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Neverender
Generator
Afterimage
One Night/All Night
Dear Alan
Incognito
Mannequin Love
Moonlight Rendez-vous
Explorer
Muscle Memory
Harpy Dream
Saturnine
The End
Review: .
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Review: Alluvium is the third in German experimental producer Stefan Goldmann's series of albums exploring the "first principles" research of metric asymmetry. Exploring new structural paths for machine rhythm in irregular metres, the album seems non-binary patterns running simultaneously, moving in and out of interlocking focus, across twelve offerings of "jagged polyrhythmic magic". With Veiki (2019) and Vector Rituals (2022) already gaining him a growing fan base for his unexpectedly constructed but melodically lush compositions, Alluvium is sure to be well received by those with an ear for the previously undiscovered terrains of leftfield electronics.
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WC 001 (hand-numbered hand-stamped 12" limited to 200 copies)
Cat: WC 001. Rel: 25 Mar 24
Experimental/Electronic
Review: Well Curated is a series of releases and parties that - in its own words - "reflects the ethnomusicology of the last 50 years of music" - and aims to reach into all genres, merging classic styles and breaking down barriers. Steve Spacek occupies the A-side with the breezy broken beat and soul-in-space of 'Alone In Da Sun', while Lukid's 'Hair Of The Dog' is a more intense counterpart, with wobbling sub-bass and swirling, surging atmospherics hovering above.
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Review: Composer, sound designer, musician, artist. Vienna-based Ulrich Troyer has a number of strings to his bow, all of which have played into a world-building process deeply rooted in dub and sound system culture. Releases on the likes of Deep Midi Musik are a good reference point for newcomers. Here, though, we're in less structured and formalised places, with two pieces - well, one and a bit - of abstraction waiting for you to get lost in. 'Track 1' certainly comes with the kind of low reverberations and effects that call to mind huge speaker stacks in smoke-filled places. But it's also kind of deconstructed journey, it harmonises distorted beats and rhythms with beautiful melodic motifs in a way that's as innovative and beguiling as it is instantly pleasing. Flip it to find something we won't even bother trying to define, a celebration of the remnants of that opening arrangement, perhaps.
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Review: Thomas Xu from Steady Flight Circle and Tommy Kladis from Music Time with Friends come together on this new cassette-only release that captures three of their sessions at Kladis's studio. Xu was on synthesizers while Kladis was in charge of samples, drums and loops on the SP-555 and the final touch was lo-fi drums from John Shaughnessy. It takes the form of two extended jams that reach out to almost 15 minutes of dusty, ambient-laced soundscapes with distant percussive details and melancholic moods. 'Klaxu' has more darkness and more prominent rhythms to it but both pieces make for escapist listening.
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Glasshouse (ash grey vinyl 12" in screen-printed sleeve limited to 100 copies)
Cat: DET 004. Rel: 04 Mar 24
Drum & Bass / Jungle
Review: The fledgling Detach label continues to show it means business with a new 12" in a lovely screen-printed sleeve. Romanian artist Dyl is the one in charge and has been serving up consistently excellent and innovative sounds now for serval years. All of these cuts mix up great sound design with languid rhythms - the first is eerie, with watery droplets and glassy tinkles hanging in the air, while 'Glasshouse 2' has a percolating rhythm down low. 'Glasshouse 3' gets a little more dynamic with a shimmering low end and freaky abstract life forms and 'Glasshouse 4' layers in more intense and ever-shifting synth lines while the closer sounds like it's roaming through a deserted factory long after it shut down.
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
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Review: Given the uniqueness of his madcap and mind-altering trademark sound, the release of any new album from Tom Jenkinson AKA Squarepusher is big news. Given that his last new full-length landed four years ago, the arrival of Dostrotime has got an awful lot of experimentalists in a bit of a lather. Like many albums that have surfaced in the last couple of years, it was apparently inspired by the "novel, eerie, sublime silence of lockdown", with the title being a reference to "how time passed differently". Quite how this plays out within the music itself is open to interpretation; for the most part, what's on offer is prime Squarepusher - all distorted, full-throttle acid lines, mutilated experimental D&B beats, analogue electronics and rasping, strobe-lit nods to raves,
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Review: Lempuyang makes it to release number 15 with a devastatingly deep new EP from Deepchord Records co-founder Mike Schommer. He kicks off with 'Scapegoat' featuring the alluring vocals of Milly James which echo out over super slow-motion dub rhythms and icy pads. The Pole rework brings more crisp hits and distant eerie drones over a more pronounced rhythm but one that remains devilishly sparse. On the flip, 'Deceivers' has more hypotonic drive - a fleshy dub stepper to lock in any 'floor and then 'Believers' slows it down to a crawl once more. An essential dub EP that promises no represses.
… Read morePlayed by: Juno Recommends Techno
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Tegenlicht/Rotterdam In De Jaren 90 (translucent blue vinyl LP)
Cat: OEMOEMENOE 9. Rel: 30 Jan 24
Ambient/Drone
Review: Call a track 'Rotterdam In De Jaren 90' and you can expect people to have some pretty strong feelings about what it might sound like. Especially given this double-A from Nous Klaer Audio opens on what grows into a tense, electronic, club-ready builder, for a while at least. Cast any thoughts of gabber out the window, though, because if this is the Dutch port city's rave scene on record, it's a post-sweat soaked, blissed out reflection on the wonders of whatever happened the night before. Kems Kriol's mini epic, a 15-minute long tune no less, is a beautiful combination of wistful woodwind and synthesised refrains, presumably found sounds, and strange, abstract noises. 'Tegenlicht', on the other side, shares some of those qualities in the extended intro and outro sections, but also spends some of its 18-minute running time in the basements and warehouses we were originally expecting to find.
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Review: The ever-popular and always innovative Dark Entries welcomes Lust Pattern for more deviant electro explorations here and i isn't the first time the artists has graced the label in such fashion: Ryan Armbridge has previously done so as Linea Aspera many times before, exploring coldwave revivalist sounds alongside Zoe Zanias. With this alias, though, he looks to post-punk and electro-funk for inspiration. Opener 'Forming Lines' is redolent of Drexciyan squelch with plenty of live drumming powering it on. 'Choreography' has a similarly aquatic feel but with faster drums and more urgent funk and 'It's Right There In Front Of You' then slows to a predatory and menacing crawl. 'No Floor' is a motorik workout with the squelchiest of mutant synth sounds and rickety rhythms.
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Review: Ten years after she made her debut on Greco-Roman, singer-songwriter Tirzah drops her third studio album, a collection of imaginative and sugar-free love songs crafted with the help of frequent collaborator Mica Levi. Trip9Love, which was recorded over the course of a year at their homes and "various studios around South-East London and Kent", is relatively minimalistic in terms of the musical elements employed - think looped piano motifs, beats that sit somewhere between lo-fi hip-hop and hyper-pop, and Tirzah's now familiar voice - but still sounds surprisingly "big". It's a great example of a simple idea, executed brilliantly, with standout cuts including the infectious 'You All The Time', the ambient pop style 'Their Love', the gritty and crunchy 'Stars', and the flash-fried '2 D I C U V', where Polly Jean Harvey-esque guitars catch the ear.
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Review: The moment 'Lip Locked' throws its hulking, lunging, jacking kick drum at you it's pretty clear this understandably rather hyped collaboration between two dons of crossover tones is going to be worth every penny. Then the hypnotic monotoned hook lands, adding a definite air of dance floor cheekiness, and the deal is well and truly sealed. The fact you can flip it to find 'Just Look At The Rain' is really just a bonus, then. But what a bonus it is. A far more staccato, broken affair that takes the tempo up a notch, and uses its breakdowns for purely percussive tension-building purposes, it's a dream of a 'UK club' tune, for want of a better phrase, calling on elements of hardcore breaks, dubstep, and garage-techno to offer something that occupies that all-too-elusive place between seriousness, fun, noise and energy.
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Review: Since the release of his last album as Oneohtrix Point Never in 2020, Daniel Lopatin has kept himself busy. Yet for all the high-profile projects - scoring films, producing other artists albums and conjuring up The Weeknd's 2021 half-time show - fans have missed his solo work. Again, his 14th (we think) solo album, is therefore not only big news, but also a pleasingly grandiose conceptual affair - a musical "speculative autobiography" which reportedly imagines "what might have been". Musically, it's typically adventurous, constantly shifting between sounds, styles and instrumental textures; one minute you're hearing star-fall electronics mixed with choirs of children, the next neo-trance style riffs mixed with luscious strings or cinematic style orchestration. Like much of Lopatin's work, it inhibits its' own musical world, and there are very few artists capable of achieving that.
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Tall Vision Of The Voyage (black & grey splattered vinyl LP with obi-strip)
Cat: PMVXLP 04. Rel: 28 Sep 23
Experimental/Electronic
Review: Talk about taking risks. Delmer Darion's jaw-dropping second album is like no other you'll hear this autumn. Trust us. Taking inspiration from legendary tales like Jules Verne's Voyages Extraordinaires, the record is split into two powerful halves. On the one side, industrial electronica and bewitching vocals meet in this abrasive but beautiful sonic place that owes as much to darkroom pop as it does experimental synth-dom. Blending elements of shoegaze, ambient and doom folk, it's a place thick with mystery and awe, wonder and, to a lesser extent, fear, and one you want to spend plenty of time in. Part two, meanwhile, does away with what small amount of convention was there before, and opts for an 18-minute spoken word masterpiece, rooted in Arthurian lore but at surface level focused on the 1919 sinking of HMY Iolair, off the coast of Stornoway.
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Review: RRUCCULLA finds fresh new ground to explore here on his new Zero Freq album for Lapsus. It is a wide-ranging one with vastly cinematic tracks taking you on a trip through magnificently realised compositions that pair electronic sound design with an almost orchestral architecture. The tracks sound both synthetic and abstract but organic and real world. Rhythms range from dubby and persuasive to barely there at all. In combining such grand ideas with relatable structures the Spanish composer, percussionist and multidisciplinary artist once again shows why he is in a class of one.
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Review: Since its release way back in 1968, The Perfumed Garden has become a much-discussed cult classic. It's certainly a unique offering, with the whole thing built around Indian vocalist and poet Chitra Neogy's sultry and expressive spoken word interpretation of a centuries-old erotic text that has been likened to the better-known Karma-Sutra. Neogy's spoken word vocals, which often come drenched in reverb, are simply sublime, with some tracks consisting merely of these inspired readings. Where the album really comes alive, though, is when her words are given musical accompaniment - think sitar, tabla, strings and more - from an ensemble of experienced Indian musicians. An oddball gem that's well worth further investigation.
… Read more in stock $12.98
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Infirmary (clear vinyl 12" in spot-varnished sleeve)
Cat: FRO 010B. Rel: 20 Jul 23
Experimental/Electronic
Review: It almost seems redundant, writing something about the latest fabric Originals release. If you could think of a more enticing double-header for fans of bass, Leftfield techno, and UK-hued alternative electronic music then we want to hear it, with both producers here moving well beyond cult status and into the world of households names in homes well beyond their original audiences. And yet, remarkably, neither have strayed too far from where they initially set stalls. Hyperdub boss Kode 9 proves this first, with the sightly dizzying 'Infirmary'. Born from a combination of loose, open, galloping UKF and organic techno, with its foundations rooted in footwork, it's a bounding high-energy body mover that refuses to quit. Flip it and find Burial edging closer to 'dance music' than many might be used to, although it's a deep, moody interpretation packed with the spellbinding vocal flourishes of a mutant garage and suppressed, fidgety drums so subtle they're close to background noise.
… Read morePlayed by: Juno Recommends Experimental
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Review: Uganda keeps on giving, with the country currently at the forefront of sub-Saharan Africa's electronic underground: a fertile corner of the world in terms of emerging and established talent. Enter Hibotep, a Kampala-based rising star who was born and raised in Ethiopia but grew up in Somalia. Joining her on this EP, another one to know from the Ugandan capital, Hibo Elmi, a DJ, filmmaker, fashion designer, installation artist, rapper and studio head considered to be one of the most important female dance music makers on the continent right now. Running the gamut from 'Amber''s dark, hypnotising dub-hop moves, through 'Ebwino's sparse, weightless tones, which eventually give way to playful stepping rhythm beneath the relentless microphone skills of MC Will'stone, and 'Saffron' with its slow mo, exotic shuffle, if those responsible for this EP themselves reflect the incredible diversity of the city's scene, the sounds do the same.
… Read morePlayed by: Alexis Le-Tan
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Review: Not-so-simply put, Green Monster is what might happen if Ennio Morricone, Weezer, The Beatles, Oneohtrix Point Never, Jaga Jazzist, Massive Attack, Jimi Tenor, Hans Zimmerman and Aphex Twin got together to celibate the movies of Wes Anderson, David Lynch, Dziga Vertov, and Andrei Tarkovsky. Swerving the ridiculous question - is all that clear enough? - let's cut to the chase. Jempere's fourth studio LP sees the enigmatic visionary welcome a cast of more than 26 collaborators across 14 tracks. Together, they run the gamut from dark hip hop to light operatics, electronic balladry to sticky evening aired R&B-jazz, electro-trap and (other)world building soundscapes. Something that Jempere clearly takes very seriously, with the record itself packaged alongside booklets of lyrics and objects from the imagined visual realm of the green monster. A vivid, eclectic and diverse place packing as many surprises as rewards, overflowing with possibilities, big, bold ideas, and unique identities.
… Read morePlayed by: Marco Gallerani, DJ ROCCA
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Review: No prizes for guessing the source of inspiration behind Leaving Records founder Matthewdavid's latest psyched out ambient odyssey, On Mushrooms is an immersive trip in itself but actually serves as precursor to the producer's forthcoming album, Mycelium Music, due to arrive in the coming months. An homage to the natural phenomena not just of hallucinogenic shrooms, but the bond between people and the natural world, and the hidden connections of that world. "When you go out for mushrooms in the hills of California there is an experience in which you wander for hours, scanning low until your eyes are fatigued and then suddenly there is a break in the chaparral and a cluster of immaculate King Boletes appears before you, posed with an almost hieratic intensity," says Matthewdavid. If you pay close attention to that moment of perception, it is almost always accompanied by a telepathic whispering voice that says: 'Oh hello, we've been waiting for you'."
… Read morein stock $14.35
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Cat: CLIKNORX 01. Rel: 31 May 23
Techno
Review: If you've ever been luck enough to attend the Freerotation music festival than plenty about this remix package will make sense. Not least the interpretation by event co-founder and modular synth hero Steevio, here delivering a remix on vinyl for the first time. Bringing in elements of jazz, ambient, field recordings, dub, house music and - albeit barely audible - subtle shades of tech, it's a sophisticated package that fully buys into the theory of electronic sounds being a form of high art. Running the gamut from the stepping, poised but decidedly free spirited 'Lucid' and Deadbeat's tense, drone-y take on'Sam Gimignano', to the lush keys and white noise of Andrea Cicheki's redo of 'Siegfried 2.0' and Dr Nojoke's beautifully blissed out smoky house, it's as dense as it is accomplished.
… Read morein stock $13.44
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Review: Berlin-based maverick Stefan Goldmann returns after the exquisite and sonically spatial delights of his Vector Rituals album with two more upbeat tracks that nod to techno but nevertheless steadfastly refuse to follow its stricter rules. 'In Aggregate' and flip track 'Carob' both throb and surge their way to the run out groove, eschewing the usual array of drum sounds to leave the rhythmic urgency down to other elements and turning the genre's on its head. Which is, let's face it, what he does best.
… Read more in stock $10.90
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Cat: STREP 064. Rel: 12 Apr 23
Experimental/Electronic
Review: With an artist name like Dali Muru & The Polyphonic Swarm, and an EP title of Murmer of The Bath Spirits, the fact at least part of this record features a narrative about spiritual awakenings in bath houses, set to an eerie, atmospheric ambient soundscape, will surprise very few people. A 15-minute trip into the ether, noises and tones are as wet as they are warm, and the experience like heading out to uncover a faery land mystery.
Things get a little less specific on the appropriately christened 'Track 2', which moves us on from the dreamy quiet into a place that's more forceful, purposeful, harsh, perhaps even darker. Hypnotic loops set above staccato beats, grabbing hi hats and other elements as the track grows in ear worm qualities with each second.
… Read moreThings get a little less specific on the appropriately christened 'Track 2', which moves us on from the dreamy quiet into a place that's more forceful, purposeful, harsh, perhaps even darker. Hypnotic loops set above staccato beats, grabbing hi hats and other elements as the track grows in ear worm qualities with each second.
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The Dead Of Winter (limited blue & grey winter mix vinyl LP + insert)
Cat: RSR 046. Rel: 03 Apr 23
Modern Classical
Review: Antoni Maiovvi has written what is descried as a semi-faux soundtrack for his latest album, done in the style of classic British composers who have worked in cinema over the years. It's a collection of unused themes for a movie that never made use of them. It's a mix of eerie string sounds and gurgling synths, dark vocals and unsettling broodiness on the opener and from there danceable horror themes come thick and fast. Dead of Winter comes on limited edition blue and grey vinyl so it looks as good as it sounds.
… Read morein stock $13.07
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Relativiteit Van De Omgeving (limited translucent green vinyl LP)
Cat: NNF 388. Rel: 04 Apr 23
Ambient/Drone
Review: Belgian synthesist David Edren has a sterling reputation as part of the rapidly re-blossoming (if that's a word) New Age music scene. Once the preserve of hippies-cum-proto-hipsters who preferred must to musk and were well ahead of their time in terms of things like seaweed-based chocolate alternatives and not being bastards to the planet, in the 21st Century their values, and at least some of their favourite sounds, are finally becoming mainstream.
Over 12 tracks, Relativiteit Van De Omgeving reveals itself to be an incredibly visual experience, both in terms of creation and consumption. Apparently, Edren was picturing widescreen imagery of the tracks themselves, from meteor showers to the miniature jungle of an urban greenhouse. This is reflected in the tones themselves, which move from earthy and woody ('Uurwerk') to cosmic ('Schaatsenrijder'), and back again.
… Read moreOver 12 tracks, Relativiteit Van De Omgeving reveals itself to be an incredibly visual experience, both in terms of creation and consumption. Apparently, Edren was picturing widescreen imagery of the tracks themselves, from meteor showers to the miniature jungle of an urban greenhouse. This is reflected in the tones themselves, which move from earthy and woody ('Uurwerk') to cosmic ('Schaatsenrijder'), and back again.
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Silver Streams (transparent orange vinyl LP limited to 300 copies)
Cat: PLANT43 008LP. Rel: 06 Mar 23
Ambient/Drone
Review: Perhaps slightly better known for his dancefloor-enlivening electro productions, this is actually the third full length ambient album from UK producer Emile Facey under the Plant43 moniker. He's been writing and storing up atmospheric synthesiser experiments alongside his dancefloor oriented output since his last ambient LP The Countless Stones released in 2020, and the eight tracks here are meditative, ethereal affairs, Facey carving out a beautiful set of vivid emotions out of crystal clear pure sounds and arpeggios rolling like gentle waves lapping at a shore. Imagine classic Tangerine Dream combined with the balance and poise of Global Communication and you're getting close.
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… Read more.
Played by: Juno Recommends Ambient/Drone
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Review: Stamp glides up to a 15th release with the ever-present Ben Gomori the man responsible. The former writer has done it all in his time from playful edits to big house to here, dazzling disco. 'DM Slide' is a classic-sounding cut with busy basslines and silky arps, nice tinny percussion and a glorious vocal that soars way up top. That takes up the a-side while the flip is a dub version that ups the disco energy and removes the vocals so that the cosmic fx are more front and centre. A useful 12" so far.
… Read morePlayed by: Ben Gomori, LEGO EDIT
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Review: Mystery Circles is busy at the moment with a great series of tapes, albums and 7"s all dropping in relatively quick succession. This one is a nice heavy 180-gram vinyl long player with only 100 copies pressed. It's Brooklyn's Tyler Gilmore, aka BlankFor.ms, at his best, if you ask us. His highly textured ambient uses gorgeous spinet piano, dusty and degraded tapes and analog synthesisers to make for something that evokes deep memories and transports you to places you had long forgotten. It is a touching record that leaves an indelible mark.
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Review: The Hessle Audio label celebrated a big birthday in style recently and rightly so. It has long been a pioneering outlet for always cutting-edge electronic sounds loosely couched in bass music but often involving so much more. This latest comes from Toumba who made a fine outing at the end of last year and starts 2023 on just as solid a footing. 'Istibtan' is stripped-back body music with a smattering of tin-pot percussion and dark bass. There is more broken beat work and off-grid percussive inflection to 'Petals' then 'Hazzeh' layers up tropical synth sounds into a humid club cut before closer 'Identity Crisis' offers an introspective melody and funky broken beat patterns.
… Read morePlayed by: Juno Recommends Bass
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Review: Nosaj Thing's fifth studio album, 'Continua' - his first full-length excursion since 2017 - earned plenty of plaudits when it first appeared on streaming platforms in the autumn. Listening to this belated CD edition, it's easy to see why. Warmer, deeper and dreamier than much of his work, it begins with the picturesque pianos-and-ambient pads of 'Continua' and ends with the drowsy, slow-motion electronic dream pop of 'Different Life' with vocalist Eyedress. In between, he shuffles between deep, breakbeat driven dreaminess ('My Soul or Something', with KAZ), chopped and screwed aquatic soul (the serpentwithfeet-sporting 'Woodland'), gently jazzy ambient soul ('Grasp', which features a trio of guests), ethereal hip-hop wooziness ('Look Both Ways' with Pink Siifu) and impeccable ambient pop (Panda Bear hook-up 'All Over').
… Read more in stock $11.41
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Fig 1 (LP + MP3 download code limited to 200 copies)
Cat: BRC 01. Rel: 23 Jan 23
Experimental/Electronic
Review: Fresh, warm and spontaneous - brainwave research center's eight track debut album is everything that electronic music sometimes forgets to be. Recorded and produced in the back of Smith's synthesizer/electronic repair shop, Specs Sales & Repair, in Greenpoint, Brooklyn, the project is a joint collaboration between NYC-based house/techno producer, Chase Smith (W.T. Records, Apartment, is/Was), & documentary filmmaker, Christa Majoras (School of Visual Arts).
Described as a distillation of influences from experimentalism of Steve Reich, Laurie Spiegel and Black Dice, the 90s ambient techno of The Orb and Pete Namlook/Fax and more motorik flavours like Kraftwerk, Suicide, Manual Gottsching, it's a gentle but lively affair from the Art Of Noise-esque 'ah ah ah ah ah' and bubbling jam 'Bird Brain' to the epic arpeggios v guitar closer 'Day Dreaming'. This is first of four releases that the artist has planned, but there's certainly enough here to get your teeth into for now.
… Read moreDescribed as a distillation of influences from experimentalism of Steve Reich, Laurie Spiegel and Black Dice, the 90s ambient techno of The Orb and Pete Namlook/Fax and more motorik flavours like Kraftwerk, Suicide, Manual Gottsching, it's a gentle but lively affair from the Art Of Noise-esque 'ah ah ah ah ah' and bubbling jam 'Bird Brain' to the epic arpeggios v guitar closer 'Day Dreaming'. This is first of four releases that the artist has planned, but there's certainly enough here to get your teeth into for now.
in stock $14.52
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Review: A Beautiful Place label founder Noha (also head of Panick Panick) offers up his latest slice of sonic wonderment with The Abyss Between A&B. Hailing from Italy's great capital, Rome, but having lived in New York for some time, once that's clear you can't help but hear a mixture of old world musicality and modern - or indeed futuristic - production happening across this startlingly good, rather different electronic effort.
Comparing the first and second tracks alone is enough to prove this, with 'Today' and its beautiful beatless harmonies invoking a kind of ancient mystery, while the dub-stepp-y 'Kudos Kid' feels very much born in the clubs and streets of our time (while also nodding to another synth gem, Elektro Guzzi). From there, things continue to flit between those two worlds, combining lush soundscapes with infectious and often slightly off centre percussion, making for one of those outings that can make you move and dream.
… Read moreComparing the first and second tracks alone is enough to prove this, with 'Today' and its beautiful beatless harmonies invoking a kind of ancient mystery, while the dub-stepp-y 'Kudos Kid' feels very much born in the clubs and streets of our time (while also nodding to another synth gem, Elektro Guzzi). From there, things continue to flit between those two worlds, combining lush soundscapes with infectious and often slightly off centre percussion, making for one of those outings that can make you move and dream.
in stock $12.48
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Cat: WRWTFWW 057CD. Rel: 20 Dec 22
Modern Classical
Review: Thanks to countless reissues of her impeccable new age ambient masterpiece, 'Through The Looking Glass', many more people are now familiar with the work of Japanese percussionist, producer and composer Midori Takada. Even so, 'Tree of Life' remains one of her lesser-celebrated albums - despite being a genuine masterpiece of minimalism and melodic percussion instrumentation. Here reissued on CD for the first time since the album's initial 1999 release in Japan - and this time with a new audiophile-friendly mix from Takada - the set blends xylophone, marimba, kalimba and other percussion instruments with Japanese style strings, strong melodies and nods towards the American minimalism of Steve Reich and Philip Glass.
… Read more in stock $14.01
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Review: Given that he started experimenting with tape loops and electronics way back in 1965, Asmus Tietchens may well be one of the longest-serving avant-garde artists in the World. He has released a ridiculous number of albums over the years, with 'Ptomaine' originally appearing as a triple-vinyl affair in which each track was separated by a locked groove. The album has finally been reissued on CD but split into a number of different releases. This is the second and it's an undoubtedly adventurous affair - a suite of three movements (each split into multiple tracks) based around a combination of unusual, sometimes backwards, tape loops, discordant drones, unsettling soundscapes, decaying industrial beat-scapes and bizarre but inspired sound collages.
… Read more in stock $12.44
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Cat: BL 006. Rel: 30 Nov 22
Techno
Review: Los Angeles-based The Black Lodge began as an intimate gathering place and ritual organised around exploring, sharing and experimenting with diverse forms of electronic music. This is the fourth collection of cuts from various artists of The Black Lodge multiverse. The Poetic Painter M, an alias of Nation chief Traxx, opens up the A-side with the dark late night acid of 'Elusive Clarity Of 1 Mind', followed by Pablo R Ruiz from Detroit providing the spooky lo-fi/sci-fi groove 'El Rey De Amor'. Over on the flip, Michigan's Fashion Flesh serves up a harsh experimental soundscape on 'Kisses' and closes with the tunnelling industrial funk of Fauna53's 'Jam1' (Asymmetrical weirdo orchestra edit).
… Read morePlayed by: ISOUL8 (Volcov)
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Review: Stephan Betke has always pushed musical and conceptual boundaries with his work as Pole, perfecting a trademark sonic style that's both unmistakably his and fiendishly tricky to pin down. 'Tempus', his latest full-length excursion, is reportedly his attempt to "consider the connection between the past, present and future" and sees him pepper hazy, minimalistic electronic dub rhythms with a combination of classically fluid jazz instrumentation, enveloping ambient chords, wayward synthesiser sounds and heavily manipulated and processed instrumentation. The result is an album that sounds more human and emotionally rich than some of his more out-there excursions, whilst retaining the heady, dub-wise pulse that has always been one of his aural calling cards.
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The Work (limited translucent yellow vinyl LP)
Cat: SLANG 50425X. Rel: 10 Nov 22
Experimental/Electronic
Review: "I made ['The Work'] over the last year at home in my temporary studio which was supposed to be the living room, while um, building my actual studio," Gold Panda said of his latest record, arguably his most introspective and - factually - his first full-length in more than six years. Made at home over the course of around 12 months, the track 'I've Felt Better (Than I Do Now)' has been doing the rounds for a while ahead of this full length and turned many heads in the process.
While that number, and the excellent Daniel Avery remix, is a pretty warm slice of future-bass leaning house with filter (although maybe not quite filter house), the complete package represents a more exploratory and personal sound from the music maker in question, although one that's no less immediate in its engagement of the listener. Simply put, it's very interesting and also very good.
… Read moreWhile that number, and the excellent Daniel Avery remix, is a pretty warm slice of future-bass leaning house with filter (although maybe not quite filter house), the complete package represents a more exploratory and personal sound from the music maker in question, although one that's no less immediate in its engagement of the listener. Simply put, it's very interesting and also very good.
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Cat: LFM2CD 688. Rel: 25 Oct 22
Experimental/Electronic
Review: Back in 2004, during their tour promoting their 'Tour De France Soundtracks' album, Kraftwerk's performance at Cirkus in Stockholm was recorded for broadcast on Swedish radio. This two-disc set presents that recording in full. It's more atmospheric than some of their 'official' live albums (the audience sounds more involved) and includes some killer versions of hits and album tracks. The spruced-up, fully digitised re-make of 'The Model' is a blast, 'Radioactivity' dually creepy and utterly joyous, and the 'Computer World' medley - which also includes 'Home Computer' and 'It's More Fun To Compute' - utterly brilliant. The riotous, ten-minute show-closing take on 'Musique Non-Stop' is also superb.
… Read morePlayed by: Juno Recommends Leftfield
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Review: This cosmic electronic offering comes from Greek musician Yannis Veslemes. Opening track 'The Oracle Freaks' is somewhat reminiscent of the more avant garde side of British glam rock and synth pop - think Pet Shop Boys if they were from the moon. The industrial twinge Veslemes puts on his downtempo electronica gives it a slightly odd, retro futurism feel like on 'Psycho Thermo' that wouldn't be out of place in a dystopian video game - something like F-Zero or, point and click adventure games. His echoing vocals against the liquid bass is intrinsically fantastical, and 'The Well' as a whole just feels like a soundtrack. To what is up to the listeners imagination, and you will need a big one to decode the multi-layered and avant-garde 'The Cure'. In short, 'The Well' is a record that is hard to put in to words and best listened to yourself - an shareable experience.
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Cat: 642216 9. Rel: 10 Oct 22
Techno
Review: Amsterdam DJ, producer and radio broadcaster DJ Marcelle serves up a second album with Berlin label 'Play Loud! Productions. It is one filled with unique rhythms and rich sound designs that sound like nothing else, all with a D.I.Y. attitude at their heart. There is rhythmic and stylistic freedom here right from the off. 'This Record Is Scratched' is a bouncy workout with bright synths and drilling bass. 'Voted Best DJ School (25% Off)' is a minimal and abstract cut while 'Soups On Tour' is weird and hypnotic tackle for the afters. 'The Quarantine House Party Try-Out' is a whirr of malfunctioning machines and 'Smacznego' is sixteen minutes of experimentalism.
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Review: We all have absurd memories but they are unlikely to be as beautiful as those in which Modeste invites us to share. Cannataci Records is a new outlet from Ripperton and Agnes Cannataci and offers up tons of empty space, bass, ambient synths and post-rave comedown sounds that are beautifully delicate yet emotionally impactful. The cavernous tracks come with exquisite vocal samples, plenty of hefty bottom ends but also meaningful melodies. There is an unpolished lo-fi sheen to much of the sound design that makes it all the more warm and lived in.
… Read morePlayed by: Drumpoet, Juno Recommends Bass
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Review: Shiken Hanzo's Eternity Of Echoes EP marks his debut on Anthony Naples and Jenny Slattery's Incienso label outta New York. It is another fine exploration of his halftime drum & bass and rhythmic deep techno sound after previous releases on the likes of Samurai Music, Repertoire and Inperspective. 'Darkest Entities' is just that with its bump drum loops and moody late night pads. 'Eightfold Blessing Of Amaterasu' builds the pressure with serene future synth work and 'Eternity Of Echoes' then brings more texture and menace in the bass. 'The Reaping (Vip)' is a classic stepper from the Autonomic era that will get you locked right in.
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Review: Following up two volumes in the Sextant various artist EP series, the enigmatic Tachyon makes their full proper EP debut here on Swiss imprint Unruh. 'Fried' is very much an advanced take on the minimal techno sound and will effectively warp minds at the afterhour, followed by the mutant electro textures of 'PCM' (dub). Over on the flip, the icy and spatial 'Traffic' takes its cues as much from 2-step as dub techno, followed by the eerie twilight beats of 'Late Chatter'. Tip!
… Read morePlayed by: GK Machine
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Review: Back in 1977, former Tangerine Dream member Klaus Schulze wrote, recorded and subsequently released Body Love, the soundtrack to a now notorious German pornographic movie of the same name. He'd recorded too much material though, so this second volume appeared a few months later. As with previous reissues (it is considered one of Schulze's most accessible albums), the edition also contains bonus cut 'Buddy Laugh', though it's the first three cuts - and specifically the near half-hour opener 'Nowhere - Now Here' - that are the most satisfying. Entirely created using his beloved synthesizers, the music mixes rhythmic electronic pulses, mind-altering noises, and some seriously spacey, elongated solos - plus (in the shape of 'Moogetique') some ghostly, otherworldly ambient. If you loved Dark Entries' releases of Patrick Cowley's brilliant porn soundtracks, you'll love this.
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Review: Talk about creating a universe for yourself. Die Welttraumforscher, or World Dream Explorer, is an imagined musical trio with cosmic tendencies conjured by the mind of Swiss electronic composer Christian Pfluger. Active since 1981, 41 years in and the project is still going very strong and admired by a cult legion of international fans alongside some of the most influential contemporary synth doyens.
Liederbuch is the first new material in some time, an event that will be celebrated by many. Largely rooted in psychedelic indie-tronica, downbeat lounge-worthy beats, and blissful acoustic alt-balladry, it's a beautiful collection showcasing the ingenuity inherent in the music of a truly enigmatic artist who, despite focusing largely on the same endeavour for four decades now, has never remained still for long.
… Read moreLiederbuch is the first new material in some time, an event that will be celebrated by many. Largely rooted in psychedelic indie-tronica, downbeat lounge-worthy beats, and blissful acoustic alt-balladry, it's a beautiful collection showcasing the ingenuity inherent in the music of a truly enigmatic artist who, despite focusing largely on the same endeavour for four decades now, has never remained still for long.
in stock $14.16
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Cat: DAIS 186CD. Rel: 26 Aug 22
Experimental/Electronic
Review: First released 22 years ago at the turn of the millennium, Constant Shallowness Leads To Evil has been described as one of Coil's most "mind-altering creations"; given the fiercely experimental and often otherworldly nature of their catalogue, that's some going. The album, which has now been fully remastered, was one of the first things Coil recorded following their relocation to Weston-super-Mare, and sonically it's as bleak, windswept, and barren as the town itself seems out of season. It's full of droning tones, modular blips, metallic melodies, slowly shifting ambient textures and musical motifs that lap in and out like waves. Furthermore, the album's standout moment, the near 14-minute 'I Am The Green Child', is like some mutant, experimental sea shanty crossed with a hypnotic ambient-industrial raga.
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Review: Shack is back! The master of intricately layered drumming, who has long been twisting our melons with his dark and intriguing experimental sounds, returns to Honest Jons here for some more mind-melting workouts. These feature drums the man himself played in Dakar in February 2020 across three layered and enchanting excursions. The first is a real awakening, the second is more twisted and tight, with toms and echo and bass and hand drums all jumbled up while the third is full of intrigue and mystery, ancient drums run through with modern synth sounds to make for something scrambled yet transcendental.
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Review: Finnish producer Vladislav Delay is releasing their sophomore album as an industrial drone narration of the juxtaposition of returning to urban life after exploring the northern arctic (an idea explored in his previous works). After a long walk or meditative experience of peace, the moment when we thrust ourselves out the front door onto the main road - that is Isoviha. No track better encapsulates the synthetic incessant noise of city life than 'Isonuha' with it's synthetic incessant noise. Industrial crushing and experimental cymbal crashes fight each other in this bloodsport of a track. 'Isoviha' is intense and heavy on the soul, a reflection of it's anti-synthetic narrative.
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Review: There is a new hound in the pound of Berlin label 777. Dogpatrol bares his teeth with this razor sharp EP of visceral electro. The brilliantly titled 'Came Back From Hell & I Feel Good' opes up with roaming synths and slivery percussive slices over booming drums and broken beats. There is more space in the nimble drums of 'Safari Simulator' while 'The Deep Valley Of Self-Neglect' has a heavy, pounding and linear groove. 'Usingmyquirk' brings a haunting vibe with its low end oscillations and shimmering pads and 'Granular Memory Experience' is a wonky and kinetic machine workout for the afters.
… Read morePlayed by: Mark Forshaw, Juno Recommends Breakbeat
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