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Review: Once again Athens of the North boss Euan Fryer has dug deep for inspiration. Even within disco and boogie collector circles, few know the self-released early '80 singles of sometime Sister Sledge backing bandmember Doug Payne. As Fryer has proved on this compilation style EP, Payne's boogie-era jams were genuinely brilliant. The killer cut is 'She's On The Money', a P-funk style wriggler - think squelchy, undulating synth-bass, soulful vocals, sparkling synth lines and bustling machine drums - that's available in a variety of versions. Our pick of the bunch is the previously unreleased extended mix, which stretches out to almost 15 minutes and includes some superb, DJ-friendly stripped-back sections. Also worth a listen is the slap-bass-propelled boogie-funk of 'Holiday', which was originally Payne's debut solo single way back in 1983.

Review: Incredible late night smoochy stuff right here from one of the most decorated bassists of all time. A major figure in the bands of Miles Davis and Stevie Wonder, Henderson was also a killer solo artist amassing eight artist albums between 76-86. This AOTN "45 showcases his true breadth as "Let Love Enter" lilts on a soft bossa with rising horns, velvet backing vocals and an unabashed come-to-bed message. "Come To Me" gets even deeper under the sheets with as he goes toe-to-toe, cheek-to-cheek with Rena Scott with smoking results.

Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.

Review: It's hard to keep up with the number of releases that Athens Of The North are putting out this month, but you really must try. This one is a gooey and loved up disco 12" from the dream team pairing of Tom Findlay from Groove Armada and James Alexander Bright. They hook up via mutual appreciation over Twitter and worked up a load of new material in the studio as Bright & Findlay. Their first offering 'Slow Dance' is perfection - lush 80s synths, slow-motion boogie beats and drum machines marbled with little guitar riffs and soulful vocals that ate you to a better place. Two further heart melters come on the flip side and we are already in love with this project.

Review: Excavated from vaults of the Weiss Brothers' longstanding NYC imprint Old Time Records, Beverly McKay's gutsy tales have massaged soul floors for those lucky to have a 200 pound 45. "Say It With Feeling" hits with big backing vocal harmonies before breaking into a classic midtempo bluesy arrangement while "Conscience" strikes with a little more eastern allure, staccato strings and a cat-prowling narrative. Timeless soul.

Review: Christopher Sprains and The Strange Band recorded a whole heap of material in a hazy, drug-fuelled 19178, but their - surprisingly - never gained enough traction with the NYC disco crowd. Perhaps this work was too ahead of its time and, while it does share some qualities with the music of Rick James, it contains something dark, sexy, a little bit twisted and, of course, strange. The lead track "You" is a synth-heavy, electrifying boogie cut with a rugged percussion swing and an air of post-punk to its mix down, not to mention those utterly freaky vocals; our favourite, though, is actually "Space V", an insanely nutty electro cut that would have undoubtedly been on The Electrifying Mojo's playlist should it have landed on his lap. Totally recommended...