Review: For those who dig Jeff Mills but don't have the time or money to hoard records from his extensive back catalogue, the ongoing "Director's Cut" series showcasing hard-to-find gems from his discography is a godsend. Volume five begins with a trip back to 2015 and "Solar Cycles" - an alien-sounding, otherworldly mid-tempo techno loop jam - from the limited edition, USB-only "Proxima Centauri" album. Side B begins with the bleeping tribal techno hustle of "L8" from 1998's "Skin Deep EP", before Mills offers us a chance to drift through space via 2006 track "Above Waiting Worlds", which is one of his most intergalactic and cinematic dancefloor cuts to date (and that's saying something).
Review: Some 20 years after "If" first hit stores, Jeff Mills has decided to get his old pal Terrence Parker to remix it. He's done a rather good job, with both versions making great use of Mills' ghostly original chord sequences and two different variations on the mesmerizing, seemingly drifting scat-style vocals that was arguably the track's most memorable feature. The A-side "Vox Soul Mix" includes new vocals in the original style by Marachka, whose haunting but soulful improvisations brilliantly rise above metronomic techno drums, spacey effects and those now famous chords. The similar sounding "Original Remix" is a little tougher and weightier, with tooled-up percussion (check the restless hi-hats) underpinning Anna F's original scat vocal and Mills' ethereal, ambient style chords.
Review: "Looking back in hindsight to the activity and accomplishments of Axis is with much pride - to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term" - Jeff Mills
Review: Given his stargazing, intergalactic ethos, it's perhaps unsurprising that sci-fi techno overlord Jeff Mills has decided to mark the 50th anniversary of the Apollo XI moon landing by releasing an album containing his musical "interpretations of Earth's moon". As you'd expect from an artist of Mills' standing, it's a very good album. Evocative, atmospheric and hugely spacey - this is Jeff Mills after all - the seven-track set moves from scene-setting, string-laden ambient ("Control, Satva and Rama") to sparse, acid-flecked dub techno ("Electromagnetic") via a string of fine cuts that variously touch on electro-fired broken techno ("Stabilizing The Spin"), Steve Reich style minimalism (the brilliant "Lunar Power"), and semi-orchestral electronic positivity ("The Tides").
Review: (180g Axis Audiophile Series / color label/ black generic jacket) Including audio commentary by Jeff Mills himself. "Looking back in hindsight to the activity and accomplishments of Axis is with much pride - to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term" - Jeff Mills
Review: Given that Star Marked is a new sub-label from legendary Detroit Techno stable Axis, it's perhaps fitting that boss man Jeff Mills presents the debut release. Mills has yet to fully explain the ethos behind this new spin-off imprint, though by the sounds of the four contained tracks we're guessing a sharp dancefloor focus is part of the blueprint. There's plenty of variety on show, too, with the slamming, hypnotizing intensity of opener "Albali" - think metronomic kick-drums, sci-fi sweeps and a restless, minor key motif - being followed by the deep, melodious and dreamy, house-tempo goodness of "Patterns In Nature". There's a similar approach on the flip, where the dystopian techno throb of "Helix Nebula" makes way for the off-kilter deep space electro of "Aquarius". It's all superb, of course, but we expect little less from the masterful Mills.