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Items 201 to 250 of 512 on page 5 of 11
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Serge Triple+ Waveshaper Module
Serge Triple+ Waveshaper Module (effect/waveshaper module)
Cat: 757127 Rel: 15 Oct 20 • View all Synth modules
 
Triple waveshaper module - 18HP
Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.
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 1 in stock $283.98
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Tiptop Audio ZVERB Reverb Effects Module (black)
Tiptop Audio ZVERB Reverb Effects Module (black) (digital/effect/reverb synth module)
Cat: 757471 Rel: 16 Dec 19 • View all Synth modules
 
Reverb effects module in 8HP.
Notes: ZVERB is a collection of all new reverb algorithms developed by Tiptop ranging from typical reverbs to more complex effects that combine delay and pitch shifting with reverb. The effects are grouped by decades based on either the era an algorithm was introduced or the time when the effect was most popular. This variety of reverbs covers small to epic size spaces with the addition of shimmering, feedback tunnelled pitch shifting, tape delay drivers, gated reverbs and a lot more. Analog clocking of the DSP chip and CV over the parameters enables even more experimentation. This is a collection inspired by the best from the past right at your fingertips.
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 1 in stock $208.25
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Grado DJ200i Cartridge & Stylus (pair)
Grado DJ200i Cartridge & Stylus (pair) (cartridge + stylus, pair)
Cat: 741707 Rel: 01 Jan 90 • View all DJ cartridges
 
DJ cartridge & stylus, pair
Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.
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 1 in stock $236.86
After Later Audio QARV Quad Attack Release & VCA Module
After Later Audio QARV Quad Attack Release & VCA Module (function generator/oscillator/slew limiter/envelope generator/VCA synth module)
Cat: 859847 Rel: 12 Jan 22 • View all Synth modules
 
Four channels of function generator, oscillator, slew limiter, envelope, and VCAs.
Notes: A clever hybrid of quad VCA, function generator and more in this chunky module. Four channels of oscillators, envelope generators and VCAs, plus slew, voltage sources and plenty of CV control.

Supplier's Notes:
Four channels of function generator, oscillator, slew limiter, envelope, and VCAs. This module brings the ultimate in flexibility as it can be used as a standalone synth voice, a massive amount of modulation, or a four channel envelope generator w/ mixer. We believe this makes QARV a great first module and a great addition to the largest of systems.

All four channels have the following features:

Uni-polar oscillator mode
Attack and release time control via potentiometer and via input jack
Shape control that controls shape for both attack and release
Output attenuverter
VCAs that normal to each subsequent channel (CH1 -> CH2, etc.). So you can get a mix of all four channels out of the CH4 VCA output (unless you patch a VCA output from an earlier channel)
Channels 1 & 4

Voltage source (CH1 - 5V & CH4 - 10V)
CH1 & CH4 can be switched between IN (slew mode) and TRIG (envelope) mode
RISE and FALL gates. You can use our G&T module to turn these gates into triggers.
Channels 2 & 3:

Bi-polar oscillator mode
Dedicated IN and TRIG jacks (helpful for adding offset to a triggered ENV)
BOTH input jack to simplify patching both the attack and release (also inverts the input to give more standard pitch tracking of higher voltage equals higher pitch)
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 1 in stock $219.82
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Blue Lantern Modules Millipede VCF MK2 Variable Pole Filter Module
Cat: 861030 Rel: 18 Feb 22 • View all Synth modules
 
Variable pole analogue filter based on Asteroid Op VCF Tech.
Notes: Variable Pole analogue filter based on Asteroid Op VCF Tech

Model: Millipede Variable Pole VCF
Analogue Filter, Can easily get Brutal tones.

What does this do?

This is an analogue filter that uses two modern equivalent ssm2164 IC's v2164 from cool audio to do it's magic. This particular filter however allows the user to vary the phase of each pole or filter cell. There are four filter cells total. This is similar to the Blue lantern Asteroid Operator Station VCF. The Asteroid Operator Station VCF has 8 Static filter out puts. Those 8 flavors were found by exploring the circuit found on the millipede vcf and internally installing the resistor ratio for that flavor.

On the millipede vcf you are allowed to find more exotic flavors yourself. Operation is easy. You first have all the poles counter clockwise and the three switches set to mute. This will have the filter as a dark Low pass filter. Then you turn on a pole using the switch and turn the know to hear the change. Pole 3 by default is always on, otherwise there would have been no sound if all poles were muted. Having all the poles set clockwise and active easily gets you into brutal sounding tones in a good way.

There is an on board diode limiter circuit to help tame really harsh tones. This is activated by switch.

The audio input has some gain, so you don't always have it fully clockwise. There is also a capacitor selector switch just like my other filters. This modifies the rez peak.

Dimensions
13 HP
32 mm deep

Current Draw
58 mA +12V
56 mA -12V

Depth: 2.5 inches
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MRP:$233.51 SAVE 10%
 1 in stock $210.36
ALM MCFx2 Dual Multi-Mode Filter Module
ALM MCFx2 Dual Multi-Mode Filter Module (dual/stereo/filter synth module)
Cat: 860268 Rel: 14 Jan 22 • View all Synth modules
 
The MCFx2 is a state variable ‘MCF’ filter made double.
Notes: The MCFx2 is ALM's state variable 'MCF' filter made double. It features 2 identical classic analog 3 pole state variable filter cores each with Low, High and Band Pass (or Notch) outputs. Direct and voltage control is provided for both filter cut offs and resonance. Switches allow the filters to function as one, with the 'Feed' switch internally routing audio from one filter to the other in series and the 'Link' switch linking the cut off controls for both filter cores. MCFx2 expands on the great sounding MCF filter to offer both serial and parallel functionality for stereo operation, dual peak, tighter slopes and other complex filtering set ups.

FREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.

RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.

OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.

LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.

FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.

FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.

RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.

AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).
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 3 in stock $229.29
Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal Eventide TriceraChorus Chorus Effects Pedal
Cat: 861584 Rel: 06 Oct 21 • View all Effects pedals
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.
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 1 in stock $277.34
Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black)
Cat: 861973 Rel: 21 Feb 22 • View all Effects pedals
 
True Vintage Germanium Distortion
Notes: The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.
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MRP:$251.39 SAVE 13%
 1 in stock $219.84
After Later Audio uO_C 1U Micro Ornament & Crime Polymorphic CV generator Module
After Later Audio uO_C 1U Micro Ornament & Crime Polymorphic CV generator Module (CV modulation/envelope generator/LFO/MIDI/quad/quantizer/random/utility module)
Cat: 862179 Rel: 02 Feb 22 • View all Synth modules
 
Polymorphic CV generator module - 30HP
Notes: Ornament & Crime for 1U Intellijel format

This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament & Crime is designed by mxmxmx.

The apps currently available in Ornament & Crime:

CopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).

Harrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate/trigger) inputs.

Automatonnetz combines Tonnetz transforms with a "vector" sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.

Quantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.

Meta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.

Quadraturia is a wavetable quadrature LFO, based on the "Easter egg" in the Mutable Instruments Frames module.

Low-rents is a dual Lorenz and Rossler (strange attractor) modulation generator, partially based on the "Easter egg" in the Mutable Instruments Streams module.

Piqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean "trigger filter" which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.

Sequins is a dual-channel step sequencer offering 4 "tracks" of up to 16 steps each; tracks can themselves be sequenced.

Dialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.

Viznutcracker, sweet! is a quad "byte beat" equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce "byte beat" control voltage sequences. "Byte beats" were first described in 2011 by viznut (aka Ville-Matias Heikkila).

Acid Curds is both a chord quantiser (sometimes called a "harmonic quantiser" for external pitch voltages), and a chord progression sequencer.

References is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.

Width: 30hp
12V: 85mA
-12V: 10mA
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 2 in stock $245.07
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Der Mann Mit Der Maschine X7 MIDI & USB Droid Master Expander Module
Cat: 865060 Rel: 07 Jun 22 • View all Synth modules
 
The X7 gives you USB and MIDI connectivity for your master and also four gate outputs with modular levels.
Notes: Welcome to the DROID X7 expander. The X7 gives you USB and MIDI connectivity for your master and also four gate outputs with modular levels.

You can process incoming and generate outgoing MIDI streams, both via classical DIN cables and via USB. Both the in and the out direction support polyphony with eight or even more voices in parallel.

For size reasons the X7 uses 3.5 mm TRS jacks for MIDI instead of the classical DIN jacks. But it comes with two DIN to TRS adapters, so you are free to use either form factor.

As a bonus feature, the X7 provides super fast loading of DROID patches via USB - without any need for putting the SD card in and out anymore.

Here are some examples of what you can do with the X7:

Attach an external keyboard to your modular.
Use an external hardware sequencer for playing melodies and beats in your modular.
Use an external MIDI controller to influence your DROID patch.
Do the same with a MIDI controller app on your tablet or phone (via USB).
Use your modular for playing polyphonic music and beats on your hardware synths or software synth plugins in your DAW, tablet or phone.
Connect two DROIDs (both with X7) and exchange real time CVs and triggers.
Use the four additional gate outputs on the X7 for sending clocks, gates and triggers and free your valuable CV outputs for other things.
Access the SD card in your master just like a USB stick for direct access to it via your PC, Mac, phone or tablet.
Alternatively load new patches to your master via MIDI sysex from your PC - and get your new patch ideas up and running in less than a second.

Dimensions
4 HP
23 mm deep

Current Draw
94 mA +12V
0 mA -12V
0 mA 5V
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 1 in stock $207.20
Alright Devices T-Wrex Analogue Bitcrusher & Decimator Module Alright Devices T-Wrex Analogue Bitcrusher & Decimator Module Alright Devices T-Wrex Analogue Bitcrusher & Decimator Module Alright Devices T-Wrex Analogue Bitcrusher & Decimator Module
Alright Devices T-Wrex Analogue Bitcrusher & Decimator Module (eurorack distortion/effect/sample & hold module)
Cat: 834812 Rel: 16 Feb 22 • View all Synth modules
 
Analogue bitcrusher and decimator
Notes: T-Wrex is an analogue bitcrusher and decimator!

T-Wrex has two separate sections: STOMP is a bitcrusher and CHOMP is a decimator. You can sweep each effect from imperceptible all the way to rumbly, growling sonic debris. Use each section's voltage-controllable dry/wet circuit to find the perfect balance of harmony and havoc!

At the core of each section is a high-speed, low-leakage analog sample & hold circuit. The bitcrusher's SYNC input is ORed with its internal s&h trigger which steps the output voltage. Mult IN to SYNC to force a static waveform, or use another VCO for the bitcrusher equivalent of hardsync!

The decimator's internal analog VCO controls its sample rate, but you can override it by patching your own signal to the SAMPLE input. Use complex waveforms to flavor your decimation (spicy!), or even use subaudio-rate signals for a traditional helping of sample & hold!

T-Wrex provides an attenuverter on each CV input for your patching convenience. Crank the CHOMP attenuverter fully counterclockwise to make the decimator's internal VCO track its CV at 1V/octave!

Specifications:
Power: +12V / 80mA, -12V / 70mA
Width: 12HP
Depth: 30mm (including power connector)

Includes power cable and Befaco Knurlies M3 mounting screws.
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 1 in stock $298.71
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Dnipro Metamorph CV Modulation & Sequencer Module
Dnipro Metamorph CV Modulation & Sequencer Module (controller/CV modulation/sequencer synth module)
Cat: 834880 Rel: 12 Jul 22 • View all Synth modules
 
Versatile 4 stage x 3 channel cv source with built in sequencer and glide
Notes: Serge-inspired programmer/sequencer gives you three channels of four-stage CV generation. Great alternative to the classic Make Noise Pressure Points/Brains combo.

Supplier's Notes:
Metamorph is a versatile 4 stage x 3 channel cv source with built in sequencer and glide. Inspired by a Serge Tcherepnin concept, Metamorph is designed to control several parameters at once and creates a complex CV source for eurorack system. Each channel is represented by a column of pots, while each column is divided into 4 individual stages by rows, with corresponding button and gate out. It is possible to change stages manually by pressing stage buttons or to sequence them by external sources, like clock, LFO, envelopes etc. Metamorph has a special user sequence feature, which allow to program play order and duration of the stages, create unique sequence with individual timing per stage and memorize it.

Operating Metamorph is quick and immediate in a good analog fashion, with single control per function. Two modules can be linked together to create a 8-step sequencer with dual CV outs per channel. Additionally, every channel has a deep glide control for performing fast or really slow voltage slides between stages. And, of course, there are ordinary sequencer CV inputs, like reset, hold and revers direction.

Technical details:

Size: 20 hp

50 mA +12V

20A -12V

0 mA 5V

28 mm deep

output ranges: 0V to 5V, 0V to 10V, -2.5V to 2.5V, -5V to 5V

Link two Metamorphs to create a 8-step sequencer.

It is possible to chain two modules with an optional link cable. After linking, both modules will create an 8 step sequencer and share their CV outputs.
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 1 in stock $221.93
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KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal
KMA Machines Tyler Deluxe 2-Channel Signal Splitter Pedal (advanced frequency splitter effects pedal)
Cat: 832496 Rel: 16 Jul 21 • View all Effects pedals
 
Two Channel Signal Splitter Pedal with Clean Blend and Phase Inversion
Notes: Next-level version of KMA's excellent Tyler frequency splitter pedal. Variable 12dB/oct high- and low-pass filters, isolated effect loop sends, wet/dry mix control and relay-based soft switching.

Supplier's Notes:
Expanding on the already rich feature-set of KMA Machines' popular Tyler pedal, the upgraded Tyler Deluxe is the ultimate Swiss Army Knife for creative musicians to use on their pedalboards, live or in the studio. Ideal for Bass, Guitar or any other amplified instrument, it offers a host of new features and functions and is perfect for developing new sounds with an existing collection of pedals or splitting signals into multiple amplifiers/differing signal chains. All of this helping to lead musicians' creativity down new inspiring parallel paths.

Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature's most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is Tyler Deluxe - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.

KMA Machines' Tyler (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players' boards around the world, helping them refine and define their tone. However never to stand still, the team at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from users.

The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let's dive into everything that makes this pedal Deluxe.

Since the original Tyler was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe ! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancellation.

The next new must-have feature is there to ensure the transparency of your setup; the good old CLEAN blend has been added

So far so good, but the deluxe delights don't stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, another claimed feature has been added. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off Tyler Deluxe again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler Deluxe will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.

If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.
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 1 in stock $253.49
Twisted Electrons Acid8 MKIII Bassline Desktop Synthesiser (black) Twisted Electrons Acid8 MKIII Bassline Desktop Synthesiser (black) Twisted Electrons Acid8 MKIII Bassline Desktop Synthesiser (black)
Cat: 835665 Rel: 28 Sep 21 • View all Synthesisers
 
An 8Bit bass-line synthesizer with a revisited sound and interface.
Notes: Heavily redesigned for version three, Twisted Electrons offer up a new take on their compact acid synth: dual oscillators, new digital filter, real-time effects and more. Great value.

Supplier's Notes:
acid8 is an 8Bit bass-line synthesizer with a revisited sound and interface.

MKIII has been rethought from the ground up. The filter has been replaced with an new all digital one, the handling has been redesigned for more immediate handling and many other real time features have been added including transposition automation, filter wobbler, stutter and vinyl spin-down effects.

The synth engine now has dual oscillators allowing fat and harmonized sounds.

acid8 MKIII offers the same features as its slimsynth uAcid8 counterpart, but with the addition of hardware MIDI and analog sync in and out connectivity and packed in a rugged metal case.

A vst plugin is available to easily take control of the synth's parameters.

FREQUENTLY ASKED QUESTIONS:

Q:How do I copy/paste a pattern?

A:Hold SLIDE and press OCT- to copy and OCT+ to paste

Q:The briefly LEDS go out when I stop the sequencer - is something wrong?

A:This is normal and occurs when the memory is updated (a few seconds after the sequencer is stopped when a change has been made).
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 1 in stock $253.49
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Noise Engineering Lapsus Os 4-Channel Attenuverter/Attenuator Module (black)
Noise Engineering Lapsus Os 4-Channel Attenuverter/Attenuator Module (black) (attenuator/controller/multiple/utility synth module)
Cat: 836849 Rel: 18 Aug 21 • View all Synth modules
 
Quad-channel attenuverter/attenuator and offset with faders
Notes: Performance-focussed four-channel attenuverter and offset module, with built-in voltage generator for 0-5v or i5v voltages. Simple but effective.

Supplier's Notes:
Lapsus Os is a four channel attenuator/attenuverter and offset. Designed with performance in mind, each channel can be set to either attenuate or attenuate/invert an incoming signal, adjust offset of an incoming signal, or with nothing patched to its input, generate a 0-5v or i5v offset. Switches on the back of the module invert the fader behavior, allowing for the module to be mounted in either direction, for further customization and ease of use.

Etymology
Lapsus -- from latin lapsus : 'sliding' Os -- from latin os 'bones'
"Translation: Dancing Corpse"

Interface

Faders 1-4: The main controls of LO. The LEDs in the faders show the CV that is being passed through. When in attenuverter mode, the LED will be off at 0, allowing each fader to easily be set near 0.

Offset inputs 1-4 (+): Sending a signal to these inputs adds an offset to the input, controlled by the fader and the mode switch.

Outputs: Each channel has a pair of identical outputs. If nothing is sent to either input of a channel, an offset will be generated and output here, useful for controlling parameters on other modules with a single fader.

Uni/Bi Switches 1-4: In the Unipolar position (left), the corresponding channel attenuates the input signal. In the Bipolar position (right), the upper half of the corresponding channel fader attenuates the input signal, the lower half of the fader inverts and attenuates the signal.

Attenuating/attenuverting inputs 1-4 (x): Sending a signal to these inputs attenuates/attenuverts the signal, depending on the position of the channel fader and switch.

Rear-board switches: Below, in red. Inverts the corresponding channel, allowing for creative mounting in either direction. Note that each channel must be switched independently to fully reverse the functionality.

Patch Tutorial

Patch 1: Set a channel switch to the left position and patch the outputs to CV inputs on another module (for instance, Loquelic Iteritas). The fader becomes an easy-to-use controller for those parameters. Patch the rest of the LO channels to other parameters in your system to create an expressive and intuitive interface.

Patch 2: Patch a CV signal (such as an LFO) into the attenuverting input of a channel. Set the channel switch to the right position, and patch the output to a bipolar CV input in your system. Tweak the fader to attenuvert and dial in the perfect amount of modulation on the fly.

Patch 3: In a case with four voices route each LO channel to the decay control for each voice. Use for centralized control over voicing.

Size: 10HP Eurorack
Depth .8 Inches
Power 2x5 Eurorack
+12 mA 60 mA
-12 mA 50 mA

Inputs: i10v
Outputs (without voltage applied):
Unipolar: 0-5v
Bipolar: i5v
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MRP:$268.22 SAVE 22%
 1 in stock $208.25
STG Soundlabs Mankato 4-Pole Lowpass Filter Module
STG Soundlabs Mankato 4-Pole Lowpass Filter Module (filter/oscillator/slew limiter synth module)
Cat: 837822 Rel: 24 Nov 22 • View all Synth modules
 
A four-pole lowpass filter with positive and negative outputs at every pole.
Notes: The Mankato Filter is a four-pole lowpass filter with positive and negative outputs at every pole, giving you slopes of 6 dB/oct, 12 dB/oct, 18 dB/oct, and 24 dB/oct simultaneously. The negative slope outputs allow you to use the Mankato as a quadrature sine oscillator with 8 available phases. The Mankato will self-resonate from subaudio to superaudio, and responds to one volt per octave through its unattenuated control inputs. When resonating, the 6dB/oct outputs are slightly hotter than the others and can be driven to lightly saturate at full resonance. The signal inputs are DC coupled, which allows you to use the Mankato as a voltage-controlled slew limiter at very low cutoff frequencies.
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 2 in stock $294.51
Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit Vermona VSR3.2 Rackmount Vintage Spring Reverb Effects Unit
Cat: 572805 Rel: 14 May 15 • View all Effects units
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 1 in stock $298.71
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Akai Professional MPD232 Pad Controller Akai Professional MPD232 Pad Controller Akai Professional MPD232 Pad Controller
Cat: 580158 Rel: 17 Jul 15 • View all MIDI controllers
 
Feature-packed, highly playable pad controller - 64-part, 32-step sequencer to control pad events, Ableton included
Notes: Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software.

The MPD2 Series is a product of over six years of detailed customer research and user feedback. Akai turned it into the most capable and user-friendly line of pad controllers they've developed to date.

The MPD232 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

New, ultra sensitive Thick Fat MPC pads have been added, creating an amazingly responsive user experience. The MPD232 has an expanded control set featuring eight knobs, eight faders, eight buttons arranged in three banks for 72 total controls. This will enable you to maximize your sound and give you increased control over effects.

The MPD232 also boasts an all-new 64-channel, 32-step performance sequencer, which the MPD32 did not have. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Along with the improved functionality we've added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset Editor.

The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD232.

The MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers Akai have ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.
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 1 in stock $240.87
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Make Noise Pressure Points Analogue Touch Controller/Manual Sequencer Module
Cat: 557510 Rel: 19 Dec 14 • View all Synth modules
 
Controller/analog sequencer module that is played by hand
Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.
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 1 in stock $205.11
Electro-Harmonix B9 Digital Organ Machine Effects Pedal
Cat: 560196 Rel: 03 Feb 15 • View all Effects pedals
 
Digital organ machine effects pedal
Notes: Transform your guitar into a classic organ from the '60s and beyond!

With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the EHX B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
Control over percussive attack level, modulation speed, organ and dry volume
Rugged and easy to use
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 100mA
Year Released: 2014
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MRP:$253.49 SAVE 15%
 1 in stock $214.57
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Electro-Harmonix Epitome Digital Reverb/Flanger/Octave Multi-Effects Pedal
Cat: 560416 Rel: 03 Feb 15 • View all Effects pedals
 
Classic octave, flanger, chorus, reverb & delay effects pedal
Notes: The EHX Epitome is the quintessence of guitar effects! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress. Creamy stereo flanging and chorus weave and undulate for the richest modulations. Finally, the Holy Grail Plus wraps you in a silken shroud of luxurious reverb. Shimmer mode reroutes the effects chain for heavenly modulated ambience!

The polyphonic Micro POG provides glitch-free octaves above and below your actual pitch
Stereo Electric Mistress adds EHX's signature stereo flanging and chorus
Holy Grail Plus lets you choose from Spring, Hall and Room reverbs, plus Flerb
Shimmer Mode re-routes the effects' chain and opens the door to a world of amazing sonic discovery
Individual footswitches plus dedicated controls for all three effects
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 185mA
Year Released: 2013
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MRP:$420.73 SAVE 39%
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Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black) Ultimate Support AX-48 Pro B Column Keyboard Synthesiser Stand (black)
Cat: 526899 Rel: 11 Jun 14 • View all Keyboard Stands
 
The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians.
Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest-looking keyboard stand on the market, and shines the spotlight on keyboard players, while securely supporting their prized instruments.

Technical Specifications

Part Number
17476
Colour: Black
Height: 46" (1168mm)
Weight: 19 lbs. (8.6 kg)
Folded Length: 52" (1321mm)
Load Capacity: Up to 125 lbs. per tier (56.8 kg) or 250 lbs. total (113.6 kg)
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 1 in stock $209.31
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Genelec 8010A Biamplified Active Studio Monitor (single, white) Genelec 8010A Biamplified Active Studio Monitor (single, white)
Cat: 528079 Rel: 09 May 14 • View all Studio monitors
 
Single active studio monitor with 3" woofer and 3/4" tweeter unit
Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
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MRP:$341.85 SAVE 15%
 2 in stock $290.29
Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer Mackie 802VLZ4 8-Channel Compact Analogue Studio Mixer
Cat: 502922 Rel: 24 Sep 13 • View all Studio mixers
 
8-channel mic/line mixer with Onyx preamplifiers
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
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 1 in stock $205.04
Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer Mackie 1202VLZ4 12-Channel Compact Analogue Studio Mixer
Cat: 502923 Rel: 24 Sep 13 • View all Studio mixers
 
12 channel studio mixer with boutique quality Onyx preamps
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.
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MRP:$309.24 SAVE 10%
 1 in stock $279.59
Jomox T-Resonator MkII Analogue Stereo Filter & Delay Effects Unit
Cat: 458808 Rel: 25 Jul 12 • View all Filters
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

NB: Comes with EU plug power supply

www.youtube.com/watch?v=P6FHbqRb9S4
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MRP:$325.02 SAVE 23%
 2 in stock $250.33
DBX PB48 48-Point Patchbay
 
48-point patch bay
Notes: Well, it's not very glamorous, but everybody needs a patchbay. And as for the PB-48, it is a patchbay that just works, all the time, every time. It comes in 2 flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear.

The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great.

The specifications:

Chassis dimensions (H x W x D): 44mm x 482mm x 68mm
Module dimensions (H x W x D): 40mm x 18mm x 68mm
Shipping weight: 1.06kg
Jacks: 1/4" phone, balanced or unbalanced.
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 1 in stock $219.46
Vermona Kick Lancet Analogue Kick Drum Generator
Cat: 420715 Rel: 30 Mar 11 • View all Drum machines
 
Analogue kick drum generator.
Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

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MRP:$273.48 SAVE 11%
 3 in stock $242.53
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Electro Harmonix Mod Rex Polyrhythmic Modulator Effects Pedal Electro Harmonix Mod Rex Polyrhythmic Modulator Effects Pedal
Cat: 704374 Rel: 03 Oct 18 • View all Effects pedals
 
Effects pedal for guitar, bass & synthesisers featuring up to four simultaneous modulation sections synced together in time
Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.
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MRP:$287.15 SAVE 24%
 2 in stock $217.28
Electro-Harmonix Grand Canyon Digital Delay & Looper Effects Pedal
Cat: 707212 Rel: 06 Dec 18 • View all Effects pedals
 
Digital delay & looper effects pedal
Notes: Advanced Multifunction Delay & Looper with 12 delay types, tap tempo, and extended control!

The EHX Grand Canyon is Electro-Harmonix's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering
2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more
3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.
4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes
5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal
6. TAPE - Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter
7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay
8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats
9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes
10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected
11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorecr style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns
12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs
13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Advanced multifunction delay and looper with up to three seconds of delay time
12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER
Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode
Tap tempo with nine tap divide subdivisons
Up to 16 minutes of recording time on the fully featured looper
Loop audio remains in the Grand Canyon until you erase it, even after removing power
13 presets can be saved or recalled
3-button footswitch connector for remote operation
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 3.9 x 2.5
Current Draw
150mA
Year Released
2018
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 1 in stock $226.15
Befaco CV Thing CV To MIDI Converter Module Befaco CV Thing CV To MIDI Converter Module
Cat: 775217 Rel: 08 Jul 20 • View all Synth modules
 
CV to MIDI converter module - 6HP
Notes: CV Thing is a fully mappable CV to MIDI converter in just 6HP. Its based on our VCMC module, but aiming for small and compact performance rigs. It has eight inputs that can be mapped to any MIDI message quite easily thanks to its simple and intuitive user interface. CCs, Program change ,V/Oct to Note or Clock are some of the messages that can be configured to easily control MIDI gear from your modular rig.

Features:

Class-compliant USB MIDI and TRS connectors.
TRS to DIN5 Type A adaptor included.
8 CV inputs.
Controls fully mappable to any MIDI message (CC, Notes, Program change, Clock, ST/SP, NRPN...)
Configurations are saved both in internal memory and via Sysex.

Specifications:

Current needs: +12V: 50mA, -12V: 4mA
Width: 6 HP
Depth: 25mm, (32mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.
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 1 in stock $208.94
Analogue Systems RS-500N Synthifilter EMS Synthi VCF Module (silver)
Cat: 777032 Rel: 26 Jun 20 • View all Synth modules
 
Genuine EMS Synthi filter.
Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.
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 1 in stock $249.27
Limaflo Motomouth Analogue 3-Band Sedra & Espinoza Bandpass Filter Module (black) Limaflo Motomouth Analogue 3-Band Sedra & Espinoza Bandpass Filter Module (black) Limaflo Motomouth Analogue 3-Band Sedra & Espinoza Bandpass Filter Module (black)
Cat: 777997 Rel: 22 Jan 21 • View all Synth modules
 
Coded CV Sedra and Espinoza morphing formant filtervmodule in 12HP.
Notes: Motomouth is an analogue 3-Band, Sedra + Espinoza Bandpass Filter (DABP) with resonant frequencies that are tuned to the same resonant frequencies found in the human mouth and nose cavities, and these can be varied, independently, to form different 'mouth shapes,' to emulate vowels such as A, E, I, O and U. Motomouth can emulate 16 vowels and 'morph' or 'glide' between each vowel using a single Control Voltage input (1V/Oct), and a Gate to 'snap' to each vowel when required.

Two of the bands (F1 and F2) are used to form the mouth cavity, and the third band (F3) is used to form the nasal cavity, which is reasonably static. Varying F3 makes little significant difference 'in the mix,' but having it is important.

The single Control Voltage is decoded to control F1 and F2 independently, because the frequency bands for each vowel are not proportional to each other over the vowel range. So Motomouth has learned how to 'speak,' so to speak, but it still needs to learn more, and that's where you come in.

Specifications:
Module width: 12HP
Module depth: 42mm
Power draw:
+12V: 80mA
-12V: 4mA
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Kanto Audio YU Powered Bookshelf Speakers (pair, matte black) Kanto Audio YU Powered Bookshelf Speakers (pair, matte black)
Cat: 778565 Rel: 26 Oct 21 • View all HiFi Speakers
 
Bookshelf speakers
Notes: Stylish, good-quality powered speakers suitable for home listening or DJ practice. Built-in Bluetooth for streaming, auto standby and remote control for convenience.

Supplier's Notes:
Keep things simple without forfeiting performance. Housed within YU's compact MDF cabinets is everything you need to get the most out of your favorite tunes. Bluetooth 4.2 with aptX provides high-quality streaming, a single RCA input covers all your analog needs, and a SUB OUT port gives you the option to really crank up the bass. Equipped with 4-inch Kevlarr drivers and 1-inch silk dome tweeters, this high-performance powered speaker system delivers smooth, natural sound while ensuring you experience the full impact of lower frequencies. For laid-back listening, use the provided remote to make quick volume, tone and balance adjustments, as well as control playback while streaming via Bluetooth.

High-performance materials. Exceptional sound.

Silk Dome Tweeters
YU's 1-inch tweeters are made from silk to deliver a high-frequency range that is bright and refined. Their dome shape improves sound dispersion to ensure your ears capture every sound, regardless of where you are in the room.

Never miss a beat.

Signal Detection
Automatic standby and power-up mode conserves power when you're away and continues playback when your music starts playing.

Streaming
Play tunes from the palm of your hand.
Featuring integrated Bluetooth 4.2 with Qualcommr aptX technology, YU lets you stream high-quality audio directly from any Bluetooth-enabled device. Sit back and enjoy your carefully curated playlist from anywhere in the room.

Nearfield
Upgrade your desktop setup.
Take your desktop setup to the next level by connecting YU to your computer via its RCA input.

To reduce vibration and improve soundstaging, use YU with SP9 desktop speaker stands.

Take control of your sound.

Packed with functionality, the YU series remote makes listening to audio more convenient. Quickly switch between sources, tune your sound to fit your space, and control playback while streaming via Bluetooth.
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Hungry Robot The Wash V2 Tap Tempo Delay With Wash Reverb Pedal Hungry Robot The Wash V2 Tap Tempo Delay With Wash Reverb Pedal Hungry Robot The Wash V2 Tap Tempo Delay With Wash Reverb Pedal
Cat: 780920 Rel: 03 Sep 20 • View all Effects pedals
 
Delay/reverb pedal
Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white) EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white) EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white) EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white) EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white) EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Effects Pedal (white)
Notes: Welcome to the first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching. Like all EarthQuaker Devices pedals, this dude is handmade one at a time in sunny Akron Ohio.

1. Rate: Adjusts the speed of the sequence.

2. Up/Up-Down/Down Toggle: Switch to control the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.

3. Step: Selects how many notes there are in the sequence.

4. Wet: Level control for the effect signal. Unity is around noon.

5. Mode: 8 position selector switch to choose the octave and key:

Major: -1 octave to root.

Major: root to +1 octave.

Major: -1 octave through +1

Major: Random pattern

Minor: -1 octave to root.

Minor: root to +1 octave.

Minor: -1 octave through +1

Minor: Random pattern

6. Dry: Level control for the dry signal. Unity is around noon.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 65 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!
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EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal EarthQuaker Devices Ghost Echo V3 Reverb Effects Pedal
Cat: 781647 Rel: 14 Jul 20 • View all Effects pedals
 
A vintage voiced reverb effects pedal.
Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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Old Blood Noise Endeavors Fault Overdrive V2 Distortion Effects Pedal (white)
Cat: 782132 Rel: 11 Sep 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.
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KMA Machines Horizont Interdimensional Multispatial JFET Phaser Effects Pedal
Notes: Amazingly versatile phaser business in this brilliantly designed pedal. Watch the demo video to hear the amazing range of sounds this one can do. Best phaser ever? Might just be.

Supplier's Notes:

Jump into spaceship Horizont and begin your trek into star- filled galaxies, all while discovering the incredible vastness of the sounds created by this inter-dimensional multi-spatial stereo analog JFET Phaser. The unexpected is waiting for you behind the far away horizon and it will be a journey you'll never forget!

The Horizont's mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that'll kick phasing well into the 21st century.

Besides the more common phaser controls, the Horizont offers a plethora of new and exciting options for all the interstellar tone chasers out there. To greatly broaden the range of phasing tones available, KMA implemented a digital LFO with no less than eight different waveforms: Ramp Up/Down, Sine/Triangle/Square wave, a sweeping waveform, Sample & Hold and a random slope waveform going from 20s down to 40ms.

The implemented envelope generator is one of Horizont's absolute key features. It transforms your input signal into a control source to modulate the speed of the digitally controlled LFO or lets you manually phase for a resonant touch wah- like sound, depending on the state of the SWP- and SPURTCONTROL-Switch.

Set the SPURTCONTROL switch to LFO to let the SPURT knob adjust the internal phasing speed. However, by flicking the switch to ENV (Envelope) mode, it allows you to dynamically modulate the speed along the full LFO speed range, based on how loud the input source is (e.g. when you attack the strings hard). You can also combine the SPURT knob and the envelope by flicking the toggle to LFO+ENV where SPURT then sets the minimum speed. For even more control, you can even plug in an external expression pedal/CV-source (0-5V) to alter the minimum speed on-the-fly or you can use the TAP TEMPO switch (tap just twice) to set the speed to fit in with the tempo of your music.

The EXP-Mode switch also lets you choose between a manual phasing mode, controlled by an expression-pedal or an external CV source. Setting the EXP-Mode switch to the middle position will disable any external expression control.
The SWP (Sweep) switch lets you decide to use either the LFO or the envelope of your instrument signal to control the phasing.

The envelope can be set to upwards or downwards operation via the ENV switch, seeing the LFO either slowing down or speeding up, or flipping the orientation when phasing manually from lows to highs and vice versa. In conjunction with the FUEL (Sensitivity) and the DECAY controls, the envelope can be tailored perfectly to your needs.

The EMPH (Emphasis) mode from the original Astrospurt Phaser was kept, but have reworked and refined it extensively for the Horizont. The four toggle-switches determine the stage in which the phase-shifted signal is fed back into itself, while the REG (Regeneration) control sets the feedback amount. We also smoothed out the overall sound of the EMPH mode for a more pronounced, and crisp vocal-like tone. Each of the different switch variations and turn of the REG control will yield different results, seeing you discover new wild, fuzzy and noisy galaxies as you travel deeper down this sonic wormhole.

In order for you to levitate through spacetime, a stereo output has been added to the Horizont. You can switch between a standard stereo output or a panning output, via the STEREOPAN switch. Synchronized with the LFO speed, the upper cycle of the LFO sends the signal to the OUT1 and the bottom cycle to the OUT2. This is without a shadow of a doubt the most liquid and astonishing phasing experience you'll ever embark upon. But wait, there's more! Stop and take a deep breath, set the MIX control to fully clean and the Horizont is transformed into a Tremolo on-the-spot, with all the other aforementioned features.

Last but by no means least, the Horizont was equipped with an FX-Loop right in front of the phase-shifting line. This enables you to add your own secret sonic weapons to this spaceship, seeing you create your very own unique phasing sounds.The pedals' headroom was also increased drastically by boosting the internal circuit voltage to 18V, from the regular 9V input, to give the cleanest phasing possible no matter what instrument or line source you use.



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J Rockett Archer Ikon Boost & Overdrive Effects Pedal (gold)
Cat: 783204 Rel: 30 Sep 20 • View all Effects pedals
 
Boost pedal
Notes: The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

Buffered Switching
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Electro Harmonix 1440 Fourteen-Fourty Stereo Looper Effects Pedal
Notes: The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.
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ALM Quaid Megaslope 5-Stage Envelope LFO & Step Sequencer Module (silver)
ALM Quaid Megaslope 5-Stage Envelope LFO & Step Sequencer Module (silver) (CV modulation/envelope generator/LFO/sequencer/slew limiter synth module)
Cat: 688775 Rel: 31 Jan 19 • View all Synth modules
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (black)
AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (black) (dual/stereo/effect/waveshaper synth module)
Cat: 688824 Rel: 01 Aug 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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Befaco Muxlicer VC Addressable Sequential Switch & Sequencer Module Befaco Muxlicer VC Addressable Sequential Switch & Sequencer Module
Befaco Muxlicer VC Addressable Sequential Switch & Sequencer Module (sequencer/switch/clock generator synth module)
Cat: 689665 Rel: 14 Jun 18 • View all Synth modules
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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Befaco Kickall Voltage Controlled Analogue Kick Drum Voice Module Befaco Kickall Voltage Controlled Analogue Kick Drum Voice Module
Cat: 689669 Rel: 14 Feb 19 • View all Synth modules
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound. A stable VCO that tracks V/Oct, a couple of VCAs, envelopes for volume and pitch and an aggressive waveshaper.

The module has been designed with a kick synthesis patch in mind.

The audio path consists of a sinewave oscillator that passes across a Square Waveshaper and two VCA's. The first VCA is for the Volume envelope. The second VCA is dedicated to general volume. Thanks to his CV input, it is possible o apply accents or affects the dynamics of notes. Feeding this input with audio generates a basic AM operation expanding the sonic range of the module.

In the control path, KickAll has two envelope circuits to modulate the first VCA oscillator's pitch. Both envelopes are fired at the same time manually or via dedicated trigger input.

Through its Tune input, KickAll tracks eight octaves with high accuracy. Plug your favourite sequencer or CV source to create patterns out of the kick range, or feed it with an audio signal, for frequency modulation Fx.

Specs

Current needs: +12V: 26mA, -12V: 12mA
Width: 6 HP
Depth: 20mm, (28mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.
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Erica Synths Dual Drive Dual Overdrive & Distortion Module
Cat: 690942 Rel: 19 Sep 18 • View all Synth modules
 
Dual overdrive & distortion module - 10HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.

Features
Two identical overdrive circuits
Manual GAIN and DRIVE controls
CV control with an attenuator over GAIN and DRIVE
Mode switch for selecting one of three overdrive flavours
Output signal limiter
Drive level LEDs

Specifications
Audio output level: -5V...+5V
CV level (full span): -5V...+5V
Power Consumption: 58mA@+12V - 58mA@-12V
Module width: 10HP
Module depth: 50mm
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Make Noise X-Pan 5-Channel Voltage Controlled Stereo Mixer Module
Cat: 731192 Rel: 19 Jun 19 • View all Synth modules
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 2 in stock $251.39
Electro-Harmonix 22500 Digital Dual Stereo Looper Effects Pedal Electro-Harmonix 22500 Digital Dual Stereo Looper Effects Pedal
Cat: 569658 Rel: 14 Sep 15 • View all Effects pedals
 
Digital dual stereo looper effects pedal
Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015
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Reloop SPiN Portable DJ Turntable
Reloop SPiN Portable DJ Turntable (portable DJ turntable)
Cat: 735545 Rel: 08 Jul 19 • View all Portable turntables | USB turntables
 
Portable turntable for vinyl lovers & scratch artists
Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg
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Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console Yamaha MG10XU 10-Channel Mixing Console
Yamaha MG10XU 10-Channel Mixing Console (10-channel studio mixer)
Cat: 519642 Rel: 19 Mar 14 • View all Studio mixers
 
10-channel mixing console: max. 4 mic, 10 line inputs (4 mono + 3 stereo), 1 stereo bus and 1 AUX (incl. FX).
Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

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