Minds, San Francisco, US; Haunted Dancehall, Dublin, Ireland; Ska?u Mess, Riga, Latvia

On Site: Lutz Bacher AYE!, London, UK; Reynols 30th Anniversary Exhibition, Newcastle upon Tyne, UK; Don Van Vliet, Standing On One Hand, London, UK

Soundcheck: Al Karpenter, Al Karpenter & CIA Debutante, Among The Rocks And Roots, Marc Baron & Mark Vernon, The Body & Dis Fig, Joseph Branciforte & Theo Bleckmann, Allison Burik, N Chambers, George Crumb, Dez Dare, Darkspace, Divine Horsemen, Samuel Goff/Camila Nebbia/Patrick Shiroishi, Kim Gordon, Madison Greenstone, Keiji Haino/Jim O'Rourke/ Oren Ambarchi, Mary Halvorson, Hieroglyphic Being, Mark Van Hoen, The Dave Howard Singularity, Anja Huwe, Mayssa Jallad, Jlin, Locust, Robert Aiki Aubrey Lowe, Kali Malone, Moor Mother, Dorothy Moskowitz, Naum Gabo, Ov Pain, Gruff Rhys, Laetitia Sadier, Sombat Simla, The Smile, John Surman, Valerio Tricoli, Univers Zero, Mark Vernon, Xmal Deutschland, Various Our Trip Is Short Vol 7

The Boomerang: Fred Anderson Quartet, Electric Sun, Emeralds, Bill Fay Group, Dredd Foole & The Din, FUSE, Bob Marley & The Wailers, Mark McGuire, Microstoria, Sam Morrison, Plastikman, Speedy J, Nisse Sandstr?m Group, Pauline Anna Strom, Techno Animal, Various Fantastic Voyage: New Sounds For The European Canon 1977-1981

Notes: Inside this brand new issue:

Irreversible Entanglements: With a new album in the can, the US quintet discuss freedom, community and dismantling the mechanisms of oppression. By Phil Freeman

The Primer: Jazz & Poetry: A user's guide to the ongoing conversation between mighty music and vibrant verse. By David Grundy

Vanishing Twin: The London based art pop trio take a playful approach to retrofuturist psychedelia. By Claire Biddles

Invisible Jukebox: Matana Roberts: The Chicago born musician and multidisciplinary artist faces The Wire's mystery record selection. Tested by Teju Adeleye.

Unlimited Editions: Gin&Platonic

Unofficial Channels: Chocolate Monk Top Tens

Carol Robinson: Clarinet results from the Paris based musician. By Louise Gray

Tom Mudd: Getting algorithmic with the Edinburgh experimentalist. By Stewart Smith

Hearsay: Chicago improvising trio turn the tables. By Bill Meyer

Marina Herlop: Exploring otherworlds with the Catalan composer. By Milos Hroch

Global Ear: Oaxaca A mountain town's brass ensembles celebrate Mexico's Indigenous Mixe culture. By Juan San Cristobal Lizama

The Inner Sleeve: Val Wilmer on Henry Grimes's The Call

Epiphanies: Raphael Rogi?ski on Neopolitan soul

Print Run: A Book Of Noises: Notes On The Auraculous by Caspar Henderson, Key Changes: The Ten Times Technology Transformed The Music Industry by Howie Singer & Billy Rosenblatt, Neumusik: The Complete Edition by David Elliott, Happy Trails by Andrew Lauder, This Must Be The Place: How Music Can Make Your City Better by Shain Shapiro, Voices Of Nature: How And Why Animals Communicate by Nicolas Mathevon, Dissonant Waves: Ernst Schoen And Experimental Sound In The Twentieth Century by Sam Dolbear & Esther Leslie

On Screen: CB Stockfleth The Elephant 6 Recording Co

On Site: Free To Improvise: The Derek Bailey Story

On Location: Time Trout + Shark Calmer, Brighton, UK; Intersection Festival, Toronto, Canada; LightSounds, London, UK; Supersonic Festival, Birmingham, UK; Mutek, Montreal, Canada; Mamoru Fujieda, Melbourne, Australia; Odysseus Festival, Helsinki, Finland; Punkt Festival, Kristiansand, Norway; Blacktronika: Brooklyn, New York, US; Tomorrow Comes The Harvest, London, UK; Ostrava Music Days, Ostrava, Czech Republic

Soundcheck: Idris Ackamoor & The Pyramids, Actress, Anagram String Trio, Animal Collective, The Astronauts, Pierre Bastien & Michel Banabila, BlankFor.ms/Jason Moran/Marcus Gilmore, Blut Aus Nord, Bolt Ruin, Vilhelm Bromander, Call Super, Datashock, Ryan Davis & The Roadhouse Band, Dead Neanderthals, AC Diamond, Aaron Diehl & The Knights, Gong, Forbes Graham, The Hatch Expansion, KMRU, KMRU & Abul Mogard, Kofi Flexxx, Piotr Kurek, Lao Dan, Robert Aiki Aubrey Lowe, Mahti, Matmos, Joe McPhee/Mette Rasmussen/Dennis Tyfus, Nicole Mitchell & Alexander Hawkins, MXLX, Mary Ocher, The Pitch & Jules Reidy, Raining Spiderlings, Jules Reidy, Mariam Rezaei, Paul Rooney, Rozenhall, Saint Abdullah & Eomac, Saint Abdullah & Jason Nazary, Sextile, Shela, Starving Weirdos, Marnie Stern, String Noise Sounds, Taipan Tiger Girls, Umlaut Chamber Orchestra, Virta, WaqWaq Kingdom, Larry Wish, Richard Youngs

The Boomerang: Brian Auger's Oblivion Express, The Chills, Bruce Haack, Keith Jarrett, My Cat Is An Alien, Optiki Mousiki, The Runaways, The Shadow Ring, Tricky, Seymour Wright

Notes: A Juno-inspired oscillator module? We're flattered, but credit has to go to Roland for this one. Based on the Juno-106's digitally-controlled analogue oscillators, the Castor & Pollux modernises the 80s design with a built-in LFO and hard sync.

Supplier's Notes:
Twins that dance in and out of phase, never completely together but never fully apart, bound to each other in the infinite universe.

Castor & Pollux is a dual oscillator that echoes back to the legendary Roland Juno but shines with its own unique, massive voice. It contains two digitally-controlled analogue oscillators implemented using a faithfully modernized version of the original Juno 106 design. It builds on the classic '80s sounds of its inspiration by using the second oscillator and internal LFO to layer in thick detuned sounds and harmonically complex hard synced waveforms.

Castor & Pollux II brings a redesigned interface and moves individual waveform outputs to an included expansion. Both versions have the same features and use the same firmware.

14 HP
+12 V @ 100 mA, -12 V @ 35 mA
25 mm deep
2 separate oscillators
7 octave range
9 total outputs with waveform outputs and onboard mixers
Pitch CV input jacks (0 V to 6 V) and pitch knobs (-1 to +1 octave, configurable)
Pulse width CV input jacks and knobs
Hard sync
Hardware chorusing
Internal low-frequency oscillator (LFO)

Notes: The tiny but mighty Eurorack power supply. Winterbloom's love letter to DIYers is perfect for custom cases.

Micronova is a miniature 100x30mm power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

Despite being adorably small, Micronova provides lots of flexibility for custom case builds. It can be powered through an attached DC barrel jack, screw terminals, or through an optional front entry panel.

Micronova is equipped with two Eurorack power headers that can be expanded using a busboard or flying bus cable.

Micronova also has critical safety features including reverse polarity protection, a resettable polyfuse, and over-current shutdown.

A suitable AC-DC power adapter is required.

A tiny 100mm x 30mm board with M3 mounting holes
Provides +12V @ 1A, -12V @ 300mA, and +5V @ 500mA
Includes two 16-pin Eurorack power headers
Requires a 15V to 20V center positive DC power supply
Multiple units can be daisy chained
Reverse-polarity, over-current, and over-temperature protection

Notes: The tiny but mighty Eurorack power supply with all the bells and whistles

Micronova is a miniature power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

This bundle includes:

an assembled Micronova
an assembled Micronova busboard
a Micronova front entry kit

Please note that the front entry requires assembly. It's a delightfully easy kit, but make sure you know what you're getting into!

A suitable AC-DC power adapter is required. We have adapters available for domestic customers. International customers please take a look at the manual for guidance and recommendations.

Check out the manual to get to know Micronova and all of the delightful ways you can integrate it into your case.

100 mm x 30 mm x 13 mm
15-20V, 1.5A
+12V @ 1A
-12V @ 300mA
+5V @ 500mA
Daisy chainable
Busboard included
Front entry kit included

Notes: Tiny but mighty busboard for the tiny but mighty Micronova

This tiny 100x30mm busboard is a perfect companion to Micronova. It provides six additional power headers and is the exact same size as Micronova - perfect for your custom case build.

Includes one 16-pin to 16-pin Eurorack power cable for connecting the busboard to your Micronova or other power supply. If you need them, grab some 16-pin to 10-pin power cables for connecting power to your modules.

100 mm x 30 mm x 13 mm

Notes: Weird Walk Zine Issue Seven

48 page A5 zine

Printed on high quality PEFC certified recycled stock

With the sun at its lowest ebb, and the night stretching to its longest duration of the year, Weird Walk Issue Seven is offered up as a symbol of the continuing cycle of rot and renewal, death and new life.

Taking inspiration from the woodland, author Nadia Attia explores the folklore surrounding some of Britain's iconic tree species, while leafy associations abound as the Hastings Jack in the Green festival is reflected upon, and the suitably named Verdant Wisdom collective take us through a rural take on dungeon synth music. Elsewhere two mavens of weird walking, Alice Lowe and Benjamin Myers, lead separate quests in two very different locations, each filled with magick and memory.

And if trees can emotionally connect us to the landscape, then so can the old stone monuments that so entrance us; in this issue, phenomenological approaches to ancient sites are explored (and, also, cheese).

Includes photos by Sarah White, Rachel Adams and Freddie Miller.

Notes: The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN ENGLISH.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland