Lou Rawls - "You'll Never Find Another Love Like Mine" (Kenny Summit, Frankie Knuckles & Eric Kupper unreleased remix) (7:43)
Kenny Summit, Frankie Knuckles & Eric Kupper - "Loving You" (feat Yasmeen) (6:50)
Review: Apparently made in tribute to the legendary Paradise Garage club some years ago, these two previously unreleased workouts are the work of Kenny Summit, Eric Kupper and the late, great Frankie Knuckles. Side A boasts the trio's near legendary (and previously unavailable) remix of Lou Rawls classic "You'll Never Find Another Love Like Mine". It's a wonderfully positive and life-affirming affair, with the three legendary producers wrapping echoing guitars, warming disco orchestration and Rawls' sublime lead vocal around a deliciously percussive Afro-house groove. The flip features another unseen and unheard gem from the vaults: a loose, groovy and positive soulful house wiggler featuring the seductive vocals of Yasmeen. Terrific stuff.
Review: A big driver behind Mood Hut's success over the last few years has been their willingness to encourage collaboration between their extended crew of producers. Their latest co-produced affair comes from long-serving crewmember C.Z Wang (best known for his People Plus release earlier this year) and Aquarian Foundation's Chad Thiessen AKA Neo Image. "Just Off Wave" is warm, woozy and bass-heavy, with drowsy chords, fizzing electro noises and trippy vocals (courtesy, we think, of guests Seperated At Birth) riding a hybrid analogue house/electro groove. That beat is cut-up, beefed-up and heavily enhanced on flipside "Open Mic Beat", which is a sweaty drum track - with, it should be said, occasional chords - that should appeal to aging B-boys and girls.
Review: Pal Joey is a legendary New York house producer. Whatever alias he assumes - and there are many - you can be sure of real quality, and this 7" features two of his best: As Soho he offers the jazzy keys and funked up house loops of "Hot Music" which samples Wynton Marsalis's "Skain's Domain". On the flip, he becomes Earth People and serves up pure house joy on "Dance" with its ebullient vocal yelps, party starting sax lines and timeless chords. It's the sort of celebratory, end of the night weapon that will send people home in absolute raptures.
Review: The Verdant label continues to plumb depths others fail to reach in the search for the most immersive techno emanating from the underground. On this split disc, the A side is under the control of Sirko Muller, who unfurls a masterful take on dub techno and minimal house as subtle as it is sublime. RV800 then remixes "Affinity" and makes it into a bouncy, acid-flecked groover that remains true to Verdant's deep dynamics. Jonno & Tommo take on the flip with the sultry mood piece "Efficacy," a spooked-out trip of a track that gets flipped into a slippery electro number by Havantepe.
Review: Joe has been behind some of the most inventive rhythms and hard hitting club tunes of the past decade. Always happy to veer off-piste while drawing on bass, dubstep, techno, 140bpm workouts and everything in between. Here the Londoner makes a break from home label Hessle Audio to land on the equally cutting edge Comeme. "Rio Lea" is the pick: it's a loose rhythm coloured with samba skip, soul drenched strings and Latin flair that transports you directly to South America. The others aren't bad either to be fair, with "Line To Earth" exploring a slower, dubbed out groove, and "Get Centred" working the dance floor into a frenzy with its mad xylophone melodies, tight, percolating drums and tense chord stabs.
Review: Dirty Channels have thrown down heated house cuts for the past decade on labels like Ovum, Abstract Theory and Athens Of The North. Now they've been tapped up by Dan Shake to deliver three seriously powerful house cuts loaded with the sample-loving soul sound you'd expect from Shake's label. "Catch Me" is a fiery number that places the diva front and centre, rides the EQ and gets busy with the loops like it ain't no thing. "Can't Stop This Groove" rides a relentless lick and jacks it up with sharp drum machine hats, and "Dirtydrum 01" gets the 909 thump out front for a fierce and fabulous DJ tool.
Review: Butter Sessions latest must-check release comes courtesy of Melbourne-based rising star Furious Frank, whose recent EP on Paper-Cuts was particularly impressive. "Ahora Si" is similarly inspired, with the young Australian producer placing Ivy Barkakati's "Sueno Latino" style whispered vocal over a bold, alluring blend of jangling dream house pianos, rugged acid lines, sunrise-ready chords and loose-limbed analogue beats. He provides his own dream house style interpretation (the brilliant "Frank's Sunrise Mix") before inviting Ivan to give his take on the track. He adds some tribal percussion whilst retaining the cut's inherent dreaminess before Canadian producer D. Tiffany re-imagines "Ahora Si" as a bass-heavy chunk of UKG/breakbeat house fusion.
Review: According to the hype sheet we have to hand, the "Home Turf EP" is House of Disco's first multi-artist extravaganza for two years. There's plenty to get the juices flowing throughout, from the bounding bounciness of LPM's rap-sampling disco-house cut "Get With It", to the impeccably warm and sun-kissed jazz-house vibes of Purple Ice's "Adeus". In between you'll find the rolling, synth-heavy warmth of Mix & Fairbanks' deliciously loved-up "Shergar's Revenge" and "Me, You, Us" by Shee, a chunky sample-house number full of swirling strings, looped guitar riffs, hazy chords and righteous spoken word samples.
Review: The fourth limited edition missive on Denis Sulta's hyped Sultra Selects Silver Service series (try saying that while drunk) comes from Dan Shake, a producer whose blends of classic grooves and contemporary club nous rarely disappoint. The orange vinyl record's A-side, "Berts Groove", is a rushing slab of rubbery disco-house brilliance - a filter-sporting loop jam that tools up a lesser-known disco cut and is guaranteed to put goofy grins on the faces of all those that hear it. Flipside "Daisy's Dance" continues in a similar vein, with looped disco orchestration and filter trickery employed to create a series of build-and-release moments that are almost overwhelming in their positive intensity. In other words, Shake has served up two more peak-time anthems that will do the business every time they're played.
Review: Emmy Award-winning composer Jordan Lieb has previously proved to be a masterful maker of crackly, atmospheric deep house. We shouldn't be that surprised, then, that his latest mini-album for Scissor And Thread - the rather depressingly titled "Nothing Makes Me Feel (Good Anymore)" - is full of the stuff. The undoubted highlight for us is the poignant and melancholic title track, though for club plays you seriously can't beat the sub-heavy, R&B-sampling shuffle of the cut that follows it, "Street Emotion". You'll find more chopped-and-screwed vocal samples on the deep and chunky "Get Something", while "The Right Way" is a near perfect fusion of loved-up deep house musicality and laid back electro grooves. The New Jersey garage influenced "Hustle" and Dream 2 Science-esque "Golden Chains" are also superb.
Review: Earlier in the year DJ Seinfeld returned to action with the "Galazy EP", a wonderfully spacey, breakbeat-driven affair that arguably contained some of his most mature and developed productions yet. There's more of the same on the "Lilium EP". The title track boasts serious percussive weight - a result of the producer's layering of bongos and congas above a sturdy kick drum pattern - with a trance-inducing synth bassline, fluid electric piano lines and flowery chords providing the loved-up musical accompaniment. He doffs a cap towards both mid 1980s NYC freestyle and Italo-disco on the Bobby Orlando-influenced brilliance of "Lovejoy", whose drums and synth sounds are impressively authentic in their style and execution, while "Exterrestial" is a pleasingly fluid fusion of breakbeat-driven deep house and late '90s style NYC "dark garage".
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Cartulis bounce from the essential release from Eliaz to this intriguing slab by Reade Truth, a New York techno original who was last spotted on Warm Fiction, Blkmarket Music and Path Records. His "Wires, Everywhere" album was a big release for Cartulis last year, and now he's back with further ruff n' tuff cuts that drip with Big Apple attitude. From the deep diving "Starflight" to the epic, ranging "Space Out (Expression)", you can sense Truth's hard earned swagger but it's also balanced out by subtlety, a sense of space and groove that makes each track a pleasure to sink into.
Review: Trinidadian Deep is a master of long, winding, enchanting house grooves that are deep but also spiritual and laced with afro percussion. Shelter acquires his latest two efforts and the glorious "Native Culture" opens things in subtly uplifting fashion. Trilling organ chords rise through the mix to give life to the jumbled drums and sustained pads in the background which keep things deep and ensure maximum hypnosis. "Eggun" has a more bubbling sense of rhythm, with vocal coos and surging chords peppering the track and bringing motion. Powerful stuff.
Mark De Clive Lowe - "Wondering Who" (Nautz L8 Nite edit) (6:56)
Motomitsu - "La Musique" (6:23)
Brandon Williams - "Twenty-One" (feat Jon Dixon & De'Sean Jones) (5:17)
Loftsoul X Soul-T - "Sol Origin" (feat Andy Compton) (7:02)
Review: Detroit's MotorCity Wine has established itself as the go0to space for all of the soulful, broken beat, and deep sounds on the house music spectrum. For their 4th 12" they tap in a cast of locals and friends from across the globe for this 4 track EP. Mark de Clive0Lowe kicks things off with "Wondering Who", a bassline0driven broken0beat inspired electronic funk workout, before Motomitsu goes Marianas Trench deep with "La Musique". On the flip Brandon Williams, Jon Dixon, & De'Sean Jones deliver "Twenty0One", a sublime piece of hi0tech jazz for the soulful heads. Loftsoul & Soul0T round out the EP with "Sol Origin", a sub0heavy Shelter0esque track featuring Andy Compton on electric guitar.
Review: What more can be said about the output of Alex 'Omar' Smith? The Detroiter's releases have perhaps been a little more varied of late than we've come to expect, but the quality nevertheless remains dizzyingly high. This white label excursion is full of floor-friendly gems, with Smith's use of classic house samples and familiar vocal samples also making it one of his most party-hearted releases for a while. Check, for example, "Catch Ya", where a much-loved turn-of-the-'90s acapella rises above bouncy New Jersey organs and snappy machine drums. "Better Believe It Baby" brilliantly wraps a chiming synth loop and R&B style vocal snippets around a chunky, disco-fired deep house beat, while "Cheat" and "Pull Ovaa" are deliciously dusty, bass-heavy deep house workouts with just the right amount of hypnotic late night charm.
Review: Since making his debut in 2015, Chris Stussy has released a remarkable amount of music. Yet it's hard to fault any of his 22 previous EPs, which tend towards the chunkier, tech-tinged end of the deep house spectrum. His latest four-tracker is naturally full of top-notch cuts, too. Check first opener "Edge of the Mirror", where wonderfully melodic musical elements wrap themselves around a tough electronic deep house groove, before diving into the bass-heavy early morning hypnotism of "Forever Moving", which sounds like something you'd have heard at Twilo in New York circa 1996. "Synchronicity" is a string-drenched treat blessed with a fantastically rush-inducing breakdown, while "Electro Girl" is a fine fusion of tech-house electronics and oven-hot deep house grooves.
Review: Earlier in the year Lone launched the Ancient Astronauts imprint via a single-track digital single that wrapped his usual sun-soaked electronics and kaleidoscopic synthesizer melodies around a ridiculously rubbery bassline and crunchy, club-ready breakbeats. Here he offers up the label's first vinyl EP, a three-track missive that's as loved-up as you'd expect. Check first "How Can You Tell", an ultra-deep, dreamy and rushing chunk of deep jungle revivalism full of psychedelic acid lines, slack-tuned breakbeats, yearning chords and bowel-bothering sub-bass. Equally as impressive is A-side opener "Abraxas", a delightful cut that fits between rush-inducing moments of loved-up bliss and the kind of intensely bustling breakbeats that were once all the rage on British dancefloors. "Young Star Cluster", a killer combination of hip-house style breaks and funk-fuelled acid lines, is also superb.
Review: Just 4 The Beat's first release of the year was well worth waiting for. It comes from Eastern Europe's Urban Haven, who is now based in London but clearly takes great inspiration from deep and soulful Chicago house masters like Glenn Underground and Ron Trent. His first ever EP is an impossibly classy one, and "Roots (Reprise)" is a glorious highlight that starts with luxurious synth puddles and a romantic, conversational sax line. After a three minute build, you sink into a Latin flecked deep house groove of the highest order. This is as musical as house gets and is, unsurprisingly, already big with Mike Huckaby and Kai Alce.
Review: Hodini is back on the ever reliable Wolf Music for his second EP. The Cologne-based DJ also moonlights as one of Germany's leading underground hip hop producers under the alias HulkHodn, therefore he brings elements from this background into this unique five tracker. In "WOLFEP 053", he dusts off long forgotten cuts, all sampled with that MPC chopped graininess and blending lo-fi vocal sound bites with deft jazz loops to give a distinct, textured edge to his work. From the dusty late night deepness of "Velved Groove", to the slo-mo Moodymann vibes of "Special Shout Out" and the lo-slung, jazzy kinda somethin' that is "Where's The Wine", Hodini delivers smokey deep house music with an undeniably urban flavour.
Review: 1990s sitcom loving beat maker Felix Weatherall returns to Brainfeeder for the first time since the release of his widely acclaimed debut album as Ross From Friends, 2018's "Family Portrait". He's in fine form from the off, with title track "Epiphany" offering a wonderfully intoxicated, off-kilter blend of bustling drum machine breakbeats, hallucinatory electronics, Middle Eastern style instrumentation and razor-sharp bass. He continues on an inventive fusion trip in the form of "The Revolution", where cut-up vocal samples and bluesy guitar lines rise and fall above a densely percussive deep house groove. Also impressive is "Phantom Ratio", a slightly more driving dancefloor cut rich in skittish drums and undulating electronic melodies.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Review: Two years on from the release of their superb debut album "The Night Land", John Talabot and Axel Boman re-boot their Talaboman project via a suitably strong comeback single. A-side "Discodrums" is something of a twisted late night epic - a heavily percussive workout that layers drums, creepy chords and weirdo electronics atop a druggy arpeggio style bassline. "Flashforward" is an altogether more melodious affair. It sees the experienced duo dip the tempo, reach for the dub effects and reggae style drum fills, and get busy with a hypnotic but warming synthesizer motif. It's not quite dub house, but it certainly has a similar sonic sensibility.
Review: Eliphino continues to explore his emotionally charged, modern sound with this new mini LP for Secretsundaze. Following the trend laid out by his previous turns on Hypercolour, The Love Below and Meda Fury, he unfurls a richly harmonic sound that places emphasis on melodic progression to tell a particularly personal story, ranging from the emotive "Studio Time" to the crooked break-flecked "Old Lemons". "Second Sunday" flirts with electro and "Breaking Up Is Hard" veers towards jungle, but throughout Eliphino's personality binds the record together in fine style. Thoroughly contemporary and unbounded by genre restrictions, this is the sound of someone making the record they want to make.
Review: DJ Slyngshot's resurgent Yappin label is back with a second sizzling EP of 2019 after lying dormant from 2014 to 2017. We couldn't be happier about its return when it is unearthing the mind behind deep house like this latest one from Deesigner. Unsettling opener "Bringin The Funk" is a spaced-out late night rhythm with hints of jungle, and "Too Many LFOs" is a lumpy dub cut with muted, woolly synths sending you all gooey inside. "CY-39" cloys things out with some deft drum work and percolating rhythms that are clean, crisp and weirdly pleasing.
Review: Over the last 18 months, Secretsundaze duo Giles Smith and James Priestley have proved adept at delivering house records that refuse to kowtow to convention. Their latest effort, "Gigantic Impossibly Large", is a fantastic example of this, with each of the pair's four mixes offering a noticeably different vibe. The EP-opening "10AM Tripp" version is a mid-tempo shuffler full of loose-limbed drum fills, classic ambient house melodies and glassy-eyed spoken word samples, while the "NYC Dub" re-imagines the cut as a cross between Raze's "Break 4 Love" and one of Bobby Konders deep and breezy Nu Groove-era cuts. The "OG Version" fuses ambient chords and hypnotic dub disco drums, and the "B2 Jam" interpretation is horizontal head music of the highest order.
Essential Paradise (feat Slikk Tim - Fred P Reshape) (6:57)
Mystery Of Fantasy (reprise) (2:34)
Mystery Of Fantasy (G Fantasy mix) (8:06)
120 Black Key Experiment (Continuation interlude) (2:48)
Review: Having decided to retire his long-serving Soul People Music label, Fred P has immediately replaced it with Perpetual Sound, an imprint he says will serve up a far more eclectic range of records. To mark the label's debut, the acclaimed deep house and techno producer has decided to reignite his Black Jazz Consortium project after a five-year hiatus. Up first is "Essential Paradise", delicious fusion of jazzy deep house and tech-soul whose spacey pads, bustling beats and Herbie Hancock synths come accompanied by some wild, unchained solos from keys player Slikk Tim. Elsewhere, attention will naturally fall on Mr G's sleazy, heavy and low-slung techno take on "Mystery of Fantasy", which is also available as a tasty, ambient style "Reprise" (all synthesized orchestral sweeps, warm bass and glassy-eyed electronics).
Review: Manchester-based DJ/producer Yadava hasn't been releasing music all that long, but what he has put out has been superb. Here he makes his first appearance on Omena with a mini-album every bit as inspired as his 2018 debut album on Church, "It Rains Here". As with previous outings, the showcased tracks are imaginative and evocative, with Yadava blending dreamy electronics and jazzy instrumentation with grooves that variously doff a cap to dusty deep house, West African and South American rhythms, jazz-funk and broken beat. Highlights are plentiful throughout, with the richly percussive "Earth Tones", bustling "Message From Poets", jazzy "Ixelles '42" and super-sweet "Good Mourning" standing out.
Review: Under the 2XM alias, super siblings the Murray Brothers have thus far proved to be rather good at fusing heady, smoky deep house with the dreamy chords of ambient house and a variety of interconnected influences. They're in fine form on this EP, too, effortlessly moving between two-step/dream house fusion ("Dancing Styles", which surprisingly reminded us of late '90s Irresistible Force Records), eyes-closed jazzy deep house bliss (the fluid electric piano solos, rich chords and dusty beats of "Doing It"), ultra-deep, Floating Points-esque soulfulness ("Gentle", featuring the evocative vocals of Neil Macleod) and jaunty, synth-sporting dancefloor haziness ("Sorry That You Love Me").
Review: Apart from a very limited under the radar release in 2015, it took Vincent Halliburton 13 years to deliver a follow-up to his 2002 debut single on Ferrispark "RM1x Files" (both records go for silly money). The Detroiter hasn't left it quite so long this time, with this alluring three-tracker appearing just four years after its predecessor. Clearly Halliburton believes in quality over quantity, because "Vibe Under A Different Frequency" is superb. Check first the swirling deep space chords, delay-laden vocal snippets and layered, Ron Trent style deep house percussion of the fittingly titled "On A Deep Groove", before gaping in awestruck wonder at the dreamy, deep and hypnotic "Going Away", which boasts some suitably breathy, out-there vocals from none other than Sade. He rounds things off in style via the groovy warmth and sun-kissed dancefloor positivity of "Go Down".
Review: The man himself would probably say "it's Ed - Jus Ed that is!". To directly quote the Underground Quality chief himself, the man says he is back as Bridgeport Connecticut's all time champion of house and techno, undefeated since 2001 - and still! The guy sure ain't modest, but we couldn't have said it better. From the smooth and meditative vibe of "Favignana Sunset", to the fierce acid banger "I AM" as well as the brooding and doom-laden dancefloor drama of closer "Impulsive Curves", this is unlike anything we have ever heard from the UQ boss before.