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Pioneer DJM V10 Club DJ Mixer Pioneer DJM V10 Club DJ Mixer Pioneer DJM V10 Club DJ Mixer Pioneer DJM V10 Club DJ Mixer
Cat: 762314 Rel: 26 Feb 20 • View all DJ mixers
 
DJ mixer
Notes: All-new flagship DJ mixer from the industry standard DJM range. Six-channel design with a monster feature set. Expect to see this one in a lot of DJ booths.

Supplier's notes:
Forge a unique sound with the DJM-V10. Born from a fresh design concept, the DJM-V10 is a new breed of mixer, built to enable the most creative DJs to craft original soundscapes. This 6-channel unit produces warm audio with energy and presence, and it's loaded with unique features. So, take full control of your mix and enjoy the freedom to create something the crowd has never heard before.

Connect CDJs, turntables, and other line-level audio sources to the DJM-V10's six channels and use the specially developed 4-band EQ to sculpt your sound. Fully kill the high and low frequencies and play with the two mid ranges, which use an exclusive curve, to mold your mix. There's a brand-new filter too, controlled by the dedicated knob on each channel. Bring rich texture to your tracks by selecting high or low pass, then sweeping the knob all the way from the left to the right.

Unlimited creative options are available thanks to the expanded send/return section on the DJM-V10. You can route audio to one of four built-in FX and up to two pieces of external equipment. Assemble a custom setup by plugging in FX units, guitar pedals, and more to further personalize your performance. Route the audio back to the original channel or mix it straight into the master output. You can also choose to return it to a separate channel and tweak it further with the filter. And you can even use selected smartphone apps in your performances by connecting your device via MULTI I/O.

Every aspect of the DJM-V10 has been carefully designed to produce the best audio possible, and to give you the tools to shape your sound. After layering elements and FX with the six channels, use the 3-band master isolator on the master output to drastically change, or fine-tune, the contours of your whole mix. And if you want to play raw, classic recordings with modern, mastered ones, use the compressor - the first of its kind we've ever featured on a mixer - and blend together tracks you might never have dared to before. Simply turn the knob and the loudness of the audio from the selected channel will be boosted, resulting in a more natural mix. Keen to spice up a track? Add harmony and depth with Beat FX including the brand-new Shimmer.

If things don't sound right behind the decks, use the new booth EQ on the DJM-V10 to adjust the audio coming through the monitors. And with dual headphone outputs - each featuring their own monitor channel and level control - you can comfortably take over the decks from a DJ who's wrapping up a set, or perform back-to-back all night, without having to compromise on what you hear in your headphones.
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MRP:$3,559.77 SAVE 20%
 3 in stock $2,861.55
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quote 762314
Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer Korg SoundLink MW2408 Hybrid Analogue & Digital Mixer
Cat: 762144 Rel: 29 Jul 20 • View all Studio mixers
 
Hyrbid analogue & digital mixer
Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.
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MRP:$1,524.89 SAVE 17%
 2 in stock $1,270.74
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quote 762144
Pioneer DJM V10 Club DJ Mixer (B-STOCK) Pioneer DJM V10 Club DJ Mixer (B-STOCK) Pioneer DJM V10 Club DJ Mixer (B-STOCK) Pioneer DJM V10 Club DJ Mixer (B-STOCK)
Cat: 792168 Rel: 26 Feb 20 • View all DJ mixers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


All-new flagship DJ mixer from the industry standard DJM range. Six-channel design with a monster feature set. Expect to see this one in a lot of DJ booths.

Supplier's notes:
Forge a unique sound with the DJM-V10. Born from a fresh design concept, the DJM-V10 is a new breed of mixer, built to enable the most creative DJs to craft original soundscapes. This 6-channel unit produces warm audio with energy and presence, and it's loaded with unique features. So, take full control of your mix and enjoy the freedom to create something the crowd has never heard before.

Connect CDJs, turntables, and other line-level audio sources to the DJM-V10's six channels and use the specially developed 4-band EQ to sculpt your sound. Fully kill the high and low frequencies and play with the two mid ranges, which use an exclusive curve, to mold your mix. There's a brand-new filter too, controlled by the dedicated knob on each channel. Bring rich texture to your tracks by selecting high or low pass, then sweeping the knob all the way from the left to the right.

Unlimited creative options are available thanks to the expanded send/return section on the DJM-V10. You can route audio to one of four built-in FX and up to two pieces of external equipment. Assemble a custom setup by plugging in FX units, guitar pedals, and more to further personalize your performance. Route the audio back to the original channel or mix it straight into the master output. You can also choose to return it to a separate channel and tweak it further with the filter. And you can even use selected smartphone apps in your performances by connecting your device via MULTI I/O.

Every aspect of the DJM-V10 has been carefully designed to produce the best audio possible, and to give you the tools to shape your sound. After layering elements and FX with the six channels, use the 3-band master isolator on the master output to drastically change, or fine-tune, the contours of your whole mix. And if you want to play raw, classic recordings with modern, mastered ones, use the compressor - the first of its kind we've ever featured on a mixer - and blend together tracks you might never have dared to before. Simply turn the knob and the loudness of the audio from the selected channel will be boosted, resulting in a more natural mix. Keen to spice up a track? Add harmony and depth with Beat FX including the brand-new Shimmer.

If things don't sound right behind the decks, use the new booth EQ on the DJM-V10 to adjust the audio coming through the monitors. And with dual headphone outputs - each featuring their own monitor channel and level control - you can comfortably take over the decks from a DJ who's wrapping up a set, or perform back-to-back all night, without having to compromise on what you hear in your headphones.
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 1 in stock $2,778.46
Moog Matriarch Semi Modular Paraphonic Analogue Synthesiser (B-STOCK) Moog Matriarch Semi Modular Paraphonic Analogue Synthesiser (B-STOCK) Moog Matriarch Semi Modular Paraphonic Analogue Synthesiser (B-STOCK) Moog Matriarch Semi Modular Paraphonic Analogue Synthesiser (B-STOCK)
Cat: 789662 Rel: 01 Nov 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Proper semi-modular analogue goodness based on iconic Moog circuits, all packaged in a super creative four-voice paraphonic format. Lovely stuff from the analogue synth pioneers.

Supplier's notes:
Matriarch is an analogue synthesiser with an emphasis on imagination. The pinnacle of Moog's semi-modular family of synthesisers, Matriarch's patchable architecture and classic Moog circuits reward open exploration with endless sonic possibilities and unparalleled analogue sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, shifted, and stored with Matriarch's intuitive 256 step sequencer, or stack the analogue VCOs to play on a massive 4 oscillator mono synth.

With a deep assortment of synthesis modules based on Bob Moog's original circuit designs, Matriarch's 100% analogue signal path spans a dynamic sonic vocabulary - from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage-designed stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multi-dimensional sound that empowers the sonic exploration of space and time.

Though Matriarch's semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard into a fully modular analogue synthesiser at a moment's notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.
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 1 in stock $1,953.38
Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser Waldorf Kyra VA Virtual Analogue Desktop Synthesiser
Cat: 692803 Rel: 02 Dec 19 • View all Synthesisers
 
128-voice polyphonic synthesiser module
Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
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MRP:$2,028.52 SAVE 17%
 1 in stock $1,685.14
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quote 692803
Alpha Recording System ARS Model 9000 Rotary Tabletop DJ Mixer (blue violet) (B-STOCK)
Cat: 788701 Rel: 21 Feb 20 • View all DJ mixers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Gorgeous limited-edition blue violet version of one of our favourite mixers. Hand-made in Japan from premium components for true audiophile sound quality. Beautiful.

Supplier's notes:
ARS MODEL9000 Limited Edition
Matte Blue Violet color.

The ARS 9000 is a beautifully designed rotary mixer with deep and powerful low end and precise resolution on the highs creating a lovely warm sound.
With 3 band Isolators across each channel as well as the master and a "send out" for dub mixing plus original ARS rotary faders for a natural sensitive curve it is the ideal mixer for precise transitions through the mix.
All expendables are made in Japan by ALPS for their durability giving years of service. With 3 phono and 5 line inputs
there is plenty of connectability. Although is mixer is complex inside - on the outside the design is logical and simple to use.

3 Band Isolator on Master Output.
3 Band Isolator and SEND/RETURN on each channel.
No power switch avoiding accidentally turning power off while playing.Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

[SPECS]
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
HOUSE Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
BOOTH Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response: (Not 3Band EQ) 3Band Iso 1-4Ch /Master: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz
Headphone Monitor Switch: Cue Mix /Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)280 x (H)90 x (D)240 mm
Front Panel Color: Matte Blue Violet color.
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 1 in stock $3,446.44
Alpha Recording System ARS Model 9000 Rotary Tabletop DJ Mixer (blue violet)
Notes: Gorgeous limited-edition blue violet version of one of our favourite mixers. Hand-made in Japan from premium components for true audiophile sound quality. Beautiful.

Supplier's notes:
ARS MODEL9000 Limited Edition
Matte Blue Violet color.

The ARS 9000 is a beautifully designed rotary mixer with deep and powerful low end and precise resolution on the highs creating a lovely warm sound.
With 3 band Isolators across each channel as well as the master and a "send out" for dub mixing plus original ARS rotary faders for a natural sensitive curve it is the ideal mixer for precise transitions through the mix.
All expendables are made in Japan by ALPS for their durability giving years of service. With 3 phono and 5 line inputs
there is plenty of connectability. Although is mixer is complex inside - on the outside the design is logical and simple to use.

3 Band Isolator on Master Output.
3 Band Isolator and SEND/RETURN on each channel.
No power switch avoiding accidentally turning power off while playing.Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

[SPECS]
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
HOUSE Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
BOOTH Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response: (Not 3Band EQ) 3Band Iso 1-4Ch /Master: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz
Headphone Monitor Switch: Cue Mix /Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)280 x (H)90 x (D)240 mm
Front Panel Color: Matte Blue Violet color.
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MRP:$4,355.92 SAVE 17%
 3 in stock $3,629.93
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quote 765863
Alpha Recording System Model 4100 Limited Edition Rotary DJ Mixer (black) Alpha Recording System Model 4100 Limited Edition Rotary DJ Mixer (black) Alpha Recording System Model 4100 Limited Edition Rotary DJ Mixer (black)
Notes: Limited production run of ARS's outstanding 4100 rotary mixer, based on classic 70s mixer principles but updated with modern components and audiophile principles. Beautiful.

Supplier notes:
ARS MODEL 4100 DJ Mixer is a Japanese made, all hand-crafted DJ mixer.

It is the result of a pursuit for pure sound quality.

It is designed with purist ideals with only essential features.

It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.

On the rotary faders, custom curve was selected to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 4 CD/Line, 1 PC Line inputs.

Strikingly smooth operation feel.

Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4100 is warm and deep.

Simple design, with front panel offered in 2 colors; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs:
Frequency Response: +-1dB 20Hz-20Khz (with no EQ)

Input: 3 x Phono: 47K Ohm / 4 x Line: 20K Ohm / 1 x PC Line: 20K Ohm

House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm

Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm

Tape OutputT: RCA Unbalanced Impedance 600 Ohm

Effect Loop: RCA Unbalanced Impedance 20K Ohm

Effect Loop Output: RCA Unbalanced Impedance 600 Ohm

Send Output:RCA Unbalanced Impedance 600 Ohm

Return: RCA Unbalanced Impedance 20K Ohm

Power Consumption: 25w

Power Requirement: US-115V/EU-230V(Selectable)

Dimensions: Front Panel 2U (W)482.6x(H)88x(D)195 mm

Front Panel Color: Black
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MRP:$3,045.96 SAVE 17%
 3 in stock $2,538.30
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quote 783070
ACL System 2 Desktop Modular Synthesiser
ACL System 2 Desktop Modular Synthesiser (desktop modular synthesiser)
Cat: 765867 Rel: 17 Jul 20 • View all Synthesisers
 
Desktop modular synthesiser
Notes: Beautiful complete modular system from Berlin-based Audiophile Circuits League. Based around two contrasting VCOs and a ladder filter, but with massive depth beyond the basics.

Supplier notes:
With System II Audiophile Circuits League presents a powerful modular Synthesizer with two full-featured Oscillators and an extremely musical Lowpass filter. Based on the Multifunction Discrete VCO and the Variable Sync VCO, System II serves with an unbelievably vast sound spectrum, from thick basses to aggressive Leads. The new VC Dual Amp provides a crystal clear sound, which can be perfectly integrated in the studio thanks to the high quality Audio Interface.

System II is a beautiful compact system, suitable for all situations.

System 2 is a modular instrument built entirely from ACL components. The search for a microcomputer in this system would be in vain because all modules are analog and for the most part discrete.

The whole thing comes in a metal case with oak side panels. A KAZU power supply is also included. - However, not as a module, but discreetly installed inside. This leaves four partial units for personal additions. The KAZU power supply is characterized by minimal interference and voltage peaks. The same applies to the built-in EVE 1 bus board. The result: extremely clear high-end sound.

Included modules:
Multifunction Discrete VCO
2 x Oktave
Variable Sync VCO
Discrete Core Ladder VCF
Gate Mix
2 x Multi II
Envelope X3
2 x QLFO
2 x VC Dual Amp
Audio Interface
EVZ1-Gehause 6U 84TE (incl. Kazu PSU, EVE1 Busboard, AC Adapter 15V - 3.34 A)
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 1 in stock $4,111.09
ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate)
Notes: All you could ever dream of from an Eurorack console, and then some.

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings cause you can never have enough switches.

MECHANICAL:
Format: Eurorack
ADDAC807A Width: 56 HP
ADDAC807B Width: 24 HP
Depth: 4.5 cm
Weight: 1.5 kg (3.3 lb)

CONTROL VOLTAGE I/O:
CV inputs: i 5v

ELECTRICAL:
Max current: 650mA on each rail
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $1,550.53
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quote 776434
Black Corporation Kijimi 8 Voice Polyphonic Analogue Synthesiser
Cat: 767536 Rel: 28 May 20 • View all Synthesisers
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,813.28
Black Corporation Xerxes Polyphonic Analogue Synthesiser
Cat: 765885 Rel: 27 Feb 20 • View all Synthesisers
 
polyphonic analogue synthesiers
Notes: Wow! Stunning analogue polysynth inspired by the classic early 80s Elka Synthex, renowned for amazing strings and pads. Painstakingly developed by the company behind the Deckard's Dream. Beautiful.

Supplier's notes:
Xerxes is an eight-voice polyphonic analog Synthesizer that features two discrete logic DCO's per voice. Each DCO section offers four waveforms (triangle, saw, square, pulse), octave switch, transpose, oscillator PWM, PAM, ring mod, pulse width, and a volume knob. It offers an analog multimode filter (HP/BP/LP) as well as two LFO's and 2 ADSR envelopes. Furthermore there is an analog BBD stereo chorus.

The synth is heavily inspired by the well-known Elka Synthex Synthesizer from the past but it is not a replica. It's a completely new development that has many modern and clever new features. The interface was not taken from the vintage Synthex but is also heavily inspired without cloning it.
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 1 in stock $3,813.28
PLAYdifferently Model 1 Analogue DJ Mixer PLAYdifferently Model 1 Analogue DJ Mixer
Cat: 784748 Rel: 18 Aug 20 • View all DJ mixers
 
Analogue DJ mixer
Notes: Co-designed by Richie Hawtin, the Model 1 is an obvious choice for DJs who want great sound and creative performance options. Easily one of the best high-end mixers on the market.

Supplier's Notes:

MODEL 1 is a performance instrument providing new creative possibilities to artists, and empowering them to PLAYdifferently.A mixer of uncompromising build quality, intuitive tactile controls and beautifully warm analog circuitry. Engineered by Andy Rigby-Jones and co-designed by Richie Hawtin, with two years of testing, insight and refinement with artists, clubs and engineers from across the electronic music community.

MODEL 1 has a unique offering of six fully featured input channels plus two stereo returns in a small format frame. It has many features not currently available on any comparable device, such as Input pre-amplifier drive control, hybrid filter/swept bell EQ, dual cue system, dual mixer linking system, and a fully balanced Tascam DB25 connector system. It's a purely analogue mixer featuring technology normally found in the finest studio consoles, such as a fully balanced mix buss, zero crossing detection for seamless filter & master EQ routing along high voltage differential power rails.

Features:
2 stereo sends
2 stereo returns
3 high performance phono preamps
3 high performance turntable inputs, optimized for the club environment in order to minimise the tonal imbalance between vinyl and Digital audio, and to eliminate sub frequency feedback. Each phono input has it's own Individual Turntable Earth Binding for greater flexibility.
Custom TKD 60mm faders. These twin rails faders have been carefully chosen to ensure long life and smooth operation and feature a heavy feel for greater precision.
Precision Sculpting EQ
Contouring low & high pass filters
Analog overdrive
Two independent Cue systems, A and B.
Mixer Link, allows multiple mixers to be linked together
Balanced Mix Bus
Master high & low pass resonant filters
Three-band master EQ
Two-band Booth EQ
100% analog
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MRP:$3,891.71 SAVE 17%
 1 in stock $3,243.09
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