Review: When you use words like "prickly", "abrasive" and "uncompromising" it's rarely flattering. Consider Kim Gordon's exceptional powerhouse long form one of the exceptions. As far removed from music for the masses as you could hope for, it takes a particular talent to deliver work like "No Record Home". Labels such as punk certainly apply, but it's less about mouths gushing spittle amid the deafening screams of guitars and raucous vocals, and more about overall attitude. No change there for this co-founder of the mighty Sonic Youth then. Loud and intelligent, forthright and yet heartfelt and tender in its own unforgiving way, it's as far removed from wall of sound discordance as it is anything you could describe as remotely over-explored. Marrying the bloody-lipped electro of Peaches and body blow lows of EBM with gritty rock 'n' roll chords, those looking for originality that oozes repeatability should consider their hunt over, for now at least.
Review: Last year, NYC based revivalist "gospel quartet" group the Harlem Gospel Travelers finally made their vinyl debut album after five years wowing audiences on the live circuit. 12 months later, they're finally ready to release their first full-length excursion. A nostalgic trip through 1950s and 1960s style gospel-based rhythms and blues, soul, funk and doo-wop, the album's greatest strength - aside from the authenticity of the music and production of course - is the group's incredible vocals. Brilliantly arranged harmonies play a big part, though the lead vocals (shared between all four members) are little less than stunning.