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Notes: ***B-STOCK: Box opened, product in perfect working order***


Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Review: ***B-STOCK: Record sleeve damaged, product in working order***


The enduring appeal of Steely Dan never fades with time, and why should it? Donald Fagen and Walter Becker's relentless pursuit of perfection and blue-eyed soul gifted us a whole heap of stunning albums, and their fiercely devoted fanbase would fight tooth and nail over which one gets the top spot. Our money would be on Aja though, given its enduring influence, its rich extended life through a whole host of sampling and the quite simply flawless run of songs, composition, production and beyond. It's one of the greatest albums out there, and you'd do well to grab a copy if you don't own it already.

Review: Shewey Trax welcomes California-based Delicate Instruments aka Delinstr for a pair of cosmic new cuts that he serves up as two different mixes each. Opener '2 Another Planet' (Superspace Breakdown mix) has sugary video game melodies raining down like old school Mario or Tetris over thudding deep house kicks. The Delisntr Speed Down mix brings some twitchy acid details while 'Solamente' (Problems mix) is another beguiling mix of 8-bit melodies and supple drums that tap out hypnotic patterns while floating through space. The final Synth mix of the same cut is a more widescreen and far-sighted take to close out a perfectly astral EP.

Review: Peaktime zoneouts from Rodhad and company; Crimson Rubeus is the first compilation on WSNWG to be curated by the techno titan, and hears eight rising bubblers of the scene contribute to a well-rounded octagonal sonic prism in double LP form. All circulating for months in demo form and as fixtures of Rodhad's sets across Europe, every track here - from the snappy synaptics of Nastia Reigel's 'Limit Y' to the non-duped beffudlery of O (phase)'s 'Exiting The Delusion' - drips with an aural crimson rouge; truly a hematophage's dream. Rodhad does the almost impossible here; squeezes blood from the stony style that is hypnotic techno.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Summer 2023 will always be remembered for the cinematic battle that was Barbie vs Oppenheimer, two polar opposite Hollywood smashes that spawned a wave of memes. Both managed to break records but one stands out when it comes to the soundtrack - and that is Christopher Nolan's Oppenheimer, the three-hour epic about the genesis of the atomic bomb. Written by Ludwig Goransson it now arrives in full, on nice opaque orange vinyl, via Mondo. The music matches the deep trip into the psyche of a singular American mind J. Robert Oppenheimer with plenty of drama and immersive, emotional moments.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


During a record digging trip to South Africa a year or two back, Rush Hour co-founder Antal stumbled on an obscure local cover of Klein & MBO's Ron Hardy and Larry Levan favourite, "The MBO Theme". The Warrior version, which was recorded at some point in the early '80s, is a little slower and breezier than Klein and MBO's original, with even finer fretless bass flavours and the track's famous melodies re-played on some particularly spacey synthesizers. Helpfully, the Klein & MBO version is on the A-side, so you can easily compare the two: Warriors' little known cover is definitely our pick of the pair.

Review: Mark Knopfler's One Deep River delivers a steady stream of timeless classics, featuring his signature blend of poetic lyricism and exquisite guitar work. As the tenth solo album released on his own label, British Grove via EMI, Knopfler continues to captivate with his warm vocals and masterful compositions. The album's lead single, 'Ahead Of The Game,' sets the tone with a melancholic narrative, possibly autobiographical, over a classic Knopfler riff. Title track 'One Deep River' taps into Knopfler's emotional ties to his hometown of Newcastle, particularly the Tyne River. This connection to childhood memories imbues the album with a sense of nostalgia and introspection, echoed in each meticulously crafted song. Produced alongside longtime collaborator Guy Fletcher, the album exudes sophistication and depth, with Knopfler's guitar textures and evocative storytelling taking center stage.

Review: Three lovely, carefully terraformed dub tekno sketches from new co:clear recruit Eden Aurelius. Both in title and soundworld, these pieces strongly evoke slow-panning aerial shots of undulating terrain, gusts of wind through glistening skyscrapers and diffused sunlight through striated cloud. A stretch maybe - but a stretch informed by years of dub techno semiotics from precursors like Rod Modell and Pub, whose visually evocative sonic staging doubtless laid some of the groundwork for records like this. There's a formalism and orthodoxy to Aurelius' work, marking it apart from the glut of neu-ambient ASMR-scapes from labels such as INDEX and 3XL. Take the cathartic pulse of title track 'Plateau', for instance, which deftly weaves cavernous swathes of vocals and band-passed chord stabs into something that would sound equally at home on SUED or echospace. Real nice.

Review: In 1975, Silver Convention burst onto the global stage with their hit song Save Me, introducing the world to The Munich Sound. The album included the Grammy-winning smash hit 'Fly Robin Fly,' which topped both the disco and pop charts for weeks and became the band's signature song. Now, Omnivore Recordings and Good Time Records present an expanded reissue of this classic debut, featuring five bonus tracks and insightful liner notes detailing the album's genesis and global impact. With its original international cover art and a 12-page color booklet filled with photos and ephemera, this reissue is a must-have for fans of Eurodisco and music history enthusiasts alike.

Review: ***B-STOCK: Slight surface marks ***


The Charlatans self-titled fourth album gets a lovely yellow make over for this reissue on Beggars Arkive. It's the first time for over 20 years new copies of this landmark album have been pressed, and Frank Arkwright at Abbey Road has taken care of the excellent mastering. The original release date was in 1995, and the album was the most ambitious of the band's career with plenty of number ones included along the way. The most successful of these of course was 'Just When You're Thinkin' Things Over'. It's a real piece of classic 90s indie that will always sound good.

Review: Dave Grusin's score for the whodunit comedy Murder by Death masterfully blends traditional and modern elements. Grusin's intent to approach the comedic affair seriously resulted in a thematic and delightful score that captures the film's eclectic nature. Paying homage to British murder-mystery roots while pushing boundaries, Grusin created a unique and charming musical landscape. The score's first-ever vinyl release allows audiences to fully appreciate Grusin's artistry, highlighting the perfect balance between tradition and innovation that characterizes his work.

Review: Four sides of cavernous, postmodern dub inna year 3000 style from the UK soundsystem circuit's hottest boyband: Mark Iration, Dennis Rootical & Rico O.B.F. The trio combine their years of experience crafting box rattling anthems, bringing a new irreverence, sparkle, and poppy playfulness to the classic UK roots template. This really shines through on cuts such as 'Calling Jahova' where washes of buzzsaw synth and Sheffield-type bleeps call to mind Gregory Isaacs' early 90s proto-grime oeuvre, and more austere bangers like the aptly named 'Serious Time', where trappy hi hat flurries and savage anvil snares offer up a taste of unashamed 00s steppa nostalgia, while also deftly channelling O.B.F.'s hip hop influence. Great cover too!

Review: 
Elephant9: previous album, Arrival of The New Elders, showcased a diverse and contemplative side of the trio while maintaining their signature grooves and adopting a more structured approach. The album received widespread acclaim for its seamless collaborative qualities. New record Mythical River follows in the same vein, featuring six stellar compositions by keyboard virtuoso Ståle Storløkken and complemented by cosmic interludes. From hypnotic enchantment to precise polyrhythms, the album showcases the trio's continued excellence while drawing comparisons to bands from the '60s. However, Elephant9's sound remains contemporary, timeless, and even futuristic.

Review: In 1994, legendary hip-hop stoners Cypress Hill took the stage at Woodstock '94 and left an indelible mark on the iconic festival. With their groundbreaking fusion of hip-hop and rock, the 'Hill captivated the Woodstock crowd with their electrifying performances and brought all of the raw energy and innovative sounds they are so well loved for. The group's set at Woodstock '94 showcased their ability to command any stage, drawing fans from diverse musical backgrounds as they worked through many of their most well loved hit and in doing so solidified their status as pioneers of the rap-rock genre.

Review: This project, which translates to "The Way of Music" in English, is a collaborative initiative spearheaded by Groh, founder of the esteemed Polish hip-hop label JuNouMi which was established in 2002. It marks a fusion of talents between Polish and Japanese artists and commenced with Twardowski crafting music using samples from Japanese albums followed by the inclusion of MCs KANETSUGU and Prykson Fisk. DJs 1an from Tokyo and DJ Eprom from Warsaw joined the ensemble while the design, handled by Magorzata "Mauko" Korczak, explores Japanese Shod? calligraphy. This 7" release marks the start of a new Polish-Japanese collaborative series with more to come.

Review: Manic Street Preachers' Lifeblood may have initially been the black sheep of their discography, but time has granted it a newfound appreciation. Initially met with lukewarm reception and overshadowed by its predecessors, the album's blend of glacial electronica and elegiac themes now stands as a testament to the band's willingness to evolve. Revisiting the album reveals its intricate textures and thematic depth. The production, influenced by Tony Visconti's work with David Bowie, creates a timeless atmosphere that resonates with listeners. Lyrically, Nicky Wire delves into personal and political history, offering introspective reflections on grief, disillusionment, and the passage of time. Tracks like 'The Love of Richard Nixon' and 'Empty Souls' explore themes of loss and societal unrest with poignant lyricism. Ultimately, Lifeblood may have been misunderstood upon its initial release, but its significance as a unique chapter in the Manic Street Preachers' journey cannot be denied. As listeners revisit the album with fresh ears, they'll discover a work that defies expectations and deserves recognition as a compelling and evocative piece of art.

Notes: Protective cover and inclined stand. All in one piece. On one side, it's a cover that protects the OP-1, shielding keys, screen, and knobs. But leaving the side connectors uncovered, so you don't have to unplug it to cover it.

It also provides the option to use it as an inclined stand for the OP-1, simply by reversing its position. Fitting snugly around the perimeter of the synthesizer.

The cover is decorated to resemble the recording view of the OP-1.

***The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Review: By the time 2024's Pendulum landed, Twin Tribes had been building up a vehemently passionate following among members of black-nailed, dark-hearted subcultures for nine years. Also known as Luis Navarro and Joel NiNo Jr., the pair clocked up underground wins with two preceding records, Ceremony and Shadows, garnering attention among fans of cold wave and post punk. Now they take the whole concept to even higher - icier - heights. One wrong step and you'll be cast down the mountainside, it's dizzying at times. Chunky basslines drive us into yearning, strangely subdued-yet-soaring melodies that seem to speak to despair and hope in equal measure. It's hugely evocative stuff that rarely lets up in terms of intensity, 'Caldron of Thorns' among the tracks at the lower end of tempo scales, and even then it's not really hanging about.

Review: Reissued in the aftermath of her passing away in 2023, Souvenirs is probably the best-known album by Ethiopian legend Emahoy Tsege Mariam Gebru, whose morphing from nun to composer, pianist and vocalist tracks an exquisitely bleak but powerful history. The first album to feature her own voice, the album was written and recorded at her family home in Addis Ababa, and deals in personal themes of loss, homesickness and transience, reflecting on Emahoy's experiences of the turmoil of the 1976 Red Terror in Ethiopia, in which the provisional Derg military dictatorship violently suppressed the rise of other competing revolutionary militia groups, and in so doing caused mass upheavals and migrations. With lyrics sung in Amharic and overlaid against uniquely mournful DIY instrumentations, Mississippi's CD reissue reminds us of its heart-warmer status, betraying Emahoy's deep familial fidelity and integrity.

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits
"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Review: On December 30th and 31st 1978, early demo versions were laid down in Spaceward Studios of what would eventually become the debut EP from future British metal giants Iron Maiden. The three tracks in question ('Iron Maiden', 'Invasion', 'Prowler') were all recorded within the same session, making for a far more primitive and raw offering than the finalised studio versions that would ultimately find their home on the band's self-titled 1980 debut LP. This compilation restores the original three-track The Soundhouse Tapes EP, while including a bevvy of additional demos, alternative takes and live cuts from the formative, (pre-Bruce Dickinson) Paul Di'Anno era.

Review: Germany's ZYX records picks of the reissue of Mauro Picotto hit Iguana. Perhaps the most famous Mauro composed track in his discography, many of the most important original remixes are gathered on this one 12"! Included, is the hard trance version with the Megavoices mix, the pulsating peak time version RAF and the anthemic Blank & Jones remix. The Megamind and Mas remixes should not be overlooked! Each version on here give you all the feels of this mega trance hit.

Review: The Minneapolis Uranium Club Band's Infants Under The Bulb album is an engaging journey through unbridled punk creativity and raw guitar energy. Released amidst their hometown's vibrant underground scene, the album defies categorisation in the way it blends elements of punk, post-punk and experimental rock. With relentless rhythms, angular guitar riffs and cryptic lyrics, each track unfolds in heavy and arresting fashion and the band's unconventional approach and uncompromising attitude challenge listeners to embrace the unconventional throughout this most visceral of albums.

Review: Santana's Amigos album from 1976 stands out as a Latin-infused rock masterpiece that often goes unnoticed due to the absence of their most popular hits. Nonetheless, it is regarded as one of their most captivating albums, resonating with listeners through its infectious energy and musical prowess. The opening track, 'Dance Sister Dance (Baila Mi Hermana),' showcases Santana's exceptional guitar skills, complemented by a solid rhythm section that propels the melodies to new heights. The album features standout tracks like the heartfelt ballad 'Take Me With You,' the dynamic 'Let Me,' and the grandiose 'Europa (Earth's Cry Heaven's Smile).' With its recent reissue on vinyl, Amigos becomes essential for both loyal Santana enthusiasts and those discovering the band's music for the first time. Embracing the fusion of Latin rhythms and rock elements, this album continues to captivate audiences and solidify Santana's legacy in the realm of musical excellence.

Review: Mark Knopfler's 2023 album, One Deep River, is a written diary through the heartland of Americana. Demonstrating his mastery of storytelling, Knopfler intricately weaves tales of life's trials and triumphs, evoking a poignant reflection on the human experience. Each track showcases Knopfler's signature guitar work and soulful vocals, transporting listeners to dusty highways and riverbanks at twilight. From the introspective 'Beneath a Prairie Moon' to the bluesy swagger of 'Ride On Across,' Knopfler's ability to paint vivid landscapes through music is unparalleled. 'One Deep River' resonates with timeless allure, embodying Knopfler's status as a guitar troubadour of the modern era.

Review: A real doozy of an early Italo, proto-darkwave heater from Fred Ventura-led Fokewulf 190, bound to illicit dancefloor devastation any darn time of year. Straddling the boundary between the more uptempo chapters of Italo and the more austere permutations of synth pop, Fokewulf's timeless anthem lends itself well to DJ Tin Tin and Flemming Dalum's respectful but gently modernised remixes. If anything though, they cast the original in a more innovative light, with its sparse, classy drive.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


One of Brazil's most prominent rappers Criolo returns with his first album in almost four years. Showing a natural maturity and development, Convoque Seu Buda (Summon Your Buddha) is a spell-binding experience that digs much deeper than the harder rap he made a name for himself with years ago. Cuts like "Casa De Papelao" are smoky, cosmic soul joints while "Cartao De Visita" is a fun throwbacks to the chronic sounds of the early 90s. Sugar-sweet skanks can be found deep in the sandy groove of "Pe De Breque" while anthemic, lighter-raising vibes can be found on "Piano De Voo" where Criolo's sharp tongue gives Em a run for his money.

Review: Danielle Boutet's Pieces is a mysterious artifact of Quebecois marginalia, self-released in 1985. Seeming to land squarely in the French no wave niche, yet nonetheless defying it through sinister inversions of the form, the reissued album comes as a reminder of Boutet's impressive command over atmosphere and narrative. Arabesque monologues in her native French soar over warblingly warm arpeggios, which sound ready-primed for traversals of Transylvania, while the more languid cuts make use of impressively synthetic emulations of what could otherwise sound like affectedly acoustic instruments, such as the "harmonica" on 'En attendant l'aube'. This is a welcome unearthing of an otherwise unconscious album, made in the space between REM sleep and authentic, out-of-the-limelight living.

Review: Michael Giacchino, a decorated Academy Award-r winning composer, delivers a commanding yet tender score for J.A. Bayona's moving film The Society of the Snow. It recounts the harrowing true tale of the 1972 Uruguayan flight that crashed in the remote Andes, and the ensuing battle for survival. Amid despair, the film champions hope which is a sentiment echoed in Giacchino's emotionally charged score. Balancing poignancy with optimism, the music navigates a delicate path that amplifies the film's power. Bayona and Giacchino's collaboration yields a cinematic masterpiece that will surely resonate as one of the year's most compelling narratives.

Review: Aniara's white label number four delivers more techno goodness direct to the dance floor. The A-side features two of Arkajo's most compelling dance-floor tracks, with both offering a propulsive groove and warped and dubbed-out basslines. On the flip side, Dorisburg and Efraim Kent (who are here making their debut on Aniara) present the darker vibes of 'Data Smuggler' which rides on broken beats and has real menace in the airwaves. It complements the A-side with a more deep mood and hypnotic rhythm that will be pure dancing bait.

Review: It is five up for the French label Chivalry here and the eponymous production outfit is behind the sounds which are distinctly futuristic and techno-minded. The opener rides on gurgling low ends and distant synth tension that is always on the rise as whistles vie for your attention up front. 'Track 2' is another wonky and industrial tech house sound with snappy drums that will jerk the floor into action and 'Track 3' then gets a little more smooth with its warped tones and alien sound effects. Last of all is 'Track 4', a jacked-up tune that spins you out on loopy synth madness.

Review: Unchained is the longstanding solo project of Nathaniel Davis. Gabbeh is his latest offering to the world, a suite of blissfully introspective tracks that envelop the soul in a blanket of soft, delicate moods, their sole purpose to comfort aching heads. Remarkably, dedicated fans will know you can trace the artist's lineage to noise mix tapes on CD-R, although more recent excursions into Bossa nova influenced tones perhaps help bridge the gap between then and now. Recorded at home over a three year period, from 2020 to 2023, Grenoble, Switzerland, played a big part in end results here. "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city - 'Dru' is the name of a well-known peak near Chamonix," Davis has explained. That as may be, nevertheless there's something more transportive than that here - songs feel as though they would be at home anywhere green, slow and thoughtful.

Review: At least one person has described Scythe's work as "expertly modulated space blues and isolationist architectures." First emerging from the ether (or at least that's how we like to think of it) through a series of clandestine cassette releases on Low Company in 2019 and 2020, Head X'Change almost feels like the culmination of all that has come before. A weird and truly wonderful place to spend time. A collaborative project between David West and R.A. Jones, elements of kosmische intermingle with a kind of earthy ambience, DIY electronics leading into white noise moments or new age melodies. At times it's so joyfully opiate you wonder if there's any way of getting back up off the pillow. In other moments, there's tension, eeriness, and uncertainty. Once you're in, it's a wild ride indeed.

Review: An exact dozen Bollywood musical gems, expertly curated to reflect a multitude of styles and sounds within the full spectrum. Tracks from movies such as Blackmail, Apradh, Junglee, Priya, Bhoot Bungla, and Sholay all make appearances, many of which are names that should be familiar to fans of 'world cinema' - for want of a less lazy label - even if the soundtracks themselves are not. Spanning the later mid-20th Century, everything here was recorded between 1958 and 1984, and as such Bollywood Nuggets can be taken as a window on how tastes and demand changed during that time, while certain totems remained. Featuring artists such as Mohammedd Rafi, Kalyanji & Anandji, P Susheela & SP Balasubrahmanyam, and RD Burman, it's a fantastic overview and a fascinating deep dive.

Review: Norwegian indie talent Girl In Red kicked off her musical journey by sharing her home-recorded tunes as a teenager back in 2017. She has since become renowned for her raw lyrics and for delving into the everyday struggles and intricacies of relationships and has won a legion of fans, not least among them Taylor Swift,who invited her out on tour. Her breakout moment came with the viral sensation 'I Wanna Be Your Girlfriend,' followed by the enchanting 'We Fell in Love in October' in 2018. Fast forward to 2021, she unveiled her debut full-length album and soared up the charts. Now she is back with I'm Doing It Again Baby which comes on limited gatefold red vinyl and is full of more of her guitar-driven melodic indie-pop sounds and singalong hooks.

Review: Tommy Guerrero's sublime debut album Loose Grooves And Bastard Blues carved out his name as a musician, and followed hot on the heels of an already established skateboarding career. It's not often we can name an artist whose talents lend just as well to the axe as they do to the deck, but it's plain to see on this insouciant jazz/bossa nova collection: Guerrero is one dextrous bloke. With the skate career held firmly in mind, we can easily imagine these numbers as the backing cuts to a fish-eyed trickstyle video; it's a great testament to the pure joy of music-making too, with Guerrero insisting: "it was never meant to be released. I was just recording for the fun of it - still my fave. Oh so naive!"

Review: The legendary experimental German band Einsturzende Neubauten is back with their first album since 2020, Rampen (apm: alien pop music). Since their formation in 1980, the band his sought out to blaze their own trail in making what others would assume is noise into their own brand music. Their own music language was created and brought with them legions of followers that have added a bit of Einsturzende Neubauten's influence to their own sounds. The band has once again pushed their sound even further - alien pop music. This edition comes on yellow vinyl.

Review: Canadian noise-rock trio Metz deliver their fifth full-length LP for their home label Sub Pop. Expressing an exponential graph of maturity, that has grown over their decade or so of recording and releasing, Metz' sound on Up On Gravity Hill veers more towards an almost black-metallic atmosphere, to counterpoise their originally stark, rageful sound. Conceptually, the album's change in sound matches its thematic content, with the band having found more peace in contrast, and the life-promising realisation that one can only experience its most joyful moments on the sole condition that one has also suffered its worst vagaries - there is no paradise without the fall. On the likes of '99' and 'Entwined', we're met with a driving, repetitious howl set against a sludgy axe-y backdrop, as vocalist Alex Edkins performatively laments and celebrates the ways of the world at the same time.

Review: Jascha Heifetz's profound connection with the tumultuous ocean mirrors the intensity and subtleties of his renowned violin sound. He shows that on this nice heavyweight 180-gram album which, meticulously crafted, revisits Heifetz's career milestones with crisp attacks, imaginative phrasings, and mellifluous sustains. The repertoire juxtaposes iconic pieces from different eras and showcases Heifetz's discerning taste in all its glory. From Vitali's Baroque masterpiece to Faure's Romantic opus and Castelnuovo-Tedesco's modern tone poem, each piece complements the other seamlessly. Cut by Bernie Grundman and preserved without digital intervention, this LP encapsulates Heifetz's timeless artistry in a lovely package by Impex Records.

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Review: Though he was already famous, Either/Or is the album that made Elliott Smith great. Now Kill Rock Stars proudly present their newly reissued, expanded edition of the sensitive songster's crowning glory, this time including five live multi-track recordings from the Yo Yo A Go Go Festival in Olympia, WA in 1997, as well as three previously unreleased studio recordings, not to mention one B-side gem. The album was highly praised at the time due to several of its songs' lucky inclusion by Gus Van Sant in the classic drama movie Good Will Hunting, though the album's appeal goes much deeper than that, with Smith's melancholic, sombre voice soaring low above well-glued, unplugged pop mixes, though, typically for Smith, it still touches on existential, philosophical and neurotic themes throughout.

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

***Please note: The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Review: The Soul Surfers & Shawn Lee have linked their creative energies once more with a new pair of singles for the cultured Spasibo Records. Both tracks on this limited gold vinyl were recorded in 2018. One was captured at Moscow's Magnetone studio during Lee's visit for the premiere of a movie documenting his prior recording with The Soul Surfers, and the other was recorded remotely with The Soul Surfers at their Nizhniy Novgorod headquarters and Lee at his London studio, The Shop. The collaboration is a fruitful one with two sublime and timeless funk cuts featuring some bittersweet replaying of classic melodies.

Review: German funk act The Poets Of Rhythm have more than left their mark on a scene that wasn't so popular back in their heyday. They have got plenty of great albums to explore and several superb singles, of which this is one. 'Practice What You Preach' is a track from their debut album released on Soulciety in 1993. Despite a hiatus from albums until their return with a Ninja Tune LP in 2001, the band remained active in the 7"s circuit. Surprisingly, a part two to the same track exists, serving as an instrumental version of the original 1993 release. On the B-side, a fresh funk track, previously released under the alias Mighty Continentals, features Bo Baral delivering a rare solo guitar performance alongside ambiguous lyrical content.

Review: The Great Revivers is a funk and library band with a focus on organ laced grooves that hails from Saint Petersburg, Russia. It was formed around a decade or so ago from members of bands Wake&Bake! and The Reggaenauts and has put out a steady stream of very danceable 7"s since then. 'Adventures Begin' is their latest and it comes on the Spasibo label with lashing of loquacious saxophone and some nice loose, live drumming. Flip it over for something more laid back and starry eyed - 'Estrellas' has a soothing late night feel and brims with musicality.

Review: Sunset's reissue series of Harry J releases continues with this gem from the late, great Freddie McKay's 1986 collaboration with The Jah Apostles, one of the last productions to feature the singer - who seamlessly navigated from the early ska days right up to the digital era - before his untimely death in November of the same year. McKay's soulful vocals ride effortlessly over the Apostles' mesmerising rhythms here, meaning that it is impossible not to be transported listeners to the golden shores of Jamaica at sundown. As is so often with the case with reggae, there's a dubbed out version on the flip - we wouldn't have it any other way.

Review: Laurent Bardainne and Tigre d'Eau Douce's third album, EDEN BEACH CLUB, transports listeners to a sun-drenched paradise and was conceived as an imaginary soundtrack to a day by the sea. Following the triumph of Bardainne's Hymne au soleil album, they set their sights higher and here have crafted a sonic oasis that defies boundaries. Returning to their winning formula, the album seamlessly blends groove, soul, jazz, and electronic elements as each track invites you to lose yourself in a breezy and beachy dance as you celebrate an eternal sunset tinged with electric energy. The album is brimming with sophisticated and laid back melodies and gently persuasive grooves.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Isle Of Jura propel their Instrumental Dubs series further forward with a second release. Capturing the etheric essence of the 'version' and ready-making it for the present day, the nominal series welcomes contributions and reissues from new and old producers alike. This time around, we're met with a slow, George Kerr-produced cut from 1984, 'If You Want My Lovin', followed by a Brit-funk-esque instrumental from Harold Melvin & the Bluenotes, originally released on the Philly World label. The A-side closes with the 'Sweeter' instrumental mix of boogie bomb 'Loving Sweet Devotion' by Idiater Edwards; then comes the B-side with that indelible Mad Professor flavour, bucking the dub trend with a syncretic of dub, freestyle and disco; and finally, we end on a touch of next-gen psydub bubbling up from The Underwater World (of Jah Cousteau, that is).

Review: ***B-STOCK: Slight surface mark on the record sleeve***


Announcing a reunion run of festival dates not five years on from their supposed farewell tour, what better time to revisit a truly under appreciated latter day gem from thrash metal titans Slayer? Originally released in 2006, Christ Illusion would serve as follow up to 2001's critically acclaimed God Hates Us All, while marking the band's first full-length with original drummer Dave Lombardo since 1990's Seasons In The Abyss. Somewhat shrugged off upon initial unveiling, in the near two decades since the project has amassed a legion of followers, mainly due to the work ultimately serving as one final effort from the original line up before guitarist Jeff Hanneman's untimely passing, followed by Lombardo's second departure.