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Cat: 740064 Rel: 09 Aug 19
 
Dual oscillator Eurorack module with patented wave-slicing design - 26HP
Notes: Proper freaky digital Eurorack business. Based on the synth plugin of the same name, Waverazor is a bonkers aggro waveshaping oscillator. Ideal for filthy bass sounds and nasty leads.

Supplier notes:
The Waverazor Dual Oscillator is a result of a special collaboration between 1010music and MOK. It is the first hardware module to bring MOK's patented wave-slicing? oscillator design to Eurorack format. Waverazor's novel approach to synthesis splices waveforms into twisted and aggressive new timbres. Featuring fresh sound generation techniques like Multi-Sync and Mutant AM, the Waverazor oscillator is perfect for biting leads, glitched-out basses, cinematic drones and everything in between.

One Waverazor Eurorack oscillator can contain up to 8 wave slices, creating a multi-segment "Frankenstein" waveform that produces extended harmonic content beyond any single wave shape. Each individual slice has independent control over wave pitch, volume, phase and DC offset, allowing a single oscillator to contain a multitude of timbral colours. Even the "Razor" itself can be adjusted, with parameters for its own slice frequency, step size multiplier and duty cycle.

The Waverazor Dual Oscillator module provides a central waveform display that allows you to visualize the output. There's an audio input for slicing up any sound you like. Four endless knobs make it possible to morph multiple parameters at once, while the touch screen enables X/Y performance controllers that allow you to manipulate the sound with the swipe of your finger. Top it all off with 20 modulation CV inputs for complete sonic insanity!

What is included:

- Waverazor Dual Oscillator Eurorack module
- MicroSD card with Waverazor firmware and patch data loaded on it
- Eurorack power cable
- Waverazor Dual Oscillator Quick Start guide
- MIDI Adapter
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 2 in stock $551.54
2hp
Cat: 706868 Rel: 15 Oct 18
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
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 1 in stock $104.33
2hp
Cat: 706870 Rel: 15 Oct 18
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
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 1 in stock $102.21
2hp
Cat: 725426 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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 1 in stock $136.28
2hp
Cat: 725427 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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 2 in stock $146.92
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quote 725427
2hp
Cat: 727389 Rel: 02 Oct 19
 
Digital oscillator module with sub output & wavefolding - black
Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.
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 2 in stock $146.92
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quote 727389
2hp
Cat: 709206 Rel: 05 Dec 18
 
Compact sampler featuring Micro SD slot for easy sample loading - silver faceplate
Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.
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 1 in stock $137.34
2hp
Cat: 709207 Rel: 05 Dec 18
 
Compact sampler featuring Micro SD slot for easy sample loading - black faceplate
Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.
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 2 in stock $134.15
2hp
Cat: 725419 Rel: 19 Mar 19
 
2HP Eurorack buffered mult module - silver
Notes: The 2hp Buff is a buffered multiple capable of splitting an input signal to multiple outputs. Due to its active architecture, inputs retain their full integrity as they are copied to multiple destinations. One input signal can be copied to six outputs, or two inputs can be copied to three outputs each. The Buff is especially great for splitting pitch or audio signals where signal integrity is critical. Keep your signals in shape with Buff.
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 2 in stock $72.39
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quote 725419
2hp
Cat: 725417 Rel: 19 Mar 19
 
Voltage offset generator with three channels & voltage ranges - silver
Notes: The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.
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 2 in stock $74.52
2hp
Cat: 725418 Rel: 19 Mar 19
 
Voltage offset generator with three channels & voltage ranges - black
Notes: The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.
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 1 in stock $80.91
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quote 725418
2hp
Cat: 714254 Rel: 17 Dec 18
 
Compact physical modelling synth module featuring Karplus-Strong based algorithms - 2HP
Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.
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 2 in stock $136.28
2hp
Cat: 714255 Rel: 17 Dec 18
 
Speech synthesiser/formant oscillator with speech & FOF synthesis algorithms - 2HP
Notes: Vowel is a speech synthesis and formant oscillator. It synthesizes and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
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 1 in stock $84.12
Cat: 739048 Rel: 29 Jul 19
 
Eurorack power supply module - 4HP
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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 1 in stock $136.28
Cat: 717580 Rel: 06 Feb 19
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 2 in stock $188.45
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quote 717580
Cat: 717585 Rel: 06 Feb 19
 
Utility module to convert signals to Eurorack level - 6HP
Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.
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 2 in stock $105.40
Cat: 717581 Rel: 06 Feb 19
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $179.93
Cat: 648377 Rel: 29 Apr 19
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.
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 3 in stock $536.62
Cat: 708085 Rel: 18 Apr 19
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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 1 in stock $357.75
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quote 708085
Cat: 708087 Rel: 23 Jan 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $220.40
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quote 708087
Cat: 708090 Rel: 18 Apr 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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 1 in stock $207.62
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quote 708090
Cat: 708115 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $181.00
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quote 708115
Cat: 708102 Rel: 18 Apr 19
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 1 in stock $480.19
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quote 708102
Cat: 708095 Rel: 25 Jan 19
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 2 in stock $452.52
Cat: 708079 Rel: 22 Jan 19
 
12 stage multi tap stereo phaser - black, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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 1 in stock $364.13
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quote 708079
Cat: 688774 Rel: 31 Jan 19
 
Compact digital oscillator with a resolution of 16Bit/48kHz
Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.
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 2 in stock $146.94
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quote 688774
Cat: 751689 Rel: 31 Jan 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.
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 1 in stock $137.66
Cat: 688775 Rel: 31 Jan 19
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $227.85
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quote 688775
Cat: 717588 Rel: 18 Jan 19
 
Playable sequencer featuring 3 channels of 16 steps & real-time touch pads - Eurorack module edition
Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.

Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping. The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.

Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.

Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.

Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.

No menus of multi-button pressed. WYSIWYG front panel control.

We have given this sequencer a large and diverse number of controls, that alongside the patch sockets, will give even the best and experienced electronic musician endless possibilities.

We have presented the controls in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.

No compromise has been made with the construction of Generator. Cheaper parts have not been used!
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 1 in stock $613.29
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quote 717588
Cat: 714519 Rel: 25 Jan 19
 
Gritty sounding delay effect with open feedback path - 10HP
Notes: The Coma Reactor module from Animal Factory Amplification is an innovative delay with a variety of sonic possibilities.

It is based on a PT2399 delay chip and offers amazing routing and sound design options.

The Coma knob is an attenuator for the input signal. Low levels can generate funny noises. The input signal is mirrored at the Thru output, for further processing with another module.

There are separate dry and wet potentiometers to adjust the desired effect amount.

The delay time ranges from 30 to 2000 ms. It can be controlled manually via the Time knob or with control voltage thanks to the MOD input, which is equipped with an attenuverter and a switch for setting the amount of modulation. Furthermore there is a LED which indicates the CV polarity.

The delay features a feedback knob for controlling the repeats. Turned fully clockwise it will bring up self-oscillation.

Thanks to an integrated send/return path it is possible to use the module with external effects. The volume of the external effect is controlled by the Return potentiometer. If nothing is connected to send/return, the delay signal is routed internally through a crude twin-T Bandpass Filter. The effected signal can be fed back into the delay circuit thanks to a dedicated Return Feedback knob.
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 2 in stock $171.41
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quote 714519
Cat: 711948 Rel: 10 Jan 19
 
Compact four-channel morphing vector mixer & quadraphonic panner for modular setups - 6HP
Notes: The V3KT is a 6HP, 4-channel morphing vector mixer/quadraphonic panner with dedicated CV logic outs!

V3KT makes it very easy to animate vector mixes/synthesis, dynamic quadraphonic panning, or automate distribution of a signal through quad high-quality VCA channels. With easy operation and dedicated CV logic outs that can be fed back into your patch, it is truly an instantly inspirational piece of kit!
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 1 in stock $191.64
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quote 711948
Cat: 734882 Rel: 18 Jul 19
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $288.54
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quote 734882
Cat: 690905 Rel: 17 Dec 18
 
Flagship oscillator featuring ten individual waveform outputs - 26HP
Notes: We are proud to present our newest workpiece: The ACL Multifunction Discrete VCO combines a massive single saw tooth core with a strong sub oscillator - each of them with its individual wave shaper. As usual, we didn't spare any effort to bring you the best quality - from the inside right to the outside.

The module comes with saw, inverted saw, PW rectangle, triangle and sine - all important waveforms of a proper modular unit are featured. We constructed all signal paths in fully discrete design up to the outputs - but it is much more to it than just a clone of a classical VCO:

If you play with the linear detune, it is possible to create awesome "beating effects" between two or more VCOs. The direct relation between the linear detune and VCO response makes it possible to use the same frequency at every pitch - for an atmospheric, rich and alive sound.

If you play the VCO in LFO mode, the module enables to control the speed in the same way as in VCO mode. If you leave V/Oct CV, you can generate very long lasting sweeps.

Another strong feature are the big syncing capabilities: Adjust the sync amount manually or via CV between the range of sync and no sync - and surf through variable degrees from soft to hard sync.

The core should sync to all repeatable waveforms - approximately exceeding 1 V pp - but in case sync wave is important for some applications, it is possible to choose between falling and rising edge sync in order to hold the proper phase relation between the syncing and the synced wave.

The Gate Input gives you the option to reset the VCO core at the beginning of every note. This feature is highly recommended for the creation of bass and percussion patches if every attack should sound equal and systematic at each time the notes are played. The Gate Input can be used as hard-sync input as well, even in the same time with the Sync input.

You are free to modulate both the oscillator and sub oscillator rectangle wave pulse widths through their separate PWM Ins and PW pots.

On top of this, you also have the possibility to choose between different PWM "carrier" waves to change the PWM-behaviour: Rising and Falling Sawtooth will create an unsymmetrical PWM, while Triangle will create a very musical sounding symmetrical PWM.
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 1 in stock $733.61
Cat: 688796 Rel: 11 Feb 19
 
MIDI to CV module featuring 4 channels of CV & Gate - 7HP
Notes: 1983 is a polyphonic MIDI to CV interface with creative voice allocation and automatic tuning capabilities. There are 4 channels of CV and GATE outputs that can be used in various layouts such as hybrid splits between monophonic and polyphonic voices or velocity, CC, aftertouch, triggers, clock or reset.

Each channel is able to LISTEN to the simple waveforms of the oscillators and with a single press of the TUNE button, it adjusts the CV outputs to the same tuning (such as A = 440 Hz in equal temperament or others). It also maps the response for all 7 octaves so all the oscillators are perfectly in tune with each other (and with other instruments). PURE MAGIC!

When the UPDATE jack is used, it forces the outputs to update only when a trigger is detected.

1983 always stores the notes played in a legato sequence in a buffer and the WINDOW jack allows for selecting which of these notes appear at the outputs.

This way the MIDI keyboard can be used as an input interface for harmonies and note sets that are further creatively processed with triggers and CV in the modular environment.

The TRANSPOSE jack shifts the outputs by semitones, fifths or octaves and the PORTAMENTO jack sets the glide time by CV.
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 2 in stock $295.99
Cat: 716763 Rel: 14 Feb 19
 
Stereo mixer - 6HP
Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with our Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.
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 4 in stock $140.55
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quote 716763
Cat: 689669 Rel: 14 Feb 19
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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 3 in stock $224.66
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quote 689669
Cat: 736449 Rel: 15 Jul 19
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $201.24
Cat: 728707 Rel: 24 Jul 19
 
Ring modulator based on the ARP 2600's 4014 ring mod - 8HP
Notes: Mobula is Delta Sound Labs' faithful take on the classic ARP 2600 ring modulator model 4014. This particular processor is renowned the world over for its clean sounding ring modulation effect. Due to its unconventional circuit design, where the positive and negative parts of the signal split between two two-quadrant multipliers, it achieves what is referred to as a four quadrant multiplication.

Built with a combination of modern closely matched and discrete transistors this super skiff friendly module is faithful to all of the original features, with the single addition of independent switching of input signal DC-blocking. This module is DC-coupled; meaning it will happily process both control voltages and audio signals at the flick of a switch. The unique electronic architecture leads to both significantly increased low frequency response and superior carrier suppression when compared to traditional transformer based ring modulation designs.
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 1 in stock $158.64
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quote 728707
Cat: 745794 Rel: 10 Sep 19
 
3-way logic module featuring two internal signal inverters - 8HP
Notes: Dual logic module with 3 inputs for each unit. The logical states of the inputs ("1" = high / "0" = low) are linked together in 3 ways: AND, OR, EXOR (exclusive OR). The three functions are available simultaneously at three outputs with LED display of the output states.

Additionally, two inverters are available to obtain the inverted functions NAND, NOR and NEXOR. The sockets of each triple unit are "normalized", i.e. the switched contact of socket 2 is connected to input 1 and the switched contact of socket 3 is connected to input 2. Provided that no plug is inserted into socket 1 resp. socket 2 the socket is connected to the input above it. This simplifies the usage of the module when only 2 signals are combined, e.g. the logic functions AND and OR have different neutral input levels ("1" is the neutral state for AND, "0" is the neutral state for OR).

In case of a fixed input level for the unused input one of the functions (AND or OR) would work no longer.

Applications: combination of digital signals of the A-100 (e.g. gates, clocks, triggers), e.g. to obtain "gated" clocks or certain rhythmic patterns.
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 1 in stock $106.46
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quote 745794
Cat: 745792 Rel: 10 Sep 19
 
Dual trigger modifier, consisting of two trigger inverters for gate, clock or trigger signals - 4HP
Notes: Module A-165 (Dual Trigger Modifier) contains two separate trigger modifiers, to use with logical/digital levels (gate, clock, trigger). Each half of the module enables signals generated by the A-100 to communicate with other instruments (such as an external sequencer) or is simply used where you want to reverse a trigger polarity.

Whatever signal is patched into the input, inverted by the module, and fed out of the Inv. Out (inverted output) socket. At the same time, a trigger signal of roughly 50 ms is generated every time an edge of the trigger pulse is sensed (negative as well as positive). This trigger signal is available at the +/- output.

Two LEDs act as indicators showing the level of signal available at the two outputs.

When both units are daisy-chained the module can be used as level shifter for gate/trigger/clock signals (from min. +2,5V up to +12V)
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 1 in stock $59.63
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quote 745792
Cat: 577753 Rel: 06 Jun 19
 
12dB multi-mode filter - 8HP
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.

The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates.

The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.
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 5 in stock $78.78
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quote 577753
Cat: 577762 Rel: 06 Jun 19
 
4 channel mixer - 8HP
Notes: Module A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - i.e. it can be used to interface directly with an external mixer, amplifier, etc.

The A-138a version features potentiometers with linear response, so especially suitable for control voltage mixing.
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 2 in stock $56.42
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quote 577762
Cat: 577792 Rel: 06 Jun 19
 
Electronic switch with up to four steps - 4HP
Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).
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 5 in stock $59.62
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quote 577792
Cat: 734878 Rel: 09 Jul 19
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 2 in stock $421.02
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quote 734878
Cat: 577786 Rel: 06 Jun 19
 
Multi-connector module - 4HP
Notes: Modules A-180-1 and A-180-2 are simple multi-connectors. They have eight inter-connected sockets, so that you can "multiply" any audio or control signal. From the factory the modules come as two four-fold multiples. But they can be modified as an eight-fold multiple (solder bridge on the pcb). Though these modules are very "primitive" they are required very often in patches (e.g. to distribute a clock signal or a control voltage). Within a big A-100 system sufficient multiples should be planned. The function of A-180-1 and A-180-2 is the same. The modules differ only in the front panel width.

For the distribution of control voltages used for pitch control of several VCOs the buffered multiple A-185-2 is recommended. This module has a built in buffer (and a lot of additional features like CV summing) that avoids small voltage losses that may be heard in pitch control applications.
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 1 in stock $36.80
Cat: 738640 Rel: 09 Jul 19
 
Voltage controlled sine-LFO with four separate, phase shifted outputs - 8HP
Notes: Module A-143-9 is a derivative of our planned thru-zero quadrature VCO. It is a voltage controlled sine LFO with 4 outputs. The phase shift between the outputs is 90 degrees. The sine shifted by 90 degrees is also called cosine, the sine shifted by 180 degrees is nothing but the inverted sine, and the sine by 90 degrees is nothing but the inverted cosine.

The frequency range is from some minutes to frequencies beyond audio with three ranges selected by a toggle switch:

- Switch position H: about 30 Hz ... 3.5 kHz with the manual frequency control ("Frq."), beyond 20 kHz with additional external CV
- Switch position M: about 1 Hz ... 150 Hz with the manual frequency control ("Frq.")
- Switch position L: about 0,1 Hz ... 10 Hz with the manual frequency control ("Frq."), down to several minutes with additional external CV

Two exponential frequency control inputs are available: CV1 without attenuator and CV2 with polarizer. Consequently the module can be used even as an experimental sine VCO but does not feature an exact 1V/oct CV input! The precision CV input will be left to the thru-zero quadrature VCO.

Two LEDs display the positive and negative share of the sine output.

The core of the module is a so-called quadrature circuit that generates a sine a cosine signal with very low distortion. The quality of the sine/cosine signals are much better than those generated by a waveform converter with a sawtooth or triangle signal as starting point.

The output levels are about 5 Vss (+/-2.5V) but can be adjusted internally by a trimming potentiometer (P5 "Shape").

Typical applications:

- External sine/cosine oscillator for the frequency shifter A-126
- Modulations with pure sine/cosine waveforms
- Quadrature/barberpole effects (e.g. with the voltage controlled mixer A-135)
- Experimental sine/cosine VCO (e.g. for FM sounds)

Many users suggested to add a common output level control, i.e. four VCAs with one common control (manual + CV without attenuator + CV with polarizer) for the output levels. This is why we also designed the Quad VCA module A-132-2 with the possibility of an internal default connection to the four outputs of the A-143-9 (no soldering required, short 10 pin flat cable with removable connectors on both ends).

The A-143-9 is also a meaningful addition for the Frequency Shifter module A-126. It enables frequency shifting even below 50 Hz generating e.g. these mellow beat sounds with a few Hz frequency shifting only. The following document describes how to connect the A-126 and the A-143-9: A126_A143_connection.pdf.

The thru zero version of the A-143-9 with temperature compensation is the module A-110-4.
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 1 in stock $77.72
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quote 738640
Cat: 577763 Rel: 10 Jul 19
 
8HP Eurorack module featuring two identical VCA's
Notes: Module A-132-3 is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently, the VCA's can be used to process both audio and control voltages. The input has no attenuator available but is capable to process up to 16Vss signals (i.e. -8V...+8V) without distortion.
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 1 in stock $104.33
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quote 577763
Cat: 577767 Rel: 10 Jul 19
 
Voltage-controlled 24 dB low-pass filter - 8HP
Notes: Module A-120 is a voltage controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through. The Cut-Off Frequency determines the point at which filtering takes effect. You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off.

The module is based on a so-called "transistor ladder" design, with a cut-off slope of -24 dB/octave, as in various Moog synthesizers. That's what gives it its classic, legendary Moog sound.

Resonance (or Emphasis) is adjustable all the way up to self-oscillation - in which case the filter behaves like a sine wave oscillator.
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 1 in stock $105.40
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quote 577767
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 2 in stock $76.65
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quote 731940
Cat: 731949 Rel: 10 Jun 19
 
Quad low frequency oscillator - 4HP
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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 1 in stock $76.65
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quote 731949
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