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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 19 Jul 24 $14.26
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FORTHCOMING
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Show Pony
Whatthehellishappening?
Creatures In Heaven
Wonderful Nothing
A Tear In Space (Airlock)
I Can't Make You Fall In Love Again
How I Learned To Love The Bomb
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On The Run
Lost In The Ocean
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 19 Jul 24 $27.23
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I Love You So F***ing Much. (limited splattered vinyl LP + 4 page booklet (indie exclusive))
Cat: 651919 8. Rel: 19 Jul 24
Indie/Alternative
Show Pony
Whatthehellishappening?
Creatures In Heaven
Wonderful Nothing
A Tear In Space (Airlock)
I Can't Make You Fall In Love Again
How I Learned To Love The Bomb
White Roses
On The Run
Lost In The Ocean
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 19 Jul 24 $27.23
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $10.89
(No payment required now - pay when released)
FORTHCOMING
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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 12 Jul 24 $12.97
(No payment required now - pay when released)
FORTHCOMING
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Fear Life For A Lifetime
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Queen
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Train
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Hotel
Save Yourself
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 12 Jul 24 $21.76
(No payment required now - pay when released)
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Audio Vertigo (limited gatefold translucent blue vinyl LP (indie exclusive))
Cat: 583410 7. Rel: 21 Mar 24
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Review: Greater Manchester art-rock auteurs Elbow return with their highly anticipated tenth full-length Audio Clarity. Known for their "one for the masses, one for the few" dynamic that saw 2019's experimental Giants Of All Sizes offset by 2021's lush, intimate Flying Dream 1; their latest venture appears poised to recapture the avant-garde post-rock machinations of their earliest work, pre-dating the Mercury Prize winning success of 2008's The Seldom Seen Kid, and harking all the way back to their more challenging Cast Of Thousands days. Described by vocalist/lyricist Guy Garvey as "gnarly, seedy grooves created by us playing together in garagey rooms", the mathematic, slow burn of lead single 'Lovers' Leap' twists odd time signatures around interlocked grooves while building towards a post-funk finish, sonically and compositionally highlighting their more involved, frenetic approach as opposed to their recent output's more minimal set-building. In short, Elbow are back for themselves and whoever else cares to follow them yet again down their labyrinthine tapestry of artful ruminations.
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Review: Singer-songwriter Sam Feder's sold-out headline show in London in July 2022 was packed with many highlights that are captured on this special Live From Finsbury Park album. It comes across four sides of special red translucent vinyl and proves what a landmark year the artist had. It came after he had a real breakout moment on the Pyramid Stage at Glastonbury in June and of course contains all of his biggest tunes - the glorious 'Seventeen Going Under' as well as the brilliantly entitled 'Howdon Aldi Death Queue' and many more.
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Review: Lloyd Cole & The Commotions - Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine - were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University. A paragon of 'well-read pop music', this might be considered an form of art pop, being the debut that cemented Cole's intellectual reputation, and perhaps a prototype of the popular 'softboy' trope from the early 80s. Crisp soft proto-indie rock and haunting, near gothic synths underlie hits such as 'Forest Fire', sure to rouse emotions even in the coldest and most book-shy of listeners.
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Review: Lany frontman Paul Klein leave us in precious little doubt there that he's lovelorn - almost every song on this self-titled record bemoans some melancholic development in his romantic life, set to a cinematic soundscape that's equally beholden to the synth-starred soundscapes of the '80s and modern R&B. Luckily for all and sundry however, these plaintive and potent laments find a way to alchemically transform base angst into audial gold, arriving on a cinematic plateau in which the dislocation of the modern era is subverted to form a bittersweet party soundtrack looking likely to last the remaining days of summer at the very least.
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Review: Now happily back in business following drummer Joe Seward's long recovery from a near-fatal accident in 2018, Oxford four-piece Glass Animals return with what could be their most colourful, vibrant and ear-catching album to date. Musically, it's all effervescent, synthesizer-driven production, dreamy vocal arrangements, neon-lit R&B sounds and hip-hop inspired beats, yet the songs are deeply personal, with front man Dave Bayley (assisted on standout "Tokyo Drifting" by rapper Denzel Curry) offering autobiographical lyrics for the very first time. It's a great combination, all told, and one that makes "Dreamland" really sparkle.
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Review: During recent interviews, James Blake framed Playing Robots Into Heaven, his sixth album, as a kind of return to his club roots - an idea borne out by his decision to structure the album as a kind of imaginary "night out raving". Of course, this is Blake we're talking about, and while the album does lean heavily on the post-dubstep sound that made him famous (which itself drew as much from experimental electronica and outsider pop as dubstep, house or techno), it's not like he's suddenly turned into Ben UFO, Scuba or Mala. It's a highly enjoyable album, though, and one that combines his most familiar and cherished elements - heavily treated, emotive vocals, piano motifs, woozy electronics and ghostly chords - with grooves rooted in techno, house and UK bass. If you're a fan, you'll love it.
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Review: James Blake's rise from outsider electronic producer with signature falsetto vocals to major label darling was remarkable. For his next trick he slinks back to his roots with 'Playing Robots Into Heaven' via Polydor/ Republic harking back to earlier long players like 2013's 'Overgrown' and 2010's 'Klavierwerke'. Lead single ''Big Hammer' has glitchy post-dubstep low ends and eerie synths up top over a skittish and stripped back beat full of grime. This album will be accompanied by a headline international tour later in the year.
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Review: 'Marking My Time' is the second EP from Elmiene. The six-track EP includes the title track 'Marking My Time', which first debuted on Later... With Jools Holland, 'Mad At Fire' (co-written by Syd and produced by Lil Silva), and 'Mama' (produced by Sampha), along with the current single 'Someday'. The follow-up to Elmeine's debut EP 'El-Mean', released earlier in 2023, this one hears a worthy continuation of the Oxford-born soul singer's growth, sprouting outwards from his influences and into his own true niche.
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Cat: 356601 9. Rel: 09 Jul 21
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Review: If there's been one defining element of 2017 so far, it's been the stress that it's put a good proportion of the Western world under, and with this in mind it seems that there couldn't be a better time for a new Elbow album, and for the always mildly world-weary yet magnanimous and uplifting strains of Guy Garvey and co. to offer succour. Just as well then that it's perhaps their most richly crafted effort to date, offering warm optimism, a widescreen sweep of sound and their mainman's plangent croon in full effect, amidst an aural landscape that will do more than satisfy long terms fans of their elegiac art, rather something of a balm for these afflicted times.
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A Brief Inquiry Into Online Relationships (gatefold 180 gram vinyl 2xLP + insert)
Cat: 679644 8. Rel: 30 Nov 18
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Notes On A Conditional Form (clear vinyl 2xLP + MP3 download code)
Cat: 776585 2. Rel: 29 May 20
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Review: There's certainly plenty to talk about here. British chart-topping and stadium-filling enigmas The 1975 return to prove you really can't predict what the troupe will do next, delivering what would be their most divisive and explorative album if it weren't for the fact they command so much loyalty from fans you could be forgiven for thinking dark forces were at play. 'Notes On A Conditional Form' is easily the furthest we've wandered from the formative years of a band that cut teeth doing teen-punk covers, and it's hard not to notice the subtle theme here. From 'Having No Head', which rides on a sharp house groove, through the garage breaks of 'Yeah I Know', low slung dub of 'Shiny Collarbone' and the shoegaze of 'Streaming', it plays out like a celebration of the breadth and diversity of UK pop culture.
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Review: By now we all know Glass Animals were born in and among Oxford's psychedelic pop scene, rather than the trap spots of Atlanta. Although you could be forgiven for making that mistake, if this is your first encounter. The four piece take plenty of inspiration from sweat-soaked, kick and snare-laden southern US sounds, sexy R&B and pimp hop, but it's not a case of imitation as the highest form of flattery - the beats can seriously hold their own, even if the tones will never actually be theirs. Socio-psychological discourse aside, 'Dreamland' is the sum-total of our overall point. There's a sticky, sleazy and altogether intoxicating vibe running through most of what's here, conjuring images of slick-to-touch flesh in deep midsummer party mode. Just check the fittingly explicit 'Tokyo Drifting', featuring Florida rapper Denzel Curry, and the rest should fall into place.
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Review: Florence and the Machine's Dance Fever is the fifth studio album from the much loved indie outfit and as ever it is a broad and widely infused rock sound. From pop to baroque, prog to indie, folk, dance, industrial and even spoken word, these adventurous sounds add up to a 14 rack fairytale. Originally planned to be recorded in New York, that was scrapped because of Covid and all recording was moved to London. Lead singer Florence Welch has cited Iggy Pop as a huge influence on the record, and the title and album concept came after Welch's fascination with choreomania.
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Review: Nirvana's legacy is one of the most compelling of any 20th Century rock band. The voice(s) of a disillusioned generation weaned to sickness on processed culture, ending in tragedy, the ferociously powerful combination of music and message has understandably been long-lasting and still influences people today, but the albums-proper, and sad conclusion, usually dominate conversations about the group's work. Incesticide is proof of how much we're forgetting. Comprising demos, outtakes, cover versions, radio broadcasts, the 1990 non-album single, 'Silver', among other things, much of what's here was circulating among fans in low quality formats prior to the compilation's formal release in 1992, and goes some way to showing off the breadth and scope Nirvana were capable of. An education for the committed and unconvinced alike, grab it while you can.
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