Review: Lustwerk Music presents a mysterious new entity known simply as The Fock. With little to no background information, this record stakes its own claim within the Galcher-verse by offering up a range of mixes of "Shat Pop." The "Saldes Mix" is a proper immersion heater of cerebral techno, while the nervy, stomping "Flood1 Remix" is credited to White Material regular Young Male. The "Electro Mix" has a squelchy, boogie-inflected palette offset by woozy atmospherics, and the "Ambient Mix" unsurprisingly does away with the drums and drifts in limbo with a disembodied tannoy announcement for company.
Review: Back in the early-to-mid 2000s, Warren Harris AKA Hanna was responsible for making and releasing some of the most sumptuous and seductive blends of future jazz, broken beat, soul and deep house around. This 12" from Melodies International offers a neat reminder by serving up two tracks previously featured on a CD-only album from 2004. A-side "I Needed" is the clear standout: a glassy-eyed and loved-up slab of jaunty dancefloor deep house that combines the swing of future garage and the snappiness of jacking Chicago house with the smoothness of soul and the kaleidoscopic synthesizer lines of jazz-funk. Flipside "Intercession, On Behalf" is similarly minded with more of an emphasis on vibrant jazz-funk and the soul motifs and the soul-powered swing of U.S garage.
Review: There's been much debate over the years about whose version of this seminal track was in fact the best. Laurent Garnier's 1997 classic "Crispy Bacon" gets a vinyl re-issue and it still stands the test of time. You can just imagine how innovative and futuristic this adrenalised peak time weapon sounded like in the mid-nineties. On the flip, the equally legendary Jeff Mills delivers his take on the track, keeping in mind that this is one of only a handful he's ever done. There's relentless and punishing cyclicality on offer here; the sharply resonating loops, that brutally overdriven 808 kick.. it's one of those secret weapons that never leaves the bag of the best techno DJs. Choose your side, but either way it's a definitely a classic!
Review: Having regularly appeared on Junk Yard Connections and Banoffee Pies over the years, Adam Stromstedt has plenty going on, but he's also got the time and space for his own Lyssna label, and he returns with his first solo EP on the label. It's an accomplished record, mining the vibe of ambient techno and channeling it into contemporary production with soul-stirring results. "TST142" is a mellow groover with a trancey undercurrent, while "Reptile Boogie" swerves into blissed out electro for lazy days. "Green Room Therapy" places plaintive keys at the front of the mix and channels a little of Floating Points' magic, and then "Split Tongue" offers up the most overtly club-minded jam on the 12".
Review: Should you require further evidence of the all-round genius of Curtis Mayfield, look no further than this early '70s funk gem from Patti Jo. "Make Me Believe In You" was written and produced by the velvety-voiced musician in 1973, one of just a few singles released by Patti Jo but undoubtedly now an all-time classic. That rolling drum intro, the ear-wagging piano, the subtle orchestration and, above all, Patti Jo's killer vocal all combine for a perfect example of the halcyon days when funk was beginning to transform into disco. Mayfield himself later covered the track for the closer to his Sweet Exorcist LP! This BGP 7" sees Tom Moulton's extension of "Make Me Believe In You" combined with his remix of the other Patti Jo burner, "Ain't No Love Lost". Any self-respecting DJ needs the A-side though.
Notes: Tiptop Audio's revolutionary 3.5mm Stackcable is the world's first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module.
Notes: This 28.5cm x 21cm anti-static record cleaning cloth is ideal for taking care of your record collection. Soft brushed micro-fibre, lint free, designed to clean vinyl, CD's and DVD's. Removes dust, grease and static effectively with or without fluid.
Clandestino - "Crack In The Sky" (Beat Broker Dream dub)
Last Waltz - "Tribute" (Machete Savane remix)
DJ Rocca & Daniele Baldelli - "Sartana"
Daniel Wainwright - "Doing It"
The Saint Petersburg Disco Spin Club - "Neva Liv U"
Ilija Rudman - "Second Screen"
Felix Dickenson - "Ousana" (Coyote remix)
I-Boat Captain - "Poly Punk"
Coyote - "California Jam"
Craig Bratley - "Maverick Sound System Mix"
Max Essa - "Burning Palms"
Rompante - "How Low Can You Dance" (Ahiki remix)
Sorcerer - "Zulu Honda"
Coyote - "Sin Distracciones"
9DW - "Right On" (original mix)
Leo Mas & Fabrice - "Sunrise 87" (Balearic Militant mix)
Downtown Party Network - "The Returning" (Prins Thomas Diskomiks)
Max Essa - "Feel The Machine"
Baptiste & Pierre - "Virage" (Ruf Dug extension)
Joe Morris - "Mpondo Theme"
Review: 2016 sees Coyote arrive at a decade of posing the question Is It Balearic? Replicating the compilation shaped celebrations surrounding their fifth anniversary, the landmark is noted with this fine 2CD collection. The compiling skills of Balearic chieftain Max Essa are called on for the first disc selections, with Coyote taking care of business on the second for a fine horizontally-minded celebration of all things Balearic encompassing 22 tracks. Tempos nudge back and forth, different vibes coming to the fore along the way as a dash of steel drum is replaced by forthright synth glistens and upright basslines. Legends mingle alongside future heroes, Foolish Felix and Baldelli impressing as much as Last Waltz and Clandestino. As the end nears, up pops Prins Thomas's classic Diskomiks of Downtown Party Network. Here's to another ten years Is it Balearic?
Review: The ever-prolific Delroy Pottinger is back at it with a new album on Hospital, this time working in tandem with the mighty Dynamite MC for a bold and ambitious approach to the D&B artist album. Pottinger's style is flexible enough to weave a strong narrative from track to track, while Dynamite's dexterous flow and rounded vocal tone binds the album together. There's guest after guest too, from SPY and DJ Zinc to Calibre, Marky and many more besides, all feeding into this cinematic strain of cutting edge drum & bass that DRS has made his own.
Review: Released in 1971 and written and recorded by Dave Hamilton (one of Motown's most prolific and influential session players), Sugar Billy Garner plays the consummate band leader over a relentless groove that rolls with drama. Billy gets sweatier, the guitars get busier, the dynamic gets heavier and heavier... So heavy it rolls into a second part. Primed for the floor, it still hits hard 44 years after its release.
Review: Baby Ford and Zip need little introduction and debut on Trelik as "BFZ" featuring co-conspiritor Thomas Melchior. The trio originally appeared on the 1999 "Perlondon" 12" for Perlon with Ford and Zip re-uniting for the "Glidin' Along The Riverbed" release then 2010's "Clean Hands" on PAL SL. Thomas Melchior recently appearing on [a:rpia:r] and his own Aspect Music kicks off the 12" with a floor friendly up-beat 9 minute "Melchior Productions LTD" edit remix of "Uff". An "Uffapella" closes the A-side featuring abstract sound design and textured vocals. Side-B's "So They Say" creates a feeling of space and unhurried rhythmatics whilst the title track "Uff" combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. Recorded in London and Berlin. Mastered at D & M.
Carlton Jumel Smith - "Remember Me" (feat Cold Diamond & Mink) (4:09)
Cold Diamond & Mink - "Remember Me" (4:18)
Review: "Remember Me" was one of the most effervescent and up-tempo moments on Carlton Jumel Smith's 2019 album "1634 Lexington Avenue", so it's terrific to see Timmion giving the song a seven-inch single release. Backed by in-house Timmion band Cold Diamond & Mink, New York's modern "Mr Soul" delivers a scintillating lead vocal above a rousing 1960s soul instrumental laden with killer bass, sustained horns and bustling breakbeats. It comes accompanied by Cold Diamond and Mink's instrumental version, which as usual with Timmion is exclusive to this "45" release. If fresh, sixties-sounding soul is your thing, you need this in your life.
Notes: This cable is designed to connect gear with XLR outputs to gear with XLR inputs. It is ideal for use in touring and other live-sound applications.
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Review: Just when you thought all hope was lost along come The Strokes to fulfil the promises they made way, way back with their startling debut 'Is This It'. That was 17 years ago, and while the outfit have made plenty worthy of note in the years between then and now, we'd be surprised if we're the only ones thinking this latest is their best effort since that inaugural outing. Confident but also hungry, rather than bloated and lazy, there's plenty here that you won't be able to get away from in a hurry. 'Brooklyn Bridge To Chorus' might define the package best, delivering some powerful pop energy in an all-round homage to and critique of the 1980s, an era revisited again on 'Bad Decisions', which owes plenty to Billy Idol's Generation X classic, 'Dancing With Myself', with tracks like 'Why Are Sundays So Depressing' diverting to a synthdom route and 'Not The Same Anymore' throwing crooner styles into the mix. Exceptional stuff.
Andy Rantzen - "The Dial" (Itch-E & Scratch-E mix)
Laccy - "Spectrum Of Vibrations"
Laccy - "Coincidence Of Opposites"
Review: The fourth installment on Spinning Plates comes from Andy Rantzen and Laccy, featuring a wealth of off-beat techno adventures for wayward souls. Rantzen is an Australian producer with a history remixing the likes of Severed Heads and working alongside Paul Mac as Itch-E & Scratch-E. His lead track "Digital Elf" is a stripped a raw beats n' bleeps workout, while "The Dial" finds Mac chipping in as they rework the track into a deadly old-skool burner for lovers of bleep techno. Laccy has only had one prior outing to date, but sounds in strong form on the sleek and crafty "Spectrum Of Vibrations" and delightfully freaky "Coincidence Of Opposites".
Review: For a classic 7" that makes you wish you could have experienced the rock and roll and blues heyday, these two dusty gems by Lavern Baker and Jackie Wilson are a great start. Taken from 1960, "Bumble Bees" by Baker is a chiming, doo-wop sing-a-long love song with a tastefully disgruntled character, while Baker & Wilson provide the excellent and X-rated "Think Twice", which sings about taboo topics like cocaine, pussy and reefa. It also boasts lyrics like 'son of a bitch', 'I aint gonna kiss your ass no more' and 'I've had enough of your shit' - not to mention the other out-there obscenities for the time which include references to oral sex. Lil Kim and Khia - eat your heart out!