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Review: My Bloody Valentine frontman Kevin Shields has talked a lot about the stress of making Loveless, the band's now iconic 1991 sophomore album. It took over two years (and trips to 20 recording studios) to make, such was Shields sharply focused desire to capture a very specific sound. As this reissue proves, his attention to detail genuinely resulted in what many critics cite as their best album - a wonderfully immersive, wide-eyed and enveloping set that fuses their fuzzy alt-rock guitars with gaseous musical textures, dreamy aural colours and painstakingly layered musical soundscapes that sound as gloriously intense and druggy as they did way back in 1991. It's an album that everyone should own - or at least all those who doubt the sonic potential of primarily guitar-based music.
… Read more in stock $12.90
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Review: Over the course of her last few albums, Lana Del Ray has evolved into a significant chronicler of 21st century American life, with sharper-then-ever lyrics accompanied by fittingly haunting, downbeat and bittersweet musical arrangements. Blue Bannisters, which like so many albums released this year was written and recorded during lockdown, continues in a similar vein to its predecessors, with Del Ray's fragile, melancholic vocals being accompanied by ghostly synthesizer chords, striking piano motifs, drowsy aural textures, simmering strings, gentle guitars and occasional rhythmic nods to trip-hop. It's more bittersweet than intense, but undeniably a creative response to the most testing of times. Considered in those terms, it's a hugely impactful and entertaining album.
… Read more in stock $10.31
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Review: Remote working is not new - artists have collaborated by exchanging files since Internet connection speeds allowed it - but few have pursued it more enthusiastically than Sons of the Sun, a duo made up of South East London beat-maker/multi-instrumentalist Maverick Quest and Texas-based singer and rapper JTronius. The duo initially met online and decided to spark up a Transatlantic collaboration. The results, as showcased on this fine debut album, are rarely less than inspired. Casually joining the dots between future soul, synth-powered P-funk, Afrobeat, jazz and hip-hop, it's a set that oozes musical quality from start to finish. At times it sounds a little like Plantlife or Thundercat, at other times like a hip-hop head's take on 21st century London jazz; throughout, you'll be royally entertained.
… Read morein stock $2.17
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Review: While it would be fair to say that My Bloody Valentine's most celebrated works are by and large albums, their EPs - and particularly the four released between 1988 and '91 - are every bit as alluring and ground-breaking. For proof, check this fine collection, which not only gathers them together but also adds rare tracks and deep cuts that have long been fan favourites (see the full, 10-minute version of 'Glider', a cacophonous but strangely addictive psychedelic soundscape, and the baggy-but-ghostly 'Instrumental No. 2'). Over the course of the two discs, it's possible to chart the pioneering band's sonic development over a three-year period in which they went from visionary alt-rockers to a band that not only defied categorization, but also played by different rules to their contemporaries.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $12.90
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Review: For those who dig what was once called progressive house, the Balance series from Australian label EQ has always been a "must check". Most contributors tend to push the boat out, resulting in deeply melodic and otherworldly sets that blur the boundaries between true mix and full-on production. That's certainly the case here, as Spanish DJ/producer (and part-time TV sound designer) Henry Saiz carefully crafts two discs of prog-not-prog blissfulness. Saiz's sound is based on the fusion of IDM electronica and shuffling, early morning house, and that's the overriding theme here - giving the mix an enjoyably fluid sound and style.
… Read more in stock $10.83
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Review: Although it didn't receive quite as rapturous reviews as its predecessor, 1990's Nowhere, Ride's sophomore album Going Blank Again remains one of the finest shoegaze sets ever recorded - a dense, psychedelic, glassy-eyed, heavily layered set whose immersive sound, harmony vocals and droning textures come together to create a heavy, immersive and enveloping masterpiece. This remastered reissue replicates the format of its 2001 predecessor, expanding the set to include a quartet of bonus tracks plucked from singles and EPs released in the same period. These include the glistening, dancefloor-ready dream-pop swell of 'Going Blank Again' and the wall of sound that is 'Grasshopper'.
… Read more in stock $10.06
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15 Step
Bodysnatchers
Nude
Weird Fishes/Arpeggi
All I Need
Faust Arp
Reckoner
House Of Cards
Jigsaw Falling Into Place
Videotape
Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.
… Read more in stock $9.27
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Review: Since they emerged in 2019, there's been a fair amount of hype around Black Country, New Road, with one noted media outlet calling them, "the best band in the world right now". While that might be a little over-the-top, there's no doubting that they're a unique proposition - as this much-anticipated debut album on Ninja Tune proves. Stylistically, they're hard to pin down, variously fusing post-punk guitars, fuzzy Stereolab synths and folksy strings with thoughtful, story-telling spoken word vocals (think Arab Strap), restless bass guitar and drums and sax sounds that have more in common with the more experimental end of jazz than alternative rock. It's an usual mixture, but a hugely alluring and surprisingly coherent one. For The First Time is, then, a genuinely impressive debut album.
… Read more in stock $10.31
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Review: Klamm is the new label dedicated to the artistic output of Saele Valese. After "Ivic", a collection of old and new materials published on Alva Noto's label (NOTON) at the beginning of the year, Saele Valese releases now his first real album "A White, White Day". Written and recorded between 2018 and 2021 the material of this work was sliced, glued and recreated several times, just like a filmmaker in the editing process, before finding its final form. Inspired indeed by the most poetic cinema, 'A White, White Day' represents, in the form of a non-linear and enigmatic narrative, a personal and psychological reflection on time, memory and dreams. Mastered by Rashad Becker.
… Read morein stock $1.08
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Review: Back in 2016, Martin Jenkins unveiled the first instalment of a "loose trilogy" of vaguely conceptual albums for the Ghost Box label. Entangled Routes is the third and final part of this trilogy and lands two years after its predecessor, Hollow Earth. Though not expressly acknowledged within the music, Jenkins' inspiration this time round was apparently "mycorrhizal networks" - subterranean networks of funghi that transfer water, carbon and other minerals and nutrients to the roots of plants. Musically, what's on offer is intoxicating and far-sighted, with Jenkins mixing up trippy ambient psychedelia with modular-rich, melodious electronica, throbbing, arpeggio-driven dancefloor cuts and what would once have been called IDM. As usual, the album is full of great ideas, beautifully executed, and sequenced in such a way as to provide a genuine aural journey.
… Read more in stock $13.16
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Review: Leeds-based duo Hawthonn express their inspiration from Coil in their artist name (a tribute to the late Jhonn Balance) and it doesn't take long listening to their music to hear that indelible mark on their sound. Earth Mirror marks Layla and Phil Legard's second album for the Ba Da Bing! label out of NYC after 2018's Red Goddess (Of This Men Shall Know Nothing). Weaving a compelling mixture of low, murmuring industrial tones and pastoral folk with an occult twist, the duo move through enveloping, atmospheric spaces. At times Layla Legard's voice cuts through the mist, and elsewhere we reside in instrumental pastures, but the mood remains haunting and evocative from start to finish, not to mention masterfully rendered.
… Read more in stock $12.90
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Tirando El Detonador (feat Lido Pimienta, Javier Arce & Iggor Cavalera - Mas Aya & Nick Hook version)
Review: Hip-hop supergroup Run The Jewels have looked back on their Run the Jewels 14 album and reworked it through a squarely Latin American lens. They have called upon artists from across the diaspora and in doing so spotlight a real wealth of talent for another superb album in this feel-good band's impeccable run. Oscar-winning Broadway megastar Lin-Manuel Miranda is one of the standouts in an album full of wild different and expressive sounds. This is certainly a collaborative free-for-all that is well worth hearing.
… Read morein stock $5.41
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Review: Following a couple of years spent re-releasing many of her classic albums, alongside sets featuring demo versions of the same songs, Polly Jean Harvey is finally ready to release a new album - her first for seven long years. Reunited with long-time collaborators John Parish and Flood, Harvey delivers alluring, at times otherworldly songs - delivered beautifully and with more than a hint of world-weary emotions - backed by sparse, effects-laden instrumentation, metronomic grooves and plenty of pastoral, folk-influenced intent. We've not listened to the lyrics intently enough (yet) to adequately discuss their themes, but in advance Harvey's label promised "biblical images and references to Shakespeare" amongst the introspection and hard-worn commentary.
… Read more in stock $7.99
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Review: Inspired by her desire to embody the "femme divine", Kali Uchis' latest full length (her fourth in total) is an inspired meditation on love, heartbreak and honesty that's already been awarded rave reviews by music critics. Listening back, it's easy to see why. Rooted in soul and r&b but as boundary-blurring as her previous work, 'Red Moon In Venus' features some of her most immaculately executed vocals yet, impactful lyrics and an overall sense that the Colombian-American is an artist at the peak of her powers. For proof, check the aquatic, timeless-sounding soul shuffle of 'Moonlight', the rushing disco-pop surge of 'Happy Now' and the simmering, lovelorn brilliance of 'I Wish You Roses'.
… Read more in stock $10.31
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Review: The 1975's last two albums were, by their standards, quite experimental, with the band taking the opportunity that fame and success afforded has afforded them to try their hand at all manner of styles - many of them a bit more overtly dancefloor-centric than diehard fans were expected. There's no such widescreen vision on 'Being Funny in A Foreign Language'; instead, they've gone back to basics and turned in a set of strong, addictive, singalong songs that sounds like radio anthems in the making. For proof, check the glossy AOR synth-pop cheeriness of 'Happiness', the fragile, eyes-closed Americana of 'Part of the Band', the indie power-pop bounce of 'I'm In Love With You' and the sparse, slo-mo, lo-fi fuzz of 'All I Need To Hear'.
… Read more in stock $10.06
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Review: Ezra Collective has described their hotly anticipated second album, 'Where I'm Meant To Be', as "a thumping celebration of life". As with their previous work, it's rooted in the band's love of on-stage improvisation - call-and-response instrument solos abound throughout - and peppered with contributions from guest vocalists including Sampa The Great, Emeli Sande and Nao. Musically, it's undoubtedly joyous, blurring the boundaries between contemporary UK jazz, afrobeat, hip-hop, dub, Latin rhythms and soft-touch electronics. The plentiful highlights include steppers-powered dub-jazz workout 'Ego Killah', sparkling opener 'Life Goes On' and the Afro-Cuban brilliance of 'Victory Dance'.
… Read more in stock $7.99
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Cat: 555141 8. Rel: 13 Jul 23
Jazz
Review: Last year, an eagle-eyed researcher discovered a genuine slept-on gem in the archives of New York Public Library: a forgotten, unreleased recording of the John Coltrane Quintet playing - alongside bass clarinettist Eric Dolphy, at the iconic Village Gate venue in August 1961. Here, that recording - now freshly mastered - is released to the public for the first time, and as you'd expect it's rather special. Coltrane is at his magical, blistering best throughout, with his band offering similarly impressive support throughout. Highlights include the only live recording yet discovered of the quintet performing 'Africa', an insanely good 10-minute take on Coltrane classic 'Impressions', and Dolphy's star turn on 'When Lights Are Low'. In a word: essential!
… Read more in stock $14.18
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Review: Second time around for Sneaker Pimps' Six Underground, the lesser-celebrated follow-up to the duo's renowned 'Spin Spin Sugar' single (famous, of course, because of Armand Van Helden's influential 'Dark Garage' remix). While the revisions included here - all initially released in 1996 - did not make as big an impression, all four have stood the test of time impressively. The headline attraction is a pair of Two Lone Swordsmen rubs, which are amongst the earliest reworks Weatherall and Tenniswood laid down under the alias. The vocal and instrumental takes are low slung trip-hop tracks overlaid with heady electronic elements. Elsewhere, Nellee Hooper channels the spirit (and sound) of his work with Massive Attack, and Hull boys Fila Brazillia lay down a typically deep, dubby and slowly evolving downtempo workout.
… Read more in stock $13.16
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Review: Kangding Ray's debut is a balance between the flow of melodies and the ever changing structure of rhythm.
… Read more in stock $17.80
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Review: Alex Green and Damon Kirkham's debut album has been a long time coming. It follows an action-packed decade that's seen them morph from drum & bass punishers to dubstep fusionists and, more recently, bass music experimentalists. With such experience behind them, it's perhaps no surprise that Resolution 653 is an eclectic set. What's more surprising is the expansiveness of their approach. Within the album's 13 tracks lies glass-clear electronic futurism, brain-warping acid tracks, murky dusbtep, slo-mo 4/4 sweetness, hard edged electro bounce, off-kilter IDM and, naturally, 140 BPM bass bangers. As a summary of where British bass music's at in 2011, it's unsurpassed.
… Read morePlayed by: Juno Recommends CD Albums
in stock $2.33
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Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!
… Read more in stock $18.55
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in stock $8.76
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Review: There was much talk ahead of the release of Darkstar's debut album as to whether the London based outfit could live up to the promise of their stunning breakthrough single "Aidy's Girl Is A Computer" on Hyperdub in 2009. The answer, in short, is yes. In the course of the past 12 months Aiden Whalley and James Young have morphed from a production team into a band, adding vocalist James Buttery along the way, and North, the fruits of their labour, is a fragile, delicate and beautiful record. Tracks like "Gold" and ""Dear Heartbeat"" showcase an 80s synth pop sensibility, forming the backbone of an album that is steeped in worry and melancholia. Buttery's vocal talents add an extra layer of depth to the music, particularly on the poignant, piano driven opening and closing track "In The Wings" and "When It's Gone". There is much to explore on North, which will go down as one of 2010's most affecting electronic albums.
… Read morePlayed by: Ennio Styles
in stock $7.95
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Review: Since releasing his debut album 12 years ago, Solomun has become one of the world's most popular tech-house artists - a DJ/producer with a wonky but accessible style tailor-made for big rooms and debauched afterparties. His change in status is reflected on belated second album Nobody is Not Loved, which appears via major label MBG packed with guest stars including Jamie Foxx, Zoot Woman and Planningtorock. Wisely given his DJ roots, the Hamburg-based producer has made the set a non-stop mix that gently increases in intensity before mellowing out again right at the end. Highlights include the minimal-meets-deep soulpop opener 'Ocean', the Isolee-influenced melodic shuffle of 'The Center Will Hold', the tech-house-goes-electroclash sleaze of 'Tuk Tuk' and the moody, new wave-inspired darkness of 'Kreatur der Nacht'.
… Read more in stock $10.58
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Review: In recent years, numerous high-profile rock artists have delivered dramatic orchestral interpretations of their greatest hits, though Moby may be the first electronic artist to try it. Reprise, his 18th full-length excursion, is not fully neo-classical despite the involvement of the Budapest Art Orchestra - there's also a more traditional rock and pop instrumentation - but it does largely steer clear of the electronic beats, sounds and samples that have traditionally been his stock-in-trade. The results are largely very impressive though, with the assembled cast delivering especially good interpretations of such classics as 'Porcelain' (with Jim James), 'Natural Blues' (whose gospel-inspired lead vocals by Gregory Porter and Amythyst Kiah are spellbinding) and his turn-of-the-90s breakthrough hit, 'Go'.
… Read more in stock $10.31
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Review: Back in the early-to-mid 1990s, Robert Fripp collaborated with numerous ambient house-era electronic artists, including the Orb (see the largely forgotten FFWD>> album) and The Grid, who invited the long-time Brian Eno collaborator to recording sessions back in 1992. While some of the latter material made it onto their '90s albums, much of Fripp's work - dreamy guitar textures, drone works and other electronic experiments -was left in their archive. Leviathan is based around these unissued recordings, with Dave Ball and Richard Norris adding their own new sounds to create a string of beautiful, meditative, and picturesque ambient compositions that sit somewhere between their own ambient works, Norris's recent modular electronic explorations, and the forementioned FFWD>> project.
… Read more in stock $12.57
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Cat: BBE 688ACD. Rel: 06 Apr 23
Soul
Review: Original disco remixer John Morales has spent much of the last decade delivering superb, multi-track reworks of classic cuts, in the process showcasing the sublime musicianship and vocals at the heart of these much-loved classics. He's the perfect choice, then, to dip into the immense back catalogue of leading Philadelphia Soul star Teddy Pendergrass and deliver updated versions. The resultant two-disc set is as inspired as you'd expect, with Morales delivering a blend of peak-time ready revisions of surging dancefloor anthems ('The More I Get, The More I Want', 'Don't Leave Me This Way', 'You Can't Hide From Yourself', 'Life is a Song Worth Singing'), sensitive revisions of deeper catalogue cuts and stunning reworks of jaw-dropping slow jams. Throughout, the troubled but immensely talented singer remains the undisputed star of the show.
… Read morePlayed by: Pete Haigh, Charlie bucket/ dancing in space
in stock $18.30
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VARIOUS
Cat: OSTCD 003. Rel: 25 Aug 17
International
Iftiin Band - "Xuduud Ma Leh Xubigaan (This Love Has No Boundaries)" (feat Mahmud Abdalla "Jerry" Hussen & Maryan Naasir)
Dur Dur Band - "Duruuf Maa Laygu Diidee (Rejected Due To My Circumstance)" (feat Muqtar Idi Ramadan)
Review: In 1988, on the eve of the civil war that began to tear apart Somalia in the early 1990s, an intrepid band of broadcasters and journalists secretly salvaged some 10,000 cassettes of homegrown music from the archives of Radio Hargeissa in Somaliland. Almost 30 years on, those tapes have finally been mined for Sweet As Broken Dates, a brilliant compilation that finally showcases some of the multitude of gems that were recorded and released in the country between the late '60s and early '90s. It's a brilliant collection, all told, full of exotic music that combines Western styles - soul, funk, disco, pop, reggae, boogie, psychedelic rock and even early hip-hop- with musical influences from the wider region (most notably Arabic and tropical music from islands in the Indian Ocean). In other words, it should be an essential purchase.
… Read morePlayed by: AfroBase (Radio Chart)
in stock $9.80
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Review: On the latest volume in the Late Night Tales series, Don Letts has dug deep into his crates to present a selection of some of his favourite dubbed-out reggae cover versions, alongside dub style remixes of more contemporary covers. It's a simple concept, brilliantly executed, with Letts offering up some exclusive, dubplate style remixes amongst the classic cuts and recent gems. Highlights include, but are in no way limited to, the full vocal dub of Capitol 1212's take on Joy Dvision's 'Love Will Tear Us Apart', Mad Professor's insanely weighty 2021 dub of John Holt classic 'You'll Never Find Another Love Like Mine', Blackbox Recorder's oddball reggae-soul version of 'Uptown Top Rankin' and Easy Stars All Stars' deliciously mystical interpretation of The Beatles' 'Within You Without You'.
… Read morePlayed by: Juno Recommends Reggae
in stock $10.06
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Review: Los Angeles based ambient husband and wife duo, awakened souls join with Reunion Island native, From Overseas to create Keep The Orange Sun. After hearing each other's individual music, a deeper conversation started about shared musical influences and inspiration leading to the creation of this album. Keep The Orange Sun guides the listener on a thoughtfully curated path. Starting with the certainty of life's changes (Certainty of Tides) to arising self-doubt (Release/Adapt) and celebrating immersion in the present moment as the gateway to deeper connection with nature and one's life (Keep The Orange Sun). The instrumentation present in each track channels elements of electronic, shoegaze & ambient with each artist's distinct musical fingerprint highlighted.
… Read more in stock $13.66
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Review: Given the brilliantly simple concept behind this fine compilation - contemporary Detroit producers remix Funkadelic - we're rather surprised nobody's done it before. With 17 varied re-rubs stretched across two hugely entertaining CDs, there's plenty to enjoy. Highlights come thick and fast, from the deep house/P-funk fusion of Alton Miller's take on "Get Your Ass Off and Jam" and Andres' loose, hip-hop influenced revision of "Music For My Mother", to the thrusting loops and heady late night hypnotism of Anthony Shake Shakir and T-Dancer's version of "Standing on the Verge". While many of the versions stay relatively faithful to the original, the more "out-there" interpretations - see BMG's outer-space ambient dub of "Maggot Brain" and Moodymann's epic revision of "Cosmic Slop" - are also consistently impressive.
… Read more in stock $14.18
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Review: 2019 has been big for Goldie. The late summer saw the anniversary reissue of his second album "Saturnz Return", and now he's put together a bumper collection of drum & bass gems. Across "60 tracks that smashed it" as the release is sub-titled, the proudly British sound of drum & bass is explored and exposed thanks to music from all the key players including Roni Size, Doc Scott, Photex, Krust, DJ Zinc and many more familiar faces. Of course, the Metalheadz boss' own "Inner City Life" kicks off in triumphant fashion and the vibes keep coming thick and fast from there on in.
… Read more in stock $5.11
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Review: At the tail end of the '80s, Sylvia Striplin quit Norman Connors' jazz-funk group Aquarian Dream in order to pursue a solo career. Joining forces with producers James Bedford and Roy Ayers, she recorded 1981 debut album "Give Me Your Love", a well regarded but largely overlooked set that has since become a sought-after item amongst soul collectors. This Expansion reissue presents the album on CD for the first time in two decades. As with many soul albums of the period, it sashays between jazz-funk, boogie and heartfelt slow jams, contrasting memorable dancefloor workouts (see stone cold classic "Give Me Your Love" and a stellar cover of Roy Ayers favourite "Searchin") with more saccharine, loved-up fare. This edition also boasts a couple of bonus cuts, including the superb 7" mix of "Give Me Your Love".
… Read morePlayed by: Mukatsuku Records Chart
in stock $12.36
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Cat: TGCD 19. Rel: 13 Dec 19
Industrial/Noise
Review: When it was first released in 2007, "Part 2: The Endless Not / TG Now" was Throbbing Gristle's first studio album since 1982. The pioneering industrial band had been drawn together again in 2004 to mark the passing of friend John Balance with a rare performance, and spent the next two years sporadically recording new material. The set was produced slightly differently to the all-analogue early works, with greater use of sampling and digital instrumentation. Yet despite the new toys and techniques, the music remained as antagonistic, forthright, intense and otherworldly as it had been two decades before. In other words, it's a proper Throbbing Gristle album, made by the original members to their original ethos, with a slightly different production approach. For that reason it remains a must-have for all fans of industrial music past and present.
… Read more in stock $9.80
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Jarvis COCKER / VARIOUS
Music From Jarvis Cocker's Sunday Service (unmixed CD)
Cat: CDCHD 1543. Rel: 26 Sep 19
Soundtracks
Review: He will forever be known as the frontman of Pulp, but for many music lovers Jarvis Cocker has also won our affections with his erudite selections for his BBC 6 Music show. Entitled Jarvis Cocker's Sunday Service, it ran every week from 2010 to 2017 and now a selection of his personal favourites get the compilation treatment. Reflecting the mood of most Sundays, the music is soothing, soft and mellow, but always high quality. There are stunning covers or Beyonce by Anthony & the Jonsons and Gary Numan's "Cars" on steel drums, plaintive piano pieces from John Baker and a classic from Nina Simone amongst a whole treasure trove of gems.
… Read more in stock $9.80
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Review: Long-serving Tortoise guitarist Jeff Parker has made some magical solo albums in recent times, combining his particular take on jazz guitar with chopped-up instrumentation, dusty samples, post hip-hop beats and a large dollop of experimental intent. On Forfolks, his latest missive on Chicagoan imprint International Anthem, Parker flips the script, delivering an octet of solo guitar works that's as varied as it is jaw-droppingly good. Beginning with a piece of layered, cyclical minimalism reminiscent of Reich and Pat Metheny's 'Electric Counterpoint', Parker flits between jazzy interpretations of classic guitar pieces, droning and effects-laden soundscapes, lilting soundscapes, melancholic masterpieces and meditations on a theme.
… Read more in stock $7.99
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Review: Given that Isle of White twosome Wet Leg (AKA late twenty-somethings Rhian Teasdale and Hester Chambers) broke through with an insanely infectious chunk of monosyllabic rap-sporting post-punk pop, the stupidly catchy 'Chaise Longue', it seems fitting that the song lands early on their self-titled debut album - track two, to be precise. While the set features little else quite as upbeat, energetic and unashamedly joyous, it's still a boisterous and at times brilliant debut full of tongue-in-cheek lyrics, low-slung post-punk intent, raucous references to vintage '80s and '90s indie, weighty guitar riffs and ear-catching melodic motifs. It's the kind of set capable of pushing them towards super-stardom and will undoubtedly be warmly received by critics.
… Read more in stock $7.99
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Review: Devoted fans of Abel Tesfaye were left in a spin when the latest The Weeknd album dropped out of the blue, offering up lead singles 'Sacrifice' and 'Gasoline'. The expansive reach of Tesfaye's musical world knows no bounds, straddling pop, rap, electro and much more besides on a quest for life-affirming, show-stopping songs that burrow straight into your heart. The cast of collaborators on this record is staggering, from Tyler, the Creator, Lil Wayne, Quincy Jones, and Oneohtrix Point Never to Jim Carrey and Swedish House Mafia, would you believe. Through it all, Tesfaye's dazzling persona shines through, making for another classic from one of the most unique artists in the premier league of contemporary RnB.
… Read more in stock $11.34
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Cat: ETTB 139. Rel: 10 Mar 22
Indie/Alternative
The Holy Hour (CD1: live FM Broadcast Recorded At Philipshalle, Dusseldorf, Germany, 19th June 1981)
Shake Dog Shake (CD2: live FM Broadcast Recorded At The Paramount Theatre, Seattle, WA, 21st October 1984)
Want (CD3: live FM Broadcast Recorded At Praca Da Apoteose, Rio De Janeiro, Brazil, 26th January 1996)
Review: Given The Cure's particularly brittle sound in their early years, it's an added joy to hear it compressed with a tape-borne level of saturation for this excellent collection of three radio broadcasts. Disc one is given over to a recording from Philipshalle, Dusseldorf in 1981, capturing the band during their seminal run of early, gothic new wave. Disc two comes a few years later at the Paramount Theatre in Seattle, and you can already hear the evolution of the band while still very much ensconced in their funereal splendour and jangling guitar sound. For a greater leap still, head to disc three and the recording from Praca Da Apoteose, Rio De Janeiro in 1996, which was right around the time they released Wild Mood Swings, and marvel at the evolution of one of the finest bands of the era.
… Read more in stock $15.21
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Review: Six years after debuting, Global Underground's Select series has reached its seventh instalment. Like its' predecessors, the two-disc set offers a pair of non-stop mixes (created by an uncredited DJ or studio engineer), both of which are packed to the rafters with up-front, soon-to-be-everywhere cuts plucked from the worlds of tech-house, progressive house and techno. Expect tracks and remixes from the likes of Stephan Bodzin & Marc Romboy, Ame, Patrice Baumel, Gorge, Steve Bug, Fur Coat, Captain Mustache [sic] and Alan Fitzpatrick, plus a breathless, life-affirming flow and entertainment aplenty. As the old Ronseal advert used to proclaim, this does "exactly what it says on the tin".
… Read more in stock $13.16
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Cat: ALNCD 68. Rel: 22 Jul 22
Deep House
Review: We all know and love Ron Trent as a house music maestro, but as his elevated productions have betrayed over the years, his chops reach well beyond the simple demands of functional club stuff. In line with his more eclectic output, What Do The Stars Say To You heralds his WARM project in a frankly stunning burst of musicality that harks back to the glory days of 70s and 80s studio prowess. This is still music driven by a groove, but it's certainly not a house by numbers affair. Instead you get soaring violin solos (from Jean Luc Ponty no less), infinte threads of nimble keys work and enough downtempo, slinky grooves to buffet a yacht from the Balearics to the Florida Keys and back again. Featuring members of Azymuth, Gigi Masin and Khruangbin amongst others, this is a return to the craft of exquisite album making, as handled by a true master in his field.
… Read morePlayed by: Stephane Attias
in stock $7.22
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Review: Kendrick Lamarr has always been one of hip-hop's most thoughtful and thought-provoking MCs, with a passion for utilising beats and backing tracks that often sidestep hackneyed rap tropes and lazy samples. Even so, Mr Morale & The Big Steppers, Lamarr's first solo album for five years, is an arresting listen from start to finish. Impeccably produced, with countless musical twists and turns, spellbinding instrumentation (including jazz pianos, orchestration, intriguing electronics, sparkling synths and punchy rhythms aplenty), it sees Lamarr lyrically signposting his own failings (something not enough rappers of his profile are comfortable doing) within a wider framework of accountability. It's brave but brilliant, with some of the topics covered including his relationship with money, white women and his father, gender and generational trauma. A genuinely landmark album all told.
… Read more in stock $11.09
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Review: On the latest instalment in their essential Jazz is Dead series, musical polymaths Adrian Younge and Ali Shaheed Muhammad have joined forces with Katalyst, a Los Angeles-based collective of musicians whose work is inspired by their 1960s Californian predecessors Afrikan People's Arkestra and Union of God Musicians Ascension Association. What's an offer is undeniably impressive and, at genuinely life-affirming, with the assembled cast doing a superb job of joining the dots between spiritual jazz, soul-jazz, horizontal jazz-funk and deeper, more sun-kissed flavours. Highlights are plentiful and include, though are no way limited to, the breezy 'Juneteenth', the languid dancefloor shuffle and sustained electric piano motifs of 'The Avenues' and the morning-fresh wonder that is 'Daybreak'.
… Read more in stock $10.06
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Review: Saxophonist Binker Golding and Moses Boyd made a huge impression with their earliest collaborative releases, winning the 'Best U.K Jazz Act' gong at the 2016 Jazz FM Awards. Their periodic albums since, which explore improvised and semi-improvised free-jazz territory, have been uniformly excellent and their latest, the duo's first for two years, is no exception. They recorded at Peter Gabriel's Real World Studios, under the supervision of GRAMMY-winning producer Hugh Padgam, with guest Max Luthert joining in with tape loops and electronics. The result is a magical set full of alternately dreamy and alien-sounding electronic textures, loose-limbed, impeccably recorded jazz drums (you feel like you're sat behind the drum kit, such is the quality of the stereo panning) and winding, expressive, often lengthy sax improvisations. Magical music!
… Read more in stock $12.13
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Cat: CD 005. Rel: 03 Jan 23
Experimental/Electronic
Review: There's something undeniably tactile about Japanese composer Ikeda's Ultratronics which here comes as a special Japanese Edition on CD. The bass is metallic and dense, the grainy and glitched-out synths ringing out in a mathematical tempo on tracks like 'ultratronics 05'. There's a philosophy of high art, a scene that Ikeda has dabbled in before with installations and exhibitions, that is a hallmark of Japanese electronica composers old and new. The album has just as many pared-back moments (like in 02 and 07, scattered throughout vocal samples of rocket and space radio transmissions) as it does hardcore electronic industrial thrashing (06 and 14 spring to mind for mind-blowing explosions of synths).
… Read more in stock $26.81
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Review: Given that he's been active musically since the turn-of-the-80s - most famously as part of Big Audio Dynamite - it's rather surprising to find that Outta Sync is Don Letts' debut solo album He's pulled out all the stops for the occasion, not only joining forces with dub artist Gaudi (who co-wrote and produced the album), but also a swathe of guests including reggae vocalist Hollie Cook, his old pal Terry Hall, Zoe Devlin Love and his daughter, Honor Letts. While there are plenty of nods to Letts' varied musical tastes, it is naturally rooted in weighty dub reggae rhythms, with the other constant being Letts' own spoken word vocals, which generally offer reflections on the Black British experience and his fears for the future. It may have taken decades, but he's finally delivered an artist album fitting of his legendary status.
… Read more in stock $12.90
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Review: Japanese avant-garde artist Phew (real name Hiromi Moritani) has released a string of inspired solo albums since the turn of the '80s, though few are quite as atmospheric and majestic as 1992's 'Our Likeness'. Like some of her other albums from the period, it was produced by Conny Plank and Can's Jaki Liebezeit, with various industrial and post-punk musicians joining in the fun. As this reissue proves, it remains a fantastic album - a set rooted in krautrock, post-rock and dub in which her expressive vocals sit amongst a mixture of squally guitars, loose-limbed drums, dubby bass, trippy electronics and effects aplenty.
… Read more in stock $8.76
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Review: Greyscale use the end of 2022 to look back at what they have achieved so far. And that's a lot as this third volume of their already much-loved Mood Series proves once more. This one focuses on releases #41 to #60 and features the label owner grad_u making the selections. Top ones they are too, with Conor OG's deliciously deep 'Disembarking' setting a nice dub mood before there are excursions into frosty minimalism from Francisco Aguado, sub-aquatic bass bliss from Stoll hypnotic horizontal rhythms from BT Gate X-138, amongst many more standouts. 2022 was a fine year, then, and we're already looking forward to what 2023 has in store for us.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
in stock $22.44
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Review: First released on streaming services back in December, Little Simz fifth album, No Thank You, finally makes it onto CD. Chances are you've already heard it, but if not, we can confirm that it's a genuinely brilliant set that more than lives up to the dizzy heights of its Mercury Prize-winning predecessor, 2021's Sometimes I Might Be Introvert. Constructed in great sonic detail by long-term production partner InFlo - all sultry strings, head-nodding R&BV beats, sampled horns, background and chorus vocals from Cleo Sol and warming bass - the ten-track set contains some of Little Simz's most potent lyrics - all of which are delivered with the kind of seamless, London-accented flow that we've come to expect from her. Another triumph from one of the UK's greatest MCs.
… Read more in stock $9.78
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Review: On its release last spring, reviewers hailed Horace Andy's Midnight Rockers as the honey-voiced reggae legend's best album in decades. It was certainly special, with the mighty Adrian Sherwood's production helping elevate the set to future classic levels. It was followed by the alternative, dub style 'Midnight Scorchers' album, which naturally featured Sherwood pushing the envelope far further than he did on the original set. This double-disc set brings together both sets, adds a couple of previously unreleased cuts, and allows us to once again wallow in the magnificence of such highlights as 'Safe From Harm' (a genuinely brilliant, surprisingly dark Massive Attack cover), the Ital Horns-heavy 'Material', Daddy Freddy hook-up 'Midnight Scorchers' and the Melodica-heavy dub workout 'Sleepy's Night Cap'.
… Read more in stock $15.99
