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Review: The latest project from psych-guitar wizard Drew St Ivany (Laddio Bolocko, Psychic Paramount) serves as a hallucinogenic opus, weaving fuzzed out psychedelia, industrial menace, retro-prog grooves and post-rock shoegazing into one aural tapestry of instrumental chaos. Four cuts of varying degrees of brevity, running from 2 minutes to quarter of an hour, Gospel Jamming Vol. 1 might be a faux-chapter title or legitimately the first instalment of an ever-expanding collection. Either way, The Exorcist III deliver the type of genre-eschewing abandon of early Krautrock and lysergic psyche, yet emboldened by the decades' worth of progression imbuing its way into their dexterous cacophony.