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Items 1 to 39 of 39 on page 1 of 1
Cat: 737279 Rel: 14 Nov 19 • View all Synthesisers
 
Rick & Morty limited edition synth & sequencer pocket operator
Notes: The Emmy award-winning producer Justin Roiland has stepped into the role of inventive mad scientist collaborating with Teenage Engineering. Together, they have created a limited-edition Pocket Operator (PO-137), a vocal synthesiser and sequencer with built-in microphone offering 8 different voice character sampling options, all voiced by Roiland himself plus all new custom Rick and Morty visuals.

Other features of the PO-137 include an animated LCD display, folding stand, 120-seconds sample memory, alarm clock and much more.
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 5 in stock $90.45
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Cat: 747522 Rel: 15 Nov 19 • View all Synth modules
 
Force sensing module with gate & CV output - 10HP
Notes: The FSR 1U is built around a custom fabricated FSR with an analog processing circuit. It allows you to generate a variable CV when you press on it (pressing harder generates a larger voltage) along with a corresponding gate signal.

Guaranteed to add some fun, dynamic control over almost any kind of patch!
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 2 in stock $73.23
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Cat: 755667 Rel: 11 Nov 19 • View all Studio accessories
 
Compact megaphone with inbuilt audio player & loop recorder
Notes: Portable 15W rechargeable megaphone with inbuilt audio player and 240 second loop recorder. Manufactured from impact resistant ABS material with a folding handle and wrist strap. Powered by a removable 18650 Lithium-ion battery which can be recharged using the supplied USB to DC lead from a standard USB charger.

At the upper rear of the unit is a microphone, operated by a push-to-talk/power button on the rear panel along with a switchable siren function for alerts. Top mounted USB and microSD ports allow media containing mp3 files to be connected and played back through the megaphone, whilst a loop recording function allows the user to record a message up to 4 minutes long and continuously replay it through the megaphone.

Neatly packaged with comprehensive features, this is an essential piece of equipment for crowd control, alerts and information in public spaces.
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 2 in stock $20.19
Cat: 749811 Rel: 15 Nov 19 • View all Synth modules
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 3 in stock $180.92
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Cat: 755419 Rel: 14 Nov 19 • View all Synth modules
 
Module for controlling the Trautonium ribbon controller - 8HP
Notes: Touching the sensor with a finger generates a control voltage CV1 that is proportional to the position of the finger. The scale (i.e. the relation between position difference and voltage difference) is adjustable with a potentiometer at the front panel. A hold switch is used to determine if the CV voltage is held after removing the finger (hold = on) or if the CV voltage jumps to 0V (hold = off). In the last case (hold = off) a gate signal is derived from the CV voltage whenever a finger touches the sensor (e.g. for triggering an envelope generator).

A sensitive pressure sensor located below the position sensor generates a second control voltage CV2 that increases with higher pressure of the finger. Even for CV2 the scale is adjustable. A second gate signal is triggered as soon as the pressure exceeds a certain value. The gate threshold is adjustable at the front panel.

The sensors are located in a separate metal frame (length about 600 mm, width about 30 mm, height about 18 mm, weight: about 900 g, colour: silver-grey). The connection between the module and the sensor frame is made by a 4 pin cable (same as used for USB connections).

Typical applications:

- Trautonium manual, the string is replaced by the position sensor that is much easier to use and cheaper than the string. In combination with the Subharmonic Oscillator A-113, the Trautonium Filter A-104 and some auxiliary modules a complete Trautonium replica may be realized. In combination with the Quantizer A-156 exact semitone intervals are possible.

- Ribbon Controller for any A-100 parameter
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 1 in stock $66.77
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Cat: 731937 Rel: 15 Nov 19 • View all Synth modules
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 2 in stock $164.77
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Cat: 755422 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 1.5 HP wide
Notes: Blank panel, 1.5 HP, constructed from anodised aluminium, silver.
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 1 in stock $2.69
Cat: 755424 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 2HP wide
Notes: Blank panel, 2HP, constructed from anodised aluminium, silver.
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 1 in stock $2.69
Cat: 755425 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 4HP wide
Notes: Blank panel, 4HP, constructed from anodised aluminium, silver.
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 1 in stock $3.07
Cat: 755394 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 1024 stages provides a delay time of 2.05 - 1024 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $123.85
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Cat: 755396 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 2048 stages provides a delay time range of 4.10 - 2048ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $123.85
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Cat: 755397 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 2048 stages provides a delay time range of 4.10 - 2048ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $142.15
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Cat: 755398 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $157.23
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Cat: 755435 Rel: 12 Nov 19 • View all Synth module accessories
 
Miniature PSU/bus board
Notes: The A-100 MNT (Mini power supply/bus) is composed of a miniature power supply and system bus, with connectors for four modules. It's designed to be used with a small set-up of just a few modules, in your own custom-designed case. The idea is that then you can use individual A-100 modules - for instance the filters, the filterbank, frequency shifter, sampler, MIDI interface, etc. - as free-standing pieces of equipment, which can easily be integrated with your other instruments or recording equipment.

The power supply provides the usual A-100 system requirements of +12 V and -12 V, and an additional +5 V supply, for the few modules (for instance A-190, A-191) which need it. The maximum current loading capacity totals 100 mA for +/- 12 V and/or 50 mA for the +5 V supply.

The system bus provides connections for four System A-100 modules. As well as the power supply, it also carries "INT.CV" and "INT.GATE" connections (see A-100 manual, main introduction, chapter 3, 'The A-100 signal flow'.).

The A-100 MNT is supplied as standard with an external power supply, which has to be connected to the socket on the MNT's circuit board.
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 1 in stock $49.54
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Cat: 755401 Rel: 15 Nov 19 • View all Synth modules
 
Bucket Brigade Device module, 0 Stages - 14HP
Notes: Module A-188-1 is a so-called Bucket Brigade Device module.

BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. BBD circuits can be treated as a chain of Sample&Hold units (S&H) which pass on their voltages to the next S&H in the chain at each clock pulse.

In any case the sounds generated by module A-188-1 are very special. Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect).

The A-188-1 also has no built-in anti-aliasing filter in order not to limit the possibilities of the module. For this the CV out is intended.

This module comes without BBD circuit. The final adjustment is possible only with the BBD circuit used in the module. Electronic experience and measuring equipment (digital multi-meter, oscilloscope, frequency meter) are required.
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 1 in stock $104.45
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Cat: 755402 Rel: 15 Nov 19 • View all Synth modules
 
Bucket Brigade Device module, 0 Stages - 14HP
Notes: Module A-188-1 is a so-called Bucket Brigade Device module.

BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. BBD circuits can be treated as a chain of Sample&Hold units (S&H) which pass on their voltages to the next S&H in the chain at each clock pulse.

In any case the sounds generated by module A-188-1 are very special. Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect).

The A-188-1 also has no built-in anti-aliasing filter in order not to limit the possibilities of the module. For this the CV out is intended.

This module comes without BBD circuit. The final adjustment is possible only with the BBD circuit used in the module. Electronic experience and measuring equipment (digital multi-meter, oscilloscope, frequency meter) are required.
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 1 in stock $123.83
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Cat: 752816 Rel: 14 Nov 19 • View all USB cables & adapters
 
High speed, durable digital cable for DJ's, musicians & producers - 1m length
Notes: Since its release the d+ Class B series has become a worldwide standard for DJ's, Musicians and Producers due to its solid and reliable sound and build quality.

The reliability of the d+ Class B series is proven by the fact that it has been installed worldwide by numerous clubs, festivals and professional studios.

The d+ Class B Series brings the highest quality and a cool design to DJ gear, audio interfaces, speakers, mixers and other sound gear. The best combination of materials and structure is utilised to enhance sound systems and live experiences.

Proudly designed and produced in Japan by Oyaide.

FOR DJING AND SOUND PRODUCTION. The d+ USB range aims to provide the best environment to DJ's and Artists who pursue the highest sound quality in their performance.

FOR HI-FI AUDIO. The most important factor for digital audio is lossless speedy and accurate data transmission. The d+ USB range delivers clean and stable data for a USB DAC.

FLAT DESIGN. The flat designed cable prevents signal loss caused by cable bends and allows for safe, simple coiling and storage.

SIGNAL PROTECTION. With an analogue like approach which helps protect the digital signal from internal/external noise and electromagnetic wave by use of TPE outer sheath and double shielding.

CONNECTORS. USB A-Male to USB B-Male connectors are made of bronze alloy with 24K gold plating which enhances durability and stability.

USB 2.0 (HI-SPEED) COMPLIANT.

INDUSTRY STANDARD CABLES. Installed in some of the best clubs and studios worldwide including Space Ibiza, Watergate Berlin and the Dance Valley Festival.

ENDORSED BY: Carl Cox, Dubfire, Loco Dice, Diplo, Dave Clarke, Sasha, Orbital and many more.
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 1 in stock $28.27
Cat: 755388 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 128 stages provides a delay time of 0.26 - 128ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $142.15
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Cat: 755389 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 128 stages provides a delay time of 0.26 - 128ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $160.46
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Cat: 755403 Rel: 12 Nov 19 • View all Synth modules
 
Bucket brigade delay module - 30HP
Notes: A-188-2 is another module that is based on a so-called Bucket Brigade Device (BBD). If you are not familiar with BBDs please refer to the A-188-1. There you can find some details about this special type of circuits.

The main difference between A-188-1 and A-188-2 is the type of BBD circuit that leads to completely different module principles and sounds. The A-188-1 uses different single BBD chips with one signal input and one signal output only. In contrast the A-188-2 uses as so-called tapped BBD that has available six outputs - the so-called taps after the BBD stages 396, 662, 1194, 1726, 2790 and 3328. In the A-188-2 we use this special BBD circuit (MN3011) to obtain these module features:

The module has available two separate mixing sub-units. For both mixers the levels and polarities of each BBD output can be adjusted to obtain two different mixtures of the BBD outputs. A new type of potentiometers with centre detent and centre terminal is used for the BBD mixing controls to have a better feel for the neutral position. Each mixer has a wet/dry control at its output that allows choosing between the pure input signal (original), the BBD mix or anything in between. The two outputs can be treated as stereo outputs but it is also possible to use one of the outputs for other applications (details in the next paragraph).

The A-188-2 has a feedback section available that is very similar to the one in the A-188-1. But as we now have 6 different BBD outputs available 6 different feedback types are possible. The feedback input socket is normalled to the "396" output (not to "1194" as shown in the scheme, the front panel is correct). But by patching the feedback socket to any of the single output sockets another BBD tap can be used for the feedback to obtain different sounds. Even external feedback processing is possible (e.g. with a VCA for voltage controlled feedback). The feedback control has polarizer function, i.e. the neutral position is at the centre. Left from the centre the feedback signal is subtracted from the input signal, right from the centre it's added (negative/positive feedback). Even for this potentiometer the new version with centre detent is used.

A special feedback can be obtained if one of the mix outputs is used for the feedback function. In this case for each tap the positive or negative feedback share can be adjusted. This leads to multiple peaks and/or notches in the frequency response of the module.

For each tap of the BBD a separate output socket is available. These sockets can be used for changing the feedback loop - as mentioned above -, for voltage controlled mixing of the taps - e.g. with the voltage controlled mixer A-135 or other applications that require access to each single tap.

The A-188-2 uses the same high speed VCO (HSVCO) for the BBD clock as the A-188-1. The clock and consequently the delay time can be controlled manually (delay control) and by the two control voltage inputs CV1 and CV2. The sensitivity of CV1 is approximately 1V/oct. CV2 is equipped with a polarizer (a new type of potentiometers with centre detent). The HSVCO has a clock output available that is normalled to the clock input socket. These sockets can be used to link different BBD modules and to run them with the same clock. But even other applications with frequency dividers (e.g. A-163) or PLL (e.g. A-196) are conceivable. A voltage composed of the manual delay control, CV1 and CV2 is available at the CV out socket, e.g. to control an external clock suppression filter as the A-188-2 is not equipped with such a filter (same as for the A-188-1).
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 1 in stock $214.31
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Cat: 755439 Rel: 12 Nov 19 • View all Sequencers
 
MIDI/USB analogue sequencer with white/blue LEDs (240V only)
Notes: Iconic analogue step sequencer from modular innovators Doepfer. Compatible with all MIDI or CV/gate synths, allowing a huge range of programming and sequencing options, plus real-time tweaking. A firm Juno favourite.

Supplier's notes:
Dark Time is an 2x8 step analogue sequencer with CV/Gate, USB and MIDI interface. It is intended as an add-on for the Dark Energy but may be used in combination with other MIDI, USB or CV/Gate equipment too.
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 1 in stock $449.07
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Cat: 755432 Rel: 13 Nov 19 • View all Synth module accessories
 
Power supply & bus board with 8 connectors for Eurorack modules
Notes: A-100SSB is a combination of power supply and bus board with 8 connectors for A-100 modules, planned for applications with up to 8 modules and a max. current of 380 mA.

- Wide range mains voltage input 100-240V AC / 50-60 Hz
- IEC inlet on board for the connection of a suitable mains cable (a suitable mains cable has to be purchased by the customer locally, it's not included with the A-100SSB)
- Switching supply with +12V/380 mA and -12V/380mA for the operation of A-100 modules up to 380 mA total supply current
- Safety cover at the bottom side (covers all elements that lead mains voltage)
- On board fuse
- 8 bus connectors
- LED displays for +12V, -12V and +5V
- Dimensions: about 270 mm (length) x 55 mm (width) x 35 mm (height)
- Several 3mm holes for mounting the unit on a rear panel or bottom plate
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 1 in stock $71.07
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Cat: 755410 Rel: 14 Nov 19 • View all Synth modules
 
Midi/USB-to-CV/Gate interface - 6HP
Notes: Module A-190-3 is a Midi/USB-to-CV/Gate interface that allows the integration of the A-100 system into a USB or Midi environment. It has available 4 analogue control voltage outputs (CV1...4) and one Gate output. A-190-3 is the modular version of Dark Link.

In/Outputs and controls:

- USB
- Midi Input
- Learn button
- Gate Out (with LED for Gate display and learn function), 0/+5V
- CV1: controlled by Midi note messages, 1V/Octave, 0...+5V
- CV2: controlled by Midi pitch bend, ~ -2.5...+2.5V or ~ 0...+5V (can be selected by an internal jumper)
- CV3: controlled by Midi velocity, 0...+5V
- CV4: controlled by Midi control change messages, free assignable controller in learn mode
- Glide control (portamento function for CV1)

Other Features:

- Midi channel, reference note and Midi control change number for CV4 are adjusted by means of a learn button and LED.
- By means of two jumpers CV1 and Gate can be connected to the corresponding lines of the A-100 bus. That way the VCOs A-110 or A-111 and the envelope generator A-140 can be controlled directly via the A-100 bus, i.e. it's not necessary to patch CV and Gate with cables between the front panels. In addition, CV1 is buffered, i.e. even several VCOs can be controlled by the A-190-3 without the need of an additional bus buffer (e.g. A-185-1 or A-185-2).
- The gate voltage can be set to +5V or +12V by means of two jumpers. For modules of the A-100 both voltages can be used. For modules or devices from other manufacturers the gate voltage has to be set accordingly.
- If you want to connect the gate output to devices that use S-Trig a special S-Trig cable is available. For details please refer to our FAQ page
- By means of the precise CV adder A-185-2 CV1 and CV2 can be added to obtain an adjustable width of the pitch bend. For this CV2 of the A-190-3 is connected to the upper input of the A-185-2 which has an attenuator available. CV1 of the - A-190-3 is connected to one of the other inputs without attenuator.
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 1 in stock $124.92
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Cat: 755421 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 1HP wide
Notes: Blank panel, 1HP, constructed from anodised aluminium, silver.
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 1 in stock $2.69
Cat: 755427 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 8HP wide
Notes: Blank panel, 8HP, constructed from anodised aluminium, silver.
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 1 in stock $3.55
Cat: 755428 Rel: 14 Nov 19 • View all Synth module accessories
 
Robust, blank front panel for use with modular racks & other applications - 42HP wide
Notes: Blank panel, 42HP, constructed from anodised aluminium, silver.
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 1 in stock $8.78
Cat: 752818 Rel: 14 Nov 19 • View all USB cables & adapters
 
High speed, durable digital cable for DJ's, musicians & producers - 2m length
Notes: Since its release the d+ Class B series has become a worldwide standard for DJ's, Musicians and Producers due to its solid and reliable sound and build quality.

The reliability of the d+ Class B series is proven by the fact that it has been installed worldwide by numerous clubs, festivals and professional studios.

The d+ Class B Series brings the highest quality and a cool design to DJ gear, audio interfaces, speakers, mixers and other sound gear. The best combination of materials and structure is utilised to enhance sound systems and live experiences.

Proudly designed and produced in Japan by Oyaide.

FOR DJING AND SOUND PRODUCTION. The d+ USB range aims to provide the best environment to DJ's and Artists who pursue the highest sound quality in their performance.

FOR HI-FI AUDIO. The most important factor for digital audio is lossless speedy and accurate data transmission. The d+ USB range delivers clean and stable data for a USB DAC.

FLAT DESIGN. The flat designed cable prevents signal loss caused by cable bends and allows for safe, simple coiling and storage.

SIGNAL PROTECTION. With an analogue like approach which helps protect the digital signal from internal/external noise and electromagnetic wave by use of TPE outer sheath and double shielding.

CONNECTORS. USB A-Male to USB B-Male connectors are made of bronze alloy with 24K gold plating which enhances durability and stability.

USB 2.0 (HI-SPEED) COMPLIANT.

INDUSTRY STANDARD CABLES. Installed in some of the best clubs and studios worldwide including Space Ibiza, Watergate Berlin and the Dance Valley Festival.

ENDORSED BY: Carl Cox, Dubfire, Loco Dice, Diplo, Dave Clarke, Sasha, Orbital and many more.
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 1 in stock $33.12
Cat: 755632 Rel: 14 Nov 19 • View all USB cables & adapters
 
High speed, durable digital cable for DJ's, musicians & producers - 0.7m length
Notes: Since its release the d+ Class B series has become a worldwide standard for DJ's, Musicians and Producers due to its solid and reliable sound and build quality.

The reliability of the d+ Class B series is proven by the fact that it has been installed worldwide by numerous clubs, festivals and professional studios.

The d+ Class B Series brings the highest quality and a cool design to DJ gear, audio interfaces, speakers, mixers and other sound gear. The best combination of materials and structure is utilised to enhance sound systems and live experiences.

Proudly designed and produced in Japan by Oyaide.

FOR DJING AND SOUND PRODUCTION. The d+ USB range aims to provide the best environment to DJ's and Artists who pursue the highest sound quality in their performance.

FOR HI-FI AUDIO. The most important factor for digital audio is lossless speedy and accurate data transmission. The d+ USB range delivers clean and stable data for a USB DAC.

FLAT DESIGN. The flat designed cable prevents signal loss caused by cable bends and allows for safe, simple coiling and storage.

SIGNAL PROTECTION. With an analogue like approach which helps protect the digital signal from internal/external noise and electromagnetic wave by use of TPE outer sheath and double shielding.

CONNECTORS. USB A-Male to USB B-Male connectors are made of bronze alloy with 24K gold plating which enhances durability and stability.

USB 2.0 (HI-SPEED) COMPLIANT.

INDUSTRY STANDARD CABLES. Installed in some of the best clubs and studios worldwide including Space Ibiza, Watergate Berlin and the Dance Valley Festival.

ENDORSED BY: Carl Cox, Dubfire, Loco Dice, Diplo, Dave Clarke, Sasha, Orbital and many more.
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 1 in stock $26.12
Cat: 755392 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 512 stages provides a delay time of 1.02 - 512 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $151.85
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Cat: 755393 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 512 stages provides a delay time of 1.02 - 512 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $171.23
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Cat: 755395 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 1024 stages provides a delay time of 2.05 - 1024 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $142.15
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Cat: 755390 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a co-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 256 stages provides a delay time of 0.51 - 256ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $151.85
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Cat: 755391 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a co-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 256 stages provides a delay time of 0.51 - 256ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $171.23
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Cat: 755400 Rel: 13 Nov 19 • View all Synth modules
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $175.54
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Cat: 755408 Rel: 14 Nov 19 • View all Synth modules
 
Midi/USB-to-CV/Gate interface - 6HP
Notes: Module A-190-3 is a Midi/USB-to-CV/Gate interface that allows the integration of the A-100 system into a USB or Midi environment. It has available 4 analogue control voltage outputs (CV1...4) and one Gate output. A-190-3 is the modular version of Dark Link.

In/Outputs and controls:

- USB
- Midi Input
- Learn button
- Gate Out (with LED for Gate display and learn function), 0/+5V
- CV1: controlled by Midi note messages, 1V/Octave, 0...+5V
- CV2: controlled by Midi pitch bend, ~ -2.5...+2.5V or ~ 0...+5V (can be selected by an internal jumper)
- CV3: controlled by Midi velocity, 0...+5V
- CV4: controlled by Midi control change messages, free assignable controller in learn mode
- Glide control (portamento function for CV1)

Other Features:

- Midi channel, reference note and Midi control change number for CV4 are adjusted by means of a learn button and LED.
- By means of two jumpers CV1 and Gate can be connected to the corresponding lines of the A-100 bus. That way the VCOs A-110 or A-111 and the envelope generator A-140 can be controlled directly via the A-100 bus, i.e. it's not necessary to patch CV and Gate with cables between the front panels. In addition, CV1 is buffered, i.e. even several VCOs can be controlled by the A-190-3 without the need of an additional bus buffer (e.g. A-185-1 or A-185-2).
- The gate voltage can be set to +5V or +12V by means of two jumpers. For modules of the A-100 both voltages can be used. For modules or devices from other manufacturers the gate voltage has to be set accordingly.
- If you want to connect the gate output to devices that use S-Trig a special S-Trig cable is available. For details please refer to our FAQ page
- By means of the precise CV adder A-185-2 CV1 and CV2 can be added to obtain an adjustable width of the pitch bend. For this CV2 of the A-190-3 is connected to the upper input of the A-185-2 which has an attenuator available. CV1 of the - A-190-3 is connected to one of the other inputs without attenuator.
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 1 in stock $119.54
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Cat: 755412 Rel: 13 Nov 19 • View all Synth modules
 
MIDI/USB/CV/Gate interface module - 6HP
Notes: USB/MIDI to clock interface that allows for synchronizing clock-driven modules with the MIDI environment. It processes only the Clock, Start, Stop and Continue MIDI commands. It has several clock divider outputs, each one start, stop and reset outputs for controlling sequencers and also an interesting wait function. Input is either a 5-pin DIN socket or USB.
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 1 in stock $117.38
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Cat: 755436 Rel: 12 Nov 19 • View all Synth module accessories
 
Passive Eurorack bus board
Notes: The A-100BUS from Doepfer is a simple passive busboard for use with Eurorack modules. It features 14 power headers along with three sets of spade terminals for connection to power supplies such as the Doepfer PSU3 and daisy-chaining with other A-100 bus boards.
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 1 in stock $35.00
Cat: 755443 Rel: 13 Nov 19 • View all Synth module accessories
 
48HP low cost frame with power supply
Notes: The A-100LC1 is very similar to the A-100LC3 but offers only 48 HP for installation of modules. A-100LC3 is equipped with the power supply A-100SSB.

The case is made of raw wood without lacquering. The case can be varnished by the customer in any desired colour e.g. by means of a spray can.

Quantity of bus boards: 1 (short version with 8 module connectors)
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 3 in stock $106.61
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Cat: 750529 Rel: 11 Nov 19 • View all Audio & MIDI interfaces
 
8-in/4-out 24/192 USB audio interface
Notes: Conquer any recording session with professional studio quality and features:

The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+1/4" TRS combo inputs, (2) 1/4" line inputs and (2) 1/4" instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.

We've included software to match your style:

The AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|14 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you'll have a virtual drummer, drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

Hear the Performance Now - Not a Second Later:

When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don't want to be bogged down by "clicks," "pops" or latency. The AIR 192|14 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.

Connect Anything and Everything:

The AIR 192|14 features 8 inputs for simultaneously recording up to 8 channels at once to meet all your studio's recording needs. The (4) dedicated XLR/TRS Mic/Line combo inputs with Crystal Preamps and phantom power are perfect for recording a vocals, mic'ing up an acoustic guitar, vintage guitar or bass amp or the core elements of a drum kit. The (2) 1/4" dedicated Instrument inputs use specially designed to provide the cleanest signal from your guitar, bass or keyboard, while the (2) 1/4" dedicated Line inputs provide a pure uncoloured signal for connecting a tube preamp, keyboard, synth or mixer, and MIDI input and output for connecting any of your boutique synth gear.

Mix, Monitor and Provide:

At the centre of the AIR 192|14 is a large metal monitor volume knob with inlayed rubberized diamond textured comfort grip for dialling in your studio monitor's volume, and smoothly referencing your mix at both high and low levels. The monitor and headphone outputs feature a direct mono/stereo switch and direct/USB mix knob. The (2) 1/4" headphone outputs have independent volume controls, and source select switches let you create mixes to suit your and your artist's needs. In addition to the (2) 1/4" rear panel monitor outputs, the AIR 192|14 offers an additional (2) 1/4" outputs for connecting outboard gear.

Crystal Preamps, Pristine A/D Converters and Premium Components:

Our engineers designed the Crystal Preamps to provide engineers, producers and musicians with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|14 incorporates pristine A/D converters to provide 24-bit resolution digital audio for explosive dynamic range that captures every nuance and subtlety of your performance.

Segmented VU Meters for Dialling in Your Best Signal:

When capturing a performance, you want to get the best levels possible. With the AIR 192|14's segmented input VU LEDs (-20db through 0dB), you can dial in the perfect gain setting every time, so there's no more guessing how close or far away you are from optimizing your signal.

What's In The Box:

- AIR 192|14
- USB-C-to-USB-C Cable
- USB-C-to-USB-A Cable
- (2) 1/8" (3.5 mm) to MIDI Adapters
- Software Download Cards
- User Guide
- Safety and Warranty Manual
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MRP:$348.91 SAVE 17%
 3 in stock $288.61
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